Search

Transcriptions (copies) of oral history projects created by Central Michigan university faculty and students mostly of Central Michigan University (CMU) faculty, staff, students, and alumni, documenting their diverse experiences at Central Michigan University, in Mount Pleasant.

Transcriptions (copies) of oral history projects created by Central Michigan university faculty and students mostly of Central Michigan University (CMU) faculty, staff, students, and alumni, documenting their diverse experiences at Central Michigan University, in Mount Pleasant. One oral history is of a Michigan Native American woman discussing her memories of her family members who were forced to attend the Mount Pleasant Indian School, her experiences of the school's impact on her family and the tribe, and memories of one family member who graduated from eighth grade at a Michigan Civilian Conservation Corps (CCC) camp. Currently, all of these transcriptions CLOSED to researchers unless permission is granted by Professor Jay Martin. The collection is ongoing.

This collection consists of personal information and correspondence of Daisy Bazzett, 1933-1936, 1937, 1938, and undated.

This collection consists of personal information and correspondence of Daisy Bazzett, 1933-1936, 1937, 1938, and undated, 1.75 Cubic Feet (in 4 boxes). The collection is organized by date and each folder alphabetically.

Bazzett, Correspondence: The majority of the collection consists of letters sent from Daisy to Ellis Bazzett while she attended CSTC 1932-1936. Her letters begin in the fall of 1933, and detail her daily life at CSTC in the 1930s. Materials include: letters, postcards, and newspaper clippings. Topics covered include information about life at CSTC, such as the dorms, classes, and social life. Daisy made frequent mention of dances and social events organized by the literary societies which she invited Ellis to, and to different things that she and her roommate Helen did, such as buying a radio, or typing up papers for girls in the dorm on a typewriter. These letters also document the growing seriousness of the relationship between Daisy and Ellis, even discussion of marriage as she approached graduation. Daisy was a very engaging writer and her humor really shines through in her letters to Ellis. Some collection highlights include a letter dated January 10th, 1935, which has an illustration with the inscription “dropping you a line.” Letters such as one dated May 21st, 1935 describe the more difficult aspects of being active on campus, as Daisy writes “Its hell being President of a club of catty women.” Later letters reveal more about Daisy’s relationship with Ellis. On October 1st, 1935 she sent Ellis a letter where she had copied Elizabeth Barret Browning’s Sonnet 43 from 1850, which begins “How do I love thee…” In March of 1936, Daisy sent Ellis a kiss through the mail, her red lipstick staining the letter. Also significant is information relating to graduation, including an invitation to graduation activities that lasted from June 5th through the 22nd.

Miscellaneous Materials: This portion of the collection mostly includes correspondence received by Daisy or Ellis, sent by Ellis, photographs, or auxiliary collections material. Materials include: biographical material from Daisy titled “Notes from my Nineties,” a series of photographs, correspondence to Ellis, as well as Miscellaneous letters and notes to Ellis. Completing the collection are notes on the correspondence from Timothy Bazzett, Daisy and Ellis’ son. Topics mentioned include: Daisy’s life on the Whalen farm in Oakley, her life at Central, and anecdotes about her life with Ellis; Ellis’ work correspondence, and letters that he and others wrote to Daisy. The photographs include a photograph of Ellis, photographs of Daisy and Helen with other friends on campus, and photographs from the wedding of Daisy’s brother, Clarence, in which Daisy and Ellis also appear “Notes from My Nineties” by Daisy Bazzett was copyrighted in 2008 by Rathole Books.

Processing Note: During processing .25 cubic feet of peripheral materials and envelopes were removed from the collection. Acidic materials were photocopied and the originals were withdrawn from the collection.

The collection consists mainly of materials, photographs, notes and statistics, essays, and memorabilia, such as identity cards, pins, a towel, a blazer, and a baseball, mostly generated by his career as a sportscaster.

The collection includes papers, photographs, and artifacts, which are organized by format, size, title, and chronologically. Except for some of his photographs, Baby Book, obituaries, and a student paper, all of the other materials in the collection were generated by his career. Among these are correspondence, photographs, awards, essays, play-by-play statistics and notes, broadcast related notes and statistics. Artifacts in the collection include: pins and identity cards, a plaque, a baseball, a towel, and a blazer. Particularly unusual to other manuscript collections are his oversized Basketball Broadcast Boards, 1992-1994, and undated, and Football Broadcast Boards, 1980-1996, and undated. These contain a wealth of information about the player’s personal and professional lives and dreams, and other broadcast related notes and essays, demonstrating his vast accumulation and knowledge of the athletes and sports. A 2016 addition includes a CD of a video essay on baseball written by Dick to celebrate his 60 years as a sportscaster. The video includes black and white and color footage of various players and games over decades. He wrote it. The video was created by Fox Sports San Diego. The video was created by Fox Sports San Diego (MP4 format).

