Collections

The papers consist of family papers of the Collet and Hall families, including personal, business, legal papers and account books.

The Collet-Hall papers consist of correspondence, financial, business, and legal papers, certificates, and account books. Sections of the William and Sarah Hall correspondence note views on politics, the Civil War, and slavery. Letters from William Collet to his parents describe working at the Pere Marquette Railroad offices in Michigan City, Ind. A letter to Emma from her brother James tells about the fluctuating currency situation in Indiana, 1860. One document grants Emma Collet legal guardianship of her children, William Hastings and Emma Jane, after the death of her husband (their father), Stephen. Genealogical materials include records of births, deaths, and marriages, notebooks, certificates, and newspaper clippings.

This collection contains one letter, one circular advertisement, and three sketches related to James H. McFarlane's desire to have the St. Louis artistic firm Collins & Chambers design promotional posters for Cassie and Victoria Foster, the "Fairy Sisters."

This collection contains one letter, one circular advertisement, and three sketches related to James H. McFarlane's desire to have the St. Louis artistic firm Collins & Chambers design promotional posters for Cassie and Victoria Foster, the "Fairy Sisters." A printed advertising circular and manuscript letter, both dated October 16, 1872, provide the firm's credentials for creating "Show Paintings," including a list of similar performers recently depicted and the rates charged for various poster sizes. These are accompanied by three undated pencil drawings of possible poster designs; two claim that the sisters are the smallest people in the world, and other simply refers to them as part of "The Wonders of the World." Though one design is particularly heavy on text, all three depict the sisters, with two using normal-sized adults for comparative purposes, and seem to be located in an idyllic environment, possibly near a pond. Text on two of the posters gives the girls' ages as 10 and 3, and their weight as 12 pounds and 6 pounds, respectively.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia. The album (18 x 28 cm) is half bound in black leather. Images of particular interest include photographs related to diplomatic functions, such as views of the British and Spanish consulates, interiors of the American consulates in Barranquilla and Cartagena, two portraits of the British Consul and family, and a series of portraits of the large family of the Spanish Consul, "Familia Zubiria Stevenson." Other images of note include photographs of a bullfight, the tomb and former home of Rafael Núñez, street and architectural views, churches, thatched huts, local inhabitants including mule drivers and cemetery workers, guns at the Baluarte de San Javier, soldiers in formation, and harbor views including views of passanger sternwheel ferry Alicia and a clipper ship. Some photographs have handwritten captions in Spanish.

The Colorado photograph album contains photographic prints of towns, mines, scenery, and people in southwest Colorado, taken during the late 19th century.

This photograph album (21cm x 29cm) contains 25 photographic prints of towns, mines, scenery, and people in southwest Colorado. The first 18 photographs are identified on a printed list of captions enclosed in the volume, and the final seven, which are attributed to W. J. Carpenter of Telluride, Colorado, have captions and negative numbers handwritten on the negatives. The book's covers are wooden boards covered with a soft mohair-like padding; a deteriorated leather cover, now detached, is stamped with the title "Art Album." Each of the photographs shows a scene from southwest Colorado, including street-level and higher-vantage views of Telluride, Ouray, Silverton, the Sheridan Mine entrance, Marshall Basin, the San Miguel River, and numerous mountains. Burros, miners, and a group of Ute Indians are pictured, as well as a group of men in the process of branding cattle, a group of tourists (including women) on horseback, a group of men labeled "Dry Creek Cow Boys at Dinner," and the "highest suspension bridge in the world."

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included.

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included. Some of the attractions mentioned include:

• Manufactures and Liberal Arts Building, in particular exhibits on Japan, Italy, France, Russia, Germany, and Austria
• United States Government Building
• Fisheries Building
• Children's Building
• Art Galleries
• Horticultural Building
• Agricultural Building
• Dairy Building
• Machinery Hall, with a brief aside about "industrial education" for African Americans
• Krupp Gun Pavilion
• Electricity Building
• Forestry Building
• Shoe and Leather Building
• Anthropology Building
• Administration Building
• Transportation Building
• Choral Hall
• Music Hall
• Woman's Building
• Convent of La Rábida
• Columbus' Caravel
• Foreign Government Buildings

This manuscript is a student's condensed transcription of Charles Morton's Compendium Physicae. It lacks the mnemonic verses and diagrams found in Morton's work.

