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Professor of anthropology at University of Michigan, student of the culture of the Pueblo Indians of the southwestern United States, and of the career of early American anthropologist, Lewis H. Morgan. Correspondence files, articles and reviews relating to all phases of his anthropological interests, research notes on Lewis H. Morgan, and field notes pertaining to his trips among the Pueblo Indians, and collection of scholarly publications.

The Leslie A. White papers document the fifty-year career of one of America's most distinguished and influential anthropologists. The collection documents through correspondence and other materials the development of modern anthropological theory and practice, particularly the concept of cultural evolution and his theory that the control of energy is basic to the evolution of culture. The collection has been arranged into the following series: Correspondence; Course Work; University Career; Biographical/Personal; Writings; Speeches and Lectures; Miscellaneous; Field Notes and Research Trips; and Published Materials.

Professor of sociology, University of Michigan; correspondence and other papers concerning Angell's work with UNESCO, American Sociological Society, and International Sociological Association; papers concerning published books and articles; unpublished manuscripts of writings.

The Angell papers document the life and professional activities of a renowned sociologist and university teacher. The collection dates from 1923 to 1984 though the bulk of the papers fall within the period of the 1940s through the 1960s. The collection has been arranged into five series: Biographical information/autobiographical essays; Correspondence; Books, articles, and other writings; Organizational Affiliations; and Topical Files.

Architect, professor of architecture at the University of Michigan. Biographical information; subject files relating to his professional activities, his involvement with the International Congress for Modern Architecture, his interest in architectural education, and his own design work; photographs and architectural drawings. The collection includes correspondence exchanged with Buckminster Fuller and Walter Gropius. There is also a letter from Lewis Mumford.

The Walter Sanders collection consists of architectural drawings and photographs, correspondence, and subject files dating from the mid-1930s to his death in 1972. The collection begins with a folder of biographical material followed by a series of folders arranged alphabetically by topic or type of material. Judging by the fullness of his career, it is apparent that these materials represent but a fragment of the documents created and accumulated by Walter Sanders during his professional lifetime. The materials extant in this collection provide a sampling of Sanders' designs, his architectural philosophy, his professional associations, and his teaching career.

The richest portions of the collection include those files of correspondence with other architects and his association with CIAM (the Congrès Internationaux d'Architecture Moderne) or the International Congress for Modern Architecture. Some of Sanders' correspondents include Buckminster Fuller, Walter Gropius, and Lewis Mumford. There are few materials in this collection relating to Sanders' own designs. Except for photographs and drawings of his Ann Arbor residence, the most interesting drawings are for the Pencil Point Home Competition (undated) and for the Chile Pavilion at the 1939 New York World's Fair. Course and class material is also limited though something of Sanders' views on architecture will be found in the "Talks" folder.