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An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The illustrations include her seaside departure, the missionary standing on a stump and singing to (racist caricatures of) African men, cannibalism, African men trying on the woman's clothing, and a scene of grief back in the United States.

An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The poem ends with her grief-stricken family members weeping and fainting back home, and a concluding moral.

The illustrations include a dock scene, with passengers boarding a ship, persons on the dock waving farewell, and sailors at work on deck. Another shows the missionary woman standing on a stump with a hymn book (sheet music for "In the Sweet Bye and Bye" visible) and singing to a group of African men. The artist portrayed them as racist caricatures, and the men are holding knives, testing their edges, and sharpening teeth with an iron file. The following image depicts the woman on the ground with the men eating or carrying off her bones and severed parts of her body. Next, the men are trying on the woman's clothing; a chief is wearing her bonnet and carrying her parasol and purse/bag, another man is putting on her shoes, and another wears her skirt. The concluding artwork is a parlor scene back in the United States, wherein family and friends received a postal parcel containing a piece of the missionary's dress, her hymn book, a lock of her hair, and a shoestring. The people are shown weeping into handkerchiefs, one of them fainted and one holding the lock of hair.

A transcription of the seventh, final page of the poem--and the moral of the tale--is: "Oh gentle maid, on good intent, / Who would in 'Missions' lead the van, / Take warning from this maid, who went / Afar to free from Ignorance' ban. / Do all the good that here you can / Where you may have a little ease; / 'Home Missions' try on some one man - / Or two or more, if so you please, - / But do not try the Asamese."

This 108-page orderly book belonged to Major General Amos Hall, who commanded a New York militia unit near Buffalo, New York, during the War of 1812. The volume contains general orders and communications between Hall and other commanding officers stationed in western New York between December 24, 1813, and April 10, 1814. Two newspaper articles, published as late as 1893, are pasted on the book's final pages. The orderly book is accompanied by 4 copies of 2 reports of the United States House of Representatives in the 1840s, concerning financial claims John R. Williams made for property lost during the Niagara campaign of the War of 1812. Also included are a belt and attached buckle.

This 108-page orderly book belonged to Major General Amos Hall, who commanded a New York militia unit near Buffalo, New York, during the War of 1812. The volume contains general orders and communications between Hall and other commanding officers stationed in western New York between December 24, 1813, and April 10, 1814. Two newspaper articles, published as late as 1893, are pasted on the book's final pages. The orderly book is accompanied by 4 copies of 2 reports of the United States House of Representatives in the 1840s, concerning financial claims John R. Williams made for property lost during the Niagara campaign of the War of 1812. Also included are a belt and attached buckle.

The Orderly Book contains copies of general orders and correspondence issued daily between December 24, 1813, and December 29, 1813 (pp. 1-20), as well as orders and correspondence issued less regularly between January 10, 1814, and April 10, 1814 (pp. 20-108). Entries are composed in a number of different hands. Most orders were issued at American headquarters in Batavia, Buffalo, and Williamsville, New York, and from other unnamed posts in the Niagara region. The first order pertains to Hall's assumption of command of troops assembled near Buffalo. Throughout the following months, he issued and received orders about several aspects of the campaign in western New York, such as troop movements, troop numbers, and developments in the war. Other topics include the transfer of prisoners of war (January 10, 1814, pp. 40-41) and the hire of local Native Americans (December 27, 1813, pp. 11-12).

A copy of Amos Hall's certificate of membership in the Society of the Cincinnati is laid into the volume (July 4, 1786), and 2 newspaper clippings are pasted on its final pages: "In Olden Times. Robert Sutcliff's Travels in the Genesee Country" (Stephen B. Ayers, Post-Express, February 28, 1893) and "Interesting Sketch of Gen. Amos Hall" (Myron S. Hall, the Journal, undated).

The Government Publications series is comprised of 2 copies each of 2 printed reports issued by the United States House of Representatives, concerning claims John R. Williams made against the United States government for property destroyed by the British Army in December 1813 (Report No. 102, February 7, 1845) and for land near Detroit, Michigan (Report No. 5, December 20, 1847).

