Collections : [University of Michigan William L. Clements Library]

In 1880 Hattie A. Abbott used this "Common School Writing Book" produced by Cheney & Clapp, Booksellers and Stationers, of Brattleboro, Vermont, for penmanship exercises and to record her personal expenses. Only the first page was used for brief penmanship exercises. Abbott recorded purchases of clothing and fabric, jewelry, writing supplies and postage, sewing and cleaning supplies, a valentine, candy and ice cream, tintypes and pictures, car fare and other travel expenses, and other items.

In 1880 Hattie A. Abbott used this "Common School Writing Book" produced by Cheney & Clapp, Booksellers and Stationers, of Brattleboro, Vermont, for penmanship exercises and to record her personal expenses. Only the first page was used for brief penmanship exercises. Abbott recorded purchases of clothing and fabric, jewelry, writing supplies and postage, sewing and cleaning supplies, a valentine, candy and ice cream, tintypes and pictures, car fare and travel expenses, and other items.

A two-page colored advertisement for "Meteor Set Everblooming Roses" copyrighted in 1889, with illustrations of roses and a front veranda and garden, is laid into the volume.

The James Akin collection contains four items related to an engraving made by him in 1805. The material includes two personal letters and two testimonies.

The James Akin collection contains four items related to an engraving made by him in 1805. The material includes two letters and two testimonies . Both letters, written in the summer of 1805 by John McKown, relate to an engraving of "a very handsome Stone Horse on type metal," requested of Akin by McKown (June 3, 1805). The two testimonies contain statements made by Moses Moody and William Hooker to the Court of Common Pleas reflecting McKown and Akin's dispute about the proper price for the completed plate.

This collection is made up of letters that Wilfred Ferguson, Jr., sent to his fiancée, Peggy Allen of Fairfield, Connecticut, while serving in the United States Army Air Forces during World War II. Despite his frustration with censorship regulations, he discussed his experiences with the 65th Station Complement Squadron in England.

This collection is made up of 28 letters that Wilfred Ferguson, Jr., sent to his fiancée, Peggy Allen of Fairfield, Connecticut, while serving in the United States Army Air Forces in England in 1944. Ferguson wrote regularly about his leisure activities, which included visiting a Red Cross club, playing table tennis, reading, and gambling. Though he attended movies, he believed they often resembled propaganda pieces. He also expressed his frustrations with censorship regulations, which limited his ability to discuss his military work. Ferguson occasionally shared stories about other soldiers and mentioned his correspondence from home.

This collection contains the autobiographical writings of Edwin H. Allison, a scout in the western United States who participated in the capture of The Gall and Sitting Bull.

The Edwin H. Allison autobiography was prepared for publication after he had settled in Dayton, Ohio, in the late 1880s, and is accompanied by several other brief, unpolished essays written at approximately the same time. The autobiography is probably a working draft, and the present manuscript lacks pages 7-23. Further, there are a number of additional, somewhat rougher pages of writing, with some duplicate pagination. Though Allison was not a professional writer, his narrative is an unusually engrossing one, filled with action and insights into his own thoughts in the best tradition of the dime novel. That Allison was a scout in the west and participated in the capture of the Gall and Sitting Bull, of course, makes the material of considerable significance for understanding the nature of "diplomatic" and military relations between the Hunkpapa and whites, but it also provides documentation of variations in white perceptions of the Hunkpapa during the days in which white military supremacy was firmly exerted.

Among the associated essays are ones describing the Great Buffalo slaughter of 1880; one considering the question whether "the Indian" is really lazy; a discussion of the Indian way of life that includes commentary on their religion, dancing, recreation, and hunting; and a piece on Indian sign language and spoken language that includes a brief discussion of Sitting Bull's name.

This volume largely consists of William N. Ames's logbook entries for the 369-ton whaleship Martha, Master Joseph Wheldon, January 14-March 25, 1838 (14 pages and fragments of pages). The Martha departed Hudson, New York, heading for the Indian Ocean with stops at Gough Island and Madagascar. The remainder of the volume is pages or fragments of pages for the ship Alexander Mansfield, 1832, including the poem "The Yankey Privatear" (4 pages); one letter fragment; and pages of additional accounting and poetry (9 pages).

This volume consists largely of William N. Ames's logbook entries for the 369-ton whaleship Martha, Master Joseph Wheldon, January 14-March 25, 1838 (14 pages and fragments of pages). The Martha departed Hudson, New York, heading for the Indian Ocean with stops at Gough Island and Madagascar. The remainder of the volume is pages or fragments of pages for the ship Alexander Mansfield, 1832, including the poem "The Yankey Privatear" (4 pages); one letter fragment; and pages of additional accounting and poetry (9 pages).

William Ames kept daily entries for the first three months of the Martha's voyage, documenting wind speed and direction, latitude and longitude, shipboard activities, and sightings of marine life. Multiple entries contain sightings of blackfish (pilot whales), finback whales, white whales, and birds. On single occasions, he mentioned seeing a dead whale, whales feeding, and porpoises. On March 6, 1838, he noted: "hard winds hard luck and No Whales is to hard Never mind we live in hopes of beter luck and more whales for the future."

The front pastedown bears six whale stamps, haphazardly applied (three tails and three bodies).

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

"Notes for a Journal of a Pedestrian Tour" is a 112-page account of a group's walking trip from Baltimore, Maryland, through northern Maryland, southern Pennsylvania, and eastern West Virginia in the late summer of 1816.

"Notes for a Journal of a Pedestrian Tour" is a 112-page account of a group's walking trip from Baltimore, Maryland, through northern Maryland, southern Pennsylvania, and eastern West Virginia in the late summer of 1816.

The account, written after the journey, is divided into 12 titled chapters chronicling the group's experiences. Notes pertain to the scenery and acquaintances the group encountered, both old and new. Group members "Suffolk" and "Sidney" left Baltimore on August 6, 1816, and traveled to Frederick, Maryland, by way of the Patapsco River. There, they picked up their luggage, sent ahead by stage. They proceeded west toward the mountains and entered West Virginia just before September; they stayed at Harper's Ferry and Bath (Berkeley Springs). After several weeks traveling by foot, the men joined two Baltimore companions, "Manly" and "Moreton," on a trip down the Potomac River toward "George Town." The party then returned to Baltimore. In its rendering of dialogue and descriptions of scenery, the account often adopts a prose style similar to that found in fictional narrative. The volume has colored ink drawings of several men and women gathered around a roaring fire and the "Falls of Potomac." The author also included a poem by the travelers, entitled "An Evening on Potomac" (pages 97-109).

