Collections : [University of Michigan William L. Clements Library]

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine.

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine. Images depict varied activities: hiking, boating, dancing, and calisthenics. Of interest are numerous photographs of girls wearing costumes and a group wearing swimming outfits, an image of a cabin interior with girls writing letters and knitting, and two photographs of girls holding cameras. An envelope with 10 additional photographs is laid in the album.

The album has a black cloth cover tied with string; housed in a grey board wrap with blue cloth spine.

The Camp Wihakowi photograph albums are a two-volume set of albums containing images and ephemera documenting a Northfield, Vermont, summer camp for girls from 1923 to 1926.

The Camp Wihakowi photograph albums are a two-volume set of albums containing images and ephemera documenting a Northfield, Vermont, summer camp for girls from 1923 to 1926.

Volume One (22 x 15 cm) has a black pebbled cover bound with cord and the word “Photographs” stamped in green on the front. The inside back cover includes a stamp with Dorothy Young’s address. The volume contains approximately 83 snapshots primarily dated to 1923 and 1924. Many of the images are either snapshots of natural scenery or portraits of people. The camp nicknames of a number of individuals are inscribed below their portraits. Images of interest include pictures of the 1923 camp counselors, Young’s cabin for the summer of 1923, a portrait of Dorothy Young (captioned “Dot”) with long hair, group portraits of the entire 1923 and 1924 camps, outdoor views of the Camp Wihakowi, a trip to the beach, and a hike on Scrag Mountain. Also present are 4 honors badges stored in envelopes, 7 pieces of ephemera, and 7 pen and ink drawings including two drawings of camp uniforms and sketches of the Scrag Mountain hike.

Volume Two (22 x 25 cm) has a tan cover bound with cord and the words “My Summer Camp” stamped on the front in black. Inside the front cover there is a printed cover page with Young’s address and two certificates from the Winchester Junior Rifle Corps. Many album pages are printed with categorical headers such as “Snapshots”, “Hikes” and “Motor Trips.” The album contains approximately 153 photographs, 42 pieces of ephemera and realia, and 4 drawings. Items of interest include a written account of the location of the camp, lyrics to camp cheers and songs, an hourly schedule from the 1925 camp, a drawing and record of costumes worn at the 1926 masquerade, written accounts of “The Hike to the Sanborns/July 10, 1925” and “Uncle Emmett’s Slate Quarry”, a list of campers along with their addresses and nicknames, a small mail duffel bag filled with souvenir pictures of Boston, and more honors badges. Also present are photographs of campers playing sports and shooting rifles, a trip to Sanborn Cottage, camp counselors, Young’s August cabin, and a picture of campers from West Roxbury.

The Canadian Evangelist journal chronicles the daily activities of an anonymous Protestant evangelist during a nine-month missionary journey from Quebec to Scotland and England. Both in Canada and abroad, the author made frequent visits to schools, prisons, taverns, and churches of different Christian denominations.

The Canadian Evangelist journal (94 pages) chronicles the daily activities of an anonymous Protestant evangelist during a nine-month missionary journey from Quebec to Scotland and England. Both in Canada and abroad, the author made frequent visits to schools, prisons, taverns, and churches of different Christian denominations.

The diary begins on October 25, 1848, in Quebec, and the first entries reflect the author's everyday activities, which included visiting local residents and collecting funds for an unnamed society. On November 5, 1848, he embarked for Glasgow, Scotland, on the Erromango. During the voyage, he preached to sailors and passengers, conducted Sunday church services, and spent much of his leisure time writing and reading. After his arrival in late November, he visited local prisons, asylums, and schools; distributed religious tracts in taverns and barbershops; and attended temperance meetings, particularly in London. The schools he visited included Hebrew institutions. On Sundays, he attended Protestant religious services, and he also commented on Catholic in Montréal and London (May 25, 1849). In addition to corresponding with numerous religious leaders and members of the peerage, he also composed essays addressed to local newspaper editors. While in Britain, the author visited Greenock, Glasgow, and Edinburgh, Scotland, and Liverpool, Manchester, Stockport, Birmingham, London, Uxbridge, Bristol, Bath, and Brighton, England. The author sailed from Glasgow to Montréal in August 1849, and arrived on August 31. The final entries concern the author's daily activities in Montréal until October 24, 1849.

