Collections

This collection contains 25 letters and 1 book that historian Jared Sparks wrote about his work, about historical manuscripts, and about the historian's profession in the mid-19th century.

This collection contains 25 letters and 1 book that historian Jared Sparks wrote about his work, about historical manuscripts, and about the historian's profession in the mid-19th century.

Jared Sparks corresponded with historians and other acquaintances in the United States and England about books and prominent figures in American history, among other subjects. Many letters pertain to his attempts to procure manuscripts written by George Washington and to a proposed publication of Benjamin Franklin's papers. Between 1852 and 1857, Sparks most frequently wrote to bibliographer and antiquarian Henry Stevens. In his final letter, he described Japanese tourists visiting New York City (June 16, 1860). Mary C. Sparks wrote 1 letter to Henry Stevens (on behalf of her ill husband) in March 1855, and Josiah Quincy added a brief note to Sparks's letter of December 30, 1842. The collection also contains a copy of Sparks's Reply to the Strictures of Lord Mahon and Others on the Mode of Editing the Writings of Washington (1852) and a spine from an edition of his Life of Washington (enclosed in October 28, 1858).

For more information on each item, see the Detailed Box and Folder Listing below.

This volume contains a narrative of Jared Willard's travels from Madison, Connecticut, to Buffalo, New York, via railroad and the Erie Canal, as well as a later shopping list and genealogical information about the Field and Wilcox families.

This volume (23 pages) contains a narrative of Jared Willard's travels from Madison, Connecticut, to Buffalo, New York, via railroad and the Erie Canal, as well as a later shopping list and genealogical information about the Field and Wilcox families. In the first 13 pages, Willard recounts the first part of his 1833 trip with Leander Foster to the "western country," where they distributed religious tracts entitled "The Life of Christ," published by Deacon N. Whiting of New Haven, Connecticut. The pair began their journey at Madison on the Tryon, and a day later reached New York City, where they stayed long enough for Willard to make a brief record of his impressions of the "respectable" metropolis of just over 200,000 people. From there, the men took the Sandusky up the Hudson River to Albany, and embarked on a railroad journey to Schenectady; during this stage of the trip, the author noted several aspects of the railroad's construction, designed to accommodate both steam- and horse-driven carriages. After begin accosted by canal boat representatives at Schenectady, Willard and Foster made their way along the Erie Canal via several different boats to Buffalo. The remainder of the volume is occupied by a one-page account of household goods, complete with prices (March 26, 1841); genealogical information regarding the Field, Kelsey, and Wilcox families; and an inventory of fruit trees in a Connecticut orchard. Among the volume's several enclosures is a playful recipe for "Composition Cake," which lists parts of speech among its primary ingredients; this was composed by M. E. Redfield and E. W. Tucker for a publication called "School Echoes."

The Jarvis family papers contain correspondence, documents, and letter books pertaining to the business affairs of several generations of the Jarvis family, who ran a sugarcane plantation in Antigua.

The Jarvis family papers, 1790-1884, contain 19 legal documents, 12 letters, 4 financial records and receipts, 3 letterbooks, 2 manuscript maps, a poem, and a printed item. These are arranged into two series: Correspondence and Documents and Letter Books.

The Correspondence and Documents series contains a variety of documents and scattered letters spanning 1807 to 1884 and relating to several generations of the Jarvis family. The materials primarily concern the property, finances, and careers of Jarvis family members in Antigua, particularly Thomas Jarvis III; his brothers Bertie Entwisle Jarvis and James Nibbs Jarvis; and grandson, Thomas Jarvis. They include the wills of Thomas Jarvis III (October 3, 1807) and Bertie Entwisle Jarvis (December 6, 1859), which document the dispersal of property, slaves, and money, as well as an estimate of the value of Bertie Jarvis' property after the legal emancipation of slaves in Antigua (December 12, 1834). Another document grants power of attorney to Bertie Jarvis to sell the slaves of Mary Jarvis, widow of Thomas Jarvis, Jr. (July 2, 1828). Several additional items relate to appointments and honors, such as a confirmation of Bertie Jarvis' appointment to sit on the Board of Council of Antigua (June 19, 1831), and an official invitation to Queen Victoria's coronation (1837). The few letters in this series pertain primarily to financial and business matters.

The undated material in the Jarvis family papers, placed at the end of Box 1, includes two small manuscript maps of land in Antigua. The first, dated ca. 1800 and entitled "Plan of Harts' and Royals' Estate Buildings," shows the buildings of a sugar mill, including the "Chaff machine room," "Rum cellar under Stillhouse," "Cureing house," and the house and kitchen of the overseer. The other manuscript map, of "Thibou's and Blizards" estates in Antigua, reveals public roads, shops, and burial grounds. Another item of interest is a handwritten, undated poem about a bride, which mentions the following properties associated with the Jarvis family: Mount Joshua, Thibou, and Blizards.

