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Collection

James Maxwell Mudge papers, 1951-1970

1.2 linear feet — 1 oversize folder

Michigan newspaperman; correspondence and clippings of articles and columns.

The collection consists primarily of clippings of newspaper articles and columns. In addition there is a scattering of correspondence, certificates, and drafts of speeches. Many of the articles relate to Detroit Mayor Jerome Cavanagh, especially his campaign for U.S. Senate in 1966. Correspondents include: Robert Griffin, John B. Swainson and G. Mennen Williams.

Collection

Jerald F. terHorst papers, 1937-2009 (majority within 1972-2009)

3.9 linear feet (in 5 boxes) — 1 oversize folder

Jerald terHorst was a political reporter for the Detroit News and served as President Ford's first press secretary, before resigning in protest of the pardon of Richard Nixon. He also wrote a biography Gerald Ford and a history of Air Force One. The collection includes correspondence, speeches, newspaper articles by terHorst and about him, audiotapes, and video documenting his role in the Gerald Ford administration and his later literary and public career.

The Jerald F. terHorst papers consist of clippings, correspondence, speeches, audiotapes, and video related to terHorst, Detroit News reporter and President Gerald Ford's press secretary. Topics in this collection include his early life (particularly as a member of the Marine Corps), his work as a member of the Detroit News and White House, and other efforts (such as producing documentaries) that occurred after officially resigning as President Ford's press secretary in 1974.

Collection

John Butlin Martin papers, 1948-1965

6 linear feet — 1.38 GB

Online
Republican state senator, 1948-1950, from Kent County, Michigan, state auditor general, 1950-1954, unsuccessful candidate for the U.S. Senate nomination in 1952, and member of the Republican National Committee. Correspondence, newspaper clippings, speeches and printed material relating to his political career, particularly his activities on the Michigan Commission on Aging, the Michigan Constitutional Convention of 1961-1962, and the Michigan Senate campaign of 1952.

The John B. Martin papers consists of correspondence, memoranda, clippings, and subject files relating to his political and organizational activities. The series in the collection are: Correspondence; Newspaper clippings; Political and Campaign Materials; Auditor General, 1950-1954; Aging organizations; Michigan Constitutional Convention, 1961-1962; Michigan Crime and Delinquency Council; Scrapbooks; Sound Recordings; Visual Materials; and Miscellaneous.

Collection

John C. Pollie Papers, 1910-1969, and undated

17.5 cubic feet (in 35 boxes)

Papers include personal and business correspondence and accounts of a Grand Rapids concessionaire.

From the time of the Romans until the Great Depression, circuses were a major form of entertainment in the world. Much has been written about the more important circuses and their various owners and acts, such as Ringling Brothers of P.T. Barnum, but little has been written about smaller circuses and their cousins, traveling shows. In Michigan, the only major surviving collection in a historical research institution documenting a Michigan-based circus or carnival, or its owners, is this collection, the Pollie Family Papers. The collection documents the life and work of Henry J. Pollie, circus and showman, and his son, John C. Pollie, who began life working in his Dad’s circuses and eventually evolved from traveling showman to concessionaire. The collection documents them and their business associates and family members, and life for circus and carnival show people in Michigan during the 20th century. This is a fabulous collection for documenting the lives of show people during the early teens through the 1930s in Michigan. The collection is divided into the following series: Pollie Family Photographs and Obituaries (copies), 2 folders; Pollie, Henry J. Business Correspondence, 4 folders; Pollie, Janice, Correspondence (typed by John for her), 1 folder; Pollie, John C.-Account Books, 17 v. (in 10 folders); Accounts, 7 folders; Biographical [high school autographs], 1 folder; Business Correspondence, 3.5 cubic feet (in 7 boxes); Miscellaneous, 1 folder; Personal Correspondence, 8 cubic feet (in 16 boxes); and Subject Files, 5.5 cubic feet (in 11 boxes).

The Pollie Family Photographs (1 folder) and Obituaries (copies) (1 folder) includes what may be Henry and Elvira’s wedding photograph. It is unidentified, but the image of the man is very much like one of Henry in the ads for the Zeidman and Pollie circus. He is wearing a celluloid collar which would likely date it to the early 1900s. The obituaries from Grand Rapids newspapers (copies) are of 1937 (Henry J.); 1943 (Henry); 1957 (K. Bea); 1969 (John C.); and 1937 (Mrs. Maatje Pollie).