• Chapter 1: Introduction (pages 1-5)
• Chapter 2: The Peerless (pages 6-16)
• Chapter 3: The Maid of Benvoirloch (pages 16-42)
• Chapter 4: Frederick Town (pages 43-47)
• Chapter 5: The Misfortune (pages 47-53)
• Chapter 6: Harper's Ferry (pages 53-57)
• Chapter 7: The Cave (pages 57-69)
• Chapter 8: The Thunderstorm (pages 70-78)
• Chapter 9: The Merriest on the Border (pages 78-87)
• Chapter 10: The Descent (pages 88-109)
• Chapter 11: The Conclusion (pages 109-112)

This volume contains an anonymous journal of a voyage from Kennebunk, Maine, to New Orleans, Louisiana, and Cincinnati, Ohio, between December 9, 1852, and January 24, 1853, as well as poetry, short stories, and essays composed by a second unknown writer between May 1857 and February 1887. One poem and one story concern the Civil War, and the author composed biographical essays about prominent individuals, families, and other topics.

This volume contains an anonymous journal of a voyage from Kennebunk, Maine, to New Orleans, Louisiana, and Cincinnati, Ohio, between December 9, 1852, and January 24, 1853 (21 pages), as well as poetry, short stories, and essays composed by a second unknown writer between May 1857 and February 1887 (117 pages). One poem and one story concern the Civil War, and the author frequently composed biographical essays about prominent individuals, families, and other topics.

The first 21 pages, titled "Journal of a voyage from Kennebunk to New Orleans," are made up of daily diary entries composed during a voyage from Maine to Louisiana and from Louisiana to Ohio. The author embarked from Kennebunk, Maine, onboard the Golden Eagle (commanded by Captain Nathaniel Thompson) on December 9, 1852, and made daily observations about life at sea. As the Golden Eagle approached Florida in late December, he described the scenery in the Bahamas, the Florida Keys, and coastal Louisiana. On one occasion, the ship encountered a boat transporting slaves to New Orleans. The author arrived in New Orleans on December 28, where he wrote about some of his experiences in the city, such as a visit to the cattle market. On January 12, he boarded the steamer Yorktown for a journey up the Mississippi and Ohio Rivers to Cincinnati. He noted the cities passed along the way, such as Vicksburg and Memphis, and described southern plantations, making note of their use of slave labor. On January 15, he reported that the Yorktown had taken a newly purchased African American family onboard, who entertained the passengers with dancing and music. By the final entry, dated January 24, 1853, the author had just passed Evansville, Indiana.

The volume also contains a commonplace book, in which the writer composed 117 pages of poetry, short stories, and essay. Several poems are translations of German poems by Johann Wolfgang von Goethe and Ludwig Uhland, and others appear to be original compositions. Among the latter is "Our Native Land," a patriotic verse written in March 1863, and additional poetry dated June 1869. The author wrote one short story in March 1862. An essay, "the Presentiment," consists of recollections of a war-era soldiers' relief society worker and a story respecting a woman's premonition of her own death. Biographical sketches and essays comprise most of the remaining material and are often annotated with small edits. Persons of interest include Horace Walpole, William Cowper, Nassau family members, Michael Faraday, Sir Philip Sidney, Norman Macleod, Dr. John Brown, and Henry of Navarre. Other essays concern the "Besor brook" in Judaea, the rivers of Babylon, and the telegraph.

A financial account between Charles Thompson and Nathaniel L. Thompson, settled in Kennebunk, Maine, on January 1, 1856, is laid into the volume.

A young physician wrote most of this diary while a passenger on a voyage from Alexandria, Virginia, to Boston, Massachusetts, in 1846. Content includes humorous accounts of sailing by river and ocean, observations of sailors' superstitions (i.e., Mother Carey's Chickens, also known as Storm Petrels, St. Elmo's fire, etc.), weather and storm patterns, personal health, and patient treatment.

A young physician wrote most of this diary while a passenger on a voyage from Alexandria, Virginia, to Boston, Massachusetts, in 1846. Content includes humorous accounts of sailing by river and ocean, sailors' superstitions (i.e., Mother Carey's Chickens, also known as Storm Petrels, St. Elmo's Fire, etc.), weather and storm patterns, personal health, and patient treatment.

His humor often took the form of comical comparisons and exaggerations or plays on dialect. To entertain himself, he brought several books: Blackstone's Commentaries on the Laws of England, by William Blackstone, the Bible, and a pocket Shakespeare. He attached varying levels of reading intensity to each, as well as the applicable situation in which he might read them—Blackstone's Commentaries, for example, was "suitable for a listless, languid frame of mind" (page 6).

He brought with him two Bologna sausages, which he jokingly and emphatically mistook for a woman's bustle in an expression of his apparent hatred for the garment (pages 6-7). When he had to throw the spoiled sausages overboard several days later, he lamented that he couldn't do the same with every bustle in the land (pages 23-24).

The author and several others (the captain, a skipper, and officers from a nearby revenue cutter) briefly disembarked to visit a family's farm in Virginia while waiting for better winds to sail. He included racial epithets that the family used when he quoted their complaints about the labor involved in caring for their farm without enslaved workers (page 22). The skipper revealed that the author was a physician, whereupon he was entreated to care for several members of the family. The mother's eye had been "eaten out by cancer" and the young daughter had a hard lump on her nose that the family felt sure would turn into cancer. The author treated the daughter's nose by excising the lump.

At some point between Washington, D.C., and Alexandria, the author wrote of being "assaulted, battered, and robbed" by bedbugs, which led him to construct a makeshift bed of camp stools to sleep on to avoid being bitten at night (page 11). His rheumatism also caused significant discomfort during the trip, and a self-administered treatment of liniment did little to ease his symptoms (page 34). Although the physician questioned whether or not he would become seasick at some point during the voyage, he narrowly avoided it—he did, however, treat a fellow passenger with a course of "consolation [and] pills" (page 30) after the man became seasick and vomited over the fresh paint sailors were applying to the bulwarks and rigging.

The entries from page 46 onwards were most likely written after the author landed in Boston. He wrote about his plans to attend a series of lectures given by Prof. Agassiz [Louis Agassiz] on animal classification.

This volume, compiled in the 1820s, contains an encyclopedia article, extracts and writings, diagrams, tables, and newspaper clippings pertaining to the design and construction of canals.

This volume (450 pages), compiled in the 1820s, contains extensive information on the design and construction of canals. The first few pages include a manuscript subject index. Pages 1-155 consist of a printed encyclopedia article about canals, bound directly into the volume. Other articles and fragments of articles are included, including the entire entry for "Canada."

