Collections : [University of Michigan William L. Clements Library]

The Boston, Plymouth, and New Bedford photograph album contains 24 images of scenes in Boston, Plymouth, and New Bedford in Massachusetts as well as one cyanotype postcard of a young woman.

The Boston, Plymouth, and New Bedford photograph album contains 24 images of scenes in Boston, Plymouth, and New Bedford in Massachusetts as well as one cyanotype postcard of a young woman.

The album (16 x 19.5 cm) has leather covers with the word “Photographs” stamped on the front in gold. A loose card is included that provides explanatory information and corresponding page numbers for each photograph in the album. Most of the photographs are outdoor scenes with groups of people. Images of note include views of Park Street in Boston looking towards the capitol building, the 1867 suspension bridge, Ether Monument and Washington Monument in the Boston Public Gardens, the Boston Public Waterworks from Beacon Street in Chestnut Hill, a fisherman, an old whaling ship in New Bedford, Plymouth-area monuments, cemeteries, and downtown, and two people in a carriage in front of the Egypt Train Depot in Scituate, Massachusetts. Also present is a cyanotype postcard of a young woman sitting and reading with “Miss Mary E. Black/Eggemoggin, Maine” written on the back.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line. The album (39 x 29 cm) is hardbound with a green cover. Images include views of urban street scenes in several Massachusetts towns, including Lynn; railroad passenger stations; a trolley car; street car tracks; the Bay State House in Worcester, Massachusetts; various storefronts; a locomotive with a plow attachment; numerous horse-drawn carriages; a sign stating "Railroad crossing. Look out for the engine while the bell rings."; a woman identified by a handwritten caption as "Louise" posing outside of a carriage stable; and what appears to be either two horse cars or two electric automobiles parked on a street.

The July 1, 1874 kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: one letter, a manuscript reward advertisement, handwritten notes, a pencil sketch portrait of Charley, a manuscript account of experiences with the main suspects, and an undated newspaper clipping related to the continuing investigation of the child's abduction, ca. 1909.

The July 1, 1874, kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: a letter, a manuscript draft of a reward advertisement, handwritten notes, a pencil sketched portrait of Charley, a manusscript account of experiences with the main suspects, and an undated newspaper clipping-related to the continuing investigation of the child's abduction, ca. 1909.

The one Letter in the collection is from Charley Ross's father Christian K. Ross to Rev. Henry Whitney Cleveland, October 20, 1877; Philadelphia. 2 pages. In it, Mr. Ross states that he cannot help Cleveland publish a book as his time is spent searching for his missing son. Ross mentions the book he published on the case, lamenting that he published it using a subscription service as it limited its circulation.

Written on the verso of printed, illustrated stationery of the Haynes Hotel, Springfield, Massachusetts, the manuscript draft of a Reward Advertisement stipulates a $10,000 reward for the return of Charley Ross alive, promising not to seek out or discover the identity of the kidnappers. The page is headed "For Local Article."

Notes: Six pages of pencil notes on checkbook stubs, measuring approximately 9x4 inches. Dating from July 1, 1874, to an unknown point in 1909, the notes begin from the point of Charley's kidnapping, chronicling accounts of the case. First remarking that Christian Ross had "run down false clews [in a] vain attempt" to locate Charley, the unidentified writer continues with a sparse summary of the alleged kidnappers capture "at Fort Hamilton, L.I. [Long Island]" and Joseph Douglas's confession that "Mosher & I stole Charly [sic] Ross." The next entry, dated 1909, discusses one Wm. G. Eyster, whose claim to be the lost Charley Ross was rejected.

The notes conclude with a sketch of a man wearing glasses and a bow tie, with the caption "3 days to get it ready, $20,000," followed by what appears to be notes related to other kidnappings and reference to a "Jessy James."

Manuscript: On October 9, 1932, James H. Hall wrote a nine-page summary of George W. Murdock's recounting of his experiences with the main suspects in the Charles Brewster Ross kidnapping case, Bill Mosher and Joe Douglas, while his mother was in charge of the lighthouse in the Hudson River. Murdock recalled Mosher and Douglas attempting to sell them a boat, described the two men, and described encounters with detectives who searched their premises and read their mail. Hall speculated about the possible role of the boat in the kidnapping.

Newspaper Clipping: An undated clipping regarding one Mr. W.C. DeWitt, claiming to be the lost Charley Ross and giving a lecture, titled "The True Story of My Abduction."

Portrait: A pencil sketch of Charley with an inscription that reads,"at the time of his abduction. Then 4 yrs. and Walter, his 6-yr-old brother. Disappeared from the sidewalk, near their home. July 1, 1874."

