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1 Linear Foot (One record center box)

This collection details the correspondence and writings of Louis J. Berger, an avid bicycling journalist and enthusiast in the 1880s and 1890s. The collection pimarily consists of his correspondence, most of which is related to bicylicing ethusiasts and cycling clubs. The Bicycling series relates to cycling clubs and magazines, as well as newspaper clippings, song lyrics, and bicycle part receipts. Berger himself worked as the editor for the "Bearings" bicycling magazine in the early 1880s, and as the editor for "Cycling Life" after moving to Chicago in 1887.

The collection is divided into three series: Correspondence, Bicycling, and Personal Clippings and Pamphlets.

The Correspondence series (0.7 linear feet, 1882-1898) contains the bulk of the collection. The correspondence is arranged in alphabetical order by correspondent. The majority of the correspondence is to L. J. Berger. There is a note, "includes outgoing," if letters from Berger to the correspondent are included. In general, there is one letter from each correspondent.

The majority of the correspondence is related to bicycling, either the cycling clubs of which Berger was a member or the cycling magazines where he served as an editor and correspondent. The correspondents range from business acquaintances to good friends of Berger and include editors and writers for sports magazines, officers of the League of American Wheelmen (L.A.W.) and other bicycling clubs, individuals involved in the manufacturing industry related to bike production and cycling enthusiasts.

Correspondence from bicycling clubs and bicycling enthusiasts discuss road conditions and routes, compare bike models, describe club events and travels and analyze club election politics. Two of the more frequent correspondents are Thomas White (Illinois) and James W. Neil (Missouri). A portion of the letters discusses the L.A.W. organization, events and the politics associated with officer elections, most notably from William M. Brewster, E.A. Clifford and Isaac B. Potter..

Correspondence related to the cycling magazines typically discusses obtaining correspondents across the country, the topics they should write on and negotiations of payment. Correspondence includes Berger's efforts to obtain facts for articles and direct correspondents as well as the reactions of readers to the magazines. Berger was an outspoken editor and some of the reader response is in reaction to his criticism of their company or organization. L. J. Berger also wrote road books for bicyclists, and some correspondence concerns road conditions in Missouri for his book.

Bicycling (11 folders, 1885-1941) includes papers related to cycling clubs as well as a letter to Cycling Life protesting an editorial, a note on Bearings finances, a few newspaper clippings with images of bicycles, song lyrics for biking songs and receipts for bicycle parts.

The three cycling clubs represented in the collection are the Chicago Cycling Club, the Missouri Bicycling Club, and the St. Louis Ramblers. For the Chicago and Missouri clubs there are announcements for meetings, membership lists and receipts for membership dues. The majority of the material is related to the St. Louis Ramblers and includes meeting minutes, financial statements, correspondence from when L. J. Berger was the secretary and circular letters from the 48th annual meeting of the St. Louis Cycling Club that outline the history of bicycling in St. Louis in the 1870s and 1880s and discuss the changes in bicycling up until the time of the meeting in 1935. Personal Clippings and Pamphlets (1 folder, 1916-1922) contains materials collected by Berger that are not directly related to bicycling. The topics include motorcycles and automobiles, engine technology, phonographs and how to learn shorthand.

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.5 Linear Feet (1 manuscript box)

Henry Buck graduated from the University of Michigan in 1858 and was granted an M.A. degree in 1861. He was admitted to the bar and practiced law briefly in Grand Rapids. He joined the 51st Illinois Infantry Regiment of Volunteers, becoming an acting First Lieutenant on June 15, 1862, and was placed in command of his company about January 15, 1863. On September 19, 1863, at the Battle of Chickamauga, he was killed instantly with a shot in the head. The letters and diary are entirely concerned with his experiences and observations while serving with the Union Army. A biography of Buck, and his obituary, are included in the papers.

Within this collection is Buck's diary (the original, damaged by a bullet), a transcribed copy of the diary (hand unknown), Buck's letters home to his family in Ypsilanti, his obituary, a map of the Battlefield of Stone River, and his officers' bars (indicators of rank).

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0.5 Linear Feet — 1 manuscript box

The Lucius L. Hubbard Papers consist of correspondence received by Hubbard in the years of 1918 through 1922, largely regarding the publishing of two monographs: A Dutch Source for Robinson Crusoe (1921) and Contributions Toward a Bibliography of Gulliver's Travels (1922). The folders that comprise this collection are sorted chronologically, which retains the original order of the papers.

The Lucius L. Hubbard Papers contain correspondence received by Hubbard in the years from 1918 through 1923. Despite his prominent career in the field of geology, these letters focus on his other scholarly pursuits, particularly his collection and study of Robinson Crusoe and Gulliver's Travels. Through his collection of various editions of these novels, as well as others, Hubbard developed bibliographic records and analyses through the publishing of monographs regarding these texts: A Dutch Source for Robinson Crusoe (1921) and Contributions Toward a Bibliography of Gulliver's Travels (1922), respectively.