Henry J. Pollie’s Business Correspondence consists of 1 folder each from 1925 and 1927, and 1932-1933 (2 folders). The later folders include letters from many show people in the Cetlan and Wilson Shows, Inc. who had recently lost their jobs. In these folders are letters from two Hermaphrodites, “freaks”, palm readers, and members of various acts all desperately seeking employment. The Hermaphrodites are particularly interesting because the one is hired and then notifies a friend Hermaphrodite who also writes asking for employment, again demonstrating how show people, particularly those in the same type of work, stuck together. Some of these letters are to/from Ray M. Brydon, who was the Advance Man for Henry and John. Advance men went to a town before a circus or traveling show arrived and smoothed the way for the show by making sure the contracts were okay and, if necessary, bribing public officials. There is no documentation Henry and John ran a “dirty show” and resorted to bribery, but most show people apparently did. The letters in the series are those specifically addressed to Henry. It is apparent by other correspondence in both the Business and Personal Correspondence series that John typed and composed all of the letters for Henry when the two worked together. This is apparent when one compares letters typed and composed after Henry’s death by John. They are exactly the same as the typed ones Henry signed. This indicates either John typed and composed all the letters in the collection, or he adopted Henry’s style for his own. Since it appears John was the accounts man, it is more likely that he did all the typing and composition of correspondence for both his Dad and himself.

John C. Pollie’s Account Books (17 v.), include Business Accounts, 1926-1929, 1931-1932, 1941, 1950 1955, General Accounts, 1944, 1946, and Personal Accounts, 1942, 1958. The 1926-1927 Account Book is titled “Winter Quarters, Season 1926-1927, Savannah, Georgia” This v. dates to the Henry J. Pollie and Zeidman association. The Pollies, Zeidman, and E.C. Hall are all listed as receiving and holding cash. Cash received and paid is noted daily from Nov. 11, 1926 through April 24, 1927, including to whom, for what, and total amount. Food, equipment, travel, telegrams, fair fees, and other items are listed. This volume proves that the circus wintered down south, as did many circuses in the 1920s. The 1927-1929 volumes (7) are divided by type of activities, ball game, bingo, concessions, truck, trailer, etc. The 1931-1932 v. (2) document Concessions only, showing a huge shift in record keeping and business activity by John since the 1926-1927 volume.

The next series is John C. Pollie, Accounts. These are loose paper accounts of Carnival Games, April-October 1950. They are different in style and have an excessive amount of detail compared to the business accounts he kept for the I.R.S.(7 folders). They are organized by each day in each town of John’s circuit for 1950. He notes the weather, time they opened, free games, the number of games played, the number and types of prizes won, the total amount of money the prizes were worth, and amount of money his employees earned. Examples of prizes won include whistling teakettles, liquor dispenser, cardtable, coldpack canner, blanket, and a large glass lamp.

There is one John C. Pollie Biographical folder for John C. Pollie. It includes seven loose autograph pages entitled “Johnny Pollie’s Book.” It includes autographs and notes from senior high school students who graduated between 1920 and 1925. It probably dates from 1920.