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the material concerns Markham's attempt to cultivate cinchona plants in India, as well as the Amazon basin and rainforest.

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the manuscripts concern Markham's attempt to cultivate cinchona plants in India, and it contains notes on the Amazon basin and rainforest.

The bulk of the collection pertains to Markham's work with Great Britain's India Office in the 1860s, including a lengthy printed report and supplementary memoranda about his efforts to introduce the cinchona plant, native to Peru, to India. Other reports and memoranda concern Indian coffee plantations, cotton production, oyster fisheries, and irrigation projects. The volume also includes descriptions of the Suez region, Abyssinia, and Bombay. Manuscript notes and translations in the back of the volume largely pertain to South America, including letters to Markham from an acquaintance in Lima, Peru, and notes on the missionary work of Antonio Machoni. Other manuscripts concern the Amazon region, cocoa plantations, the Napo River, and an Arctic expedition. The documents are calendared and indexed.

The Colorado, New Mexico, and Mexico views collection contains 24 photographs of places and people in the western United States, British Colombia, and Mexico.

The Colorado, New Mexico, and Mexico views collection contains 24 photographs of places and people in the western United States, British Colombia, and Mexico.

The collection is stored in a modern brown plastic binder (30.5 x 23.5 cm). Contents consist of images of the Ferguson area of British Columbia; pack mules at work; a gold mine in Oatman, Arizona; Idaho Springs, Colorado; Santa Fe and Laguna, New Mexico; a woman from Cuernavaca, Mexico; buildings (including a Mexican cathedral); portraits of Native Americans in New Mexico; and mountains in Colorado. The collection include mounted and unmounted photographs ranging in size from cartes de visite to prints on 20 x 25 cm mounts.

The Daniel Morgan collection is made up of financial records, legal documents, correspondence, and other items related to General Daniel Morgan and to Willoughby Morgan, his son.

The Daniel Morgan collection is made up of 63 financial records, legal documents, correspondence, and other items related to General Daniel Morgan and to Willoughby Morgan, his son. The majority of the collection consists of accounts, bonds, promissory notes, and other documents pertaining to Daniel Morgan's financial affairs. Accounts and invoices record Morgan's purchases of clothing, wagon-related equipment and services, and other items. Some of the later items do not concern Morgan directly but have his legal endorsement. Also included are two outgoing letters by Morgan, a 9-page legal document about a lawsuit against Morgan, and a deposition that Morgan gave in a different dispute. Other items are a bond regarding Morgan's marriage to Abigail Curry (March 30, 1773) and Morgan's political address to the citizens of Allegheny County about politics and the militia (January 17, 1795). Three of the documents pertain to enslaved and free African Americans (November 6, 1773; June 13, 1789; and March 28, 1799). Later items mostly pertain to the estate of Willoughby Morgan, Daniel Morgan's son. James Graham wrote two letters to unknown recipients in 1847 and 1856 about his efforts to write Daniel Morgan's biography, which he subsequently published.

Printed items include a map of the surrender of Yorktown (undated), a newspaper article from a Winchester, Virginia, paper about the possible disinterment of Daniel Morgan's remains (August 18, 1951), and printed portraits of Daniel Morgan with manuscript and facsimile autographs.

The Electric railway engineer photograph album consists of approximately 235 photographs and 1 booklet documenting the professional and personal life of an unidentified railway engineer specializing in electric rail line infrastructure.

The Electric railway engineer photograph album consists of approximately 235 photographs and 1 booklet documenting the professional and personal life of an unidentified railway engineer specializing in electric rail line infrastructure.

The album (25.5 x 30.5 cm) has dark green cloth covers with “Photographs” stamped on the front cover. All of the album pages are loose and fairly brittle, but the images are in generally good condition.

The first page contains sixteen signatures from participants in the 30th reunion of the Union College class of 1885. Subsequent photographs include several views of Union College campus, aspects of student life (including dorm room interiors and a group of portraits showing crossdressing men captioned “Minstrels"), and formal portraits of members of the Kappa Alpha Society in the mid-1880s, presumably including some of the attendees at the reunion whose signatures are represented.

The unidentified presumed compiler of the album can be seen in several photographs. He appears to have been an engineer specializing in infrastructure projects for electric-powered rail systems and was active in the early stages of when railroads in the United States were moving towards electrification. Many of the smaller circular photographs found throughout in the album were likely produced by a Kodak No. 2 camera, while larger format prints and cyanotypes are also present.

