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Student at the University of Michigan, later professional stage actor. Playbills from Detroit and University of Michigan productions, theatrical publications, miscellaneous correspondence, clippings, and writings; and photographs.

The Forsyth collection includes some correspondence, journals (1914-1917), playbills from productions in the Detroit and Ann Arbor area, clippings about his theatrical career, and miscellaneous photographs.

Philip Kerr, a professional actor, taught theatre at the University of Michigan from 1984 to 2012. In addition to teaching courses in the Department of Theatre and Drama, he directed many productions put on by the department. This collection includes material documenting these productions and his role as a faculty member.

The Philip Kerr Papers document Kerr's time at the University of Michigan as a professor in the Department of Theatre and Drama. They primarily contain records and publications from productions in which Kerr was director or an actor, as well as administrative records reflecting Kerr's role and experiences as a faculty member within the Department of Theatre and Drama, especially his efforts to improve the quality of the department, such as the establishment of the Bachelor in Fine Arts degree program. The collection is arranged into five series: Biographical, Correspondence, Photographs, Productions, and Topical.

University of Michigan student photographer for the Michiganensian; photographs of images used in the yearbook.

This is a collection of photographic contact sheets and negative strips taken by Joe Grimm The photographs have been arranged alphabetically by topic. Principal areas covered include student activities and events, notably athletic contests and musical and dramatic performances.

James F. Coakley was an assistant professor in the Department of Speech at the University of Michigan from 1966 to1971. Focusing mainly in theatre and literary interpretation, he was responsible for directing and managing many of the plays that were put on by the University Players during his time at the University of Michigan. Notable productions include The Homecoming, Lysistrata, Much Ado About Nothing, and Arthur Miller's After the Fall. Includes photographs from a 1967 production of After the Fall where Arthur Miller was present. Also scrapbooks, photos, and slides from other productions by the University of Michigan's University Players during 1966-1971.

The collection provides some documentation of plays Coakley staged with the University Players, notably Arthur Millers After the Fall, and lecture notes for courses he taught. The collection is organized into three series: "After the Fall", Photographic Slides, Speech 230 "The Arts of the Theatre" and Scrapbooks.

Papers, 1962-1985 of the Professional Theatre Program at the University of Michigan. Contain executive director's file, including correspondence, newspaper clippings and related theatrical material of Robert C. Schnitzer, and publicity files of clippings and press releases concerning play productions and other programs.

The Professional Theatre Program records include executive director's files (1962-1972), Professional Theatre Program Fellows Tour files (1966-1972), publicity files (1962-1985, films and photographs. Planning for the Power Center and the early years of its operation are also covered.

Visual materials includes films of classical drama programs for schools, and photos of PTP directors. Recordings consist of uncompiled sound clips, background music, and sound effects for a film entitled "Conjuror."

Professor of drama at University of Michigan, chairman of the Committee on War Activities of the American Educational Theatre Association, and secretary of the Theatre for Victory Council during World War II. Files concerning his war activities, including correspondence, scripts, course materials and printed matter; and photographs.

The Kenneth Rowe Collection, though covering the period 1940-1953, largely concerns the years of World War II and the activities of Rove as chairman of the Committee on War Activities for the American Educational Theatre Association (AETA); as secretary of the Theatre for Victory Council; as consultant to the National Theatre Conference (NTC), official agency for all dramatic activities of the Combined Armed Forces; and as drama consultant to the U.S. Department of Treasury, the Office of Civil Defense, and the Office of Education. Rowe's work in all of these efforts concerned the use of drama as a propaganda tool to raise morale and to define America's goals.

The Rowe collection consists of two linear feet of correspondence, reports, newsletters, play scripts, and printed material. The collection begins with general correspondence followed by files which have been arranged by the name of theatre organizations in which Rove was involved.

Various posters advertising theatrical and musical productions put on by the University of Michigan School of Music, Theatre & Dance and related units ranging from 1936 to the present. Includes posters from the Department of Speech (before the School of Music had a separate theatre department). Dance Company, Department of Music, Department of Musical Theater, Department of Theater and Drama, and the Opera Theater program.

The University Productions posters collection contains posters largely created by University Productions which handles music, dance, voice, and theatre productions for the University of Michigan School of Music, Theatre & Dance. The poster collection is arranged in eight series: Collage Concerts, Dance Company, Department of Music, Department of Musical Theater, Department of Speech, Department of Theater and Drama, Opera Theater and Oversize Files.

Professor of speech communication and theatre at the University of Michigan. Correspondence and other materials relating in part to his interest in university theatre productions.

The William P. Halstead papers consist of correspondence, clippings, theater programs and other materials relating to his work in the Speech Department and to his interest in university theater productions. (Halstead bound most of his papers in chronological order. The bound volumes and additional unbound materials are separated into five series: Personal, Production Materials, University of Michigan, Department of Speech, Miscellaneous, and Photographs.

Student papers, 1930-1987 prepared for classes in history at the University of Michigan (primarily Michigan history class taught by Lewis G. VanderVelde, but also including research papers for classes taught by Sidney Fine and others); topics concern Michigan social and political history; Michigan biography and bibliography; and local community history.

The student papers are organized alphabetically by author in two series, which are similar in date range and topics covered. Topics of papers concern Michigan social and political history; Michigan biography and bibliography; local community history and University of Michigan history. A topical index to the papers is available in the first box of the collection.

The Drama Season of the University of Michigan is a theater group on campus. Prior to 1952 known as the Ann Arbor Drama Season; the organization did not function from 1943 to 1948. The records collect scrapbooks, 1938-1942 and 1949-1961, containing clippings, programs, and production photographs; also correspondence files, legal and financial papers relating to operation of this Ann Arbor, Michigan, professional theater program, during the directorships of Robert Henderson, John O'Shaughnessy, and Valentine Windt.

The Drama Season records span the years 1929-1966. The material consists of scrapbooks from 1938 to 1942 and 1949 to 1961 (2 linear ft.) which contain mainly clippings from local and national newspapers, along with some programs and photographs.

Also included are alphabetically arranged administrative files relating to the operation of the theater and the performances. Materials include correspondence, legal and financial files and press releases. The bulk of this material is from the 1950s and 1960s.

The photographs series includes a photo album and production photographs, mostly from the 1950s and autographed photos of Lillian Gish and Billie Burke.