The remaining pages consist of manuscript extracts, writings, and notes about canals, illustrated with colored diagrams and drawings. The volume includes sections about types of locks; tunnels; drawbridges; excavation; building materials, labor, and costs; water supply; the effects of rain and evaporation on canals; and hydraulics. Sections focus on canals in the United States, England, Wales, and France. The manuscript contains tables of data about the number and length of canals in each country. Specific structures, such as the Ohio & Chesapeake Canal, Union Canal, and Erie Canal are described and used as examples throughout the text. Illustrations include diagrams of locks, tunnels, and canals; a depiction of a method for burrowing out soil using a horse and several workers (p. 370); and a map of France highlighting its canals (p. 424). Notes, newspaper clippings, and additional drawings are laid into the volume.

The Journal of Our Trip Through Europe chronicles the European travels of Americans "Billie" and "Blanche" in the summer and fall of 1891.

The "Journal of our trip through Europe" (147 pages) chronicles the European travels of Americans "Billie" and "Blanche" from July 22, 1891-October 7, 1891.

The diary concerns the travelers' transatlantic voyages on the City of Paris (July 1891) and Friesland (October 1891) and their experiences in London, Paris, Rome, other Italian cities, several German cities, and Brussels. They spent most of their time enthusiastically sightseeing, but were frustrated in Italy when attacked by pickpockets (September 6, 1891). In Paris, they visited the catacombs and witnessed a suicide at the Eiffel Tower (August 24, 1891). The diary records visits to art museums throughout Europe, such as the Louvre and the Vatican Museums, and notes the travelers' impressions of architecture and public sculptures.

This photograph album contains 10 albumen prints related to the Bunker Hill Monument in Charlestown, Massachusetts.

This souvenir photograph album (12cm x 18cm), which contains 10 albumen prints, is bound in blue pebbled book-cloth and has the title "Album Photographs[,] Bunker Hill Monument" stamped in gold on its cover. The first 2 pictures show the Bunker Hill Monument (a stone obelisk) and the statue of Colonel William Prescott, respectively. The remaining 8 photographs are aerial views of Charlestown and the surrounding area taken from the monument, showing residences, industrial buildings, the Charlestown Navy Yard, and the Charles and Mystic Rivers. Sailing ships are visible in many of the aerial views. The album belonged to Lucia K. Hathaway, who inscribed her name on its first page on November 15, 1884.

This volume contains an introduction to land surveying and its underlying mathematical principles. Included are practical problems, illustrated examples, and reference tables.

This volume (174 pages) contains an introduction to land surveying and its underlying mathematical principles. Included are practical problems, illustrated examples, and reference tables.

The book, entitled "Land Surveying," opens with an introduction to geometry and trigonometry then focuses on practical surveying applications (around p. 49). Definitions, theorems, and problems are illustrated with diagrams and example problems. The remainder of the volume (pp. 142-174) pertains to surveying measurements, methodology, and tools. The author explained different measurements, such as Scottish units, English units, and the "chain," and applied mathematical principles to surveyors' practices. Many problems include ink-and-watercolor pictures of irregularly shaped lakes or fields, and several concern locations referred to as "Broom Park," "Mire Park," "Farm Park," and "Hill Side Farm." Additional subjects of study are land division and measuring levelness. The volume also contains tables of measurements. Decorative geometric drawings, done in ink with the occasional addition of watercolors, are interspersed throughout the book.

This item is a bound collection of espionage correspondence from Paris, 1780, that describes the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies.

This volume is a bound collection of espionage correspondence from Paris, 1780. The 37 reports (65 pages) describe the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies. Many entries discuss the number of troops stationed at various ports, the conditions of the crew ("They are badly manned and sickly, especially the Spanish who also find it difficult to recruit their navy" p.40), and the outcomes of engagements ("The French had suffered greatly, most of the ship's masts being damaged...100 men have been killed and at least 1,200 wounded" (p.47). The author often provides logistical information such as lists of ships and crew sizes, as well as the names of the ships' captains.

The Princeton University photograph album consists of approximately 95 cabinet card photographs including portraits of professors and class members of the College of New Jersey (later Princeton University) class of 1883.

The Princeton University photograph album consists of approximately 95 cabinet card photographs including portraits of professors and class members of the College of New Jersey (later Princeton University) class of 1883. The album (21 x 30 cm) is fully bound in brown leather. Images include cabinet card portraits of professors and students, views of campus buildings and the Princeton cannon, a class of 1883 group portrait, group portraits of men and women on the lawn and indoors, and class member James Harlan wearing a football uniform. Of particular note is a photograph of James Johnson (d. 1902), and escaped slave and food vendor on campus and in the Princeton community, with a wheeled cart and basket over his arm.

Additional items include genre works, a reproduction of a print of Franz Josef I of Austria with his family, and a photograph of the SS Furnessia, all in cabinet card format. Inside the front cover there is also a montage of engravings of campus buildings as well as a photographic postcard of the Princeton Inn.

This volume contains diary entries about the author's travels in England and Scotland during the summer of 1799. The author commented on towns visited, road conditions, geographical features, architecture, industry, and other subjects.

This 78-page "Journal During a Tour to the Lakes of Cumberland, Westmoreland, and Lancashire and the Highlands of Scotland" concerns the author's travels with a companion around England and Scotland from June 24, 1799-September 14, 1799. They left from and eventually returned to London, visiting cities and towns in northern England and southern Scotland. The author commented on the towns, their residents, and local architecture, occasionally noting buildings of historical interest such as the Scone Palace in Scotland. A lengthy entry written around July 4-8, 1799, describes the area around Buxton and Castleton, England, where the travelers toured caverns and the Odin Mine. The diarist also discussed local industries, prominent geographical features, and road conditions.

The diary entries are followed by 5 pages of supplementary information. A 4-page table lists the names of towns visited, the names of inns utilized by the author, 1-3-word descriptions of the conditions at the inns, and the number of miles traveled between each location. A 1-page list of excursions taken from main stopping points along the route is also present.

The Wabash (Ind.) family photograph albums contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century.

The Wabash (Ind.) family photograph albums (both 14cm x 10cm) contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century. The first volume contains 19 tintypes and five cartes-de-visite, and the second volume contains 16 tintypes and nine cartes-de-visite; an index of subjects in included at the back of the second album. Some of the tintypes have raised decorated borders on their cardstock frames, and many include hand coloring. Most items are individual portraits, though some men and women posed in pairs. One man appears in a Masonic sash and apron. Each album has a brown leather cover with a raised geometric design and floral patterns stamped in gold.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

Major points of the route serve as headings within the volume, being visually differentiated from the main text by calligraphic headings. Observations on town layouts and architecture—including rough estimations of population count—provide a developmental snapshot of the region as perceived by the writer. Also mentioned is the construction on the Mt. Pleasant Prison at Sing Sing [Sing Sing Prison, Ossining, New York] and the quarry of white marble used by the builders.