John C. Pollie’s Business Correspondence is the third largest of the series in the collection, 3.5 cubic feet (in 7 boxes). It includes correspondence from the 1920s-1960s. Materials are filed alphabetically by the name of the company or institution (or person) with whom John conducted business. Whichever name John used for filing purposes has been used here. Those people or businesses with whom he corresponded once or a few times are filed alphabetically in the general folders “A”, “B”, etc. The majority of his business correspondence was with people and companies concerning his concession business and chance games. From these companies he ordered supplies for him, his workers, and concessions trailer, or prizes, such as the many he ordered from Wisconsin “Deluxe” Company (Ned Tortni), or with fairs and shows officials and organizations, such as the V.F.W. or Sigma Phi Gamma (Bluffton, Ind.), and the men who booked him with various fairs, such as John Mulder. Some of the correspondence is with people who regularly worked for John in some capacity, often as bingo operators. A small part of the correspondence is related to his car and trailer, and getting them repaired, licensed, or insured, and dealing with accidents, A small amount of the correspondence relates to family physicians, Grand Rapids organizations with whom John was associated, and other companies, like paint and hardware stores where John bought supplies, and advertising from the magazines Bill Board and Big Eli News. Two of the largest subseries in this series are Wisconsin “Deluxe” Company, 1936-1961 (1.5 cubic ft.), and the Fairs/Shows and V.F.W. folders, 1938-1960 [bulk after 1940] (.75 cubic foot). A number of the Business Correspondence folders include catalogs, samples, drawings, orders or receipts for items John needed to operate, such as awnings or painted signs. The folders note the company’s name, name of John’s main contact, what the company sold if it related to the carnival business, and names of his contact’s spouse and children. John maintained close correspondence with virtually all of his business associates, particularly Net Tortni, his booking agents, such as John Mulder, and his contacts for fairs. John regularly received birth announcements from his contacts and maintained a regular holiday card exchange with them and their families. With the Kardell family (Eaton County Fair, Mich.), with whom he and Bea maintained correspondence from 1939 through 1956, it is clear that they were much more than business associates: they were friends. It was to Mrs. Kardell (Karen) that Bea Pollie confided that her Father (Frank Culver) had left and returned to her Mother (letter from Karen to Bea, in Kardell folder, Dec. 16, 1952 (from Banglaore, India). This is not noted in any other correspondence. Mulder and Tortni also were devastated when Bea died, as noted in the biographical section, and sent gifts and food to John and his children for their first, terrible Christmas without her. Yet, they could still threaten John when he fell too far behind with his bills. Also of note is a 1949 thank you from then Representative Jerry Ford, thanking John for signing his nominating petition.

The Miscellaneous includes Bingo Numbers Set Up Diagram and Rules for Drivers, both undated (1 folder).

The largest series is the Personal Correspondence, 1910-1964, which totals 8 cubic feet (in 16 boxes). The Personal Correspondence is filed in alphabetical order by surname, then first name of correspondent. The names of spouses and children follow that of the correspondent. Relatives are noted and multiple surnames for those who married, or remarried multiple times, are also noted, as well as the dates of the correspondence, and their occupation or business if it relates to the circus or carnival business. Those with whom John had only a page or two of correspondence are filed alphabetically by surname in the general folders ‘A’, ‘B’, etc.

This series includes correspondence with John’s immediate family, parents, wife and children, grandparents, cousins, aunts and uncles, as well as many of his friends. Some of these friends were obviously retired from the circus or carnie world, some even had worked for John and Henry in the past, but their correspondence is mainly of a familiar type now, interested in John’s work, but not dependent on him for employment. Also in this series are the letters of the LaVardo, Evans, and Ritter families, with whom John was very close, Elfie Ramsay, and his girlfriends before he married Bea, Phyllis Rae Comrie, and Marie Ritter, as well as two male friends of John’s who served time in the Jackson State Penitentiary, Harry C. Hart, and Al S. Wiser. John wrote to people of all ages. Some of the letters are clearly between him and young children, both cousins and children of friends.

Of special interest is the correspondence between John and his parents. He was obviously close to both of his parents and wrote them often, usually weekly. With his Dad he discusses business often. With his Mother, John noted his schedule, the activities and health of their family and friends, and inquired always about her health, which was never good, and her finances. His mother’s handwriting is quite difficult to read. Her letters always started with “My Dear Son” until he married and they were address to “My Dear Children”. It is easier to understand her writing when you read John’s response to her letters.

When apart, John and Bea wrote almost daily, sometimes several times a day. Bea often sent handwritten postcards detailing where they went, what they did, how the children and her parents were feeling, and what errands she had run, and prizes or equipment she had ordered, shipped, or picked up for John. It is very obvious how important she was to him both in caring for the children and in keeping his business going when he was on the road. The children, Bea, and her parents (Mother) always remembered John on his birthday and for Father’s Day. There are many sweet, adorable handmade cards from the children to their Daddy which are just precious. It is very obvious that John, Bea and the children loved each other very much.

