Collections : [University of Michigan William L. Clements Library]

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

The Agent’s sample book from Crown Card Co., Columbus, Ohio, contains 34 samples of visiting cards accompanied by prices, design names, and instructions for ordering.

The Agent’s sample book from Crown Card Co., Columbus, Ohio, contains 34 samples of visiting cards accompanied by prices, design names, and instructions for ordering. The volume (12.5 x 18 cm) is bound with blue paper and staples. Sample styles range from simple to intricate, with some including beveling, embossing, or silk borders. Most feature chromolithographic color, floral imagery, and animals. Different type settings available to a customer are also advertised.

Agnes B. Laidlaw described her daily activities in New York City from February 11, 1896, to June 20, 1896, in her diary. She frequently discussed her love of painting, social life, and thoughts about romantic love.

In her diary (125 pages), Agnes B. Laidlaw described her daily activities in New York City from February 11, 1896, to June 20, 1896. She composed daily entries between February 11 and June 7, and one additional entry on June 20. Laidlaw lived in Manhattan's Upper West Side, where she attended dinner parties, dances, and other events. She commented on her acquaintances, which included both men and women, and recorded her thoughts about romantic relationships and love (such as her discomfort with second marriages, June 6, 1896, pp. 121-122). On March 9, she recalled meeting a man on a streetcar, to whom she found herself instantly attracted (pp. 30-31). Laidlaw wrote about her fondness for painting and her attendance at French classes. Her social activities included visits to restaurants, concerts, and other performances. On one occasion, she hosted a dinner party, and her diary includes a diagram of attendees' positions at a table (May 14, pp. 87-89). The first 2 pages contain reminiscences about Laidlaw's childhood.

This collection is made up of 2 letters that Agnes M. Leeds wrote to her aunt, Jane M. Johnson, while living in Curaçao at the time of her husband's final sickness, as well as 1 letter that Leeds received from an acquaintance in New York City.

This collection is made up of 2 letters that Agnes M. Leeds wrote to her aunt, Jane M. Johnson, while living in Curaçao at the time of her husband's final sickness, as well as 1 letter that Leeds received from an acquaintance in New York City.

Agnes and Henry Leeds arrived in Curaçao in October 1842, where they hoped to relieve Henry's ailing health. In her letters to her aunt, Agnes Leeds described Curaçao, their hotel, and local residents. She requested news of her children, who were in Johnson's care, and mentioned her intention to send a black doll to her daughter Agnes. Jane C. Covert wrote to Agnes in January 1843 to express her sympathy for the family's situation. She reported on the Leeds children, and noted that Agnes's son Henry believed that his mother sent the black doll "to be a servant to the other ones."

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. As Smith and a companion had traveled south to restore their health, he commented on Southern life, African Americans, and fellow Northern travelers.

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. Smith discussed his health and the health of his companion, "Sands," and reported on fellow Northerners, particularly in Aiken, South Carolina. He described his experiences on an Atlantic Ocean steamer from New York City to Savannah, Georgia, and on a river steamer from Savannah to Augusta, Georgia. He also mentioned aspects of Southern life such as the weather and food, recorded encounters with black Southerners, and noted white Southerners' attitude toward the United States government and, more specifically, northern politicians. See the Detailed Box and Folder Listing for more information.

The A. & H. Jenkins collection is made up of incoming correspondence to this Baltimore, Maryland, furniture manufacturing/undertaking firm, headed by Anthony H. and Henry W. Jenkins. These letters contain requests for contracts and details about prices, bills, and accounts for various types of furniture.

The A. & H. Jenkins collection is made up of 10 incoming letters (1847-1851) to this Baltimore, Maryland, furniture making/undertaking firm (headed by Anthony H. and Henry W. Jenkins). The correspondence contains requests for contracts and details about prices, bills, and accounts for various types of furniture. The collection offers some insight into the business' clientele, such as their particular furniture needs and specifications about materials and design, their geographical locations (from as far away as Charlestown, Virginia), and various circumstances respecting bills and overdue payments.

Short excerpts from two letters illustrate content. One regards delayed payment from a Charlestown, Virginia, Episcopal Church for a desk and pulpit: "The loss of our beautiful church with all its furniture has been a distressing dispensation to us & compelled us to delay, longer than we desired … " (May 7, 1849). Another, from Revered E. C. McGuire at Fredericksburg, Virginia, provides specifications for the construction of a table ($25.00) and chairs ($24.00 each) made with "crimson plush" rather than "crimson damask" (January 29, 1849).

The author of this journal, entitled "Journal de mon Voyage dans les Etats Unis D'Amerique" (34 pages), recorded his or her experiences while traveling from Montréal, Québec, to the eastern United States in the summer of 1816. The journey included visits to New York, Philadelphia, Baltimore, and Washington, D.C.

The author of this journal, entitled Journal de mon Voyage dans les Etats Unis D'Amerique (34 pages), recorded his or her experiences while traveling from Montréal, Québec, to the eastern United States in the summer of 1816. The author left Montréal on June 28, 1816, and boarded a steamboat on the Richelieu River the following morning. After traveling through New York, Pennsylvania, and Maryland by steamboat and stagecoach until mid-July, the writer reached Washington, D.C. The journal records a visit to Samuel Hughes at his Mount Pleasant estate near Havre de Grace, Maryland, on July 11, 1816 (pp. 24-25), as well as the author's experiences in and architectural observations about Albany, New York; New York, New York; Philadelphia, Pennsylvania; Baltimore, Maryland; and Washington, D.C. From July 24, 1816-August 5, 1816, the author made brief entries about the return voyage to Canada. The final 2 pages include additional manuscript notes.

This photograph album contains photographs of scenery in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. Several photographs feature tourists or members of the photographer's traveling party, and others were taken onboard the steamer Queen.

This photograph album (25cm x 19cm) contains 87 photographic prints depicting scenes in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. The photographs, all of which have captions, were taken during visits to four geographic areas: Muir Glacier (21 photographs); Tacoma, Washington, and Helena, Montana (8 items); Yosemite National Park (48 items); and the Yosemite Valley and Arizona (10 items). Most photographs show natural scenery such as mountains, rock formations, waterfalls, and geysers, and some are pictures of hotels. Many show tourists climbing or viewing natural formations and scenery, and some show members of the photographer's party posing for portraits.

The album has two identical prints of a group of amateur photographers holding box cameras onboard the Queen, which is shown in several other photographs. Views of buildings in Sitka, Alaska; Tacoma, Washington; Helena, Montana; and Yosemite National Park are also included. One photograph shows a woman modeling a Chilkat blanket and totem pole cane, and another shows a "Tamed Bear" standing on a raised platform. Also of note is a picture of a train, taken as the photographer's party disbanded near Chicago. The volume is a quarter-bound album with a title stamped on the cover in gold: "Photographs."

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century.

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century. The author, who signed himself "Will," wrote the three letters to his brother Sam, from Fort Wrangle, Alaska (now Wrangell). Will's letters relate to life in Alaska during the early days of its settlement, with a particular focus on employment and on local Indians. Will, who owned a boat and fished for salmon, described his work and provided a picture of his life in the sparsely settled country. He focused on several aspects of life in Alaska, including the natural terrain and his encounters with local Indians, whom he believed to be immoral: "[in] some cases when the squaws are broke they are mighty glad to put in a night with a fellow & get two bits or some beans & bacon in the morning" (February 16, 1889). Will also repeatedly discussed the salmon industry and employment, including his occupation assisting the local marshal.