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The diaries of Nathan Webb include vivid descriptions of life in one of the most active Union cavalry regiments, the 1st Maine, during the Civil War. Webb's thoughtfulness, candor, and his insight into the minds of soldiers and civilians make his diary a rich resource for the study of the social and military history of the Civil War.

The strengths of Webb's diaries are his ability as a writer and his willingness to describe important incidents at great length. His descriptions range widely in content, but are always thoughtful, and he has a flawless aptitude for an anecdote. He seems particularly to have been interested in the attitudes of his fellow soldiers and of local civilians, particularly the women, but he comments extensively on daily life in the camps, strategy, officers, drilling, ethics in the army, and his feelings, positive and negative, towards those who remained in Maine. Webb's careful and detailed descriptions of every battle and skirmish in which he was involved include everything from vignettes relating an individual soldier's reactions, to specific information on the tactics and strategy of cavalry. But it is the incidents he records about day to day life that provide the greatest insight into the soldiers' minds, and Webb is both uncommonly detailed for a Civil War diarist and allows his personal opinions and perspective to dominate his descriptions. His description of Belle Isle is extraordinary in the intensity of detail and emotional impact.

These five volumes are copies from the original diaries, and were made by Webb in the late spring and summer of 1865. He notes that, with the exception of some additions made from memory to his descriptions of Libby and Belle Isle Prisons, he has copied the diary exactly as it appears in the original. Offering an interesting balance to the original, he includes occasional footnotes offering retrospective commentary on his own writing. For example, while in 1862 he wrote that the men were upset at the dismissal of McClellan, a footnote indicates that in 1865, Webb came to feel that the men had been deluded by McClellan's self-aggrandizing play for their affection. His later comments on his own vacillation while deciding whether to reenlist, on the opinions of the media and non-combatants regarding the war, and on his opinions of Meade and other leaders also include some revealing reflections.

The first fifty pages of volume 3 are severely damp-stained and written in faint ink, and in parts are very difficult to read. Included with the diaries are an 1878 receipt for the payment of poll tax in Boston and one issue and two supplements of the First Maine Bugle (Campaign II, call 3, 5 and 9), dated January and July, 1891, and July, 1892. The Bugle was the publication of the veterans' organization for the 1st Maine Cavalry. A war-time photograph of Webb was included in Tobie's regimental history.

From about 1860 through at least the end of the Civil War, Samuel C. Taylor worked as a salesman for the Philadelphia clothing firm of Charles Stokes & Co. The 1863 portion of his journal contains almost daily entries between February and May, vividly describing his travels from Philadelphia to Memphis and social life in Memphis during the Civil War. The 1890 portion of the journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south.

The Taylor journal is a single, 3/4 leather-bound volume in two sequential parts, the first dated 1863, the second, 1890. The journal is probably a transcript made in 1890 or 1891 from the original, based on the style of binding and paper, and the continuity in handwriting and pen between the two dated parts. The 1863 portion, 260 pages long, takes the form of almost daily journal entries from the time of Taylor's departure from Philadelphia on February 16th, through his stay in Memphis, until his return to Philadelphia on May 16th, and is uniformly well written and interesting. It is a far more polished piece of writing than many journals, and may have been corrected or embellished at the time of its transcription. At its best, Taylor's prose has the feeling of Mark Twain's exuberant descriptions of life on the Mississippi, leavened with the cynical undercurrents of Melville's Confidence Man., and though it is brief, covering only a four months' residence, the journal is a valuable social record of life in wartime Memphis as seen by a person come to take advantage of the quick money to be made. Taylor has a preference for the "colorful" aspects of life in Memphis, and includes vivid descriptions of the shoddy accommodations, the venality and corruption, rampant violence and crime, and of soldiers, prostitutes, rebels, drunks and rowdies. Throughout, he displays an eye for the telling detail, a good sense of humor, and an unerring flair for making a good story out of difficult circumstances.

Among the several highlights in the journal is an excellent description of the steamboat trip to Memphis, during which a "Jewish" swindler/gambler managed to con his way out of several tight spots by his using his wits and his finesse with cards. Once in Memphis, Taylor provides memorable descriptions of the city in all its war-time depravity, and vivid accounts of long lines of ragged, worn-out soldiers marching in to town, of murder, robbery and charlatanism, of prostitutes and drunks shouting and shooting in the streets, and of the characters, like himself, who have descended on the city to turn a quick profit, legally or illegally. Taylor was somewhat less accomplished in his poetry, though his poem about life in Memphis during the war is an amusing, sarcastic look at the closet secessionists of the city, Memphis' cheerless, malattired women, crime, and the amusement he occasionally found, including listening to the "darkies" singing. One quatrain summarizes his attitudes well: "What an awfull place to live in / Now I'll stop or freighten you (sic) / Yet upon my word of honor / What I've written you is true" (p. 106).

Taylor's attitude toward Jews, synonymous with swindling merchants in his mind, and African-Americans is highly stereotyped. He is, however, somewhat sympathetic toward slaves and freedmen even as he is willing to have a laugh at their expense. In Memphis, he attended a religious service for freedmen delivered by a mulatto preacher named Revels. Taylor was genuinely moved by the sermon, and seems to have agreed with its message. He is also somewhat sympathetic with the "contrabands" he sees being trampled by Union soldiers, or boating up river, half-dressed and hungry to a mission in Missouri. In general, though, Taylor is inclined toward a cynical view of strangers, and is always on his guard for the cons and crooks that were abundant in Memphis.

The 1890 portion of the Taylor journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south. They include:

1. "Sketches from the South," (Chattanooga, April 3, 1890: p. 263-268)
2. "A Kentucky Wheelman," (Louisville, Ky., April 20, 1890: p. 269-271)
3. "A Hodoo Doctor" (Birmingham, Ala., April 30, 1890: p. 272-275)
4. "The Negro Drill Workers" (Memphis, Tenn., May 2, 1890: p. 276-279)
5. "The Georgia Cracker, The Alabama Razor Back" (Atlanta, Ga., May 10, 1890: p. 280-284)
6. "New Orleans, La." (May 20, 1890, New Orleans: p. 285-293)
7. "Pensacola, Florida" (September 20, 1890, Pensacola: p. 293-295)

These essays are the interesting products of a talented writer, who, though sympathetic observer of southern society, is nevertheless mired in the ingrained attitudes and prejudices of his day. In the first essay, Taylor discusses the phenotype of African-Americans and the several "clases or sets" that comprise the African-American community in the South, from the rich, to the merchants, mechanics, drill men, tramps and the "poor old uncle." "The hoodoo doctor" and "The Negro drill workers" are somewhat longer essays along the same lines, and are written as first hand experiences. In "A Kentucky wheelman" and "The Georgia cracker, the Alabama razorback," Taylor turns his eye to the poor white community in the deep South, and paints a dismal view of the state of their culture. Essays 3, 4, and 5 also include crude, pen and ink illustrations of the subjects of the essay.