Collections

Nurses' aide in the nursery of University Hospital, Ann Arbor, Michigan (1931-1956). Diaries describing daily life and work activities.

Diaries describing daily events, work activities, church attendance, weather.

Anarchist, social worker, friend of J. A. Labadie, and first curator of the Labadie Collection. Comprise administrative files of the Labadie Collection which she combined and intermingled with personal correspondence, memoirs, and research notes.

The Agnes Inglis Papers are comprised of a variety of materials including her correspondence, research notes, writings, scrapbooks, and her work at the Labadie Collection. The bulk of these papers range from 1924 to 1952, the years during which she served as curator of the Labadie Collection.

These papers hold significance in several respects. First, Agnes Inglis held an important place within the radical movement (anarchism, communism, socialism, etc.) in Southeastern Michigan during the first half of the 20th century, and was particularly active in the anti-conscription campaigns and the subsequent deportation of radicals surrounding the first World War. Her connections within this movement were extensive, and her papers reflect insider knowledge of the events, activities and especially of the individuals of the Left during her lifetime. Also, these papers essentially document the Labadie Collection itself. Because she was the initial and sole curator for the Collection for its first three decades in the University of Michigan libraries, her papers hold extensive information on the Collection's history. Finally, Inglis was an extremely historically minded individual and saw great value in documenting the facts and her impressions of the many people, organizations and events she came to know.

The Agnes Inglis Papers are separated into three series: Corresponsence, with Individual and Corporate subseries; Writings, with Autobiographical, Creative and Theoretical and Notes and Research subseries; and Scrapbooks.

It should also be noted here that during her time as curator of the Labadie Collection, Inglis constructed a card catalog filled with references and biographical and historical notes on the individuals, groups and events of the radical movement. Labadie staff should be consulted if one wishes to view this catalog.

Anarchist, social worker, friend of J. A. Labadie, and first curator of the Labadie Collection. Comprise administrative files of the Labadie Collection which she combined and intermingled with personal correspondence, memoirs, and research notes.

The Agnes Inglis Papers are comprised of a variety of materials including her correspondence, research notes, writings, scrapbooks, and her work at the Labadie Collection. The bulk of these papers range from 1924 to 1952, the years during which she served as curator of the Labadie Collection.

These papers hold significance in several respects. First, Agnes Inglis held an important place within the radical movement (anarchism, communism, socialism, etc.) in Southeastern Michigan during the first half of the 20th century, and was particularly active in the anti-conscription campaigns and the subsequent deportation of radicals surrounding the first World War. Her connections within this movement were extensive, and her papers reflect insider knowledge of the events, activities and especially of the individuals of the Left during her lifetime. Also, these papers essentially document the Labadie Collection itself. Because she was the initial and sole curator for the Collection for its first three decades in the University of Michigan libraries, her papers hold extensive information on the Collection's history. Finally, Inglis was an extremely historically minded individual and saw great value in documenting the facts and her impressions of the many people, organizations and events she came to know.

The Agnes Inglis Papers are separated into three series: Corresponsence, with Individual and Corporate subseries; Writings, with Autobiographical, Creative and Theoretical and Notes and Research subseries; and Scrapbooks.

It should also be noted here that during her time as curator of the Labadie Collection, Inglis constructed a card catalog filled with references and biographical and historical notes on the individuals, groups and events of the radical movement. Labadie staff should be consulted if one wishes to view this catalog.

This collection is made up of 2 letters that Agnes M. Leeds wrote to her aunt, Jane M. Johnson, while living in Curaçao at the time of her husband's final sickness, as well as 1 letter that Leeds received from an acquaintance in New York City.

This collection is made up of 2 letters that Agnes M. Leeds wrote to her aunt, Jane M. Johnson, while living in Curaçao at the time of her husband's final sickness, as well as 1 letter that Leeds received from an acquaintance in New York City.

Agnes and Henry Leeds arrived in Curaçao in October 1842, where they hoped to relieve Henry's ailing health. In her letters to her aunt, Agnes Leeds described Curaçao, their hotel, and local residents. She requested news of her children, who were in Johnson's care, and mentioned her intention to send a black doll to her daughter Agnes. Jane C. Covert wrote to Agnes in January 1843 to express her sympathy for the family's situation. She reported on the Leeds children, and noted that Agnes's son Henry believed that his mother sent the black doll "to be a servant to the other ones."

