Collections

Publications produced by the A. Alfred Taubman College of Architecture and Urban Planning and its sub-units and architecture student organizations. Includes brochures and pamphlets, bulletins or college catalogs, directories, newsletters such as Portico, proposals, and reports. Sub-unit publications include items from the Architecture and Planning Research Laboratory, the Integrated Technology Instruction Center, and the Raoul Wallenberg Lecture. Contains publications about the Art and Architecture Building including printed floor plans, proposals, and reports. Also contains student publications such as Dimensions, Rough Draft, Synergy, and the Graduation Committee publications - commencement programs and their yearbook/directory.

The A. Alfred Taubman College of Architecture and Urban Planning Publications are divided into four series: Unit Publications; Sub-Unit Publications; Topical Publications; and Student Publications. The bulk of the publications document the college, its organization, course offerings, communications to faculty, staff, students, and alumni, and various research reports written by the college's faculty.

Publications are organized within five series: Unit Publications, Sub-Unit Publications, Topical Publications, Student Publications, and Website.

UNIT PUBLICATIONS is comprised of publications produced by the administration of the college. These publications are defined as being widely distributed and may be published at regular intervals. They are arranged by genre of the publication.

This series includes annual reports, articles, bibliographies, brochures, bulletins including college catalogs, directories, histories, holiday cards, lectures, manuals, newsletters, policies and procedures, posters, programs, proposals, prospectuses, and reports.

An important title in this series is the Bulletin. Academic degree program requirements are defined in what is called the university "bulletin" or general catalog. For example, program requirements outline how many credits and what subjects a student needs to complete in order to receive a degree in an academic program within a specific school or college.

SUB-UNIT PUBLICATIONS is comprised of publications from subordinate centers, departments, institutes, offices, and programs within the college. These publications are arranged alphabetically by the creating sub-unit.

TOPICAL PUBLICATIONS is comprised of publications that document specific events or activities such as fundraising or one-time conferences hosted by the college.

STUDENT PUBLICATIONS contains publications published by student groups within the college.

The A. Alfred Taubman College of Architecture and Urban Planning (TC; also referred to as Taubman College) was established in 1931 as the College of Architecture. However, courses in architecture have been offered at the University of Michigan since 1876, and a department of architecture, formed in 1913, preceded the creation of the college. Since its formation, TC has offered courses and programs in several areas, including landscape architecture, urban planning, urban design, real estate, and, of course, architecture. The record group includes dean's administrative files and correspondence, other administrator files, meeting minutes, department and program files, materials from the National Architectural Accrediting Board (NAAB), lectures and other documentation on the Raoul Wallenberg lecture hosted by the college, and several photographs and negatives of the college and TC-related events.

The A. Alfred Taubman College of Architecture and Urban Planning (University of Michigan), records document the teaching of architecture and design at the University of Michigan beginning in 1878. The records include administrative files, correspondence committee minutes, reports, photographs and architectural drawings. The records have been received in a number of separate accessions which may include material that continues or complements record series from a previous accession or may overlap chronologically with previous accessions. This finding aid reflects the intellectual structure of the records by bringing like material together across accessions. As a consequence, in the container listing box numbers will not necessarily be in consecutive order.

The records are organized in the following principal series:

1. Minutes of Meetings
2. Dean's Administrative Files
3. National Architectural Accrediting Board
4. Miscellaneous (correspondence and select files)
5. Raoul. G. Wallenberg
6. Dean's Correspondence
7. Doctoral Program Files
8. Topical Files
9. Administrative Files
10. Architectural Drawings
11. Photographs and Negatives
12. Art and Architecture Building Renovations
13. Department of Urban Planning
14. Audio-Visual Material
15. Articles, Reports and Speeches
16. Artifacts
17. Archived School of Architecture Website

The Abbott family papers consist primarily of the correspondence of Bessie Abbott, an aspiring singer and stage performer, written to her family during the early 20th century.

The Abbott family papers consist primarily of the correspondence of aspiring vocalist Bessie Abbott, written to her parents and other family members in the early 20th century.

