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This collection is primarily made up of photographs, periodicals and clippings, and ephemera related to World War I. The materials pertain to the occupation of France and Belgium, peace efforts, and the American-British-French-Belgian Permanent Blind Relief War Fund, among other subjects.

This collection is primarily made up of photographs, periodicals and clippings, and ephemera related to World War I. The Photographs consist of 422 prints and 240 negatives; a few of the prints are duplicates, and some images are represented by both prints and negatives. Most of the personal photographs were taken in numerous locales in France between 1916 and 1919, often showing rubble and destruction, camouflaged outposts, healthy and wounded Allied soldiers, nurses, medical automobiles and other scenes directly related to the war. Some items feature artillery pieces, dugouts or bunkers, warships, and the front lines; one shows an artillery explosion. German-language signage is visible in a few photographs, as are German and Allied cemeteries and grave markers. One group of images relates to the victory parade held after Woodrow Wilson's arrival in Paris in 1918. Views of French churches, chateaux, and towns are also present. Some of the personal photographs from the war period are informal portraits of French men and women, including a group of girls with large Alsatian hair bows.

The collection contains some commercial photographs, with captions written directly on the negatives. These include views of dead soldiers, artillery pieces, and a picture of a French tank division heading into battle. One captures the explosion of a German mine in Cambria, and one features Ferdinand Foch and John J. Pershing.

Other groups of photographs date from before the war. A group of photographs taken in Albany in 1909 includes a view of the Emma Willard School. One group of prints is comprised of views of Ely Cathedral and the various colleges of the University of Cambridge. Another set concerns a trip to Mexico, particularly Oaxaca and Mitla. These pictures feature natives in local dress (often carrying large loads), an outdoor produce market, and horse- or mule-drawn vehicles.

The Ephemera series includes 5 empty albums once used to house some of the photographic negatives in the collection, including captions. Two empty photograph envelopes are housed with the photographs, as are a Kodak exposure guide, a manual for the No. 0 Graphic Camera, and a number of loose articles laid into the cover of an issue of Kodakery. A group of 19 large broadsides and notices includes items in English, French, and German. Many of these are the German army's posted notices to residents of occupied towns in France and Belgium, which list rules and regulations related to curfews, "voluntary" work, and other aspects of daily life. One lists methods for picking nettles and offers rewards for residents who provide them, one warns against alcohol use, and one contains news about the Germans' progress toward Paris. Also included are three advertisements for French war bonds, a sign encouraging viewers to "Help Re-chickenize Devastated France," and a sign for an Army telephone station.

One group of items pertains to theAmerican-British-French-Belgian Permanent Blind Relief War Fund. This series includes a printed appeals by Helen Keller and the association's leadership, a pamphlet highlighting the organization's work, and reports by numerous organizations seeking to provide relief for blinded soldiers. Items printed in Braille include a list of rules for the Blinded Soldiers' and Sailors' Hostel in London, alphabet cards, a book with raised illustrations of several animals and parts of the human body, and several other items printed only in Braille.

The collection also includes a large number of Periodicals and Printed Items , including complete issues of and extracts from American magazines such as Vogue, the Illustrated London News, Dress & Vanity Fair, and The Red Cross Magazine; French publications such as L'Illustration, La Baionnette, and Les Arts Français; and the Austrian magazine Kikeriki. Many of these include photographs or other illustrations of winter recreational activities and World War I-era soldiers. Newspaper clippings often refer to the progress of World War I and to the peace process; one clipping pertains to the relationship between Calvin Coolidge and Herbert Hoover in 1932. Other printed materials concern Germany's justifications for going to war, the German and Allied delegations' responses to the first draft of the Treaty of Versailles, and the capture of German artillery ("I have captured a boche Machine gun... what can I do with it?"). Other items include a musical score for a Girl Scout song entitled "Onward," French ration tickets, and a hand-colored lithograph by Marcel Jeanjean showing several French soldiers carrying logs across a battle-scarred landscape while smoke rises in the distance.

The Walter Crane papers contain 88 letters, 2 postcards, and 1 Christmas card written by Corporal Crane to Ruth Backof, a former high school classmate, while he served in the Machine Gun Company of the 138th Infantry Regiment during the First World War. He described his experiences in training at Camp Clark, Missouri, and Camp Doniphan, Oklahoma. Crane also reported extensively on his involvement in combat along the Western Front, including his service in the Meuse-Argonne Offensive and on life in the trenches.

The Walter Crane papers contain 88 letters, 2 postcards, and 1 Christmas card written by Corporal Crane to Ruth Backof, a former high school classmate, while he served in the Machine Gun Company of the 138th Infantry Regiment during the First World War.

Crane wrote his first letters while training at Camp Clark in Nevada, Missouri, in September 1917. He inquired about mutual friends and reminisced about his time at McKinley High School in St. Louis, Missouri. After moving to Oklahoma's Camp Doniphan in late October, he discussed his fellow soldiers, training exercises, and leisure activities. On December 25, 1917, he copied lyrics to a soldiers' song entitled "When Our Machine Guns Are Starting to Roar (for Me and My Gal)," and mentioned that his unit played sports in their spare time. Several envelopes bear the skull-and-crossbones insignia of the 138th Infantry Regiment's Machine Gun Company.

In April 1918, Crane moved to Camp Mills on Long Island, New York, and made final preparations to travel overseas. A May 14, 1918, letter provides an account of the trip. He first wrote from France on May 25, 1918, describing his journey across England. The remaining letters contain his impressions of France and news of his military engagements. Crane's vivid war letters mention both simulated battles (July 30, 1918) and real engagements. His stories of life in the trenches include several featuring trench rats. Between August and October, he wrote about his experiences in combat along the front lines just before and during the Meuse-Argonne Offensive -- the letters dated August 18, 1918, and October 6, 1918, are especially detailed. After November 1918, Crane’s company stayed in training near "Grimaucourt," France, despite the armistice. He continued to describe his daily life and on December 12, 1918, he copied three pages of poetry written by Sergeant S. F. McElhiney, a member of his company. On April 23, 1919, he wrote his final long letter while aboard the USS Kroonland, and, after he landed in the United States on the 29th, he sent Ruth a brief telegram.

The two French postcards are dated October 9 and December 21, 1918, and the Christmas card (1917) bears the insignia of Crane's unit. These three items are filed with the correspondence.