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75 photographs, 14 photomechanical prints, 13 clippings, and 2 advertisements in 1 album

The Adelle Webber Gray photograph album contains 75 photographs and 14 photo-reproductions of scenes from Watkins Glen in New York, Yosemite, and Colorado as well as 13 newspaper clippings and two advertisements regarding travel in the western United States.

The album (21.5 x 26.5 cm) has read leather covers. Inside of the front cover are two of Gray's bookplates and a loose clipping from 1906 regarding the purchase of Watkins Glen. The album begins with a series of views of Watkins Glen (including some showing the stairs built around the waterfalls). Pages are mostly blank from pgs. 17 to 113 except for pg. 107 which includes 10 loose clippings about camping and traveling in the western United States mostly from Christian Life magazine. Other images of interest after pg. 113 include views of a man standing inside a tree in California's Redwood Forest; waterfalls at Yosemite; Denver, Colorado, scenes such as the train depot and Stout Street; Silver Plume, Colorado; the Loop between Manitou Springs and Georgetown; an 1884 photographic reproduction print by W. H. Bagley; a railroad going through Clear Creek canyon; Pikes Peak; Helen Hunt Jackson's grave in Colorado Springs; the Garden of the Gods; Manitou Springs; Williams Canyon; Ute Pass; and pictures of men and cows taken by W. H. Allen and William Henry Jackson. Also of note are advertisements for a print of Mount Holy Cross by Thomas Moran and for the caves at Manitou Springs, two photographic reproductions of views of Marshall Pass, and photographs of the peak of Sierra Blanca, taxidermy coyotes and a mountain lion, and a train snowplow in Ivanhoe, Colorado.

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10 items

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

Visual material includes one press photograph by Ed Walston of Adlai Ewing Stevenson II with President Dwight D. Eisenhower and Secretary of State John Foster Dulles, and one woodblock print of Adlai E. Stevenson II by Jacob Steinhardt.

Please see the box and folder listing below for more details about each item in the collection.

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approximately 250 photographs in 1 album

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

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0.75 linear feet

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

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1 volume

The Alaska Gold Rush photograph album contains approximately 300 photographic prints. Most photographs show scenery, people, and settlements in Alaska around the turn of the 20th century, as well as a small group of scenes from San Francisco, California.

The Alaska Gold Rush photograph album (25cm x 30cm, 92 pages) contains approximately 300 photographic prints. Around 280 prints, including around 270 mounted onto the album's pages and around 10 loose items laid into the volume, show settlements, natural scenery, and people in Alaska from 1898-1902. Settlements such as St. Michael, Dutch Harbor, and Dawson are shown, as are native settlements, tents, and log cabins; a few interior shots are present. Some of the buildings and people pictured were associated with the North American Transportation & Trading Company. Subjects include: United States military personnel, indigenous Alaskans, men and women (sometimes in heavy winter dress), landscape views, glaciers, native animals and other natural scenery, and military and civilian boats.

Most of the photographs are black-and-white prints, though the album also includes a small number of cyanotypes. Items of note include a small panorama (p. 14), a photograph taken at the "dawn of the century" (p. 7), and pictures of a totem pole (p. 77), an early telegraph pole (p. 81), and a hands-free pie-eating contest (p. 85). A partial manuscript list of captions, roughly contemporary with the photographs, is laid into the volume. The final four pages of the album contain small photographic prints of scenes from San Francisco, California, with a focus on missions and other architecture. Penciled captions accompany many of the album's prints, though many are difficult to read. The album has post binding with screw posts.

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3 linear feet (in 4 boxes)

Professor of music and director of the University Musical Society at University of Michigan. Correspondence, articles, lectures, speeches, autobiography, and photographs.

The Stanley collection consists mainly of manuscripts of his articles, lectures, and speeches on musical topics. There is, in addition, Stanley's research material, including musical notes and analyses, notes intended to accompany illustrations of musical instruments found in the Stearns Collection of Musical Instruments at the University of Michigan, and scrapbooks containing concert programs featuring Stanley and his work. Stanley's autobiography, "Echoes of a busy life or reminiscences of a professor emeritus" is a valuable source of personal information.

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13 volumes

Albert Brown Hale, a shoemaker and factory foreman from West Newbury and Haverhill, Massachusetts, kept these 13 diaries between 1894 and 1931. He regularly recorded daily events, such as his work experiences, social life, and family news.

