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Curtis E. Rodgers, an African American, served in the Detroit city government from 1962 until 1970, mostly in the Commission on Community Relations. He worked to advance the interests of African Americans in Detroit by improving education, advocating for equal housing policies, and hiring more blacks to work in municipal enterprises. The collection documents his activities and that of the various government agencies for which he worked.

The Curtis E. Rodgers collection is comprised of three series: Personal, Detroit Commission on Community Relations, and Visual Materials. and dates from 1966 to 1971 (with one item from 1953). The series includes minutes, reports, and other agenda materials. There are also speeches, press releases, studies and subject files pertaining to the Commission on Community Relations. Subjects include employment, housing, the police force, education, and building safety.

This collection is comprised of black-and-white photographs of murals and other paintings executed by Popovich.

Films, DVD use copies and streaming files the construction of the Great Lakes freighter Edmund Fitzgerald, the launchings of the freighters Herbert C. Jackson and Arthur B. Homer, and the maiden voyage of the Homer. These freighters were the last ships built by Great Lakes Engineering Works, River Rouge, Michigan

The Spooner collection consists of two motion pictures (with DVD use copy) of the construction of the Great Lakes freighter Edmund Fitzgerald, the launchings of the freighters Herbert C. Jackson and Arthur B. Homer, and the maiden voyage of the Homer. These freighters were the last ships built by Great Lakes Engineering Works of River Rouge, Michigan.

In 2009 a preservation tape, DVD use copy and master and streaming digital files of the motion pictures were made.

Biographer of Kenneth E. Boulding. Collected information about life and career of Kenneth E. Boulding; tapes and transcripts of interviews with Kenneth E. Boulding and his family and associates; copies of Boulding articles; and photographs used in the biography.

The collection is comprised of Cynthia Kerman's research file on Kenneth E. Boulding. In addition to collected materials, the files include interviews, correspondence, and audio cassettes of conversations with Kenneth Boulding.

Cynthia L. Muñoz is a Detroit native and U-M Dearborn graduate who identifies as half Mexican/Spanish and half Polish/Hungarian. Materials in this collection include Muñoz's unpublished memoir, Vietnam War period correspondence from her uncle Ed Ryba, and family interviews, and photographs.

The Cynthia L. Muñoz papers are comprised of materials related to the Muñoz and Ryba families. The collection includes correspondence from Muñoz's uncle "Ed" Ryba over the course of his time in the U.S. Marine Corps during the Vietnam War, an unpublished memoir written by Muñoz as part of the Immigrant Memoir Project, and family interviews and photographs.

This collection consists of the record of Cyrus Beckwith's general store and other business activities, as well as portraits of Beckwith and his wife, Amarilla.

Correspondence and collected periodicals of Dale Haviland, resident of Brighton, Michigan. Haviland edited a libertarian newsletter A is A and other titles.

The Dale Haviland papers collection includes Haviland's correspondence and collected periodicals, pamphlets and catalogs used by Haviland to publish the A is A Newsletter, catalog of libertarian services and publications Mega Listings, and directories of libertarian press. The collection is organized into three series: Correspondence, Publications, and Collected Material.

Ann Arbor, Michigan resident and businessman with strong interest in local history. Collection includes video featuring interviews with residents and other historical footage of landmarks and events in Ann Arbor, Ypsilanti, and the hamlet of Dixboro as well as collected papers and records related to Ann Arbor High School and Dixboro United Methodist Church.

Most of the collection consists of digitized film footage and digital video relating to Ann Arbor and Michigan history. A small portion of the collection also includes biographical and genealogical material.

Records of car dealerships owned by the Dalgleish family of Detroit, Michigan. Advertising and customer service material, photographs, selected business records, and artifacts. The collection is of special interest to researchers of Detroit business community and to the U.S. automobile industry and trade historians. Collection is especially rich with material related to auto advertising, particularly, the Cadillac.

The Dalgleish Cadillac Oldsmobile collection encompasses the history of the family-owned business from the 1930s through the 2010s. Depending on the time period and particular marketing campaigns, Dalgleish dealership appeared in advertising material and customer service mailings as Charles Dalgleish Cadillac, Dalgleish Cadillac, Dalgleish Oldsmobile Cadillac, and Dalgleish Peugeot. Organization of material follows the company's history, transformations, and changes of name. The collection is organized into five series: Charles H. Dalgleish, Sr., Charlie's Nash, Inc., Charlie's Oldsmobile, Dalgleish Dealerships, and Advertising Material.

The records in this collection relate to the Peter Sparling Dance Company (PSDC) and the Dance Gallery Studio. The Dance Gallery Foundation was founded in 1984 and sponsored three professional modern dance companies during its history; J Parker Copley Dance Company (1986-1990); Dance Gallery with Alan Lommasson (1990-1991) and the Peter Sparling Dance Company with Artistic Director Peter Sparling (1993-2008). The Dance Gallery Studio closed its doors in August 2008. The records in this collection date primarily from 1993, although the collection does also include some material from Sparling's work in the 1980s. Records in the collection include promotional materials, photographs, video tapes, class schedules, administrative files, programs, production notes, and press clippings.

The Dance gallery Foundation records measure 5.25 linear feet, including oversized materials, and date from, 1980 to 2008, with the majority of the records from the period 1993-2007. The records are primarily comprised of press clippings, programs, promotional materials, administrative files, photographs, and video, and are arranged into ten series: Administrative; Bookings; Dance Gallery Studio; Development; Press Clippings; Productions; Programs; Promotional Materials; Audio-Visual Materials, and Website.