The writer's travel by road was apparently not as easy as their travel by canal. After turning off the Ridge Road at Hartland, New York, descriptions of the woodland seem to indicate a host of obstructions in the form of mudholes, ruts, and stumps (p. 22). Apart from the entries on towns and landscapes, the writer noted a hotel landlord in Victor, New York, who kept two wolves, two small deer, and a fox in his yard (p. 16).

Yellowed imprints of larger leaves placed into the volume can be found on later pages, but only the smallest have lasted to the present day.

This volume, which may have belonged to a Scottish teacher, contains pencil drawings of everyday objects and notes related to instruction in art and geography.

This volume, which may have belonged to a Scottish teacher, has pebbled covers, with the title "Sketch Book" stamped in gold on the front. The first section, "Specimen course for Second Year Higher Grade," contains 6 pages of pencil drawings. The subjects include books, plants, household items, a shoe, a water tank, an umbrella, a broom, a basket, and a hand. The final page of drawings includes the note: "Complete course with interiors & outdoor work."

The second part of the volume is a 2-page chart titled "Geography. Scheme of Work," with tables of geographical subjects for students at various levels. Each month's course included the study of a country or geographical region, a "practical" subject, and a "physical" subject. The areas represented are primarily European nations; British colonies such as South Africa, Australia, New Zealand, Canada, and India; North and South America; Asia, and Pacific islands. The teacher offered practical instruction in navigational concepts, the use and creation of maps, and surveying, and offered instruction on various geological topics such as the Earth's atmosphere, climate, and physical features such as volcanoes and glaciers.

The Chicago photograph album contains pictures of buildings, park landscapes, and people in Chicago, Illinois; Grand Rapids, Michigan; and Detroit, Michigan. Items include interior and exterior views of a Chicago home, portraits of small groups of individuals, views of gardens in John Ball Park (Grand Rapids, Michigan), and a photograph of a steamboat in the Detroit River.

The Chicago photograph album (14cm x 18cm) contains 24 photographic prints, each placed in a 9cm x 11.5cm window. The first item is an exterior view of a home located at 5828 Indiana Avenue in Chicago, Illinois, and the following eight items are interior views of parlors and a dining room; one shows a woman sewing. The album includes six photographs of John Ball Park in Grand Rapids, Michigan, with various garden scenes and a shot of two women in a small horse-drawn carriage, and one photograph of the steamer "The North Land" passing Belle Isle near Detroit, Michigan. One item features the Michigan Soldiers' Home in Grand Rapids, Michigan, and another shows a woman feeding a group of birds there. The remaining six items are informal group and individual portraits taken in Washington Park (Chicago, Illinois) (2 items), Palmer Park (Detroit, Michigan) (1 item), "Our Back Yard" (Chicago, Illinois) (1 item), and unidentified outdoor locales (2 items); two men posed by a bicycle in Washington Park. The album's cover is decorated with a colored floral pattern, with a gray geometric pattern near and covering the spine.

The Shriners' excursion tour photograph albums (2 volumes, each 15.5 x 20 cm) contain 95 photoprints of photographs taken during a cross-country train and ship excursion by a group of Shriners ca. 1898.

The Shriners' excursion tour photo albums (2 volumes, each 15.5 x 20 cm) contain 95 photoprints of photographs taken during a cross-country train and ship excursion by a group of Shriners ca. 1898. Images show a range of different places around the United States, including: St. Joseph, Missouri; Des Moines, Iowa; Big Spring, Texas; Phoenix and Tuscon, Arizona; Redlands, San Francisco, and Los Angeles, California; and Honolulu, Hawaii. The Shriner group appears to have chartered their train as there are photographs documenting a train breakdown in Arizona and stops in various stations show it to be decorated with banners. Several images includes women and young boys wearing fezzes, indicating that families participated in the trip. There are also several photographs of cowboys and Native Americans in Arizona and Texas. Images taken in California include views of Los Angeles rooftops, Golden Gate Park and San Francisco Bay, Mt. Shasta and San Bernadino, and palms and a grapefruit grove at Baldwin's Ranch in Redlands. There are several images of ships including the S.S. Sierra, the committee boat Fearless, a quarantine boat, an Austrian training ship at Honolulu, the American battleship U.S.S. Wisconsin, and unidentified ocean steamers in San Francisco Bay.

The albums are half bound with red leather bindings, have red cloth boards and are housed in light blue boxes.

The New Hampshire snapshot photograph albums (14.5 x 18.5 cm) contain approximately 138 images in two volumes, showing landscapes, people at leisure, and interior views. Also included are images of buildings in Mont Vernon, New Hampshire.

The New Hampshire snapshot photograph albums (14.5 x 18.5 cm) contain a total of 138 images in two volumes.

Volume One includes views of a home, "Verncroft," landscapes, people mounted on horseback, and men working with hay. Many of the photographs are group shots of children. Of note are three photographs of a Mount Vernon Fire Department truck on pages 8, 9, and 17. Pages 22 and 23 focus on a summer baseball game. Page 36 depicts a man dressed in a graduation cap and gown.

Volume Two contains views of nature, building interiors, and street scenes, with a majority of photos taken in Mont Vernon, New Hampshire. One exception is the image on page 7 of the Lexington Minuteman statue in Lexington, Massachusetts. Pages 16-23 depict outdoor winter activities, including ice fishing and rides in a sleigh. Many town buildings and structures appear, including the town hall (page 70), the Appleton Academy-McCollom Institute (page 71), and the meeting house (pages 72-73). The water tower in Mont Vernon appears in many photos in both volumes.

The Family and travel photograph album contains approximately 120 commercial and amateur photographs primarily showing a couple and their two young children.

The Family and travel photograph album contains approximately 120 commercial and amateur photographs primarily showing a couple and their two young children.

The album (18.5 x 28 cm) features photographs of the unidentified couple and an their children at home, visiting friends, and on trips to the shore. Also included are photographs of stately homes and several childrens' parties, with one group of children holding hoops and sticks. Commercial photographs include a view of Washington, D.C. from the Capitol dome; the U.S. Capitol building; the Statue of Liberty; the former Treasury building on Wall Street in New York City; the Brooklyn Bridge; Carpenters' Hall; the S.S. Teutonic; and a nearly completed Philadelphia City Hall.

This arithmetic copybook was compiled by an anonymous student in the nineteenth century. It includes rules and examples for addition, subtraction, multiplication, and division, as well as practical examples relating to money and weights and measures.

The Western travel and mid-Michigan photograph albums (2 volumes, each 23 x 36 cm) contain a total of 417 photographs primarily pertaining to travel in the western U.S. and the mid-Michigan region, likely taken by a member of the Charlesworth/Abraham family of Flint, Michigan.

