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This collection is made up of letters that a United States serviceman sent to his wife while traveling to and serving in the Philippines between July and September 1945. The letters pertain to religion, leisure activities, a Japanese surrender delegation, and other subjects.

This collection is made up of 8 letters that a United States serviceman sent to his wife while traveling to and serving in the Philippines in August and September 1945. In his first two letters, "Jake" wrote about aspects of his journey across the Pacific Ocean, including weather conditions and a religious service held onboard his ship (July 2, 1945, and undated). After arriving in Manila, he described the destruction in and around the Intramuros district and discussed his life in an unfinished camp, where soldiers used their helmets to hold shaving water. He mentioned repeated thefts from soldiers' footlockers, and the prevalence of scorpions, lizards, and other animals. In his letter of August 21, 1945, Jake lightly criticized Catholic chaplains. This letter also contains an account of a 16-man Japanese surrender delegation, which Jake spotted while retrieving his mail; he noted the differences between the ornately decorated Japanese uniforms and the Americans' plain khakis.

This collection contains 5 letters from a man named George, who wrote to his mother while he served with the United States Armed Forces in Stams, Austria, during May and June 1945. He told his mother of his daily life, recounted a day trip to nearby Innsbruck, and shared news of acquaintances from the United States.

"George," a member of the United States Armed Forces, wrote 5 letters (9.5 pages) to his mother while stationed in Stams, Austria, in May and June 1945.

He often reported receiving and sending correspondence and packages, including a shipment of fudge that had spoiled (May 12, 1945), and responded to news of people he knew in the United States. Occasionally, he mentioned the draft and the possibility of acquaintances serving in the military, and in one letter commented on the death of a friend named Bert Vollmer, who had also served in Europe (May 29, 1945). George wrote about various aspects of military life, such as inspections, and remarked about the weather and daily life in Austria. He mentioned the work of local citizens, who spent most of their time farming, and in his letter of June 10, 1945, he described the haying process. On May 31, 1945, he wrote of a recent trip to nearby Innsbruck, where he went skiing and attended an opera, and reported that the military had resumed censorship of soldiers' letters.

This volume contains crew lists for the US Ships Java and Delaware, compiled around the 1830s. The lists are mainly organized by sailors' stations.

This volume contains crew lists for the US Ships Java (29 pages) and Delaware (25 pages), compiled around the 1830s. The crew list for the Java was created while the ship served under the command of Commodore James Biddle and Captain Charles W. Skinner. The names of officers and sailors are organized into seven divisions, further divided into crews for each of the ship's guns (under the command of lieutenants) and sails. The crew of the Java included a small number of marines and numerous firemen and "wenchmen." The crew list for the Delaware is similarly subdivided into groups stationed in various parts of the ship and at various sails. The crew lists begin from opposite covers, and several pages have been torn out of the volume.

The Vanderpool religious journal contains religious diary entries from three authors over the course of 52 years.

The Vanderpool religious journal contains religious diary entries from three authors over the course of 52 years. The journalists began their portions of the volume with brief biographical introductions, and offered numerous musings on their relationships to religion. The first, and most prolific, writer began his biographical note with an account of his conversion, and on August 14, 1833, started his daily diary entries, which focused on the impact of religion on his life. After August 31, entries became more sporadic until a final note on January 1, 1841.

The second portion of the journal is dated November 14, 1866, and contains a brief autobiographical note about the author, likely C. W. Vanderpool, including indications of strong religious convictions. A loose paper inserted into this section of the volume indicates that the book was a gift to C. W. Vanderpool from his mother, Helen Elmira Vanderpool, of Buffalo, New York.

The third body of material in the journal consists of two pages written in January 1885 by a member of the Young Men's Christian Association, and relates primarily to attendance at several religious meetings and other events. This section of the volume concludes on January 30, 1885.

The journal also contains "Exertations from the following texts," which is a list of Bible verses and brief lines taken from them.