The Realia item is a belt with its original buckle still attached. The buckle depicts a grenade over the number "100," and originally belonged to a member of the British Army's 100th Regiment of Foot grenadiers.

The Buffalo Soldiers carte-de-visite album contains cartes-de-visite and tintype photographs of African American soldiers, civilian men and women. Some of the photographs were taken in Webster, Dakota Territory (now South Dakota).

The Buffalo Soldiers carte-de-visite album contains 16 cartes-de-visite and 7 tintype photographs taken circa 1870s and 1880s, now housed separately. Included are formal studio portraits of unidentified African American and Caucasian civilians and soldiers. Some individuals posed in pairs or groups. Many of the photographs, including some of the cartes-de-visite of African American soldiers, were taken in the Dakota Territory. The original album (12cm x 15cm) has covers bound in blue cloth; a metal shield is attached to the front cover.

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.

The July 1, 1874 kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: one letter, a manuscript reward advertisement, handwritten notes, a pencil sketch portrait of Charley, a manuscript account of experiences with the main suspects, and an undated newspaper clipping related to the continuing investigation of the child's abduction, ca. 1909.

The July 1, 1874, kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: a letter, a manuscript draft of a reward advertisement, handwritten notes, a pencil sketched portrait of Charley, a manusscript account of experiences with the main suspects, and an undated newspaper clipping-related to the continuing investigation of the child's abduction, ca. 1909.

The one Letter in the collection is from Charley Ross's father Christian K. Ross to Rev. Henry Whitney Cleveland, October 20, 1877; Philadelphia. 2 pages. In it, Mr. Ross states that he cannot help Cleveland publish a book as his time is spent searching for his missing son. Ross mentions the book he published on the case, lamenting that he published it using a subscription service as it limited its circulation.

Written on the verso of printed, illustrated stationery of the Haynes Hotel, Springfield, Massachusetts, the manuscript draft of a Reward Advertisement stipulates a $10,000 reward for the return of Charley Ross alive, promising not to seek out or discover the identity of the kidnappers. The page is headed "For Local Article."

Notes: Six pages of pencil notes on checkbook stubs, measuring approximately 9x4 inches. Dating from July 1, 1874, to an unknown point in 1909, the notes begin from the point of Charley's kidnapping, chronicling accounts of the case. First remarking that Christian Ross had "run down false clews [in a] vain attempt" to locate Charley, the unidentified writer continues with a sparse summary of the alleged kidnappers capture "at Fort Hamilton, L.I. [Long Island]" and Joseph Douglas's confession that "Mosher & I stole Charly [sic] Ross." The next entry, dated 1909, discusses one Wm. G. Eyster, whose claim to be the lost Charley Ross was rejected.

The notes conclude with a sketch of a man wearing glasses and a bow tie, with the caption "3 days to get it ready, $20,000," followed by what appears to be notes related to other kidnappings and reference to a "Jessy James."

Manuscript: On October 9, 1932, James H. Hall wrote a nine-page summary of George W. Murdock's recounting of his experiences with the main suspects in the Charles Brewster Ross kidnapping case, Bill Mosher and Joe Douglas, while his mother was in charge of the lighthouse in the Hudson River. Murdock recalled Mosher and Douglas attempting to sell them a boat, described the two men, and described encounters with detectives who searched their premises and read their mail. Hall speculated about the possible role of the boat in the kidnapping.

Newspaper Clipping: An undated clipping regarding one Mr. W.C. DeWitt, claiming to be the lost Charley Ross and giving a lecture, titled "The True Story of My Abduction."

Portrait: A pencil sketch of Charley with an inscription that reads,"at the time of his abduction. Then 4 yrs. and Walter, his 6-yr-old brother. Disappeared from the sidewalk, near their home. July 1, 1874."

This diary is an account of the daily life of a female student living in Chillicothe, Ohio.