This volume is a 68 page student transcription of Charles Morton's Compendium Physicae. Previous catalogers tentatively identified the student as Nathaniel Chauncey (1681-1756).

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889.

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889. The loosely bound, 32-page volume opens with an inscription from William Cullen Bryant's poem "The Painted Cup," (p. 1) and also includes a copy of "Of a'the Airts the wind can blaw…," a poem by Robert Burns (p. 3). Of particular interest is a cheerful and humorous narrative poem composed by a woman staying with several female friends under the watchful eye of a chaperone, Aunt Margaret, and a male "protector," Rob. The poem, entitled "Camping Out," describes each of the six members of the camping party and includes a few of their adventures as well as a hint of nostalgia (pp. 19-25; p. 10). The book also contains a series of short cheers associated with prestigious colleges, including Princeton and Yale (p. 12), and, two ink drawings of three male friends: Newton Shepard, William S. Church, and F. B. Foster. One drawing, a tree labeled "Log Cabin" and adorned by an owl (p. 5), appears to be a detail of a larger image of a log cabin labeled "Eagle Point" (p. 32). The book also contains a number of autographs collected from camp visitors from around the country.

The Cook family photograph album contains carte-de-visite and tintype studio portraits of members of the Cook, Augusbury, and Zoller families of Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York.

The Cook family photograph album (15cm x 12cm) contains 16 cartes-de-visite, 6 tintype prints, and 2 card photographs. The pictures are studio portraits of members of the Cook, Augsbury, and Zoller families taken in Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York, in the late 19th century. Most photographs feature women, infants, and young children, and a list of captains identifies each person pictured. One card photograph shows a daguerreotype studio portrait of a young girl. The album's brown leather cover is stamped with decorative designs, some in gold. One of the volume's two original metal clasps is still affixed to the back cover.

This collection contains 3 letters written by members of the Coon and Howard families in Lakeview, Michigan; Waukee, Iowa; and Orchard Park, New York, in the late 1800s. The women of the Howard family contributed to each of the letters, describing their farms and sharing aspects of their everyday lives.

This collection contains 3 letters written by members of the Coon and Howard families of Lakeview, Michigan; Waukee, Iowa; and Orchard Park, New York, in the late 1800s. Hiram Cornwell of Lakeview, Michigan, wrote the first letter to his sister-in-law, Jane Coon of Belleville, New York, noting the difficulties of earning a living in Michigan (November 11, 1877). Phebe Howard contributed to the letter, suggesting that Jane move to Michigan, where land was cheap and weaving work was available.

Ida H. Elliott wrote the second letter to her mother from Waukee, Iowa, on September 22, 1889. Elliott discussed her work tending the house and farm, her children's school, her sale of chickens, and the quantities of crops they had stored, including potatoes, sweet corn, and apples.

Lena B. of Orchard Park, New York, sent the final letter to her sister, Miss E. Blanche Coon of Sandy Creek, New York (postmarked March 24, 1890); she commented on the family and described a trip to Buffalo, New York, including the cost of velvet and a photographer's rates.

Cornelius Hulsapple entered the Paoli Guards in October, 1864, as a two-year draft substitute for W. R. Ridgway. Only three letters of Cornelius Hulsapple's survive, two of which are addressed to the man for whom he was substituting, W.R. Ridgway.

Only three letters of Cornelius Hulsapple's survive, two of which are addressed to the man for whom he was substituting, W.R. Ridgway. Each of the letters provides detailed information of Hulsapple's activities.

Hulsapple's writing is typified in a passage written in March 1865. In the passage Hulsapple describes seeing a large number of deserters from Lee's Army and a flood of liberated, nearly debilitated Union prisoners marching north: "they are a sad site to look on some of them have the toes frsen [sic] off of their feet some of them without hat or coat and they say that they are diing in droves every day some of them are that starved that they would catch rats and mice and eat them and they would even kill dogs if they could catch them and eat them raw."