The Correspondence series makes up the bulk of the collection, and covers the years 1881-1922. The earliest letters in the collection originated from a variety of Abbott family members and acquaintances. Of particular interest is an item describing Bessie and Stanley's time in a tent city in Coronado, Mexico (June 19, 1907). After 1912, Bessie was the primary correspondent, and in her letters she discussed aspects her life during her late 20s. In the personal, richly detailed letters from 1912-1914, Bessie described her time in Brooklyn, New York, where she studied with a vocal coach. In 1913, she took a vacation to Washington, D. C. for the Wilson inauguration, and, while there, injured her hand and, as a result, initiated an unsuccessful insurance dispute. After her return to California in 1914, Bessie wrote more frequently about her health and, after a subsequent move to Hawaii, her continued professional success. Following her stint in Hawaii, Bessie's correspondence focused more heavily on business interests, and, in a late series of letters written in the early 1920s, she wrote about her travels throughout southeast Asia, including visits to the Philippines and to Saigon.

Other correspondents represented in the collection include Will Abbott, Bessie's brother; Stanley Howland, Bessie's husband; and Tracy and Linnie Abbott, Bessie's parents.

• A photograph of an unidentified man, taken by Eduard Glaubach in Greifswald, Germany, on March 10, 1880
• A Christmas card, signed by Billy Warren
• A program from a music recital in Honolulu, Hawaii

The papers include correspondence, diaries, journals, accounts books, tintypes, prayerbooks, sermons, hymns in Ojibwa, a New Testament in English and Seneca, and photographic images.

Family papers, 1765-1964, and undated, include: correspondence relating to Rev. Bingham's associations with the Baptist Missionary Society, Boston, his ministry at the Tonawanda Indian Mission in New York State, the Baptist Indian Mission at Sault Ste. Marie, Michigan, and his social activities in Grand Rapids, Michigan; diaries of Bingham and his wife, journals, account books, and tintypes. Also included are prayer books and hymns in Ojibwa, Bingham's sermons, in English, and a New Testament in both English and Seneca. Among his correspondents is John Claude Buchanan, his son-in-law, whose letters relate to Buchanan's service with the 8th Michigan Infantry during the Civil War, 1861-1864. Three boxes of photographic images complete the collection.

The collection includes correspondence relating to Bingham’s associations with the Baptist Missionary Society, Boston, his ministry at the Tonawanda Indian Mission in New York State, the Baptist Indian Mission at Sault Ste. Marie, Michigan, and his social activities in Grand Rapids, Michigan. Correspondents include John Claude Buchanan, Bingham’s son-in-law, relating to his service with the 8th Michigan Infantry during the Civil War.

The collection is also available on 19 reels of positive microfilm Acc# 359 (Section 4, 1 reel) and 444 (18 reels). Some letters are available on 2 reels of positive microfilm Acc# 614 of the American Baptists Foreign Mission Society, 1800-1900, American Indians and 1814-1900, France.

Missionary family to Sault Ste. Marie, Michigan; correspondence, sermons of Abel Bingham, diaries of Hannah Bingham reflecting her daily activities and religious convictions.

The collection documents the lives of a missionary family to the Ojibwa Indians of the Upper Peninsula of Michigan. The papers have been arranged into the following series: Correspondence; Abel Bingham ministerial papers; Miscellaneous; and Bound Account Books and Diaries. The collection is of value for the family correspondence, for the sermons of Abel Bingham, and for the diaries of Hannah Bingham reflecting her daily activities and religious convictions (1817-1868). There are also papers concerning Fountain Street Baptist Church in Grand Rapids in the 1850s.

Spiritualist medium and writer Achsa W. Sprague maintained this diary between 1855 and 1857 while touring on a lecture circuit around Connecticut, Vermont, New Hampshire, Massachusetts, Maine, Rhode Island, Pennsylvania, and New York. She recorded her daily experiences, travels, and work lecturing and conducting medium trances. The latter portion of the volume was used by Lloyd N. Josselyn as an account book between 1880 and 1908, likely while farming in the Plymouth, Vermont, area.

Spiritualist medium and writer Achsa W. Sprague maintained this diary between 1855 and 1857 while touring on a lecture circuit around Connecticut, Vermont, New Hampshire, Massachusetts, Maine, Rhode Island, Pennsylvania, and New York. She recorded her daily experiences, travels, and work lecturing and conducting medium trances.