This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

• The name of the individual who provided the hair.
• The place the person lived, such as Stanford [i.e. Stamford, Vermont]; Wilmington, [Vermont]; North Adams, [Massachusetts]; and Northfield, Minnesota.
• Short sayings or further identifying information. For example, the entries for Charles C. Phipps, Anna Phipps, and Anna Canedy mention their relationship to the compiler: grandfather, grandmother, and mother, respectively.
• The age of the individual when the clipping was taken.

Maryette Canedy's hair sample is missing.

This collection is made up of two volumes of subscription and business records relating to the Akron, Ohio, printing and publishing business of Horace Canfield and his son Horace Canfield, Jr., between 1842 and 1853.

The volumes include a list of subscribers to newspapers including the American Democrat, with notations about payments. Newspapers not printed by the Canfields are also included, suggesting a wider distribution network. Some lists are noted as "office list," "Post-Office List," "Carrier's List," "Mail List," "Exchange List," and "Office Packages." Some lists are divided by geography, with the bulk of cities being in Ohio, but others including in Massachusetts, New York, Wisconsin, Vermont, and Illinois.

The records document the purchase of newspaper advertisements in the American Democrat, listing the name, ad title, and cost. Other services include job work, with a record of customer names, brief descriptions of the items printed, and costs.

The Caraway family letters consist of 19 letters written by members of the Caraway family. The bulk of the collection is made up of letters from Senator Hattie Wyatt Caraway (wife of Senator Thaddeus Caraway) to her son Paul. Hattie Wyatt Caraway was the first woman elected to the United States Senate.

The Caraway papers (19 items) mainly consist of incoming letters to Paul Wyatt Caraway, son of Senators Thaddeus and Hattie Caraway. Hattie Caraway, the first woman elected to the United States Senate, wrote 13 letters to her son Paul from 1927-1930, in which she commented on her social activities, travel, and other subjects. Other items include letters written by her sons Robert ("Bobbie") (4 items) and Paul (1 item) and by an anonymous writer (1 item).

In her letters, which include 7 dated items (February 19, 1927-[1930]) and 6 undated items from around the same period, Hattie Caraway frequently commented on her social acquaintances and activities in Washington, D.C., and Maryland. She and her husband, Senator Thaddeus Caraway, often attended luncheons with other public officials and their wives, and she also played cards. On at least one occasion, she anticipated attending a function with First Lady Grace Coolidge. Several letters contain references to Paul's friend Maxie, a fellow academy cadet, and Maxie's difficulties with a woman named Martha. Caraway occasionally discussed aspects of home life, such as her attempt to clear land on a new estate and the family's Siamese cat, and one of her undated letters has a reference to election returns that disappointed the Democratic Party. Her lengthy letter dated June 17, 1930, concerns her time onboard the American Export Lines steamer Exarch, bound for Europe; she described the Azores, her fellow passengers, and shipboard social interactions.

Robert Caraway ("Bobbie") wrote 3 letters to his brother Paul, including one onboard the Exarch in June 1930, providing personal news. His letter to his father, dated June 25-26, 1928, concerns his voyage to Malta and contains descriptions of sights around the Strait of Gibraltar. Paul Caraway wrote an undated letter to his girlfriend Della about about his social life, reassuring her about his casual interactions with other women. The final item is an unsigned draft of a letter to Paul about a dance and about Paul's friend Maxie.

The Caribbean photograph album contains photographs of towns, scenery, and people in Jamaica, Saint Vincent, Barbados, and Trinidad.

