Collections

United Church of Christ minister, activist, public servant, and former Michigan House Representative (D). Collection documents actions of the independent nonprofit Michigan Prospect for Renewed Citizenship circa 1997-2002, of which Jondahl was executive director.

This collection documents actions of the Michigan Prospect for Renewed Citizenship (MPRC) around the years 1997-2011. Materials include budgets, bylaws, board minutes, op-ed articles, fundraising letters, and other organizational records.

Slide presentation with text (in Swedish) on the life and wartime activities of Raoul Wallenberg.

Non-profit, activist organization that supports, empowers, and facilitates communication among Asian American students and student organizations in the American Midwest. The University of Michigan has periodically hosted MAASU's spring conference since 1991. The collection includes financial records, lists, meeting minutes and notes, digital photographs, and schedules.

This collection includes digital financial records, lists, logistical and marketing documentation, meeting minutes and notes, photographs, and schedules. It documents the planning and execution of the Midwest Asian American Student Union's (MAASU) 2013 spring conference, the theme of which was Magnify: Explore Yourself, Amplify: Inspire Others. This event was held at the University of Michigan, Ann Arbor and organized by the university's MAASU student chapter.

This oversized scrapbook consists of sections of Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson.

This oversized scrapbook consists of sections of printed Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson. The back cover bears the print "Toilers of the Sea - Trawling on t[he Dogger Bank]," showing fishermen at sea.

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

• Woman doing laundry/ holding washtub
• A person on horseback
• A building [bearing a similarity to John Setley's storefront]
• Woman holding a key next to a door marked "East," beside a small anthropomorphized quadruped
• Male performer or dandy
• Red and blue block text, "UNION"
• Ships in the shape of a horse, with men holding spears and shields
• Hunter aiming a gun at a stag
• Hunters shooting at elephants
• American sailing ships
• People and anthropomorphic creatures
• Man fleeing from dark-skinned persons armed with spears and other weapons
• Shipwrecks
• A lifeboat
• A storefront with a sign reading "JOHN SETLEY" listing flour, seed, and other dry goods
• Sidewheel steamboat
• One page of caricatures, anthropomorphic beings, women, witches, and devils
• Self-portrait, "The names of my valentines Squirt irish women & the Laundry women & to a Zouvave [Zouave] stingy man & the gallent [?]ing the [queshten?] grocer & long shanks"
• Self-portrait and building
• Sketch of a woman with a pipe in her teeth, labelled "IRISH WOMAN". On the same page is a pencil sketch of what may be a quilt block design.
• Performers, possibly for a circus or side-show

A few of the pencil and watercolor illustrations appear to relate to a story of hunters, possibly in Africa, their encounters with indigenous peoples, and a subsequent shipwreck.

This unofficial history collection of CMU Global Campus includes newspaper clippings (copies), photographs, posters (copies), a Certificate of Appreciation to Central Michigan University (CMU) from US. Air Force. Carswell Air Force Base.

This unofficial history collection of Central Michigan University (CMU) Global Campus includes newspaper clippings (copies), photographs, posters (copies), and a Certificate of Appreciation to CMU from Carswell Air Force Base. Newspaper clippings (copies) are mostly from the Bay City Times. Photographs include commencement of CMU graduates at Wright-Patterson Air Force Base and Dyersburg State Community College, 2005-2012, CMU classrooms and offices at Carswell Air Force Base, 1993, Dr. Nikkari’s EAD 564 class, 1974, and undated group photographs of unidentified people in Mount Pleasant, Michigan and in the CMU University Center. The photographs are either black and white or in color and some are taped together. The collection is in good condition and organized alphabetically and chronologically. Researchers may be interested in multiple collections in the Clarke documenting the history of the above-named CMU units.

Processing Note: Five cubic feet (tenant renovation drawings, acidic clippings) was withdrawn during processing.

Chiefly letters from notable literary and political figures and foreign dignitaries invited to speak at Oratorical Association Lectures. A 1924 series of letters is from churchmen sought as speakers for the Wesleyan Guild lecture series. Include also are letter from 3 University of Michigan presidents and a regent, and a group of letters on miscellaneous subjects.

Thomas Trueblood's (1856-1951) collection of correspondence spans the years 1919-1988 and is mostly comprised of letters from individuals sought as speakers for the Oratorical Association lectures or other Department of Speech activities. Notable correspondents include Robert Borden (8th prime minister of Canada), Charles Gates Dawes (30th Vice President of the United States), Charles Evans Hughes (11th Chief Justice of the United States), William Morris Hughes (7th Prime Minister of Australia), and William Howard Taft (27th President of the United States).

Goldie Sherwood (1882-1960) was a Holly, Michigan resident. Descriptions of activities and family letters.

Descriptions of activities of young adolescent girl; and miscellaneous letters of other family members.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown includes included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship. A test sheet at the end of the volume includes several practice penmanship elements, and pencil lines throughout indicate how Lydia Brown was keeping her writing straight.

• To Hope
• A Paraphrase of the Lord's Prayer
• Charity
• Safety in Christ
• Say Why!
• Childhood
• Life
• Content
• Faith
• Hope
• Charity
• Humility
• Friendship
• Fortitude
• Modesty
• Patience
• Inscription on a Clock
• Friendship
• Sunset and Sunrise
• Reputation
• A Request
• Hope
• The Rose
• Friendship
• Time
• Repentance
• Prayer
• Religion
• The Happy Cottage
• A Thought
• Evening Cloud
• Extract
• An Epitaph
• Time
• Modesty
• Extract
• Repentance
• Life
• Prayer
• The Tear
• Sympathy

This volume contains lists of Royal Navy ships active in the early 19th century, including information about each ship's size, number of crewmen, number of guns, and origin.

This volume (390 pages) contains lists of Royal Navy vessels in the 19th century, organized by type (see list below) and number of guns. Each set of facing pages consists of a table of information about each listed ship's tonnage and dimensions, total number of guns, number of guns on each deck, number of crewmen, and construction place and year; some entries contain only partial information. A column labeled "by whose Draught" contains information on vessels' origins; some had been captured from the Spanish, French, Dutch, and Danes from the 1790s to 1808, and some had noted similarities to other vessels. A few late pages note ships' locations in English ports such as Deptford, Woolwich, Chatham, Sheerness, Portsmouth, and Plymouth, and, in three cases, at Halifax, Gibraltar, and Bombay.