Collections : [University of Michigan Bentley Historical Library]

Established by students in 1896, the University of Michigan Band had its first salaried director in 1915. The William Revelli era (1935-1971) brought the Band to prominence as the marching, concert, and symphony bands toured and performed extensively, including a tour of Eastern Europe and the Soviet Union by the Symphony band in 1961, the Jazz Band's 1965 tour of Latin American, and the Symphony Band 2011 tour of China. Records include scrapbooks of band activities (including photographs); bound volumes ("Blue Books"), 1936-present, containing band formations, newsletters, and announcements of band activities, also topical files relating to band tours and concerts. The Marching Band is best documented, although concert band, symphony band, and related ensembles are represented.

The University of Michigan Band records are divided into eight series: Tours and Concerts, Yearbooks, Photographs and Posters, Audio-Visual Material, Band Books ("Blue Books"), Scrapbooks, Publications, and Director's Records. The majority of the records consist of bound volumes of band formations, announcements, and publications, and oversized scrapbooks of band activities. Additional material includes topical files documenting tours and performances. The bulk of the documentation pertains to the Marching Band.

A civil engineer for the Austin Company in Cleveland, Ohio, who worked in the Soviet Union in 1929. Photographs and a journal documenting Palmer's work on an auto plant construction site near Nizhnii Novgorod. Also, an Alaska travel journal dated 1897.

The bulk of the collection documents Palmer's work and travel in the USSR. Over 100 photographs- many annotated on verso- depict projects in progress, work sites and workers, and other scenes related to the Avtostroi plant construction. Also, views of Monastyrka, Kostroma, Ples, and other towns along Volga, as well as Moscow.

A black "Record" volume includes Palmer's journal dated September-November 1929 with entries about work and work methods, as well as people, places, and local culture. In addition, the journal includes entries about Palmer's trip to the industrial cities of Sverdlovsk, Cheliabinsk, and Kharkiv; and his travels through Warsaw, Berlin, and Amsterdam on his way back home. The volume also contains Palmer's job-related drawings and notes. Topics include materials description, materials acquisition and movement, job requirements, labor, cost estimations, production procedures, equipment construction, and a report on gravel pits in Nizhnii Novgorod, dated 1930.

African American Detroit poet and librarian, and founder of Broadside Press in Detroit, Michigan which supported and published black and African American poets and authors. Poet laureate of Detroit, 1981. Materials consist of personal and business correspondence, topical files, photographs, drafts and publications, audio recordings, and film reels.

The papers document the personal and professional life of Dudley Randall as an independent African American poet and founder of the Broadside Press in Detroit, and span the years 1900-2002. Material includes drafts and publications of original works, correspondence, photographs, sound recordings on audiocassettes and audio reels, and films featuring Randall, his family, and poets connected to the Broadside Press. Series in the collection may have overlapping subjects, as original folder contents were maintained. Folders are arranged first by date, and then alphabetically by original title where applicable. The collection is divided into four series: Biographical (1900-2002), Broadside Press (1939-1999), Topical Files (1908-2002), and Writing (1933-1983).

Professor of philosophy at the University of Michigan; correspondence; notebook containing philosophical jottings; papers of Helen Maud Sellars describing visit to Russia in 1946; and photographs.

The collection consists mainly of the papers of Roy Wood Sellars with some materials of his wife Helen and his son Wilfred. The collection includes correspondence and writings with a scattering of individual and family photographs.