Albert Brown Hale, a shoemaker and factory foreman from West Newbury and Haverhill, Massachusetts, kept these 13 diaries between 1894 and 1931. He regularly recorded daily events, such as his work experiences, social life, and family news.

Each diary is a pre-printed daily diary: the 1894 volume is "The Standard Diary;" the remaining volumes (1912-1931) were published by the Pfister & Vogel Company. Hale wrote lengthy entries each day, describing the day's events, and inserted important names, places, subjects, and events in block letters for emphasis. Hale's writing details his activities, particularly his shoemaking work, routine manual tasks, and his social life. Throughout 1894, he kept a record of the number and types of shoes he made each day. Hale frequently called on friends, attended community events, and traveled around Massachusetts. Many entries reflect his involvement with Haverhill's local Masonic Lodge. In his later diaries, he reported some of his son's activities. Though Hale focused primarily on his personal experiences, he occasionally wrote brief lines about important news events, such as developments during World War I and United States presidential elections.

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2 linear feet

Manchester Township, Washtenaw County, Michigan, farmer. Material concerning farming activities, English's work with the Southern Washtenaw Farmers' Club, local Democratic Party affairs, his work as clerk of the Iron Creek (Manchester Township) Free Will Baptist Church; correspondence; miscellaneous account books of family members, notebooks containing reference information, and reports of the overseer of highways for Manchester Township; and photographs. Correspondence includes a letter from Thomas English of West Virginia, who was formerly an enslaved person. The collection also includes a diary of Lucy English, Albert D. English's sister.

The English collection documents different phases of his life and provides the researcher with material for the study of Manchester, Michigan between 1880 and 1910. In addition to correspondence, the collection includes notebooks containing the newspaper columns on local affairs which English wrote for several county newspapers. There are also 18 "Ready Reference Books" containing lists of local, state, and national political candidates and office holders, Manchester property owners, lists of school teachers and graduates, church leaders, as well as other information gleaned from almanacs and newspapers over the years. Included are also several farm journals of Albert English and his father Benjamin English, and a personal diary and a scrapbook of Albert's sister Lucy English (in marriage, Lucy Simmons). Much of the correspondence files concerns the Free Will Baptist Church. Correspondence includes one letter from Thomas English of West Virginia, a formerly enslaved person, whom Albert English apparently contacted in regard to the family genealogy. There is no record of continued correspondence on this subject.

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92 glass plate negatives, 33 photographic prints, 1 CD-R, 2 clippings

The Albert D. Noble, Jr., glass negatives collection consist of 92 glass plate negatives made by photographer Albert D. Noble, Jr. as well as 33 photographic prints, 2 newspaper clippings, and a computer disk with 180 digital images (including additional photographs by Noble, Jr. and copies of older family portraits).

The glass plate negatives are contained in two boxes and include images of Noble, Jr.'s childhood home in Grand Rapids and other private residences and public buildings in the area as well as views taken in Detroit of Noble, Jr.'s family's Christmas decorations, community ice skating, bicycling in the countryside, rural buildings, and regional parks including Belle Isle Park. The majority of images depict people, activities, and scenes from summer vacations to places like Orchard Lake and Upper Straights Lake; a group visit to the French Lick Springs Hotel in Indiana in 1902; views from the Pan-American Exposition in Buffalo, New York in 1901 (misidentified in Bayard C. Schoettle's publication Glass Negatives: Albert Dewitt Noble, Jr. as an event based in Grand Rapids); and numerous studio portraits of family members, acquaintances, and the noted elocution teacher Edna Chaffee Noble (no relation to Noble, Jr.). The glass plates are in a variety of sizes (16.5 x 21.5, 12.5 x 20.5, 11.5 x 16.5, and 10 x 12.5 cm) and each is stored in individual paper slipcases. Some but not all of the splipcases provide information regarding an image's subject matter. Most of the plates are in good condition, with only a few displaying cracks and none being broken. 33 photographic prints (31 unmounted and 2 mounted) are also present and include an image of several cows near a body of water, two mounted albumen prints of "Orchard Lake Cottage," two silver platinum prints showing an unidentified house and a sailboat, 16 unmounted gelatin silver prints showing various domestic, industrial, social and architectural scenes (most of which are represented in the glass negatives), and a series of 11 unmounted snapshots and 1 negative transparency showing scenes from Roseland Park Cemetery and the gravesite of Edna Chaffee Noble. Two newspaper clippings from the July 16 1899 Detroit Free Press Art Supplement related to Noble, Jr.'s second place finish in a photo competition are also included.