Contents are arranged chronologically starting with the compiler's student days before focusing on various professional assignments and elements of his personal life. During the ten years following his graduation from Union College the compiler apparently participated in several railroad development projects, mainly in what would become Washington State but also in Kansas, Oklahoma, and Idaho. Photographs from this period of his life include views of survey camps along the Columbia River and other regional waterways, interior and exterior views of the compiler’s home in Tacoma, portraits of his growing family, and snapshots of Klickitat people (including a group portrait of three women picking hops). By 1896 the compiler and his family appear to have moved back east, settling in New Rochelle, New York. Photographs from this period include documentation of projects on intercity lines on Staten Island and other nearby boroughs, a project in upstate New York, and numerous images of friends and family. The Albany and Hudson Railway and Power Company’s new electric train line to various towns between Hudson and Albany required establishing power sources along the route. As a small group of photographs in this album show, this necessitated constructing a dam at Stuyvesant Falls on the Kinderhook Creek which would provide electric power to the rail line and various local businesses. The final pages of the album document the construction of Hudson Park Dock in New Rochelle as well as leisure activities such as the 1906 Vanderbilt Cup auto races and a naval review in Oyster Bay.

A total of 18 loose photographs are included towards the back of the album. Images include a group portrait of Union College students from the 1880s, a studio portrait of a young woman and infant taken in the mid-1890s in Tacoma, and a double exposure of a woman standing next to an automobile in Jacksonville, Florida, in 1918. Also present is a printed pamphlet replete with numerous halftone reproduction images titled “Letter from Mayor Clarke to the Voters of New Rochelle with Pictures of Improvements Under His Administration” which highlights several civic infrastructure projects (including the Hudson Park Dock) undertaken during the tenure of mayor Henry Clarke.

The Family travel photograph album contains approximately 335 photographs depicting the travels of an unidentified family to various locations in California, New Jersey, New York, Virginia, Washington, and British Columbia.

The The Family travel photograph album contains approximately 335 photographs depicting the travels of an unidentified family to various locations in California, New Jersey, New York, Virginia, Washington, and British Columbia. The album (19 x 28 cm) is partially disbound and has green burlap covers. Images include family snapshots primarily taken in Oakland, California (89 photographs in total), and East Orange, New Jersey (73 photographs in total); views of sights in Richmond (Virginia), Victoria (British Columbia), including many home interiors and exteriors, nurses and infants, family groups, and children in cribs and posed with dolls; photographs of parks and scenic views of Oakland; views of the battleships Vermont and St. Louis off the coast of Old Point Comfort, Virginia; and a street and waterfront view of New York City. Other photographs of interest include a light-hearted image of five women with their faces bursting through sheets of newspaper; views from locations in Virginia (Roanoke, Richmond, East Radford, Norfolk, and Jamestown), New York (Manhattan, Brooklyn, Schenectady, and Staten Island), Washington (Seattle and Big Lake), and California (Berkeley and Santa Catalina); White Fleet admiral Robley D. Evans in a carriage; and four real photograph postcards showing night views of San Francisco illuminated to welcome the Great White Fleet, May 6-17, 1908. Most photographs include manuscript captions indicating location and date.

The Haverhill, Mass. photograph album (15 x 19 cm) contains 92 amateur photoprints (cyanotypes and gelatin silver prints) mainly consisting of photos taken at a home on North Street, Haverhill, Massachusetts as well as family photos, pet pictures and winter scenes taken around Haverhill, Captain's Pond in Salem, New Hampshire, and other locations around southern New Hampshire.

The Haverhill, Mass. photograph album (15 x 19 cm) contains 92 amateur photoprints (cyanotypes and gelatin silver prints), including photos taken at a home on North Street, Haverhill, Massachusetts, "camp" at Captain's Pond in Salem, New Hampshire, and scenes from several other locations in southern New Hampshire. There are numerous photographs of exterior and interior views of houses, pets and farm animals (cats, dogs, geese, cows and horses) as well as a number of winter scenes, candid shots of women swimming and family groups, including images of a women's outdoor tea party and a child with a dog.

The album has a pebbled black leather cover and is housed in a light grey wrapper with a blue cloth spine.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts. The album (26 x 31 cm) is largely disbound with black cloth covers. Many items are loose.

Items of interest include images of street scenes, commercial buildings, schools, houses, gravestones, plaques, monuments relating to the history of Malden (with particular attention paid to the homes of the Winship, Sprague, and Waite families), and several group portraits of Malden students including "Malden High School Cadets" in uniform holding bayoneted rifles and the Centre Grammar School graduating class of 1883 at their school desks. Also present are images of interior and exterior views of city hall (festooned for the 250th anniversary in 1899), and Massachusetts Governor Curtis Guild dedicating Bell Rock around 1905.

Two maps showing Malden in 1852 and 1856 as well as a laid-in negative photostat showing "Sales at auction of the pews in Malden Meeting House, January 13th, 1803" replete with names and prices are also included