Volume I: Western photographs include views of Yellowstone, the Yosemite Valley, cliff dwellings with pictorgraphs, a petrified forest, hiking across a glacier, buildings of the Panama-Pacific Exposition, the Saltair resort in Utah, cliff dwellings, the California coast, a bull fight, Native Americans selling pottery on the street, California houses, and a concert band dressed in kilts. Also included are single views of a city waterfront, possibly St. Paul, Minn., Milwaukee grain docks, and the Minnesota State Capitol. Album contains 232 images. Photographs lack captions.

Volume II: Mid-Michigan photographs show chiefly outdoor activities and rural scenery, including house and barns, country roads, hunting and fishing trips, boating, swimming, hunting dogs and game birds, a circus parade in downtown Flint, farm animals and cow-milking, and picnics. Nine photographs show a collection of bird amulets and carved relics, some belonging to the Silas Collins collection at the Flint Public Library. Also shown are burnt-out ruins of the Michigan School for the Deaf and postal carriers in Flint with sleds and wagons piled high with Christmas packages. Several photographs feature automobiles, including an overturned auto in the street being contemplated by a young man in swimming costume with handwritten caption, "Berston killed;" automobiles stuck in potholes and rescued by horse-teams; filled with hunting dogs; and a Buick Model C burnt out and restored. Michigan locations include: Flint, Prescott, Stiles Lake, Long Lake, Houghton Lake, Rifle River, Ortonville, and Skinner Lake. Identified individuals include: W.B. Ormsbee, A.G. Abraham, Herb Mitchell, Howard Casler, E. Rockafellow, Luella Charlesworth, John Brewer, Emma Abraham, Ernest Oldfield, M.B. Shirk, William Somerville, Hattie Barker, George Dell, Gert Fellows, Glenn Jones, Edgar Ries, John Ries, George Havers, John Wildanger, George Havers, Clyde Baldwin, George Frye, Edgar Rice, Chancey Straber, Elsie Caverly, Clarence Caverly, Leo & Mrs. Boomhower, Bud & Mrs. Evans, Ed Brown, Llloyd & Mrs. Algoe, Alice Charlesworth, Anna Charlesworth, George Holmes. Album contains 185 images. Most photographs include manuscript captions on verso.

Albums housed in three-part wraps with blue cloth spines.

The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

The Tully Lake Park and vicinity photograph album consists of 25 photographs showing scenes from Tully Lake Park, an educational retreat in the Finger Lakes Region of New York.

The Tully Lake Park and vicinity photograph album consists of 25 photographs showing scenes from Tully Lake Park, an educational retreat in the Finger Lakes Region of New York. Images include views of the Tully Lake Park Hotel, vacationers in front of resort cottages, a tent encampment, lakeside views, rowboats, a horse-drawn carriage decorated with bows, three me nwith musical instruments set up to play on a veranda, and crowds gathered at a lakeside clearing and under an open-air shelter. The album (26 x 33 cm) is half bound with leather.

This bound manuscript contains the text of a sermon delivered in Lancaster, Pennsylvania, in December 1783, about a desirable political future of the United States from a Christian point of view.

This bound manuscript contains the text of a sermon delivered in Lancaster, Pennsylvania, in December 1783, about a desirable political future of the United States from a Christian point of view. The 31-page volume, entitled "An Exhortation to Peace under the American Revolution, addressed to the Inhabitants of Lancaster in the State of Pennsylvania, December 11, 1783," is divided into several sections, each copied by a distinct, clear hand and signed, though the text runs unbroken throughout the book. The first page of the address indicates that it is based on Jeremiah 24:7, and it begins by examining the situation of the Jews in ancient Babylon, and comparing that to the situation that led to the American colonies' fight for independence. From there, the sermon continues to expound upon religious and political themes, encouraging a "cordial union among the members of each particular state, as well as among the United States in general" and arguing that a Christian ethos would serve as a strong foundation for the new nation. The treatise weaves together themes of Christian faith and contemporary politics to create a vision of a positive future for the United States.

The Pennsylvania legal record book contains indentures, wills, and other documents from the early 18th century. Most items pertain to property ownership in Pennsylvania and Rhode Island.

The Pennsylvania legal record book (463 pages) contains copies of indentures, wills, and other documents dating from the early 1700s to around 1760. The majority of entries are indentures between individuals for land in Pennsylvania, often in or around Philadelphia. The Penn family and other prominent Pennsylvania residents are represented, as are some residents of Rhode Island. Manuscript property maps accompany some of the documents. Pages 151-168 have a group of wills related to the Wanton family; William Wanton's will mentions two male slaves (p. 159). Quit rent and other topics are also addressed.

This volume is a typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

This volume is a 27-page typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

The Lake George camping party consisted of at least seven acquaintances: Charles W. Byrnes, Alice B. Byrnes, William L. Brown, Georgia B. Sumner, Edwin W. Andrews, Maybelle Ramsay, and R. C. Sargent. Maybelle and a man referred to as "the Doctor" left the group partway through the trip. The account, titled "Wotlarks: A Camping Journal," opens with an epigraph by William Henry Harrison Murray, followed by 24 pages of recollections. The campers embarked from Caldwell, New York, on July 31, 1892, spent 2 weeks on the lake, and then boarded a train for Boston from the area around Fort Ticonderoga on August 13, 1892.

The author of this typescript (possibly camper William L. Brown), described the scenery, meals, and notable incidents. He or she also quoted poems by P. Buchanan Read and Isaac Ogden Rankin. The 7 party members signed the final page of the typescript. Twenty-one photographs, pasted onto sturdy boards between pages of the journal, depict scenery around Lake George, the campers in their canoes, men and women posing with guns, a man fishing, the group near their tents, and other scenes.

The volume includes a carefully drawn or traced manuscript map of Lake George, marked with the places that the campers visited.

"Fredericksburg During the Civil War" is a typed account of a Union soldier's experiences during the Battle of Fredericksburg, Second Battle of Fredericksburg, and Battle of Salem Church. The account includes detailed descriptions of each battle and of the "Mud March" of January 1863. The writer commented on his regiment's movements, casualties, the experience of coming under heavy fire, and other subjects.

Fredericksburg During the Civil War (16 pages) is a typed account of Union soldier's experiences during the Battle of Fredericksburg, Second Battle of Fredericksburg, and Battle of Salem Church. The account begins with a description of the area around Fredericksburg, Virginia, and brief remarks about its strategic importance. The bulk of the document consists of the author's reminiscences about his experiences between December 1862 and May 1863. While crossing the Rappahannock River toward Fredericksburg, he saw a large number of playing cards discarded by soldiers who did not want to seem morally compromised in the event of their death. He described the large number of casualties between Union and Confederate lines during the Battle of Fredericksburg and recalled a heroic Confederate sergeant who took water to the wounded despite the risk of being shot; both sides ceased to fire while he tended to the wounded. After retreating to winter quarters, the author and his tent-mate built a log hut and participated in General Ambrose Burnside's aborted "Mud March" in January 1863.