The Letter Books series contains three letter books: one by Thomas Jarvis, Jr., August 20, 1790, to July 2, 1792; and two by Bertie Entwisle Jarvis covering July 4, 1825, to September 12, 1826, and October 7, 1826, to May 6, 1829. Thomas Jarvis' letterbook contains business letters regarding the execution of wills and other property matters. Some letters pertain to his estate in Antigua, while others refer to his role as executor and attorney for neighbors and others in the area. Many of the letters document the sugar trade, including cultivation, processing, and shipment. The letters also occasionally mention slaves and slavery. On July 9, 1791, he wrote a letter to "John Wilcox (a free Mulatto)," informing him of the expiration of his lease of some slaves. In another letter to a woman named Mary Trant, he informed her that her slaves were declining in number and noted that "only two of them have bred during their abode with me, namely Nanny, & Bess," and that six had died (October 2, 1791). Other letters comment on family matters and the disappointment of several years of poor sugarcane crops.

The other two letter books contain the outgoing correspondence of Bertie Entwisle Jarvis. They, too, focus primarily on business and financial matters, with occasional updates on family members’ health, marriages, and children. Some letters record Jarvis' management of fellow planters’ accounts, including his comments on their debt and the timeliness of their payments. Many other letters deal with the day-to-day business of the sugar trade. In two letters to a "Mrs. Jarvis," he discussed the sale of her slaves (July 11, 1827; February 17, 1828), and in his letter of February 21, 1826, he mentioned British and American slavery, and antislavery societies in Boston. In several letters, he also pointed out the implications of the emancipation of slaves on Antigua's economy.

This collection consists of four letters addressed to Hudson River School artist Jasper F. Cropsey from art collector L. Warrington Gillet and O. A. Gill [likely Owen A. Gill] of Baltimore, dated January 24, 1845, to February 4, 1846. The letters are accompanied by one annotated envelope, postmarked May 6, 1859.

This collection consists of four letters addressed to Hudson River School artist Jasper F. Cropsey from art collector L. Warrington Gillet and O. A. Gill [likely Owen Gill] of Baltimore, dated January 24, 1845, to February 4, 1846. The letters are accompanied by one annotated envelope, postmarked May 6, 1859.

Gillett asked whether or not Cropsey ever painted the "little picture" he ordered following Gillet's purchase of "Evening" (January 24, 1845). Three letters from O. A. Gill [probably Owen Gill], January 5-February 4, 1846, respect the purchase, shipment, and receipt of paintings. In his letter of January 5th, Gill informed Cropsey that "The old place looks pretty much the same as ever. The only improvement I'm making is cleaning out briars, stumps, under wood &c.--The very thing which you, as an artist would put your bets in at once--All these things look very well in a picture, but when you see them in nature youre always disposed to imagine them the hiding places of Snakes, lizzards & such 'Varmints'."

Sketch book of scenes along the St. Lawrence River and the University of Michigan campus.

Sketchbook, 1855-1856 The original of the sketchbook is located in the library vault; the use copy (photocopies) is located in Aa/1 Cropsey. A master negative microfilm of the sketchbook is available for staff use only.

The Cropsey paintings include The University of Michigan campus, 1855 and The Detroit Observatory of the University of Michigan, 1855. Originals of both are on display in the library director's office. Digital files scanned from copy negatives are available online.

The Cropsey drawing is a pencil sketch of The University of Michigan campus, 1855.

Episcopal clergyman at St. Luke's Episcopal Church, Ypsilanti, Michigan; also local historian of Washtenaw County, Michigan

The Pennington papers relates primarily to his activities with the Washtenaw County Historic District Commission. Other materials concern general Episcopal Church activities in Inkster and Ypsilanti, Michigan. Of special interest are the historical research papers prepared by Pennington on Episcopal and Ypsilanti topics.

Material received with the 2014 accession mostly include records related to the St. Luke's Episcopal Church.

Portrait in uniform, 2 copies.

Professor of Mechanical Engineering at the University of Michigan, papers consist of course materials and publications by Bolt.

The Jay A. Bolt papers consist primarily of course materials for mechanical engineering classes he taught in the College of Engineering at the University of Michigan, 1931-1985 and publications by Bolt. The course material includes lecture notes, examinations, and problem sets and photographs. Much of the material is arranged by course number within these series. The researcher using this collection should be aware of certain course number changes. Four major changes affect this collection. They are Mechanical Engineering (hereafter ME) 114 changing to ME 496, ME 155 to ME 497, ME 105 to ME 235, and ME 214 to ME 594

Jay Cassidy was a student photographer for The Michigan Daily from 1967 to 1970. The collection contains an inventory, background notes, negatives, a printed catalogue containing an image thumbnail and metadata for each image in the collection, and 4,882 digitized images of Cassidy's photography while at the University of Michigan. Subjects include student protests and anti-war demonstrations in Ann Arbor, Poor Peoples March/Resurrection City in Washington, D.C., Democratic primary campaigns of Robert Kennedy, Eugene McCarthy and George Wallace, 1968 Democratic Party National Convention, 1969 Ann Arbor Blues Festival and a wide variety of campus activities. Cassidy digitized the images and created the printed catalogue in 2010.