Sprague began writing in Hartford, Connecticut, with commentary about her decision to keep the diary and brief reflections about being healed by "Spirit Agency" and taking up the work of "a Public Speaking Medium" (pages 1-2). She referenced her former confinement due to poor health several times in the volume (pages 8-9; 59; 76-77; 128). Sprague expressed gratitude about spirits' intervention and her ability to convene with them. For example, she wrote, "This is the most beautiful part of my mediumship, that which others do not see, that which is never spoken, but which is felt in every fibre of my soul giving a richness to life which it never had before, & a tinge of Heaven to light my path where all before was dim & shadowy. A blessing to me physically, mentally, morally, intellectually & spiritually have been these Spirits Manifestations." (pages 14-15).

Throughout the diary, Sprague noted the locations of her lectures, attendance, and the crowd's reception. She visited major cities, such as Hartford, Boston, Troy, and Philadelphia, but principally travelled between mid-sized and smaller locales. Occasionally Sprague remarked on the influence of the spirit upon her during her public meetings (pages 6-7). She attended smaller events, too, like a gathering of some twenty people, including Samuel Colt and William H. Burleigh, who met at 11:30 p.m. (page 11), or a private examination of Gerrit Smith's wife (page 14). She noted meeting one-on-one with other mediums to manifest spirits together (page 16) and included thoughts on other "Public Mediums" (page 23).

While touring, Sprague noted anti-Spiritualist lecturers and sentiments (pages 67-66; 83; 116; 149-50; 168-169), but she also wrote of preachers from Christian denominations who were open to Spiritualism or invited her to join them in their churches (page 145). Sprague recorded logistical details of her work, such as travel, housing, and securing sites for her lectures.

Sprague commented on social and professional visits with individuals active in Spiritualist circles, including Sementha Mettler (page 4); Lottie Beebe, a woman who "is said while under the Influence to give beautiful specimens of poetry & sometimes has other manifestations" (page 11); and "Sleeping Lucy" Cooke (page 54), among others. She described other mediums' techniques, like Mettler's "psychometriz[ation]," where she read people's characters based on their handwriting (page 17), or a detailed description of a "physical manifestation" (pages 109-111). Sprague referenced other mediums who used spirit influence to produce poetry, paintings, and drawings (pages 87; 107-108; 162), and she attended a Spiritualist convention at South Royalton, Vermont (pages 146-147).

At times her entries provide insight into some of her critiques about Spiritualism. She referred several times to her support for "practical Spiritualism" (page 79), and she took issue with "the thoroughly scientific or business men who become believers & advocates of this Philosophy; with all their knowledge, make not half as good actors, either as Lecturers or as practical doers, as many who have been less known in the world" (page 23). In another entry she rejected arguments connecting Spiritualism and Free Love (page 100).

Sprague wrote about being invited to funerals (pages 33-36; 114-115), attending to the dying (pages 85-86; 154-155), and speaking with the bereaved (pages 72-73). She also reflected on the death of her own family members and her belief in their role as Guardian Angels (pages 62-63). She recorded her feelings about the impact her mediumship could effect on those facing death and grief, writing, "I have been with the wretched & suffering, but I have tried to sooth their agony, I have heard many a tale of a broken heart, but I have striven to bind them, & give them the balm of consolation, I have stood by the bedside of the dying, & have watched when the breath went out & left even the forms I loved so well cold, still & silent, but I knew they did not die, that they only bloomed for a higher Sphere..." (page 158)

Several passages reflect her authorship, such as working on an article for the New England Spiritualist, decisions to write under a pen-name for a local Vermont newspaper, noticing some of her pieces were being reprinted, meeting with individuals active in Spiritualist publishing networks, and other mentions of publication (pages 53-55; 64; 74; 87; 92-93; 98-99; 102; 106; 140). Periodically, Sprague noted texts she was reading, both works of literature and those relating to Spiritualism, and she was particularly delighted while staying with a family who appreciated reading "Shelley, Tennyson, Lowell &c... But now that the weather is pleasant again I find that I am public property, & shall be obliged in a great degree to bid good bye to the quiet happiness of listening to the poets & enter into the realities of life. Well it is right to mingle in lifes realities. I Thank God for the beautiful inspirations I have listened to, but more still, for the beautiful inspirations that come to me at morn, at noon, at night from unsung poets & philosophers, even the Angel Messengers He sends. And more, still more, that it is given me to mingle with the realities of life & give them forth to the suffering children of humanity. And as far as my imperfect nature will allow me, to carry the teachings out in my own every day life, & bring them into its practicalities" (page 174). Throughout the diary she wrote introspectively about being of service, using her time profitably, and living up to her higher purpose.

