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Thomas J. Bandfield, a native of England, compiled carte-de-visite photographs of friends and family members in this album before moving to the United States in 1870.

The inscription on page one indicates that Jane Rugg Bandfield of Chard, England, gave this photograph album to her son, Thomas John Bandfield, in London, England, in April 1870, before his departure for the United States. The volume (16cm x 14cm) contains 42 carte-de-visite portraits of Bandfield family members and acquaintances, both men and women. A later photographic print with a picture of an unidentified man, possibly Thomas J. Bandfield, is laid into the volume, as is an envelope addressed to Edna Bandfield of Portland, Michigan, Thomas Bandfield's daughter. The envelope has captions for most of the album's cartes-de-visite. A few individuals posed with children. One carte-de-visite has a photograph of a painted silhouette, and another shows "Four old Englishmen," otherwise unidentified. The subjects were photographed in studios in England. Some subjects may appear more than once.

Barbary Aplin's Cyphering Book contains examples and explanations of arithmetic operations, and genealogical information about the Applin, Sparks, and Coxe families of New Jersey.

The Barbary Aplin Cyphering Book contains examples and explanations of arithmetic operations, and genealogical information about the Applin, Sparks, and Coxe families of New Jersey. The first 10 pages of the book are arithmetic rules, proofs, problems and solutions, and tables. Although the manuscript inscription on the cover is "Barbary Aplin's Cyphering Book," Elizabeth Sparks signed her name on page five, suggesting that she may have contributed to the volume.

Eight additional pages contain sparse genealogical notes regarding the Applin, Sparks, and Coxe families of New Jersey, including birth and death dates for several members of the families. Also of interest is a brief note regarding the deaths of Mary and Hanna Sparks in 1824, accompanied by a small swatch of cloth.

The fourth page of the volume includes a young person's drawings of plants, a person, buildings, a fence, and a bird.

The Barbourville (Ky.) Debating Society minutes concern the group's weekly meetings in the late 1830s. Each set of minutes contains attendees' names, the number of affirmative and negative votes regarding that week's question, and the next week's discussion topic. Members discussed subjects related to national and state politics, finances, penal codes, gender, and morality.

The Barbourville (Ky.) Debating Society minutes (122 pages) concern the group's weekly meetings between May 27, 1837, and November 16, 1839, with breaks between November 18, 1837-March 10, 1838, and August 4, 1838-March 30, 1839. The first entry and those that immediately follow the breaks contain the society's 3 constitutions. In addition to meeting minutes, the volume includes a 2-page membership list.

Most sets of weekly minutes list the names of attending members, the names of members selected to debate that meeting's assigned topic, the results of the society's vote, and the topic to be discussed at the following meeting. The minutes also reflect administrative matters settled during meetings, frequently regarding the admittance of new members and the election of officers. The Barbourville Debating Society mainly discussed political matters; some topics were debated on multiple occasions. Issues for debate included banking and taxation, the death penalty, revision of the Kentucky constitution, the admission of Texas to the Union, the relative worth of wealth and talent, the intellectual capacity of men and women, foreign immigration to the United States, the propriety of sanctioning divorces, and the desired amount of government funding for education and infrastructure. On at least two occasions, the society considered whether Native American removal or slavery was the greater evil, and on one occasion they considered whether the United States government could be justified in its actions against the Seminole tribe (July 13, 1839). The society also debated the legacies of politicians such as Andrew Jackson and Napoleon Bonaparte, and discussed the possibility of Henry Clay running for president in 1840.

• Bradley, Erwin Stanley. Union College, 1879-1954: Written in Commemoration of the Seventy-fifth Anniversary of Its Founding. Barbourville, Ky.: The College, 1954.
• Cobb, Ann. Kinfolks: Kentucky Mountain Rhymes. Boston: Houghton Mifflin Co., 1922.

This oversized scrapbook consists of sections of Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson.

This oversized scrapbook consists of sections of printed Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson. The back cover bears the print "Toilers of the Sea - Trawling on t[he Dogger Bank]," showing fishermen at sea.

This volume is an early French translation of Bartolomé de Las Casas influential treatise Brevissima Relacion de la Destruccion de las India, an indictment of the Spanish conquerors for acts of brutality inflicted on the indigenous peoples of the New World.