The strength of the collection is the correspondence. John C. Pollie typed voluminous letters almost daily to many show friends and business associates. He appears to have typed these letters both as a necessity to keep in touch with business associates and friends and as a form of stress relief and communication. In one letter he noted that it was 3 a.m. and he was finishing at least his second letter while a third needed to be typed before he could even consider going to sleep. In his correspondence, he writes personally to the recipient of their life and his, mentioning people, events, acts, and places they know in common, the status of his current show, including its location, bills, problems, and acts, his and the show’s finances, debt, the breakdown of vehicles, holidays, and his emotions, family, and dreams. They are full of interesting reading topics, particularly regarding show life and show people. Often he talks about where the show has been, where it is going next, the weather, local people, and any problems they have experienced.

John saved virtually all the business and personal correspondence he received and copies of all the correspondence he typed, as well as receipts, bills, account books, promotional materials and supply catalogs related to his business interests. Some of the correspondence has beautiful letterhead and photographs or illustrations of various shows and show acts. There are also samples of paint colors, tent materials, designs for tents and vehicles, as well as related catalogs of business supplies, particularly prizes for people who won carnival games.

Physically, about half of the collection, mostly his copies of correspondence, in the collection is quite acidic and fragile. Materials that were falling apart or greatly damaged have been photocopied. John usually typed his correspondence on acidic paper, so while it is nicely legible, it is brittle and very brown. The physical state of the correspondence he received varies, but overall, aside from part of it being acidic, most of it is in good physical condition, on various types of paper, with the penmanship, vocabularies, and spelling abilities varying among the writers. Some of the letters and accounts written in pencil instead of ink have smeared.

Processing Notes: The following materials were removed from the collection during processing: miscellaneous Greeting Cards (5 cubic feet); Duplicates and Miscellaneous Materials such as empty envelopes, instructions to complete tax forms, miscellaneous receipts, undated financial notes, and very generic correspondence (3 cubic feet); and Out-of-state periodicals (1 cubic feet). Non-duplicate Michigan publications were added to the Clarke’s collections and individually cataloged (approximately 1 cubic foot).

Collection

John Lesinski papers, 1930s-1964 (majority within 1950-1964)

27 linear feet — 3 oversize volumes — 2 oversize folders

Democratic Congressman from Michigan, 1951-1965; congressional papers include legislation and committee files, speeches, statements, press releases, campaign files, topical files, both national and Michigan related, biographical material, and visual material.

The John Lesinski Jr. papers document the career of a seven-term congressman from Michigan's 16th Congressional District. Included are files relating to his campaigns for office and activities as a member of the House Post Office and Civil Service Committee. The papers are particularly valuable for legislation he introduced and the views of his constituents on such issues as civil rights, immigration, and the "captive nations" of Eastern Europe. As his opposition to the Civil Rights of 1964 contributed to his loss in the 1964 campaign, the correspondence and other papers on that topic are particularly valuable both for Lesinski's viewpoints and the opinions of his constituents. In addition, Lesinski worked closely with the Polish-American community in Detroit and there is much material reflecting that involvement.

The collection is divided into the main series of Congressional Files with two smaller series of Biographical/Personal Materials and Visual Materials. The Congressional files in turn are divided into several subseries including Legislation; Committee files; Speeches, statements and news releases; Campaign materials; Topical Files, and Case Files.

Collection

John R. Stiles papers, 1958-1965

2 linear feet

Grand Rapids, Michigan, businessman and Republican campaign official. Correspondence, reports, newspaper clippings and campaign materials concerning the Warren Commission's investigation of the assassination of President John F. Kennedy, the writing of the book, Portrait of the Assassin with Gerald Ford, and his activities as campaign manager for Paul Bagwell for governor in 1958, and as field director of the Richard Nixon for President campaign in 1960.

The collection documents John R. Stiles' work with the Warren Commission and the state Republican Party. The collection has been arranged into the following series: Portrait of the Assassin drafts; Warren Commission File; and Republican Party Political Files.

Collection

Lyman S. Parks papers, 1962-1977

4 linear feet — 1 oversize folder

Pastor of the Grand Rapids A. M. E. First Community Church, Grand Rapids, Michigan, city commissioner, acting mayor, and later mayor, 1971-1975. Mayoralty files, political materials, scrapbooks of career activities, and photographs.

The Lyman Parks collection consists mainly of files created and accumulated during the period of his mayoralty. Included are files on the many federal, state and local conferences that he attended. The correspondence files consist mainly of congratulatory letters. The best documentation of Parks' mayoralty will be found in his speech file and in the several scrapbooks from the years when he was in office. The collection also includes photographs, both portraits and photographs of public activities.