The narrative resumes in May 1863, when the author's regiment joined the "disastrous" Chancellorsville campaign under General Joseph Hooker. The VI Corps approached Fredericksburg on May 1, 1863, and then engaged Confederate forces. Though the author exchanged fire with Confederate soldiers, he was unsure whether he had been directly responsible for any deaths. He discussed the capture of the Washington Battery, noted the death of a college classmate during the battle, and wondered whether the victory had justified the large number of casualties. As the Union Army continued to move toward Chancellorsville, the author became involved in the Battle of Salem Church, which he recounted in the present tense, listing multiple marching orders and providing accounts of several specific soldiers. The essay ends with the author locating his disjointed regiment and retreating back toward a previous encampment at White Oak Church.

This scrapbook, titled "The Examination of Benjamin W. Greene," contains clippings of three short articles published in the Hartford Courant newspaper of testimony given at the trial of accused murderer Benjamin W. Greene in early 1866. Greene was charged with the murder of Eunice North Greene, his wife, on November 5, 1865, and the court sought to determine whether the homicide (and Benjamin's subsequent suicide attempt) was due to insanity.

This scrapbook, titled "The Examination of Benjamin W. Greene," contains clippings of three short articles published in the Hartford Courant newspaper of testimony given at the trial of accused murderer Benjamin W. Greene in early 1866. Greene was charged with the murder of Eunice North Greene, his wife, on November 5, 1865, and the court sought to determine whether the homicide (and Benjamin's subsequent suicide attempt) was due to insanity.

An investigation of the Greene household allowed witnesses to piece together the progression of events on November 5, 1865. As Eunice was reading, Benjamin approached her from behind and cut her neck with a razor. She was able to call for help after Benjamin fled and to name him as the perpetrator, but her wounds were too severe to overcome. After a brief search, two men found Benjamin inside of a locked room, lying next to the same razor used to kill Eunice. Despite having cut his own wrists and neck in a suicide attempt, he was able to be stabilized and survived.

The loss of Eunice and Benjamin's eldest daughter, Harriet North Day (1831-1864), was consistently cited as the reason for the sharp decline in Benjamin's mental and physical health. The family physician, Dr. Beresford, held Benjamin's "singular and peculiar delusions with regard to his domestic affairs" (p. 2) as evidence of his mental instability. Often centered around Eunice, or supposed financial burdens, the validity of those claims was challenged by what Dr. Beresford and other witnesses observed prior to the homicide (p. 7, 11, 12, 14).

Before the murder, Benjamin repeatedly denied help from his family and friends, blocking at least one attempt by physicians to inform Eunice (p. 4) of his mental state. His nephew, William D. Wyatt (1828-1884), tried several times to intervene and help his uncle—both at his own behest and at Eunice's—but ultimately failed. William did not deem it safe to be alone with Benjamin, and testified that during one visit, Eunice told him that her husband was "a crazy man" and "had been a deranged man for years" (p. 11).

The scrapbook does not include the final ruling of the court, but the following is a quotation from an article [not present] containing the verdict, published in the Hartford Courant on March 14, 1866:

"The finding that Mr. Greene was insane at the time he killed his wife, will undoubtedly render his will, which was made in July last, and which was referred to in the testimony offered during his examination, of no account. In this will he bequeathed all his property to Robert E. Day, his son-in-law, and Mr. Day's little daughter. His action, in this respect, would seem to show that he labored under the delusion claimed that his whole family, with the exception of Mrs. Day, was leagued against him. After her death he said he had lost his best friend, and from that time forward declined in health rapidly."

In 1899 an unidentified artist created 21 pages of watercolor paintings of different North American birds accompanied by manuscript descriptions detailing the birds' habitat, size, coloration, distinctions between males and females, and the scale used to render the image. An additional two pages consist of a numbered diagram of a bird identifying various physiological components, with a close-up view of the beak.

In 1899 an unidentified artist created 21 pages of watercolor paintings of different North American birds accompanied by manuscript descriptions detailing the birds' habitat, size, coloration, distinctions between males and females, and the scale used to render the image. An additional two pages consist of a numbered diagram of a bird identifying various physiological components, with a close-up view of the beak.

• Horned Grebe
• Partridges
• Screech Owls
• Bee or King Birds
• Red Bird or Bobolink
• Red-Winged Blackbird
• Baltimore Oriole or Hang-Nest
• Crimson or Purple Finch
• Goldfinch or Salad Bird
• Chipping Sparrow
• Song Sparrow
• Vesper Sparrow
• Yellow Winged Sparrow
• English Sparrow
• Snow Bird
• Cardinal Bird
• Rose Breasted Grosbeak
• Indigo Bunting
• Scarlet Tanager
• Cedar Bird
• American Redstart
• Common Blue Bird
• Maryland Yellow Warbler
• Blue Jay

The pages were previously bound into a volume and most contain page numbers in the top left corner, revealing the loss of a number of pages.

This 18-page volume has a wallpaper cover, and it contains a variety of practical, household, and medicinal recipes. The entries pertain to printing on fabric, sheet music engraving, improvements in photography, several types of matches, adhesives, different kinds and colors of ink, hair removal, removal of freckles, soaps, pomatum and hair oil, wart salve, rouge, prevention of hair falling out, a pimple cure, blacking, white gunpowder, and more. The currently unidentified compiler drew a few entries from 1840s to 1860s published books and serials, such as Scientific American, James Booth's Encyclopedia of Chemistry, The Homestead, The Golden Rule, The Dollar Newspaper, and others. While the purpose of the volume is not explicitly clear, a few entries are for large quantities and others have notes on the difference between costs of raw materials versus sales revenue, suggesting that the compiler may (or may not) have been a huckster, peddler, or perhaps a manufacturer or wholesaler of these products.

This 18-page volume has a wallpaper cover, and it contains a variety of practical, household, and medicinal recipes. The entries pertain to printing on fabric, sheet music engraving, improvements in photography, several types of matches, adhesives, different kinds and colors of ink, hair removal, removal of freckles, soaps, pomatum and hair oil, wart salve, rouge, prevention of hair falling out, a pimple cure, blacking, white gunpowder, and more. The currently unidentified compiler drew a few entries from 1840s to 1860s published books and serials, such as Scientific American, James Booth's Encyclopedia of Chemistry, The Homestead, The Golden Rule, The Dollar Newspaper, and others.

The purpose of the volume is not explicitly clear, though a few entries are for large quantities and others have notes on the difference between costs of raw materials versus sales revenue, suggesting that the compiler may (or may not) have been a huckster, peddler, or perhaps a manufacturer or wholesaler of these products.