In 1539, Bartolomé de las Casas wrote Breuissima relacion de la destruycion de las Indias..., a short treatise that indicted the Spanish conquerors for acts of brutality inflicted on the American Indians in the New World. The first of nine tracts on this subject, Brevissima was first published in 1552 and later published in France in 1579 as Tyrannies et Cruautez des Espagnols Perpetres es Indes Occidentales Quon dit le Nouveau Monde: Brievement Descrites en Lettre Castillane par L'Evesque Don Frere Bartelemy De Las Casas...fidelement traduites par Jackques De Miggrode: à Paris par Guillaume Julien.... Clements manuscript was likely prepared in 1582 for an illustrated Paris edition which was never printed; the 17 watercolor illustrations, depicting gruesome acts of torture, are similar to the engravings of Jodocus van Wingheused used by DeBry for the first illustrated Latin edition in 1598.

Las Casas wrote two chronicles, Historia General de las Indias and Historia Apologetica de las Indias, which were designed to form a single work. He asked his executors not to publish them until forty years after his death. They were not printed, in fact, until 1875-1876 at Madrid, when they appeared under the title "Historia de las Yndias." The original manuscripts are in the Biblioteca de la Academia de la Historia, Madrid. The Clements copy corresponds to the prologue and first 11 chapters of the printed Historia General.

Two bookplates are present on the front pastedown: The Honble. Frederic North, 5th Earl of Guilford and William L. Clements. The first two leaves are mounted and the volume contains other repairs. A note written in ink, possibly a contemporary hand, reads, "Manuscrit original qui a servi à l'imprimé de 1582." The following binding description was provided by Julia Miller: non-contemporary but notable 18th century binding; dark green leather; covers bordered with decorative rolls; large fleur de lis corner decorations; spine gilt; maroon leather lettering piece tooled in gold; black leather roundel, blank; paper shelf label at tail of spine; non-contemporary marbled and plain endpapers; text block sewn on four recessed cords; text edges gilt; worked headbands; pink silk register bound in.

Papers include consists of copies of Basil’s notes on his family, diaries from 1904, a bound version of Diary of a ninety-eighter, and the cover page and maps of Cumming’s book.

There are three versions of Basil’s diary. The first version is the handwritten original, which he kept in Alaska, along with a more legible 1904 version. The second version is a typescript that closely follows the original, probably written after 1910. The third version was published by John Cumming as Diary of a ninety-eighter. (Copies of this book are separately cataloged in the CMU libraries.)

The diary described Basil’s trip, mining experiences, companions, Nels Seaver and Ed Burmeister, and Alaska in detail.

The collection consists of copies of Basil’s notes on his family, diaries from 1904, a bound version of Diary of a ninety-eighter, and the cover page and maps of Cumming’s book.

The Beatrice and William Ebeling letters concern the couple's life in China in the early to mid-1940s. They wrote to William's parents in Kalamazoo, Michigan, about their work for the China Inland Mission, the growth of their children, and current events.

The Beatrice and William Ebeling letters (32 items) concern the couple's life in China in the early to mid-1940s. Both Beatrice and William composed manuscript and typewritten letters to his parents, Mr. and Mrs. W. H. Carl Ebeling of Kalamazoo, Michigan. Their first 2 letters pertain to the birth of their son, John Carl Ebeling, and their life in Wuyang Xi'an, Henan, in December 1942; the remaining items relate to their experiences after fleeing to "Pinshien" [Binxian?], Shaanxi, in the summer of 1944 and while living in Hancheng, Shaanxi, from around October 1944 to March 1946. They commented on their missionary work, finances, the progress and end of the Pacific war, the growth of their children, and their travels within China. William's letter of June 8, 1944, recounts a bombing raid. A birth announcement for John Carl Ebeling, with a colored drawing of a baby's head, is enclosed in the Ebelings' letter of December 7, 1942. The collection includes a short, undated note to Ebeling's grandfather.

The Beauties of The Sea photograph album contains five small commercial photographs of scenes on Nantucket along with four alternating sheets of decoratively arranged pressed algae.

The Beauties of The Sea photograph album (12 x 14 cm ) contains five small commercial photographs of scenes on Nantucket (The Old Windmill; Brant Point Light; Harbor and Sailboats; the Town Crier; and Bank and Methodist Church) glued into small album along with four alternating sheets of decoratively arranged pressed algae. The photographs are possibly by Henry S. Wyer. The album's faded green paper covers are tied with gold tasseled string with a wash drawing and inscribed title "Beauties of The Sea" in ink. Album is housed in light green folder.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.