This photograph album (19cm x 26cm) contains 77 photographs of towns, scenery, and people throughout the Caribbean. Most pictures are 14cm x 22cm, though a few are 10cm x 15cm, and many have lengthy captions with additional information about locales pictured; many are numbered. Captions include information about hotel rates, population figures, vegetation, geographic features, and local customs. The photographs show Jamaica (43 items), Barbados (13 items), Trinidad (12 items), local residents (4 items), Saint Vincent (3 items), and other scenes (2 items). The album has many views of city streets and towns taken from street level and from higher vantage points, as well as views of rivers in Saint Vincent and Jamaica and of Carlisle Bay, Barbados. Structures such as sugar plantation windmills, railroad stations, hotels, markets, a prison, and churches are visible in many pictures, as are residents and, less often, tourists. A group of 4 photographs at the end of the album show East Indian women who worked in Trinidad, and 3 photographs show members of the West Indian Regiment and its band, including 1 picture of the band playing in a gazebo. Harbor views show Royal Navy ships and other vessels. The album's covers have a hard cloth covering, and the pages are bound together with rope. One loose page has been removed from the volume.

The Caribbean vacation photograph album contains 110 commercially produced photographs compiled by an unidentified traveler during visits to several Caribbean countries and territories.

The Caribbean vacation photograph album contains 110 photographs compiled by an unidentified traveler during visits to several Caribbean countries and territories.

The album (30.5 x 25.5 cm) is bound with gray leather. All photographs are unmounted and most are accompanied by hand-written and printed captions including dates. It remains unclear whether the dates listed with captions (ranging from 1892 to 1897) refer to when a photograph was originally taken or when the photograph was acquired by the album's anonymous compiler. Certain photographs appear to have possibly been reproductions of earlier daguerreotypes, ambrotypes, tintypes, etc. Most images were commercially produced by professional photographers, some of whom are identified in captions.

Caribbean locations represented include Cuba, the Bahamas, Bermuda, Grenada, Jamaica, St. Vincent and the Grenadines, St. Kitts and Nevis, St. Lucia, Barbados, Antigua, Guadeloupe, Trinidad and Tobago, Grenada, and Curacao. Also present are views of Caracas, Venezuela, as well as St. Augustine and Rock Ledge in Florida. In addition to street scenes, landscapes, occupational portraits, and architectural views, there are also numerous images depicting local civilians engaged in various activities, including many portraits of Afro-Caribbean men, women, and children.

Contents include views of the Alcazar Hotel and a slave market building in St. Augustine; a silk tree, The Queen's Staircase, and a banana garden in Nassau; views of Columbus Cathedral, Columbus Memorial Chapel, the Tomb of Columbus, an Afro-Caribbean stagecoach driver, Moro Castle, and Our Lady of Mercy Church in Havana, Cuba; the Cienfuegos Cathedral and plaza; a group of people performing a "Zapatec Dance (sic)"; views of the steamers Orinoco and Trinidad likely shown docked in Hamilton Harbour, Bermuda; the Princess Hotel, Harrington Sound, Pyramid Rock, Hungary Bay, Tucker's Cave, "Queen Cave," and St. Peter's Church in Bermuda; the H.M.S. Tourmaline in the Bermuda floating dry dock; a bird's-eye view of St. George's, Bermuda; a coral rock quarry scene; views of Jamaican scenery including Port Antonio, Annotto Bay, Castleton Garden, a "Negro Cottage," Kingston, the Rio Cobre Hotel, a bog walk in Spanishtown, and a group of Afro-Caribbean sugarcane cutters; "Blue Beard's Castle" on St. Thomas; a group of masqueraders performing in a parade on St. Kitts; a leper hospital on Rat Island, Antigua; a large group portrait of Afro-Caribbean women doing laundry in a river on Guadeloupe; a view of a windmill in Barbados; a studio portrait of an Indo-Trinidadian woman; a view of a coffee plantation in Grenada; a view of La Guaira, Venezuela; and views of Caracas, Venezuela, including the interior of the "American Home" and the house of former president Antonio Guzmán Blanco; views of Curaçao including the harbor; and a studio portrait of an Afro-Caribbean woman posing with water coconuts.

This collection consists of three letters written by Carl B. Bauder of the 135th Field Artillery Regiment to his friend, Lieutenant Ralph F. Henn, during his service in France with the American Expeditionary Forces in the First World War.