The letters contained within these papers contain correspondence between colleagues, publishers, and other interested parties regarding Hubbard's literary pursuits and the path towards publication. Several letters discuss attempts at publicity in various mailings to spur interest in the scholastic merit offered through Hubbard's bibliography. While many others are from collaborators discussing the ongoing work towards Hubbard's developing collection and his manuscripts.

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3 Linear Feet (1 record center box and 3 flat (drop front) oversize boxes)

American political figure in the late 19th and early 20th centuries; appointed Governor General of the Philippines in 1901; 1906-1907 served as the ambassador to Japan; appointed Secretary or War under President Theodore Roosevelt from 1908-1909. Collection includes correspondence, household budgets, invitations, letters of reference, documents, clippings and photographs reflecting aspects of Wright's diplomatic career in the Philippines, Japan and the United States. The bulk of the collection covers Luke and Katherine Wright's lives during their appointment to the Philippines, 1900-1906. Of particular interest are letters from Theodore Roosevelt, William Taft and Leonard Wood.

The collection is arranged in three series: Philippines, Japan and the United States. Under each main series are sub-series of correspondence, documents, clippings and photographs. The majority of material is from the Philippines series. The Philippines series consists of correspondence, documents, clippings and photographs. The majority of correspondence consists of incoming and outgoing letters to Wright with the bulk of letters dating from 1900-1905. Many of the letters are requests for jobs from a variety of military, personal and political contacts from Tennessee and letters of introduction. Letters of interest include correspondence from Theodore Roosevelt, William Taft and Leonard Wood. Included is a typed letter signed by President Theodore Roosevelt informing Wright he would replace Taft as Governor General of the Philippines. The documents sub-series include field reports from various civil government servants in areas outside of Manila. Clippings include an undated supplement from the Manila Times Newspaper. In the photographs sub-series a photograph of the three Philippines Commissioners Luke Wright, William Taft and Henry Ide is included along with two albums of photographs of various events and places in the Philippines. Album One includes interior and exterior views of Malacanan Palace, Wright's official residence in Manila. Album 2 is an assortment of 65 pictures of Philippine landscapes, architecture and indigenous peoples. The Japan series reflects the one year Wright spent as Ambassador to Japan. Correspondence includes letters addressed to his wife Katherine Wright. The documents sub-series include a variety of calling cards or visiting cards as well as invitations to a variety of social and political events. In the clippings sub-series, a scrapbook filled with newspaper articles from various sources highlight Wright's career as the ambassador to Japan. Many articles discuss the topic of Wright's resignation amid a climate of anti-Japanese racism in California. The United States series is the smallest series consisting of one letter dating from 1883, receipts, and the book cover only of the Annual Report of the Secretary of War from 1911.

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2.25 Linear Feet — Two manuscript boxes, one record center box, one flat box

Photographs, correspondence, ephemera, and trophies relating to the Thompson family of Detroit. While most of the material relates to the elder Thompsons (Mamie L. and W.A.) and their work with the NAACP, there is also a scrapbook highlighting the accomplishments of their son, Arthur L. Thompson, the first black medical officer in the Navy. Highlights include both formal portraits and informal family snapshots, correspondence related to the NAACP (including a signed letter from Walter White), and trophies the elder Thompsons received in recognition of their service. Most material dates from the 1920s-40s, with smaller amounts of material up to the 1960s.

The collection is approximately 2.25 linear feet. The bulk of the collection is photographs, both in albums and loose, totaling more than 400 photos. Some are posed, formal shots and others are informal snapshots or Polaroids taken between the 1920s and the late 1960s. A small number of photos (presumably of the Thomspsons' ancestors) predate the 1920s. The photos mostly depict the home lives and recreation of the Thompsons and friends. Awards recognize the Thompsons' contributions to the NAACP and fundraising efforts. Correspondence and newspaper clippings are limited to one sparse folder apiece, and again mainly concern the activities of the Detroit branch of the NAACP. Also included is the guest book for an "Interracial Fellowship party" hosted by the Thompsons in December of 1950 and a scrapbook documenting their son's military career.

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2.01 Linear Feet

The Mirisola Mirisola Papers collection consists of 5 boxes and comprises materials produced during the first 15 years of his career (1989 – 2004). An inventory of the collection was made available by the author.

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0.25 Linear feet (1 small manuscript box.)