This 45-page diary is an account of the daily life of an unidentified female student living in Chillicothe, Ohio, between 1865 and 1867. She wrote about attending school, studying, and writing compositions. She was a frequent churchgoer, often quoting or making notes on sermons and scripture. Her social activities included visiting friends, inviting friends to her house, and going for walks. Her most frequently mentioned friend was Allie Sanford. The diary includes brief references to the Civil War, prayer meetings, a "circus day," evening lectures, Sunday school, picking berries, riding, sleighing, and an unidentified man named "B--".

The beginning and end of the diary contain a list of students in different classes (1865), a schedule, poems, school grades, and "a cure for cholera" recipe.

This diary chronicles the author's sea voyage from New York to China in the spring of 1859, as well as his life in Shanghai between July 1859 and July 1860. At sea, he detailed the daily weather, scenery, and life onboard the ship, and in Shanghai he described his everyday life as a doctor and shared numerous observations on the effects of foreign trade on the country, local missionary efforts, and military conflict between the British and Chinese.

This diary (289 pages) chronicles the author's sea voyage from New York to China in the spring of 1859, as well as his life in Shanghai between July 1859 and July 1860. The first entry, dated February 28, 1859, opens with the author embarking for China on the N. B. Palmer, an American clipper under a Captain Frisbie. Over the next several months, he recorded daily observations of the weather and of life onboard the ship, including the captain's occasional harsh treatment of the crew. In addition to recording daily measurements of latitude and longitude, he occasionally described the scenery as the ship rounded the Cape of Good Hope and made its way to China by way of Indonesia. After a brief stop on Java in mid-May, the ship proceeded to Hong Kong, where it arrived on June 11 to discharge its cargo. During his brief time in Hong Kong, the author noted several aspects of local life, including the influence of foreign missionaries. On June 27, the N. B. Palmer departed Hong Kong bound for Shanghai, which it reached on July 4 amid Independence Day celebrations. Once in Shanghai, the diarist recorded his impressions of the city and incidents from his medical career, which included administering vaccinations as well as caring for the sick. The diary contains many references to political affairs and to the local efforts of foreign missionaries; much of the political focus is on the influence of Great Britain, particularly after the escalation of the Second Opium War. In addition to political commentary and descriptions of his daily life as a doctor, the diarist occasionally expressed his hope that Christianity would eventually win over the locals. The author remained in Shanghai until at least July 21, 1860, the date of his final entry. Two items laid into the volume include an undated note of thanks for the doctor's services (pp. 58-59) and a sheet of paper containing two Chinese characters (pp. 90-91).

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the material concerns Markham's attempt to cultivate cinchona plants in India, as well as the Amazon basin and rainforest.

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the manuscripts concern Markham's attempt to cultivate cinchona plants in India, and it contains notes on the Amazon basin and rainforest.

The bulk of the collection pertains to Markham's work with Great Britain's India Office in the 1860s, including a lengthy printed report and supplementary memoranda about his efforts to introduce the cinchona plant, native to Peru, to India. Other reports and memoranda concern Indian coffee plantations, cotton production, oyster fisheries, and irrigation projects. The volume also includes descriptions of the Suez region, Abyssinia, and Bombay. Manuscript notes and translations in the back of the volume largely pertain to South America, including letters to Markham from an acquaintance in Lima, Peru, and notes on the missionary work of Antonio Machoni. Other manuscripts concern the Amazon region, cocoa plantations, the Napo River, and an Arctic expedition. The documents are calendared and indexed.

This photograph album contains 19th-century carte-de-visite, photomechanical print, and tintype portraits of residents of Kent and Oakland Counties, Michigan.

This photograph album (14cm x 11cm) contains 18 cartes-de-visite, 4 halftone photomechanical prints, and 2 tintypes, which are portraits of residents of Kent and Oakland Counties, Michigan, taken during the 19th century. Most of the items are studio portraits of men, women, children, and infants. The halftone photomechanical prints are montages, including one portrait of a woman placed behind a drawn window. A number of the subjects are identified. A decorative design is embossed on the album's brown leather cover, and the title "Album" is stamped in gold on its spine; the volume also has a metal clasp.