Please see the box and folder listing below for a table of contents for the volume.

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

The childhood observations about death, spirits, and God reflect a religious upbringing and household, including one entry about how Harry "was drawing a picture of a deathbed scene where angels were coming to carry the man's spirit to God in accordance with what he had been told on the subject. He said 'Mama I guess one angel holds the man's mouth open while the other takes his spirit out of him.' " Comments about dogs, toys, and imaginative games speak to youthful entertainment and play, and others are more suggestive about the conditions in the children's environment that caught their attention. Questions like "what color is the moon on the other side," or observations that a dead mouse "is kind of wilted isn't it," provide insights into what the children were seeing and wondering about.

One entry at the back of the volume reads, "J. D. McAuliff (Heals by rubbing) St. Louis, Mo."

This travel diary records the daily progress of a team of prospectors exploring possible routes for stagecoach lines in Texas, 1838. The entries primarily document details relevant to stagecoach operations such as terrain, populations, soil types, climate, and distances traveled.

This Texas travel diary records the daily progress of a team of prospectors exploring possible routes for stagecoach lines. The author does not record his personal experiences and includes only details relevant to operating a stagecoach line: terrain; banks and depths of rivers to be forded; costs of oats, corn and hay for feeding horses; the presence of Indians; populations to support mail delivery and transportation over the route; availability of timber for building bridges and ferries; competition from other stage lines; availability of potable water; agricultural potential of the land along the route; and mileages from one place to another.

The team set out from Jefferson City in mule-drawn wagons on January 4, 1838, and traveled southwest into the Indian Territory (later Oklahoma). They crossed into the Oklahoma Cherokee Indian Territory at Neosho on January 18, and then headed south to Fort Gibson, where the author went alone on horseback to Fort Smith on the Arkansas border, and rejoined the group later.

They crossed Texas at Preston on the Red River (North of Dallas) at the end of January and arrived at Franklin (now El Paso) on March 17. On March 21, they set out on the return trip, taking a slightly different route, and returned to Preston on Sunday, April 11.

Of special interest are the descriptions of the terrain diagonally southwest across the Indian Territory (later Oklahoma) and Texas in the early days of United States possession, while Texas was still an independent republic. The author notes the difficulties that would be encountered in establishing a mail and stage coach line through this terrain and comments on the agricultural possibilities of the land. He describes streams and rivers and recommends potential settings for stations.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th or 19th century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th- or 19th-century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

The manuscript begins with a discussion of heaven and hell, and proceeds through additional topics, often accompanied by scriptural references. Each subject is part of a continuing question-and-answer process, often based on a previous answer, and many themes recur frequently. Several brief proverbs appear on the final page.

The Ohio Bookseller's diary chronicles the experiences of a travelling book salesman in southwestern Ohio during the early months of 1869. He also recorded accounts, poetry, and quotations throughout the year.

The Ohio Bookseller's diary chronicles the experiences of a travelling salesman in southwestern Ohio during the early months of 1869; he also recorded accounts, poetry, and quotations throughout the year. The author consistently wrote brief daily entries between January 1 and March 8, 1869, chiefly noting his efforts to make sales, often with little success. The diarist faithfully recorded the names of acquaintances with whom he stayed, and mentioned seeing several old college friends during his time in Yellow Springs. Daily entries ended on March 8, 1869, though the author occasionally added accounts, often related to corn, as well as poetry and quotations. On one date, he drew a a music staff, labeled with note names, and recorded facts about the Bible and about the death of George Washington.

The Journal of a trip from Kingston, Ontario, to Cincinnati, Ohio, recounts a traveler's experiences during a journey that took him through New York and Pennsylvania in February and March 1820.

The Journal of a trip from Kingston, Ontario, to Cincinnati, Ohio, recounts a traveler's experiences during a journey that took him through New York and Pennsylvania in February and March 1820. The traveler embarked on February 24, 1820, and immediately encountered icy, rough roads and other difficulties. He noted machinery he saw on the Canadian countryside. After crossing into New York, the author visited Albany, where he observed the state legislature (February 28, 1820), and New York City. The author initially found Pennsylvania "very dull" (March 4, 1820), but later enjoyed the western countryside, despite being prevented from traveling on one Sunday when he found himself in an area where the population observed strict religious rules (March 12, 1820). On March 17, 1820, the diarist boarded a Cincinnati-bound boat, whose crew told "a great Number of Anecdotes of the late War & [portentously] of the Rascally treatment they received when prisoners." Many entries pertain to anecdotes about traveling companions and lodgings. An account of "Articles Bot" is in the back of the volume.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in Virginia, New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The album (26 x 35 cm) has a black cloth binding. Photographs of interest taken in Vermont and New York include rural views, country roads, a woman bicycling, and a group relaxing beside the Batten Kill River in Eagleville, New York. Images from Sioux City, Iowa, include views of public buildings, a golf tournament between Sioux City and Le Mars, a football game between Sioux City and Council Bluffs, an interior view of a woman working at a desk, a high school group on stage in blackface, a shooting expedition, and group portraits of young people at the Sioux City High School and in costume at a "hobo party." Michigan-related photographs include views of Charles Canfield's cottage in Onekama, Michigan, Canfield's yacht "Uvira," views of forests in Manistee, and a lumber camp scene captioned "Camp 4 near Luther, Mich." Photographs from unidentified locations include views of a sawmill, flum, and lumber camp, several home interiors, mountains, and giant trees likely indicative of the West Coast. Two photographs also show a canoe with a Native American family on a lake in Northern Minnesota.

The San Francisco Earthquake photograph album contains 48 photographs showing the aftermath of the 1906 earthquake in San Francisco.

The San Francisco Earthquake photograph album contains 48 photographs showing the aftermath of the 1906 earthquake in San Francisco. The album (27 x 18 cm) has pebbled black cloth covers and includes a laid in handwritten table of contents. Images include views of ruins of City Hall, the Crosby Building, the Granada Hotel, and Grace Church; temporary tent and tin-shack housing; a tent camp in Golden Gate Park; people cooking on the street using makeshift stoves; views showing the devastation of Russian Hill, North Beach, Chinatown, and Telegraph Hill; a group of men playing checkers in the street; a hospital tent; a crowd lining up in front of a tent with the sign, "W.C.T.U. Free Reading Room"; a young African American girl sitting beside a tent with an infant in a box beside her; and an African American man sitting in a tin shack with the sign, "Show Maker."

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905. The first portion of the album consists of natural landscape and scenic cyanotypes. Also included are photographs of a flood, street-railroad cars, city street views, a photographer's studio, children, a farm, dogs, a drugstore, and a soda fountain. The last few pages of the album contain 60 small portraits.