The Virginia and Tennessee Railroad Trip photograph album includes pictures of railroad cars, tracks, and travelers taken in the 1890s, as well as pictures of trackside scenes in Tennessee and pictures of people enjoying recreational activities on a beach.

The Virginia and Tennessee Railroad Trip album contains 296 photographs taken along a railroad line in Tennessee and on an unidentified beach in the 1890s. Each item is a Kodak No. 2 circular print, mounted onto the pages in groups of 6; two are pasted on top of other pictures. The photographs are numbered 577-863. The volume has leather covers with the title "Photographs" stamped in gold on the front.

Most of the album's images are scenes from a railroad trip in Tennessee, beginning with views of the Hotel Roanoke in Roanoke, Virginia, and including pictures of passengers, tracks, trackside scenery, depots, and small towns. The album also contains pictures of people walking along a beach, displaying captured fish, preparing to launch a rowboat, and shooting small birds. Additional groups of items show a large Victorian house, people disembarking from a boat, and bathers diving into a large partially covered swimming area.

This visiting card specimen book contains 48 printer's sample cards pasted into the volume, including "hidden name" examples with movable die-cut flaps and other devices.

This visiting card specimen book contains 48 printer's sample cards pasted into the volume, including "hidden name" examples with movable die-cut flaps and other devices. Predominant visual themes are flowers, birds, hands, children, and cherubs. Others include a dog holding a guitar, a quill pen, a G.A.R card, and an "Imp Card" showing a devil holding a sign to read "I AM ___ WHO THE [DEVIL] ARE YOU."

A "Gold Escort" card has the text "I beg the blissful felicity of being honored with your gracious condescension to the extent of allowing your humble servant to escort you to your leafy bower this balmy eve. Say yes, fair lady!"

The Wabash (Ind.) family photograph albums contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century.

The Wabash (Ind.) family photograph albums (both 14cm x 10cm) contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century. The first volume contains 19 tintypes and five cartes-de-visite, and the second volume contains 16 tintypes and nine cartes-de-visite; an index of subjects in included at the back of the second album. Some of the tintypes have raised decorated borders on their cardstock frames, and many include hand coloring. Most items are individual portraits, though some men and women posed in pairs. One man appears in a Masonic sash and apron. Each album has a brown leather cover with a raised geometric design and floral patterns stamped in gold.

This volume contains excerpts from Walley Chamberlain Oulton's 1812 play The Sleep Walker, or, Which is the Lady?, as well as excerpts from the works of Shakespeare and other sources.

This volume (28 pages) contains excerpts from Walley Chamberlain Oulton's 1812 play The Sleep Walker, or, Which is the Lady?, as well as excerpts from other works. Pages 1-7, 16-19, and 25-28 contain excerpts from The Sleep Walker; pages 8-15 and 20-24 contain copied excerpts from other sources, most frequently Shakespeare's plays. The lines from Oulton's play vary only slightly from an 1813 published version; one notable difference is a lengthier concluding monologue by the character Somno. The other excerpts are written under the names of prominent English actors from the early 19th century, including members of the Kemble and Siddons families. The volume has the bookplate of Erastus Tefft, which has an engraving of a Native American gazing at a European settlement.

This album contains photographs of local residents, buildings, and natural scenery taken in the Congo region of Africa, around 1887. Africans and white missionaries posed singly and in groups. Landscape views, village scenes, images of vegetation and rock formations also appear.

This album (43cm x 32, 61 pages) contains 269 photographs of local residents, buildings, and natural scenery, possibly at an American Baptist mission in the Congo region, circa 1887. Three to eight items are pasted onto each page, and captions are written directly into the album where photographs are missing. The three-quarter-bound volume's covers are black and gray.