The collection has been arranged into the following series: Biographical and Personal; Correspondence; Mayoralty Files; A.M.E. Activities; Photographs; and Scrapbooks.

Collection

Media Resources Center (University of Michigan) films and videotapes, 1930s, 1948-1986

2500 films and videotapes (approximate)

Online
The television production studio and media services unit of the University of Michigan, commonly referred to as "Michigan Media." It was formed in 1978 through the merger of the university Television Center and the university Audio-Visual Education Center. The Television Center began producing educational programs for broadcast on commercial and public stations in 1950. The Audio-Visual Education Center produced films for the university and operated a film distribution library. The Media Resources Center closed in 1986. The collection consists of documentary type film and video and film and video of television programs produced by the Media Resources Center and its predecessors.

The University of Michigan Media Resources Center Films and Videotapes collection consists of "archives" film footage produced or collected by the Center and television programs and films produced by the Center. The "archives" films are divide into three series; Archives Film (Series AF), Film File (Series AF) and Audio-Visual Education Center Film File Series AVEC Film File. The television programs are organized based on the

Archives Films

The "archival films": consist of documentary style, 16mm film footage of a variety of University of Michigan events, buildings, and personalities. The series originated in 1959 when the Television Center began a project to create a "university film archives." Some of this footage was shot for the purpose of being incorporated into television programs, but much of the filming was done simply to create a film record of the university. Filming was done on a regular basis through about 1972. After that date the Michigan Media collection includes comparatively few "archival" films.

The subject matter of the archival films falls into several broad categories:

  1. Series AF -- Archives Films and Series FF -- Film File
    • Ceremonial - including footage of awards ceremonies, inaugurations, graduations, building groundbreakings and dedications
    • Campus scenes - buildings and construction sites, students on the Diag, and general activity on campus
    • Athletic events and marching band performances
    • Student activities -- including protests, fraternity/sorority activities, homecoming, course registration, and social events.
    • Faculty and administrator interviews
    • Visiting dignitaries and participants in special programs and conferences on campus.
    • Films collected by the Television Center - these include several films from the 1920s and 1930s
  2. Series AVEC Film File
    • Original footage shot for use in Audio-Visual Education Center films

Films in the three archival series range from a few minutes to more than an hour in length. The films may be negatives, original positives, or work prints. Some are identified as "trims," i.e. original footage edited out of finished productions. The work prints have often been cut and spliced and portions may be missing. Several titles were originally recorded on either two- or one-videotape reels or directly on 3/4-inch videotape cassette.

The early films, ca 1953-ca.1963, are generally black and white. After 1963 color film is more common. Many of the films, especially, from the early years, are silent. For some of these there are accompanying 16mm magnetic sound tracks or 1/4-inch reel-to-reel audio tapes.

The film description part of the finding aid is arranged by series film number or titles. Film numbers were assigned by the Television Center in an approximate chronological order. The description of individual films is based on a card File created by the Television Center and on a viewing of each film by Bentley staff.

The descriptive record for each film includes the film number; title; date; a brief summary of the content of the film; a listing of significant persons appearing in the film; and technical information on the color, sound, polarity, and length of the film.

The films are stored in canisters, usually on a core rather than a reel. A film number generally refers to an individual film title. There is sometimes more than one film number in a canister and occasionally more than one film number on a single reel or core. Alternate versions of a title are indicated by a lower case letter.

The Television Center gave the films titles which are more or less descriptive. These titles have been retained except for a few instances in which a more descriptive title was assigned or in which a uniform title was created for all parts of a multi-reel film. The individual reels of multi-part titles are designated by a lower case letter, e.g. 98a, 98b, 98c. For some titles the may be more than one film, possibly a negative, positive, work print, or other version. A few tittles have been digitized and are available on DVD and streaming files.