The album is 20 x 14.5 cm with black cloth covers.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928. Each photograph includes notation naming location, individuals, and some dates. Multiple photographs are missing. The first portion of the album shows various locations in Arizona including the Sentinel (Arizona), Gillespie Dam, San Xavier Mission and Grotto, Casa Grande Ruins, Wickenburg Mountains, Granite Dells, Hopi Point and Powell Memorial at the Grand Canyon, Painted Desert, and Canyon Lake. Locations in New Mexico include Elephant Butte Dam, Hot Springs, and Raton Pass. Auto camps shown include "Stumble Inn," (Tucson, Arizona), Rowe's Well Camp (near the Grand Canyon), and Texas Home Camp (Hot Springs, New Mexico). The last image is of the Oklahoma State Capitol.

Many captions name William and Mattie Mulholland in the photographs. Also included is one loose photograph of poodles from "Baby Doll Kennels," in Erie, Pennsylvania.

The album is 20.5 x 13.5 cm with black artificial leather covers.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The album (21 x 27 cm) is half bound in black leather and has a detached front cover.

City scenes include views of townhouses on a city block in winter; a woman entering a carriage beyond a decorative wrought iron fence; a well-dressed couple in a two-wheeled carriage; an infant in a wicker baby buggy; a housekeeper or servant standing at a side door; and women and a young girl standing on a city street in elegant winter capes, muffs and hats. One woman stands on a snowy sidewalk holding a Kodak Brownie camera in her gloved hands. Five photographs show well-furnished formal interiors.

Rural scenes include views of a log house on a wooded lake whose well-furnished interior includes bookshelves, Native American baskets and textiles, snowshoes, a wolfskin rug, a desk, a chaise, and a piano. Men and women are shown with guns and gamebirds, fishing from a dock and in a rowboat, and partaking in an elaborate outdoor tea party. One photograph shows a Native American man sitting on the cabin steps. Nature views include images of logs in a flooded river, streams, a small wooded island, and a spotted fawn.

The Upstate New York and Maryland photograph album contains approximately 105 images showing scenes from Upstate New York and rural Maryland.

The Upstate New York and Maryland photograph album contains approximately 105 images showing scenes from Upstate New York and rural Maryland. The album (21 x 31 cm) has brown cloth covers, is disbound, and bears the signature "Ruth E. Wilcox" inside the front cover. New York-related images of interest include rural views of Brewerton and Onandaga; Owasco Lake; the interior of a blacksmith's shop with the smithy at work; and scenes from around Syracuse including Dorwin Springs Road, Furman Road, the aftermath of the Salinas Street fire, the illuminated interior of the Alhambra auditorium, home interiors, and numerous flower arrangements. Two photographs also show a man sitting in a horse-drawn wagon filled with flowers and outfitted with the lettering "Henry Burt, Florist."

Approximately 35 photographs show rural scenes from Maryland, including farmyard views, groups of African Americans including a farm family, as well as a group portrait of twelve African American men posed with baseball equipment.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The album (39 x 28.5 cm) is sting-bound and has gray cloth covers with "Photographs" stamped in gold on the front and black paper pages. The first page contains a handwritten label that reads "City of Boston July 4th, 1918." Most but not all images include handwritten captions. The album's contents are grouped into three sections marked by handwritten labels: “Patriotic Exercises,” “Sports and Pastimes,” and “The Parade in the Evening."

"Patriotic Exercises" begins on pg. 3 and contains 19 photographs. Images include several views showing Boston mayor Andrew James Peters overseeing flag raising exercises performed by uniformed U.S. Army soldiers on Boston Common; views of a floating stage at Frog Pond; three photographs of speakers at the Old State House including Rabbi Abraham Nowak, Mayor Peters, and Walter A. Whelan; and two photographs related to a speech by Judge Joseph J. Murley at Wood Park Island.

“Sports and Pastimes” begins on pg. 43 and contains 35 photographs. Images include numerous views of swimming and boat races held at the Charles River Basin; views showing a baseball game, brass band performance, and parading Naval Battalion at Wood Island Park; views of the “Italian populace,” “Italian societies,” and others at North End Park; views showing the distribution of ice cream at the Charles River Gym and Prince Street Playground; views of athletic competitions taking place at Boston Common including foot races and tug of war; and a view of bathers at City Point.

"The Parade in the Evening" begins on pg. 115 and contains 27 photographs. All of these images showcase participants in a parade procession and include views of U.S. Army troops and the 10th Massachusetts State Guard, various ethnic groups (including Latvians, Italians, Portuguese, Albanians, Chinese, Greeks, and Armenians), a coordinated group of children in formation as a "living flag," and the Mission Church Band.

This volume contains the author's reminiscences about his service with the 319th Field Artillery Regiment, Battery C (part of the 173rd Airborne Brigade), in Vietnam from June 1968-June 1969. He listed the fire support bases where he was stationed and recalled anecdotes about combat, his relationships with other soldiers and officers, and other aspects of military life.

This volume (31 pages) contains the author's reminiscences about his service with the 319th Field Artillery Regiment (part of the 173rd Airborne Brigade) in Vietnam from June 1968-June 1969. The first 7 pages consist of a numbered list of the locations where his unit was stationed during his time in Vietnam, including several identified as fire support bases, the city of Bảo Lộc, and Cambodia, along with brief notes.

The bulk of the volume (24 pages) consists of notes written on December 13, 1983. The author reminisced about many aspects of his military service, including his participation in artillery support for infantry troops ("grunts") and the clearing and construction of landing zones and bunkers. He named some of his friends and discussed their activities, including frequent drinking and, on one occasion, the use of "coke." He sometimes interacted with local residents, who often sold goods to the soldiers, and frequently mentioned eating rations and local foods such as cucumbers and green lemons. On a few occasions, he recounted interactions with superior officers, and he once bragged about his ability to calculate data faster than a field computer. The memoir contains some descriptions of the scenery near the army's fire support bases and bombed-out villages. The memoir is written in a spiral-bound notebook with an image of an Asian woman on the front.

This manuscript contains detailed descriptions of boxing matches, biographical information about prominent boxers, and related poetry, portraits, and illustrations, primarily concerning the sport's history in England during the early 1800s.

This 546-page manuscript contains information on boxing and boxers in the early 19th century. Approximately 512 pages include detailed descriptions of boxing matches and biographies of prominent boxers, with an additional 27 pages devoted to boxing- related poetry. A 7-page index of names, matches, illustrations, and poetry finalizes the volume.

The round-by-round descriptions of matches provide details about the combatants and their movements, locations of the fights, histories of the participants, physical states of the fighters after the bouts, and prizes awarded. The biographies vary in length and are occasionally accompanied by portrait illustrations of the men in everyday or formal attire. English and American boxers are represented, including some African Americans. Additional drawings depict boxing matches and trophies.