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This typescript contains John Henry Otto's detailed recollections about his service in the 21st Wisconsin Infantry Regiment, Company D, during the Civil War.

This typescript (646 pages) contains John Henry Otto's detailed recollections about his service in the 21st Wisconsin Infantry Regiment, Company D, during the Civil War. The narrative is divided into an introduction and 52 chapters, with outlines provided at the beginning of each chapter. Otto made two longhand copies of his reminiscences around 1902 and presented them to his sons August and George; Vincent R. R. Carboneau, Otto's grandson, created another longhand copy in early 1943. This typescript, completed by Carboneau's daughter, Phyllis McGrath, in 1977, is a typed version of Carboneau's manuscript, with original spelling, grammar, and punctuation intact.

The typescript, based on Otto's original war diaries, concerns the entirety of his Civil War service, from his initial enlistment in August 1862 to his final discharge in June 1865. An early chapter contains brief notes about his previous military experiences in the Prussian army, with which he served in wars against Denmark (1848) and Austria (1850-1851), and he occasionally referred to his wife and children in Wisconsin. He discussed Wisconsin residents' response to the war and the renewed call to arms in late 1862 and shared stories of his interactions with civilians and military personnel throughout his time in the South, including other German-American soldiers and both Union and Confederate sympathizers. Otto encountered runaway slaves and freedmen and occasionally referred to the Emancipation Proclamation. In 1864, he expressed his negative opinion of George McClellan and McClellan's nomination for the presidency.

Most of Otto's reminiscences concern his daily experiences, and some parts of the narrative are structured like a diary. Otto described camp life, winter quarters, drilling, equipment, and the areas he passed through and visited in Kentucky, Tennessee, Georgia, South Carolina, and North Carolina. In September and October 1864, he visited Wisconsin on furlough. The typescript includes his detailed recollections of the Tullahoma Campaign, the Atlanta Campaign, Sherman's March to the Sea, and the Carolinas Campaign; numerous skirmishes; and major engagements such as the Battle of Perryville, Battle of Stones River, Battle of Hoover's Gap, Battle of Chickamauga, Battle of Resaca, Battle of Kennesaw Mountain, Battle of Peachtree Creek, Siege of Atlanta, and the Battle of Averasboro. He recounted in-battle movements, the experience of coming under fire, and deaths. Otto witnessed a few executions, including that of at least one deserter, and wrote about the capture of Confederate prisoners and equipment. While in the Carolinas near the end of the war, he befriended a young mulatto boy, "Joe Hooker," who returned with him to Wisconsin in 1865. After the 21st Wisconsin Infantry Regiment participated in the Grand Review of the Armies in May 1865, Otto remained in Washington, D.C., where he did some sightseeing. The final pages of the typescript include a copy of Sherman's farewell address to the army.

From about 1860 through at least the end of the Civil War, Samuel C. Taylor worked as a salesman for the Philadelphia clothing firm of Charles Stokes & Co. The 1863 portion of his journal contains almost daily entries between February and May, vividly describing his travels from Philadelphia to Memphis and social life in Memphis during the Civil War. The 1890 portion of the journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south.

The Taylor journal is a single, 3/4 leather-bound volume in two sequential parts, the first dated 1863, the second, 1890. The journal is probably a transcript made in 1890 or 1891 from the original, based on the style of binding and paper, and the continuity in handwriting and pen between the two dated parts. The 1863 portion, 260 pages long, takes the form of almost daily journal entries from the time of Taylor's departure from Philadelphia on February 16th, through his stay in Memphis, until his return to Philadelphia on May 16th, and is uniformly well written and interesting. It is a far more polished piece of writing than many journals, and may have been corrected or embellished at the time of its transcription. At its best, Taylor's prose has the feeling of Mark Twain's exuberant descriptions of life on the Mississippi, leavened with the cynical undercurrents of Melville's Confidence Man., and though it is brief, covering only a four months' residence, the journal is a valuable social record of life in wartime Memphis as seen by a person come to take advantage of the quick money to be made. Taylor has a preference for the "colorful" aspects of life in Memphis, and includes vivid descriptions of the shoddy accommodations, the venality and corruption, rampant violence and crime, and of soldiers, prostitutes, rebels, drunks and rowdies. Throughout, he displays an eye for the telling detail, a good sense of humor, and an unerring flair for making a good story out of difficult circumstances.

Among the several highlights in the journal is an excellent description of the steamboat trip to Memphis, during which a "Jewish" swindler/gambler managed to con his way out of several tight spots by his using his wits and his finesse with cards. Once in Memphis, Taylor provides memorable descriptions of the city in all its war-time depravity, and vivid accounts of long lines of ragged, worn-out soldiers marching in to town, of murder, robbery and charlatanism, of prostitutes and drunks shouting and shooting in the streets, and of the characters, like himself, who have descended on the city to turn a quick profit, legally or illegally. Taylor was somewhat less accomplished in his poetry, though his poem about life in Memphis during the war is an amusing, sarcastic look at the closet secessionists of the city, Memphis' cheerless, malattired women, crime, and the amusement he occasionally found, including listening to the "darkies" singing. One quatrain summarizes his attitudes well: "What an awfull place to live in / Now I'll stop or freighten you (sic) / Yet upon my word of honor / What I've written you is true" (p. 106).