The listing for each film or program in includes a Title, date of production, and abstract/summary of the content of the film and ,when available, the names of persons or organizations featured in the film. University of Michigan faculty and staff are identified by departmental or administrative affiliation (e.g. Peter Gosling, UM-Geog. A list of abbreviations used is included in the Additional Descriptive Data Section of this finding aid.) Technical information for the films is provided in the format: Original: 16mm film, pos, b/w, sil, 343, 00:09:35. The order of the information is:

  1. Format -- film / videotape / magnetic sound track
  2. Polarity -- neg (negative) /. Pos (positive) / wp (work print)
  3. Color -- b/w or color
  4. Sound -- silent / sound / sof (sound on film)/ at (accompanying 1/4-inch audiotape)
  5. Length -- expressed in feet (footage value is sometimes an estimate)
  6. Running time -- in the form 01:33:25 (hours:minutes:seconds)
  7. (in cases where there are several versions of a title, there may be multiple values for each category)

Television Programs and AVEC Films

The Television Programs consist of 16mm kinescope films and two-inch and 1-inch videotapes of programs produced by the Center for distribution to commercial and educational television stations. The collection represents only a portion of the television programs produced by the Center. There were no extant copies of some programs when the library acquired the collection.

The films and videotapes in the Michigan Media collection were appraised and only a portion have been selected for permanent retention by the Bentley Historical Library. A number of appraisal criteria were used in determining which television programs and films were retained:

  1. subject matter relating to the University of Michigan;
  2. subject matter relating to the state of Michigan;
  3. subject matter of general, national interest;
  4. participation of prominent UM faculty or staff;
  5. participation of prominent Michigan personalities;
  6. participation of persons of national or international significance;
  7. programs marking significant technical or artistic developments at Michigan Media;
  8. award winning programs.

The television programs are organized by series created by the Center. The series for the most part reflect different type of programming the Center produced, from the earliest "telecourses" to the independent programs produced under the title "Understanding Our World". to the multi-part programs that were the core of the "University of Michigan Television Hour. See the History section for details on the different series.

The description for individual programs includes the title and date of the program, a unique id number, and an abstract of the content of the program with listing of the host and guests on the program. A program may exist in one or more formats: kinescope negative, kinescope positive and 1-inch or 2-inch videotape. Technical information for each program is recorded in the format16mm kinescope film, neg. #511, Pos. #665, 2-inch video #458. (the negative number was treated as a production and for some programs recorded originally on videotape a negative was not actually produced). The television programs were generally either twelve, fifteen or thirty minutes in length Most are black and white and all have sound.

In 2009 a selection of television programs and films and tapes were digitized. for each tape or film selected a preservation Beta SP tape was made as well as a DVD use copy and a streaming file (mpeg4 and Flash). For some films a high resolution digital copy was made as well (mpeg2). The finding aid lists the original format(s) and the derivative formats for the digitized items.

Collection

Media Resources Center (University of Michigan) records, 1948-1987, 1948-1987

35 linear feet — 2500 items

The television production studio and media services unit of the University of Michigan, commonly referred to as "Michigan Media." It was formed in 1978 through the merger of the university Television Center and the university Audio-Visual Education Center. The Television Center began producing educational programs for broadcast on commercial and public stations in 1950. The Audio-Visual Education Center produced films for the university and operated a film distribution library. The Media Resources Center closed in 1986. The record group consists of administrative records including Broadcasting Committee minutes, annual reports, unit review material, correspondence, and budget material; scripts for television programs and films; press releases; telecourse outlines and study guides; and brochures and catalogs; also photographs; and films.

The records of the University of Michigan Media Resources Center document the production of educational television programs and films at the University of Michigan, 1950-1988. The collection includes administrative records, scripts, press releases and program summaries, photographs, and films and videotapes. This finding aid describes in detail the paper and photograph portion of the collection and briefly describes the film and videotape. A companion finding aid entitled "University of Michigan. Michigan Media. Program Descriptions" provides detailed descriptions of the films and videotapes in the collection. The Program Description finding aid is stored at the reference desk in the reading room of the Bentley Historical Library.

Collection

Michael A. Gorman papers, 1920-1958

2 linear feet

Editor of the Flint Journal. Correspondence and topical files concerning his newspaper career in Flint, the role of the Flint Journal in the development of the city, the General Motors sit-down strike of 1937, and the position of automobile industry to Flint; and photographs.

The Gorman papers reflect the relationship between a local newspaper and the community it served. The collection comprises two linear feet of correspondence and topical files from the period 1928 to 1958. Representing but a selection of Gorman's original files, this remnant appears to include correspondence which Gorman considered to be most important. The correspondence includes substantive material as well as letters of autograph value only.