The Jay Cassidy photograph collection covers Cassidy's student days at the University of Michigan (1967-1970). The collection consists of approximately 5000 original 35mm negatives and 4,882 digitized copies of the negatives. The images in the collection were taken while Cassidy was a photographer for the student publications The Michigan Daily and Michiganensian.

Cassidy took the original images on Kodak 35mm black and white film. The scanned images are black and white 5904 by 4000 resolution uncompressed tiff files. Cassidy catalogued each roll of film by subject and gave each frame a unique identifier, which is a combination of the category, date, roll number, and the scan number. The category abbreviations are as follows:

MD -- Assignments for the The Michigan Daily, 1968-1970

RFK -- Robert Kennedy Campaign, 1968

DNC --Democratic National Convention in Chicago, 1968

DC -- Inauguration and March on Washington, 1969

MNCN -- Photographs taken for Michiganensian, 1967-1968

Initially, the Bentley Historical Library asked Cassidy to consider donating a selection of the images he took from 1967 to 1970. Instead of selecting only a portion of images, however, Cassidy donated all of his negatives from 1967 to 1970. He digitally scanned the majority of the negatives. The bulk of these images have never been printed, and, according to Cassidy, were "barely examined by myself or another photo editor as we raced to get the daily paper out."[1] Only one or two of each sequence of photographs was used in The Michigan Daily. This collection, therefore, contains a series of images previously unavailable to researchers.

Cassidy's photographs for the campus yearbook, the Michiganensian, cover 1967 and 1968 and include images of homecoming parades, football, rugby, intramural sports, and campus groups such as Wyvern and Scabbard and Blade. He also photographed Engineering Council meetings discussing Vietnam War research and protests at a Dow Chemical Company stock holders meeting. Note: Most of the Michiganensian photos were not scanned and exist only as negatives.

His work for The Michigan Daily included diverse subjects. Among the most prominent were photographs of musical performances and visiting celebrities, politics, and campus unrest. Musical acts include concerts by Joan Baez, the Doors, MC5, Ramsey Lewis, Buffy Sainte Marie, and the 1969 Ann Arbor Blues Festival. A 1967 Johnny Carson Show at Hill Auditorium (negatives only) is covered as is an appearance by author Kurt Vonnegut at Canterbury House and film director Sam Fuller.

Off campus events photographed by Cassidy for The Michigan Daily include the 1968 Democratic National Convention in Chicago (including police intervention in street protests), Richard Nixon's inauguration, March on Washington, Resurrection City and the Poor People's Campaign in Washington, D. C., and 1968 political campaign stops in Indianapolis and Detroit by Robert F. Kennedy, George Wallace campaigning in Lansing, Eugene McCarthy in South Bend, Indiana, and a protest at Eastern Michigan University.

Other campus subjects include SDS meetings, the White Panther Party, Ann Arbor's police chief, a campus murder at University Towers, Welfare Mothers demonstration, the South University riot, the Ann Arbor Moratorium (Vietnam War protest), Army ROTC protests and a bombing of the campus ROTC building, a student rent strike, and Black Action Movement demonstrations.

The collection is organized as it was received. It consists of five series: Background Information, Digital Images, Original 35mm Camera Negatives, 1967-1970, Printed Catalogue of Digital Scans, 1967-1970, and Original 35mm Contact Sheets, 1967-1970. The strength of the collection lies in its documentation of student life and American politics in the late 1960s, an era of unrest on college campuses.

----------------------------

Notes:

1. Jay Cassidy, Letter to Nancy Bartlett and Brian Williams, July 31, 2010, Jay Cassidy Photograph Collection, Box 1, Bentley Historical Library, University of Michigan.

Papers of a soldier with the 310th Engineers in the Allied intervention in Russia, 1918-1919, the "Polar Bear Expedition."

This collection contains digital reproductions; the original papers and/or photographs are owned by the donor. The digital items in this collection were digitized from originals by the individual donors before being received by the Bentley Historical Library. Preservation copies of these files with their original file names and CD-ROM file structures intact have been submitted to Deep Blue. Access copies of these digital files can be viewed by clicking on the links next to the individual folders in the Content List below.

In this finding aid, the files have been arranged into one series, Papers. Within each series, files are listed numerically according to the file arrangement they were given by the donor. The file in this collection is in PDF format.

Includes a file containing the digitized diary and narrative reminiscence of Spaulding's service; file also contains a brief biographical note with photographs, written by his son.