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Forms part of the Robert Altman Archive. The Commercials series (1 linear foot) includes materials from Robert Altman's commercial production company, Villains. These materials consist of scripts, storyboards, correspondence, and production notebooks.

Commercials, 1984, 2001-2005 forms part of the Robert Altman Archive. The Commercials series (1 linear foot) includes materials from Robert Altman's commercial production company, Villains. These materials consist of scripts, storyboards, correspondence, and production notebooks.

Other Projects and Scripts (6 linear feet) consists of material sent to Robert Altman for consideration as potential film projects. Frequently, Wren Arthur, Altman's assistant, would read and critique these materials, and serve as the contact person for the individual submissions. The material is generally from 1989 to 2003, and arranged by author's last name. Where possible, a submission date is noted.

Other Projects and Scripts (6 linear feet) consists of materail sent to Robert Altman for consideration as potential film projects. Notably, the series includes scripts by Elmore Leonard, Kurt Vonnegut, Tim Burton, Donald Freed, and Anne Rapp. Frequently, Wren Arthur, Altman's assistant, would read and critique these materials, and serve as the contact person for the individual submissions. The material is generally from 1989 to 2003, and arranged by author's last name. Where possible, date is noted. Occasionally, a cover letter was included with script submissions. Many of these projects were never produced, by Altman or any other filmmaker.

In addition, the series includes correspondence, treatments, and other documents from various scripts and projects that were sent to Robert Altman and rejected as potential projects. Much of the material consists of script cover letters sent to Altman with the accompanying return correspondence written by one of Altman's staff. These "passed projects" are arranged alphabetically by the script writer's last name where possible. Among them include script submissions from Carrie Fisher, Billy Baldwin, Paul Newman, Joan Tewkesbury, Linda Yellen, and Stanley Tucci. In addition, Altman was asked to consider such projects as Thank You for Smoking, Benjamin Button, Michael, and The Killer Inside Me.

Also included are various script treatments organized alphabetically by script writer. These treatments, or script coverages, were generally written by one of Altman's employees and included a summary of the script as well as a recommendation to pass or consider the project. The materials under the "possible projects" heading contain those projects that were considered by Altman in some capacity and often contain extended correspondence.

The materials contained under the description "Open-Directing Projects" are printouts sent to Altman by Addis Weschler & Associates describing films in various stages of production that are in need of a director.

The Southeast Asia Lontar Collection contains seven lontar collected between 2019-2022 placed in one oversize box. Lontar are dried palm manuscripts with multiple sheets that depict stories, astronomy, illustrations, and other content primarily from Indonesia. The collection features lontar of varying languages and sizes.

A set of seven lontar (dried palm manuscripts consisting of multiple sheets, with a hole to connect each sheet by string) of various sizes from Indonesia. The lontar depict stories relating to Ramayana, Rama-Sita, Puranic literature, or depict moon phases along with propserous days through llustrations and/or text in mainly Balinese and Sasak langauges. Their outside covers, which are thicker pieces of bamboo or other wood, often have patterns that can help identify the contents.

Lontar no. 1: An accordion-type of lontar made from palm leaves with illustrated sheets and text. Possibly includes drawings depicting the Ramayana story.

Lontar no. 2: A type of lontar referred to as a prasi lontar, which are illustrated without text and retell epic stories in the Balinese language. Focuses on Rama-Sita stories.

Lontar no. 3: Written in the Sasak language, this Lontar is probably a Mahabharata edition. May have been created by a person who migrated to Lombok.

Lontar no. 4: A Balinese lontar consisting of the Ramayana story, identified through the spotted cover and illustrated engravings.

Lontar no. 5: An Indonesian lontar with drawings of the god Indra and his wife Indrani as well as a high priest and his wife. This type of lontar was influenced by India and Puranic literature.

Lontar no. 6: A Balinese lontar part of the wariga genre. Warigra lontar lists the days of the new moon and full moon. Also has a list of prosperous days for daily activities.

Lontar no. 7: A Balinese lontar with handwriting indicating possible origins in Western Lombok.