Sprague's interest in social reform is also documented in the volume, in visits to the Hartford "Asylum for educating the Deaf & Dumb" (page 3), concern for the poor (pages 18-21; 49; 55; 79; 119; 140; 162; 164-7; 169-70), women's rights (pages 37-39), and prisons (pages 104-105; 170-1; 176-8). She met Lucretia Mott at a women's antislavery meeting (page 175).

Descriptions of daily life include commentary on weather and nature as well as her health and that of her family, revealing Sprague's interest in various medicinal practices such as magnetism (pages 4 and 162) and healing mediums (pages 28 and 160). While at home with her parents in Vermont, she wrote of social visits, her parents' living situation, and local requests for her to speak, including at a wedding where "A song through me from the Spirit Land concluded the services" (page 43). While on her lecture circuit, she also commented on cities she visited. For example, in Hartford she visited the "Charter Oak" and Lydia H. Sigourney's former residence (pages 4-6); in Salem, Massachusetts, she commented on how the history of the witch trials was handled in the community (page 121). She wrote of meeting a Shaker woman in Cambridge, Massachusetts, (page 122) and seeing Edwin Forrest perform in Providence (page 173). While in Philadelphia, she toured local landmarks, attended Quaker meetings and Catholic services, and visited the Academy of Fine Arts with Samuel Sartain (135). After trying to see Benjamin Franklin's burial spot, she lamented the high walls surrounding it and concluded, "There is too great a tendency in the human mind to seek the grave of the mighty dead & follow them no further" (page 138).

The diary bears pencil marks of a later hand, possibly that of Leonard Twynham indicating passages for publication. The latter portion of the volume was used by Lloyd N. Josselyn as an account book between 1880 and 1908, likely while farming in the Plymouth, Vermont, area. He documented expenditures mostly for household goods and clothing, animal care, foodstuffs, agricultural labor, taxes, digging graves and purchase of headstone, house and vehicle upkeep, etc.

The collection includes the Owsley family papers, both personal and business, of Ada, her siblings and their families, her parents, grandparents, and other relatives.

The collection includes the family papers of all of Ada’s relatives who are named above and her papers, 1856-1945. She also collected children’s art and display materials, 1950-1960 and undated (Boxes 3-7). Most of the materials document Ionia, Michigan, business records, including accounts of Angelo E. Tower when he was postmaster of Ionia, 1886-1890; Tower and Thompson Lumber Company, ledger and legal papers, 1868-1882; Webber Block (housing) papers, 1929-1936; Webber and Wilson (George W. Webber and H. J. Wilson’s mercantile business) ledger, 1866-1867; and Webber Road Construction Company, 1921-1937. There are also some legal records regarding the Topinabee Hotel, 1931, which was on Mullet Lake, near Cheboygan, Michigan. Unidentified land records are filed at the end of Box 2, and children’s art is housed in flat boxes 3-7.

Papers include correspondence, photographs, including a diary and photographs of Foochow, China, 1899-1901, a biography of Michigan poet Will Carleton, and other materials.

The collection includes personal correspondence between Thompson and William R. Longstreet, a bookkeeper and religious leader in Saginaw, Michigan, 1891-1895, concerning the nursing of patients, social and religious affairs, a trip to New York, in 1892, and welfare work of the Jefferson Avenue Epwarth League. There is also a diary of Isabelle Longstreet, describing her missionary work in China, June 1899-October, 1901 and a brief biography of Will Carleton (1845-1912), a notable Michigan poet.

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

Visual material includes one press photograph by Ed Walston of Adlai Ewing Stevenson II with President Dwight D. Eisenhower and Secretary of State John Foster Dulles, and one woodblock print of Adlai E. Stevenson II by Jacob Steinhardt.

Please see the box and folder listing below for more details about each item in the collection.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.