This collection consists of three letters written by Carl B. Bauder of the 135th Field Artillery Regiment to his friend, Lieutenant Ralph F. Henn, during his service in France with the American Expeditionary Forces in the First World War. In his first letter, Bauder discussed his duties, which included operating a machine gun against enemy airplanes; as he wrote to his friend, "we… have about completed our overseas training whence we hope we will get our crack at the Hun in the very near future" (September 8, 1918). He also attached a copy of The Endeavor Weekly, a newsletter published by Cleveland's Euclid Avenue Christian Church "for our boys in service," which encourages its readers to send a letter or card to Carl, one of five soldiers selected to receive mail. In his second letter, written on September 29, he briefly related his unit's general movements, but still felt "a long way from cleaning up the hun with our little gun." His third and longest letter (8 pages), dated November 24, 1918, recounts his military experiences in greater detail, including his specific movements since June 1918, copied from his diary. In addition to expressing his relief at the happy outcome of Ralph's recent bout of influenza, the soldier reflected at length upon his military experiences: "Though our period in active service has been comparatively short, I think I have experienced most of the things which an artilleryman ordinarily would," he wrote, and mentioned field combat, watching aerial battles, and being attacked by a submarine en route to Europe. Two of the letters are composed on YMCA stationery.

This collection contains letters related to Carl F. Eichenlaub, who served in the Philippine Islands during the Second World War and continued to correspond with acquaintances there until the mid-1950s. The collection includes letters he sent to Rosamonde Snook, his future wife, during his time in the army, as well as letters he received in the decade after the war from Filipino acquaintances, who described local politics, education, and daily life in the postwar era.

This collection contains letters related to Carl F. Eichenlaub, a native of East Syracuse, New York, who served in the Pacific Theater during the Second World War. He wrote 9 letters to his future wife, Rosamonde U. Snook ("Rose"), between September 23, 1944, and November 22, 1945, while stationed in the Philippine Islands. He described his experiences with the service company of the 716th Tank Battalion as well as the local scenery, weather, and insects. Though soldiers were banned from interacting with the native population, Carl also discussed local customs and the Pidgin English used in conversations (September 23, 1944). Additionally, he responded to news from home and mentioned his leisure activities, which included viewing movies and listening to music. In one letter, he provided a list of some of his favorite songs (May 16, 1945), and in another he drew a diagram of the constellation Orion, though he could not see much of the night sky (November 22, 1945). On October 3, 1945, he wrote about a ceremony honoring numerous soldiers with the Purple Heart, though he disparaged those who he felt had not truly deserved the award.

Between July 28, 1945, and November 27, 1955, Carl and Rose Eichenlaub received 27 letters from Filipinos that Carl had met; his acquaintances initially addressed their letters solely to him, but included Rose after 1950. A number of male and female correspondents, many of whom knew each other, discussed postwar life in the Philippines. Sisters Marcelina and Marina Bambalan, as well as Aurora Ocampo, all students in the Pangasinan province on the island of Luzon, wrote of their educational experiences and social lives, including some reminiscences of encounters with Eichenlaub and other American soldiers. In addition to commenting on postwar rebuilding, destruction, and other effects of the war, they asked Eichenlaub to purchase books or other items. Ricardo V. Ferrando, who lived in the Mintal area of Davao City on the island of Mindanao, focused primarily on reconstruction efforts, labor, and politics in his letters. Other early correspondents included Louis Awatin, who worked for the Everett Steamship Corporation.

Siblings Susan, Alvaro, and Dolores Penoria wrote the majority of the later letters, along with Susan's coworker, Enriqueta de Papillore. These letters, sent from the Misamis Oriental province on the island of Camiguin, concern the economic and daily living conditions in the decade following the war. Susan discussed various aspects of her teaching career and commented on several problems that residents of the Philippine Islands faced throughout the late 1940s and early 1950s, including economic hardship and her skepticism regarding the government. Other letters contain information about the destruction caused by eruptions of Mt. Hibok-Hibok on September 1, 1948; on December 4, 1951; and in March 1952. Throughout the decade, Carl and Rose Eichenlaub sent books, cloth, and other items to their Filipino friends, including some material for a dress diagrammed in Susan Penoria's letter of June 26, 1950.

Several letters include photographs, often portraying the authors in formal dress or with their families. One photograph depicts several children killed by the eruption of Mt. Hibok-Hibok on December 4, 1951.