The Elizabeth Anspach Papers, 1914, 1994, and undated, consist of biographical materials, photographs, postcards, diplomas, report cards, honorary speeches, and newspaper clippings (copies).

The Elizabeth Anspach Papers, 1914, 1994, and undated, consist of biographical materials, photographs, postcards, diplomas, report cards, honorary speeches, and newspaper clippings (copies). The topically grouped material is arranged alphabetically. A large portion of the photographs consist of family, baby, vacation, and retirement photos. Many of the diplomas are from Elizabeth’s time at Detroit Teaching College, Cornell, and Harvard, which is in Latin. The newspaper clippings range from her father’s obituary to retirement clippings honoring Elizabeth’s life and career. The award speech and lecture pamphlets all highlight the various achievements and awards that Elizabeth received. The newspaper clippings and award papers all commend Elizabeth for her contributions to education, children, and various organizations throughout the public health field. There are no materials specific to George Wheeler in the collection. The only item in the collection specific to Charles L. Anspach is their wedding invitation.

The photograph albums and scrapbooks document several periods of Elizabeth’s life and family, as well as contain a wedding invitation to Elizabeth and George Wheeler’s wedding. The scrapbooks also contain various items documenting Elizabeth’s life between her retirement and her death in 2003. The oversized folder contains her diplomas, as well as her 1946 Harvard class photograph.

Processing Note: During processing, 10 cubic feet of three-dimensional objects were transferred to the CMU museum. A box of photograph frames and one oversized folder of duplicates and out-of-scope materials, as well as acidic clippings (copies were retained in the collection in the Clarke) were returned to the donor as per the donor form.

The Eva M. Langworthy Dutcher collection, 1908, 2018, and undated, consisted originally of both two-dimensional and three-dimensional pieces focused on her teaching career throughout Michigan.

The Eva Dutcher collection, 1908, 2018, and undated, consisted originally of both two-dimensional and three-dimensional pieces focused on her teaching career throughout Michigan. The two dimensional pieces in the Dutcher collection comprise personal letters, commencement materials, biographical materials, yearbook photographs, family photographs, personal notes and examples. The materials are arranged in alphabetical order. A great amount of the collections photographs consist of class photographs in which Eva Dutcher was a student, specifically the Chippewa pages from Central Michigan Normal School (1921), later Central Michigan College of Education (1950-1951), now Central Michigan University (CMU). A considerable portion of the collection is detailed drawings from 1920 to 1923, and class notes which express Eva Dutcher’s creativity. The collection includes seven wooden, created and used for teaching purposes by Eva Dutcher.

Throughout the years of 1920-1923, Eva Langworthy’s creativity was constantly recognized from her class notes. Langworthy’s creativity with manual arts was so precise that every example had exact length to width measurements. The examples constructed by Langworthy are very diverse as they differed from class subject and involve plant structure, sewing or knitting clothes, and animal anatomy. Langworthy’s CMU classes which are documented in her notes include:

-Memory Gems (ethics class) contains sixty-two inspirational and educational life quotes, August 2, 1921. -Sewing class, taught by Miss Hand. Contains detailed drawings of various sewing patterns, authentic sewing materials and list of cost of materials. June 26, 1923. -Botany (biology class) taught by Mrs. Ferris and Miss Balkey. Contains thorough drawings of plant structure. June 27 -August 1, 1923. - Nature study class, taught by Miss Woldt. Contains a nature study researched by Langworthy April 1 -June 17, 1920. -Agriculture, taught by M.A. Cobb. Contains pictures and examples of animals and tools used in agriculture. April 14th-July 29, 1920. -Elements of Music (music class) taught by Miss Craw. Contains many drawing of detailed music notes and symbols. February 12, 1921. -Manual Arts, contains Langworthy’s most descriptive and creative drawings. Winter, 1921.

All materials presented in the Dutcher collection are relevant to researchers seeking CMU student and teaching history primary sources.