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. As Smith and a companion had traveled south to restore their health, he commented on Southern life, African Americans, and fellow Northern travelers.

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. Smith discussed his health and the health of his companion, "Sands," and reported on fellow Northerners, particularly in Aiken, South Carolina. He described his experiences on an Atlantic Ocean steamer from New York City to Savannah, Georgia, and on a river steamer from Savannah to Augusta, Georgia. He also mentioned aspects of Southern life such as the weather and food, recorded encounters with black Southerners, and noted white Southerners' attitude toward the United States government and, more specifically, northern politicians. See the Detailed Box and Folder Listing for more information.

The prints are illustrative of significant moments in the history of Michigan from pre-history to World War II.

The A. & H. Jenkins collection is made up of incoming correspondence to this Baltimore, Maryland, furniture manufacturing/undertaking firm, headed by Anthony H. and Henry W. Jenkins. These letters contain requests for contracts and details about prices, bills, and accounts for various types of furniture.

The A. & H. Jenkins collection is made up of 10 incoming letters (1847-1851) to this Baltimore, Maryland, furniture making/undertaking firm (headed by Anthony H. and Henry W. Jenkins). The correspondence contains requests for contracts and details about prices, bills, and accounts for various types of furniture. The collection offers some insight into the business' clientele, such as their particular furniture needs and specifications about materials and design, their geographical locations (from as far away as Charlestown, Virginia), and various circumstances respecting bills and overdue payments.

Short excerpts from two letters illustrate content. One regards delayed payment from a Charlestown, Virginia, Episcopal Church for a desk and pulpit: "The loss of our beautiful church with all its furniture has been a distressing dispensation to us & compelled us to delay, longer than we desired … " (May 7, 1849). Another, from Revered E. C. McGuire at Fredericksburg, Virginia, provides specifications for the construction of a table ($25.00) and chairs ($24.00 each) made with "crimson plush" rather than "crimson damask" (January 29, 1849).

The author of this journal, entitled "Journal de mon Voyage dans les Etats Unis D'Amerique" (34 pages), recorded his or her experiences while traveling from Montréal, Québec, to the eastern United States in the summer of 1816. The journey included visits to New York, Philadelphia, Baltimore, and Washington, D.C.

The author of this journal, entitled Journal de mon Voyage dans les Etats Unis D'Amerique (34 pages), recorded his or her experiences while traveling from Montréal, Québec, to the eastern United States in the summer of 1816. The author left Montréal on June 28, 1816, and boarded a steamboat on the Richelieu River the following morning. After traveling through New York, Pennsylvania, and Maryland by steamboat and stagecoach until mid-July, the writer reached Washington, D.C. The journal records a visit to Samuel Hughes at his Mount Pleasant estate near Havre de Grace, Maryland, on July 11, 1816 (pp. 24-25), as well as the author's experiences in and architectural observations about Albany, New York; New York, New York; Philadelphia, Pennsylvania; Baltimore, Maryland; and Washington, D.C. From July 24, 1816-August 5, 1816, the author made brief entries about the return voyage to Canada. The final 2 pages include additional manuscript notes.

AIDS Partnership Michigan is a Detroit-based organization that provides education about HIV/AIDS and also provides services for those affected by HIV. The organization was formed in 1996 through a merger between Wellness Networks, Inc. (founded 1983) and AIDS Care Connection (founded 1989). The record group is comprised mainly of board meeting minutes of Wellness Networks, Inc., but also included are annual reports, financial reports and educational pamphlets of AIDS Partnership Michigan and Wellness Networks, Inc.

The Ajanta Caves collection is composed of approximately 2,500 black-and-white photographs of the Ajanta caves in Maharashtra, India. The photographs depict 29 of the 31 rock-cut caves within the Ajanta complex taken by Dr. Walter Spink during the course of his research in the latter half of the 20th century.

The Ajanta Caves collection is composed of approximately 2,500 black-and-white photographs of the Ajanta caves. The photographs depict 29 of the 31 rock-cut caves within the Ajanta complex and were taken by Dr. Walter Spink during the course of his research in the latter half of the 20th century. The prints depict panoramic views of the complex, as well as detailed photographs of the façade, porch, court, and interiors of each cave. The prints of the interiors capture plasters, shrines, and detailed carvings within the caves.