Taylor's attitude toward Jews, synonymous with swindling merchants in his mind, and African-Americans is highly stereotyped. He is, however, somewhat sympathetic toward slaves and freedmen even as he is willing to have a laugh at their expense. In Memphis, he attended a religious service for freedmen delivered by a mulatto preacher named Revels. Taylor was genuinely moved by the sermon, and seems to have agreed with its message. He is also somewhat sympathetic with the "contrabands" he sees being trampled by Union soldiers, or boating up river, half-dressed and hungry to a mission in Missouri. In general, though, Taylor is inclined toward a cynical view of strangers, and is always on his guard for the cons and crooks that were abundant in Memphis.

The 1890 portion of the Taylor journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south. They include:

1. "Sketches from the South," (Chattanooga, April 3, 1890: p. 263-268)
2. "A Kentucky Wheelman," (Louisville, Ky., April 20, 1890: p. 269-271)
3. "A Hodoo Doctor" (Birmingham, Ala., April 30, 1890: p. 272-275)
4. "The Negro Drill Workers" (Memphis, Tenn., May 2, 1890: p. 276-279)
5. "The Georgia Cracker, The Alabama Razor Back" (Atlanta, Ga., May 10, 1890: p. 280-284)
6. "New Orleans, La." (May 20, 1890, New Orleans: p. 285-293)
7. "Pensacola, Florida" (September 20, 1890, Pensacola: p. 293-295)

These essays are the interesting products of a talented writer, who, though sympathetic observer of southern society, is nevertheless mired in the ingrained attitudes and prejudices of his day. In the first essay, Taylor discusses the phenotype of African-Americans and the several "clases or sets" that comprise the African-American community in the South, from the rich, to the merchants, mechanics, drill men, tramps and the "poor old uncle." "The hoodoo doctor" and "The Negro drill workers" are somewhat longer essays along the same lines, and are written as first hand experiences. In "A Kentucky wheelman" and "The Georgia cracker, the Alabama razorback," Taylor turns his eye to the poor white community in the deep South, and paints a dismal view of the state of their culture. Essays 3, 4, and 5 also include crude, pen and ink illustrations of the subjects of the essay.

The Simeon Gallup papers are comprised of 30 letters written by Gallup to his sister, Emily, while he served with the 1st Rhode Island Light Artillery Regiment during the Civil War. Gallup bluntly offered his opinions about a number of aspects of the war and provided detailed descriptions of his experiences in North Carolina and Virginia.

The Simeon Gallup papers are comprised of 30 letters written by Gallup to his sister Emily, while he served with the 1st Rhode Island Light Artillery Regiment during the Civil War. Gallup's correspondence covers most of the war, and includes his bluntly expressed opinions on a number of topics related to the war's administration. Gallup frequently complained, for example, about the tedium of parades, and expressed hope that Lee's invasion of the North would stymie the growing Copperhead movement (June 21, 1863). Simeon provided an unflattering portrait of Southerners (June 22, 1862) and displayed a loathing toward censorship of soldiers' letters, but though he often depicted the words of contrabands and other African Americans in simplified dialect, Gallup expressed admiration for units of the U. S. Colored Troops attached to his brigade: "I have quite as much confidence in them for their fighting qualities as in any others who went with us. Such a thing would not have seemed possible" (February 12, 1864). His letters reflect a fair amount of frustration at the artillery's stint performing cavalry duties, as well as boredom while stationed in New Bern, North Carolina, but Gallup saw action several times throughout his military service. Several of his letters describe rebel troops and destruction occasioned by the fighting, and he shared a particularly wrenching account of experiences during the Siege of Petersburg (May 19, 1864). Also of interest is a description of a sword presentation to General Ambrose Burnside, including a description of the Union's commanding general (June 22, 1862). One additional letter in the collection was composed by a soldier known only as "S. P. C.," who wrote to his parents while recuperating from a shoulder wound in Chesapeake Hospital (undated).

The Peterson papers consist of 14 letters addressed to Simon Peterson of Oakfield, Mich., written by acquaintances in Civil War service.Although war-related content is comparatively sparse, there are reports of the battle of Shiloh and the advance on Corinth, references to daily routine, marches, the pros and cons (mainly cons) of post-war service, and slaves in Alabama.

The Peterson papers consist of 14 letters addressed to Simon Peterson of Oakfield, Mich., written by acquaintances in Civil War service, including soldiers in Co. C, 13th Michigan Infantry (William N. Barnard, Bradley McArthur, Isaac Lewis Tower, and R.L. Wells) and Co. L, 1st Michigan Cavalry (H.A. Rowley). One letter was written by Peterson's cousins, Nellie and E. C. Schumeshorn, of Clifton Park, N.Y. Most of these letters are brief and relatively breezy, and their most notable feature may be the wide assortment of stationery and envelopes emblazoned with patriotic scenes, figures, and mottoes.

Although war-related content is comparatively sparse, there are reports of the battle of Shiloh and the advance on Corinth, references to daily routine, marches, the pros and cons (mainly cons) of post-war service, and slaves in Alabama. H.A. Rowley's letters are particularly interesting in that he actively discouraged thought of Peterson's (or anyone else's) enlistment. After the war, one of Peterson's friends, R.L. Wells, became a successful photographer in Cleveland, and one of his letters encloses some excellent, unmounted samples of his work.