Processing Note: The collection contains two flags that are undated, and were transferred to the CMU Museum. Seven wooden educational toys created by Eva when a CMNS student formed drawings in her Manual Arts were transferred to the CMU Museum. Twelve items were separately cataloged. A small number of duplicates, newspaper clippings, and reference materials were returned to the donor as per the donor agreement.

Collection consists mostly of diaries, papers, and financial accounts of Mrs. Robinson, some papers of Mr. Robinson and their sons, and family photographs and correspondence, mostly about family concerns.

The collection includes mostly diaries, papers, and financial accounts of Mrs. Robinson, some papers of Mr. Robinson and their sons, family photographs, and family correspondence, mostly about family concerns.

The papers consists mostly of papers of Harriet M. Huebel, and some materials of other family members. Papers include notes, scrapbook, diary of Frances Huebel. Nursing diplomas, correspondence, paperwork, diary of Harriet M. Huebel, many photographs, mostly from World War I, nursing notes, tests, nurse's hat and pins, biographical materials, and retirement papers. Family holiday cards, correspondence, and diplomas of Harriet, Frances, and Harry Hubel [surname spelled with one e] are also included.

The collection consists mostly of Harriett’s papers, notes, photographs, postcards, a diary, nurse hat and pins, diplomas, and biographical materials. Harriett’s materials document her career in nursing, including her training and work at Peterson Hospital and Private Hospital in Ann Arbor, Michigan, service in France, 1918-1919, as a Reserve nurse for the U.S Army Nurse Corps, and her later work as a member of Detroit’s Visiting Nurses Association.

Photographs of Harriett; Photographs taken in France, and Photographs of the American Expeditionary Forces (AEF) nurses on board the SS. Missouri, and perhaps another ship, sailing to or from France also document Harriett’s career. Photographs document family, friends, hospitals, nurses, doctors, patients, pets, views of France, etc.

Most of the correspondence is to or from Harriett and her nursing peers or sisters. Some of her nursing peers and regular correspondents were Elba Lila Morse and Maybelle Johnson.

Harriett also had two gentlemen admirers who wrote to her, Provost Ray W. Cooper and Harold E. Provost.

Oversized materials include degree certificates for Harriett, 1915, and Harry E. Hubel, 1931 and 1944. All materials are Harriett’s unless otherwise noted.

Harriett’s sisters, Anna, Ida, and Frances are documented in the correspondence and photographs. Frances is also documented in a diary, scrapbook, and cooking class notes.

Correspondence from John and Ingrid Hepler to Jett and Shelley Whitehead, 1978-1993 (Scattered), and undated.

Correspondence from John and Ingrid Hepler to Jett and Shelley Whitehead, 1978-1993 (Scattered), and undated. The collection is organized chronologically. The collection documents their deepening friendship between themselves and their families and numerous interests they shared. Towards the end of Hepler’s life, as he became unable to read and write himself, his wife Ingrid wrote on his behalf to Jett and his wife, Shelly. Broadly, they discussed many topics in their letters. One major topic they discussed is writing. Mainly, Hepler and Whitehead discussed poetry, poets and authors, Wallace Stevens, Robert Frost (most frequently), and Shakespeare. They also discussed and critiqued their own writings and mailed each other written material that they found interesting (See July 1978 – May 1980, July 1980 – May 1981, July 1981 – May 1982, July 1982 – July 1983, August 1983 – March 1984, April – December 1984, January – June 1985, July 1985 – March 1986, January – August 1989, September – December 1989, February – May 1990, and June 1990 – June 1993, Hepler Writings, 1976, 1983 folders, and Jett Whitehead Poetry folder). Another major topic they often wrote about was their families. Throughout the collection, Hepler wrote about his children and grandchildren. When deaths in the extended families occur, condolences are sent and when someone is sick, well wishes are sent (See July 1980 – May 1981, July 1981 – May 1982, April – December 1984, January – June 1985, July 1985 – March 1986, April 1986 – November 1987, January – August 1989, September – December 1989, February – May 1990, and June 1990 – June 1993 folders). They also frequently wrote about everyday occurrences and sent each other good wishes. The relationship between the Hepler and Whitehead families strengthened over time. The Heplers sent the Whiteheads advice, encouragement, and considered them as part of their own family (See August 1978 – May 1980, July 1982 – July 1983, April – December 1984, July 1985 – March 1986, April 1986 – November 1987, September – December 1989, February – May 1990, and June 1990 – June 1993 folders). While health was discussed throughout the collection, it becomes a main topic when Hepler is diagnosed with Alzheimer’s disease towards the end of the collection. Ingrid informed the Whiteheads about John’s condition and carried on the correspondence for John when he could no longer read nor write. She also included her own feelings on the situation in her letters to the Whiteheads, noted that she missed the conversations she once had with her husband, and who he was before the disease as it sometimes made him abusive towards her (See June 1990 – June 1993 folder). In his letters, Hepler occasionally mentions CMU. He writes about other CMU professor like Daniel Weber (See July 1980 – May 1980 folder), Clarke Historical Library Reference Librarian and Faculty member Bill Miles (See July 1981 – May 1982 folder), and negative publicity that CMU received from the Detroit Free Press, regarding former Sigma Phi Epsilon president Paul Bonaccine, who was accused of sexually assaulting another student. The charges were reduced to attempted fourth degree criminal sexual conduct to which Bonaccine plead no contest. Sigma Phi Epsilon was stripped of its rights as a CMU Fraternity in 1984 for four years (CM Life, November 19, 1984, January 14, 1985, and See January – June 1985 and July 1985 – March 1986 folder).