Marcus Graham was the pseudonym of Shmuel Marcus (1893-?), Rumanian-born editor of the anarchist journal Man!, which was published from 1933 to 1940. His papers include letters from Michael A. Cohen, Frederick J. Gould, Bolton Hall, and Henry J. Stuart, and two essays by Steven T. Byington, "Why is a War?" and "Benjamin Ricketson Tucker," all marked for apparent publication in Man!, a letter from Max Metzkow enclosing an anarchist leaflet about the Homestead Strike circulated shortly before the trial of Alexander Berkman, and a letter from D. Alonso concerning the Comite pro Libertad de Prensa Marcus Graham and translating a Graham pamphlet into Spanish. (http://www.lib.umich.edu/labadie-collection/archives-and-manuscripts-g-l)

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54 boxes, 8 oversize boxes, and 3 portfolios (approximately 54 linear feet) — Photographs are found in box 49 and oversize box 4. — Artwork in box 35, oversize box 7, and portfolio 3. Videotapes in box 54. (DVD copies are available.) — Audio material is in boxes 50-53. — Printed material is in boxes 46 and 47. Published books and serials have been cataloged separately.

Marge Piercy is an internationally recognized feminist poet and writer. A University of Michigan alumna, Piercy is the author of over thirty published works and a contributor to numerous journals and anthologies. The collection documents Piercy’s work as a writer, through manuscripts, literary correspondence, printed ephemera, videotapes, and audio material, as well as a small number of photographs and personal artifacts. Also present are works of others based on or relating to Piercy’s writings. The bulk of the collection is comprised of thirty-four feet of manuscripts and nine feet of correspondence.

The Marge Piercy Papers were deposited with the Special Collections Library by the author in 1987. Since then, she has continued to make frequent additions to the collection. The collection offers insight into Piercy’s literary career from the late 1950s through the present, primarily by way of manuscripts of nearly all of her works, present in early drafts through to production stages. Audiovisual material, photographs, artifacts, and artworks supplement the picture.

Besides documenting the professional life of one of America’s leading feminist writers and activists, the collection offers a glimpse at the literary magazine publishing scene of the 1960s and following, particularly the feminist presses and magazines (such as CALYX and 13th Moon) which Piercy wrote for and championed. Correspondence with other poets and writers, as well as to fans, reveals Piercy’s development as a writer, her views on important issues, and her influence on others. The collection also steps beyond the literary world (mainly through correspondence) to show Piercy’s collaborations with and support of artists, musicians, and activists (especially women in these fields)--thus reinforcing the fundamental connection for Piercy between her writing and all other aspects of her life.

With roughly fifty-four linear feet of materials, the Marge Piercy papers are divided into eight series: Writings; Correspondence; Other Activities; Personal; Ephemera; Works by Others; Photographs and Negatives; and Audiovisual. Researchers should note that books and serial publications by or from Piercy have been separated from the collection and cataloged individually.

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Collection

Marge Piercy Papers, 1958-2004 (majority within 1966-2003)

54 boxes, 8 oversize boxes, and 3 portfolios (approximately 54 linear feet) — Photographs are found in box 49 and oversize box 4. — Artwork in box 35, oversize box 7, and portfolio 3. Videotapes in box 54. (DVD copies are available.) — Audio material is in boxes 50-53. — Printed material is in boxes 46 and 47. Published books and serials have been cataloged separately.

.25 Linear Feet (1 small manuscript box (less than .5 linear feet))

This collection is comprised of a typescript carbon copy of Maria C. Lanzar-Carpio's doctoral dissertation, titled "The Anti-Imperialist League" (University of Michigan, 1928), and three letters to Lanzar-Carpio. This is part of the larger Lanzar-Carpio Collection, which also includes the Herbert Welsh Papers as well as the Erving Winslow Papers.

These four items include a typescript carbon copy of Maria C. Lanzar-Carpio's doctoral dissertation, titled "The Anti-Imperialist League" (University of Michigan, 1928), and three letters to Lanzar-Carpio.

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.01 Linear Feet — One folder stored in a manuscript box containing multiple single-folder accessions.

This collection includes five letters, both handwritten and typed, between American playwright Marion Short and her publisher, Edgar S. Werner and Co. The correspodnence discusses selling copies of her works, "A Legend of Bubble Land" and "An Orchard Romance" as well as depicting Short's growth of her career as demands and taste change with the ratification of the 19th Amendment. Details provided by Whitmore Rare Books.

Five letters of correspondence between American playwright Marion Short and her publisher, Edgar S. Werner and Co. The letters span between 1896 and 1928 and show an evolution of Short's career and ability to adapt as a businesswoman. Notable areas of research include: LGBTQ+ studies, women's business collaborations, women's literary collaborations, the history of theater and film in the US, the role of early women in film, and the rise of women in publishing after suffrage. Since this collection is one folder, it is housed with other single folder collections.

Details provided by Whitmore Rare Books.

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