The CD-R accompanying the collection contains about 180 scanned images including all 92 of the glass plates present in the collection, approximately 75 additional photographs produced by Noble, Jr., and several photographs of trophies awarded to Noble, Jr., by the Grand Rapids camera club. The CD-R also includes images of early Noble family portraits that were scanned and retouched by Schoettle during his preparation for Glass Negatives: Albert Dewitt Noble, Jr.

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0.75 linear feet

The Albert E. St. Germain collection contains correspondence, military documents, and other items relating to the St. Germain family. The bulk of the collection pertains to Albert St. Germain's service in the United States Army's press service in Europe during and just after World War I.

The Albert E. St. Germain collection (over 190 items) contains correspondence, military documents, and other items relating to the St. Germain family. The bulk of the collection pertains to Albert St. Germain's service in the United States Army's press division in Europe during and just after World War I.

The Correspondence series (28 items) is made up of personal letters related to members of the St. Germain family. Sisters Clarinda (1 item) and M. Clementina (8 item) wrote French-language letters to their parents from the Convent of Mercy in Meriden, Connecticut, between 1894 and 1900. Other convent correspondents included Sister Teresa, who invited the St. Germain family to a ceremony (August 10, 1896), and Sister M. Augustine, who sent a telegram about Sister Clementina's death in November 1900. A woman named "Leontina" wrote 4 letters to Leon St. Germain from Québec in 1905.

Albert E. St. Germain wrote 6 letters to his mother and 2 letters to his brother Oscar while serving in the United States Army in France during and immediately after World War I. He described his travels in France and discussed some of his duties in the press section. In 1919, an acquaintance named J. Morgan wrote Albert St. Germain a personal letter and a letter of recommendation. Later correspondence includes a letter that one of Albert's children wrote to him in 1959, a letter about the 50 reunion of the Bulkeley High School class of 1914, and a World War II-era greeting card from the South Pacific.

The Documents series is divided into two subseries. Military Documents (97 items) are mostly comprised of news bulletins and intelligence summaries providing details about the Allied war effort in France from September 1918-November 1918, as well as 2 copies of Gerald Morgan's recollections about service as Chief Field Censor for the American Expeditionary Forces, written in February 1919. Department of Labor and Personal Documents (15 items) include intelligence tests, Albert St. Germain's employment history, a blank naturalization form, documents related to Leon St. German's estate, and documents regarding field stations during World War II.

The Photographs series (3 items) contains 2 formal card photograph portraits of an unidentified couple and of Albert E. St. Germain, as well as a photograph of Albert E. Saint Germain, in uniform, shaking hands with a French soldier. The latter photograph is enclosed with a copy of the New York newspaper that ran the photograph on August 4, 1918.

The Writings and Pencil Sketch series is comprised of 7 copies of stories that Albert E. St. Germain wrote around the World War I era. The writings include an account of his interactions with a French citizen during the war, a camping trip, and various other subjects; some of the drafts have manuscript notes. The collection has duplicate copies of 2 stories. The series includes a pencil drawing of "Le Vieux Moulin."

The Printed Items series (29 items) is divided into four subseries:
  • The Cards and Currency subseries (4 items) consists of 3 business cards of Albert E. St. Germain and a French banknote.
  • The Maps subseries (5 items) contains printed maps of the Moselle River, the Rhine River, and Bar-le-Duc, France; one of the Rhine River maps was produced for members of the army of occupation. Also included is a blueprint map of properties that Leon St. Germain owned in Waterford, Connecticut.
  • The Pamphlets subseries (6 items) has the following items: a retrospective and commencement program related to the Bulkeley School class of 1914, a cover from a copy of The Louis Allis Messenger, a page from a printed recipe book, a pamphlet about the United States flag, and a copy of the United States Constitution with additional information for use in passing the country's citizenship examination.
  • The Newspapers subseries (13 items) contains around 10 articles about World War I, the Bulkeley School, Albert E. St. Germain, and army censorship. The newspaper articles originate from papers in Connecticut and France. Three copies of The Stars and Stripes, dated 1918, are also present.

The Address Book and Fragments series (14 items) includes manuscript, typed, and printed fragments, and an address book that Albert St. Germain owned while working for the United States Department of Labor.

The Artifacts series consists of a brown leather satchel.

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