The papers include notebooks (John) Irvin Muncy and his wife, Maude, used for courses at Central Normal School, later Central Michigan University (CMU), in the 1890s, photographs of them, friends, and professors at CMU, materials from two schools Irvin taught at, other Muncy notebooks, and a notebook on the Civil War by Lee Gibbs.

The collection is divided into Irvin’s papers and Maud’s papers, and is then arranged alphabetically and chronologically. It consists mostly of Maud and Irvin’s notebooks on various topics and courses they took at CMU during the 1890s. There is one folder with Biographical Materials, including photographs, of them with teachers, classmates, their graduation classes, fellow boarders, and of Irvin with two sets of school children he taught in Brimley (1899) and Matchett (circa 1899-1901) in Grand Traverse County, Michigan. Two essays Irvin wrote are also included. Unidentified Muncy materials and an undated Civil War notebook of Lee Gibbs complete the collection. Gibbs’ relationship, if any, to the Muncys is unknown.

The collection consists of copies of photographs (in which most actors are identified), slides, posters, Daily Times-News (Mount Pleasant, Michigan) newspaper clippings, inventories of these copies, media files of the reunion events of August 14, 16, 2009 held in Mount Pleasant, alumni invitations, questionnaires, and an attendance report. The only original format item is the McDonalds place mat advertising the Central Michigan University Summer Repertory Company, [1977]. Media Player, Excel, and Windows are necessary to play or view all the electronic files in this collection. Additions includes reunion sound recordings on 3 SOny DVCams, digital copies of the DVCams on a hard drive, 2013, and 1 microcassette, 2009.

The collection consists of copies of photographs (in which most actors are identified), slides, posters, Daily Times-News (Mount Pleasant, Michigan) newspaper clippings, inventories of these copies, media files of the reunion events of August 14, 16, 2009 held in Mount Pleasant, alumni invitations, questionnaires, and an attendance report. The only original format item is the McDonald’s place mat advertising the CMU Summer Repertory Company, [1977]. An addition to the collection includes reunion sound recordings on three Sony DVCams, 2009, and one microcassette, [2009]. Media Player, Excel, and Windows are necessary to play or view the 15 CDs and small 2009 external hard drive. A later addition includes a digital user copy of the 3 DVCams on an external hard drive. The digital copy was created in May 2013 by CMU. FACET, now CETL. Also on the hard drive are transfers with reformatted code to allow playback on non-proprietary software. The digital copies play with VLC media player and occupies 213 GB. The digital 1970s Theatre Reunion Folder includes: Fri open mike night, 2 hours 6 minutes, 31 seconds of open mike discussion; Sat night dinner, 52 minutes, 1 second of assorted piano and singing by reunion attendees and their memories; Sat round table 1 (2 hours, 13 minutes, 41 seconds) and 2 (5 minutes, 15 seconds) of alumni discussing their experiences at CMU and in CMU theatre; State of theatre, 51 minutes 57 seconds of discussion by Steve Berglund, CMU Theatre Director talking about what CMU theatre provides in experiences and opportunities for students; and Thrs setup, 8 minutes, 35 seconds, of background noise of people literally setting up the space, moving chairs, laughing and talking.

Other Clarke collections with CMU. Theatre materials in them include the CMU Vertical Files, Theatre Scrapbooks, CMU Public Relations and Marketing (CMUPRM) Videotapes and CMUPRM Posters.