Collections

The Joseph Woory account records the travels of an English expedition that set out from Charles Town on June 16, 1666, to explore the area from Cape Romano down to Port Royal.

Joseph Woory was a member of the English expedition that set out from Charles Town on June 16, 1666, to explore the area from Cape Romano (Cape Fear, called Cape San Romano by the Spanish) down to Port Royal. The expedition took 26 days, during which time they visited St. Helena Island, where they saw a large wooden Spanish cross, Edisto, and Kiawah Island. Woory wrote about the rich quality of the soil, the different kinds of vegetation, varieties of fish and fowl, and Indian fields planted with corn, peas, and beans. The explorers visited Indian villages at Edisto and St. Helena, where they left behind one of their company, Henry Woodward, to learn the Indian language. Woory reported that the Indians were friendly and "seemed very willing to have us settle amongst them." The company sailed from Port Royal on July 9 and arrived at Charles Town on the 12th.

Sir Walter Raleigh's A Discourse of the Peace with Spain and retayning of the Netherlands is a 49-page manuscript treatise intended to persuade King James I to maintain a positive relationship with the Netherlands during peace negotiations with Spain in 1602.

Sir Walter Raleigh's A Discourse of the Peace with Spain and retayning of the Netherlands is a 49-page treatise, bound in vellum, intended to persuade King James I to maintain a positive relationship with the Netherlands during peace negotiations with Spain in 1602. Raleigh outlined the reasons for his belief that England should accept an alliance with the Netherlands following a thaw in relations with Spain and discussed relationships between major European powers.

This volume is an early French translation of Bartolomé de Las Casas influential treatise Brevissima Relacion de la Destruccion de las India, an indictment of the Spanish conquerors for acts of brutality inflicted on the indigenous peoples of the New World.

In 1539, Bartolomé de las Casas wrote Breuissima relacion de la destruycion de las Indias..., a short treatise that indicted the Spanish conquerors for acts of brutality inflicted on the American Indians in the New World. The first of nine tracts on this subject, Brevissima was first published in 1552 and later published in France in 1579 as Tyrannies et Cruautez des Espagnols Perpetres es Indes Occidentales Quon dit le Nouveau Monde: Brievement Descrites en Lettre Castillane par L'Evesque Don Frere Bartelemy De Las Casas...fidelement traduites par Jackques De Miggrode: à Paris par Guillaume Julien.... Clements manuscript was likely prepared in 1582 for an illustrated Paris edition which was never printed; the 17 watercolor illustrations, depicting gruesome acts of torture, are similar to the engravings of Jodocus van Wingheused used by DeBry for the first illustrated Latin edition in 1598.

Las Casas wrote two chronicles, Historia General de las Indias and Historia Apologetica de las Indias, which were designed to form a single work. He asked his executors not to publish them until forty years after his death. They were not printed, in fact, until 1875-1876 at Madrid, when they appeared under the title "Historia de las Yndias." The original manuscripts are in the Biblioteca de la Academia de la Historia, Madrid. The Clements copy corresponds to the prologue and first 11 chapters of the printed Historia General.

Two bookplates are present on the front pastedown: The Honble. Frederic North, 5th Earl of Guilford and William L. Clements. The first two leaves are mounted and the volume contains other repairs. A note written in ink, possibly a contemporary hand, reads, "Manuscrit original qui a servi à l'imprimé de 1582." The following binding description was provided by Julia Miller: non-contemporary but notable 18th century binding; dark green leather; covers bordered with decorative rolls; large fleur de lis corner decorations; spine gilt; maroon leather lettering piece tooled in gold; black leather roundel, blank; paper shelf label at tail of spine; non-contemporary marbled and plain endpapers; text block sewn on four recessed cords; text edges gilt; worked headbands; pink silk register bound in.

The Asian Scrolls collection is comprised of 56 facsimile handscrolls and books of Japanese and Chinese origin. The scrolls depict landscapes and animals, as well as scenes from famous works and stories. Among the scrolls are also examples of the calligraphy of famous artists, such as Kobo-Daishi. The originals were created throughout the Tang, Sung, and Ming dynasties.

The Asian Scrolls collection is composed of 56 facsimile handscrolls and books of Japanese and Chinese origin. The scrolls depict landscapes, animals, and scenes from famous works and stories. Among the scrolls are examples of the calligraphy of famous artists, such as Kobo-Daishi. The original scrolls were created throughout the Tang, Sung, and Ming dynasties. This collection contains copies of the Japanese work “Ippen Shomin Ekotoba” and “Letter to Saicho” and the Chinese work “Admonitions of the Instructress of the Ladies in the Palace." As these scrolls are reproductions, the originals are housed in other institutions such as the British Museum, Beijing’s Palace Museum, and Honolulu’s Academy of Arts. Four of the scrolls are of Chinese artwork but have been reproduced by the Japanese, and therefore, the artist’s names have been translated differently.

Mixed within the collection is a series of approximately five books. The leaves of the books are connected in an alternating format, creating an accordion style book. While many of the books contain artwork depicting scenes of natures and scenes from famous works, one book contains photographs of bronze Chinese objects. The photographs have titles but the book is untitled.

The Kozo Sasaki collection is comprised of approximately 3,185 images of Asian artwork. The images are a compilation of slides and black & white photographs taken by Dr. Kozo Sasaki. The artwork ranges from the Momoyama period (1573-1603) to the Taisho period (1912-1926).

The Kozo Sasaki collection contains 3,033 slides and 152 black & white photographs taken by Dr. Kozo Sasaki himself. The slides and photographs depict Asian artwork, primarily Japanese, ranging from the late 16th century to the early 20th century and cover the Momoyama (1573-1603) to Taisho periods (1912-1926). The majority of the images are Edo period paintings and hanging scrolls. Many of the slides were taken of art in situ. Also included in the collection are images of sculptures, ceramics, mandalas, woodblock prints, sketches, illustrations, decorative arts, and photographs of temples. A set of twelve Japanese handscrolls are captured in a series of 152 black & white photographs.

The collection includes Dr. Clarke’s biographical materials, papers, memorabilia, and his collection on the heart and his research interests.

The collection includes Dr. Clarke’s biographical materials, papers, memorabilia, and his collection on the heart and his research interests. The papers include certificates of appreciation, membership, degrees earned, an autobiographical manuscript, correspondence, materials related to his collecting interests, Polyclinic, professional papers he presented at conferences and associations, and published articles that he wrote. Correspondence includes both personal and professional correspondence, some of which relates to CMU and the CHL. The memorabilia includes plaques of appreciation, mason paraphernalia, and an academic hood, probably from CMU. His collection of publications and information about the heart, ethylene diamino tetraacetic acid (EDTA), endate, and chelation therapy reflect his research and professional interests. Also included are audiovisual materials, mostly cassette tapes, of research topics of interest to Dr. Clarke and a tape of an award dinner where he was honored for his long service to Providence Hospital. Photographs and other visual or illustrative materials are found throughout the collection.

A 2023 addition includes 1 folder of family photographs of Dr. Clarke, Sr. and his parents, Hannah Grove Clarke and James George Clarke, a veterinarian, and photographs of the veterinary office and livery stable, where he worked, and the family home. Other family photographs are of his wife, Lucile C. Hogan (1892-1968), and her extended Proud family, and a Vermont one-room school in Vermont where a Proud relative attended or taught. The photographs have tape and edge damage. Information taped to them about the images was removed and photocopied and a photocopy is found immediately after each related photograph.

For additional correspondence and information related to Dr. Clarke’s donation of his collections to the CHL, see the CHL Organizational Records collection.