The photographs are roughly organized by topic. Pages 1-23 are comprised of individual and group portraits of Africans and of white missionaries. Many are identified by name. Of particular interest are posed ethnographic photographic studies of native men, women, and children shown in traditional African and western dress. Many if not most images appear to have been staged by the photographer. Among those may be of native inhabitants appearing as manacled slaves or prisoners; a mock execution, people with primitive weapons; mock combat with bow, spear, and shield; the wearing of ceremonial masks, families with children, and a young man with a large snake around his neck. "Mr. Clark" is identified in group photos as is "Dr. Flemming," a black woman, who is occasionally pictured with the missionaries. "Mr. Lewis" appears with a camera and tripod and may be the photographer for this album. "Mr. Roger Casement," future British consul to Portuguese West Africa and Irish Nationalist, is identified in one photograph and appears in at least one other. A set of four photographs depicts two African boys using a camera obscura on a stand to produce drawings of each other. The images on pages 23-31 include village scenes, rustic buildings including a church, post office, and photographer's booth. A man posed with the decapitated head of a hippopotamus appears on page 23.

Pages 32-48 concentrate on details of trees, fruits, and other vegetation, and pages 49-60 pertain to rock formations and rivers. These items include views of rocks with unidentified carved inscriptions, of caves, and of sailing and steam ships in a harbor. A small river steamer, theHenry Reed , a canoe, and a shipwreck are also pictured. The final item, located on page 61, is a photograph of William Shakespeare's supposed birthplace in Stratford-upon-Avon, England.

The Western travel and mid-Michigan photograph albums (2 volumes, each 23 x 36 cm) contain a total of 417 photographs primarily pertaining to travel in the western U.S. and the mid-Michigan region, likely taken by a member of the Charlesworth/Abraham family of Flint, Michigan.

Volume I: Western photographs include views of Yellowstone, the Yosemite Valley, cliff dwellings with pictorgraphs, a petrified forest, hiking across a glacier, buildings of the Panama-Pacific Exposition, the Saltair resort in Utah, cliff dwellings, the California coast, a bull fight, Native Americans selling pottery on the street, California houses, and a concert band dressed in kilts. Also included are single views of a city waterfront, possibly St. Paul, Minn., Milwaukee grain docks, and the Minnesota State Capitol. Album contains 232 images. Photographs lack captions.

Volume II: Mid-Michigan photographs show chiefly outdoor activities and rural scenery, including house and barns, country roads, hunting and fishing trips, boating, swimming, hunting dogs and game birds, a circus parade in downtown Flint, farm animals and cow-milking, and picnics. Nine photographs show a collection of bird amulets and carved relics, some belonging to the Silas Collins collection at the Flint Public Library. Also shown are burnt-out ruins of the Michigan School for the Deaf and postal carriers in Flint with sleds and wagons piled high with Christmas packages. Several photographs feature automobiles, including an overturned auto in the street being contemplated by a young man in swimming costume with handwritten caption, "Berston killed;" automobiles stuck in potholes and rescued by horse-teams; filled with hunting dogs; and a Buick Model C burnt out and restored. Michigan locations include: Flint, Prescott, Stiles Lake, Long Lake, Houghton Lake, Rifle River, Ortonville, and Skinner Lake. Identified individuals include: W.B. Ormsbee, A.G. Abraham, Herb Mitchell, Howard Casler, E. Rockafellow, Luella Charlesworth, John Brewer, Emma Abraham, Ernest Oldfield, M.B. Shirk, William Somerville, Hattie Barker, George Dell, Gert Fellows, Glenn Jones, Edgar Ries, John Ries, George Havers, John Wildanger, George Havers, Clyde Baldwin, George Frye, Edgar Rice, Chancey Straber, Elsie Caverly, Clarence Caverly, Leo & Mrs. Boomhower, Bud & Mrs. Evans, Ed Brown, Llloyd & Mrs. Algoe, Alice Charlesworth, Anna Charlesworth, George Holmes. Album contains 185 images. Most photographs include manuscript captions on verso.

Albums housed in three-part wraps with blue cloth spines.