Collections : [University of Michigan William L. Clements Library]

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division. The photographs are individually numbered and the typed explanations occasionally include commentary on the careers of pictured marines.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division.

Eight 8"x10" black-and-white photographs illustrate steps in the V-mail creation process, from initial composition to delivery. Eight 1-page, typed documents explain each step and occasionally identify the members of the Marine Corps 2nd Division depicted in the images, variously noting names, ranks, hometowns, and service histories. The explanatory text also provides numerical figures associated with the Marine Corps mail service, including an estimate of total pieces handled daily (image 2D-37), the number of letters on each roll of film and number photographed per hour (image 2D-39), the rate at which an operator prints and cuts images (image 2D-40), and the number of V-mail letters that could fit in one mailbag (image 2D-43). Sergeant J. L. Burns took the first photograph, and Sergeant Andy Knight took the remaining 7; each image is also attributed to Warrant Officer J.F. Leopold, Photo Officer, 2nd Marine Division.

The Wabash (Ind.) family photograph albums contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century.

The Wabash (Ind.) family photograph albums (both 14cm x 10cm) contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century. The first volume contains 19 tintypes and five cartes-de-visite, and the second volume contains 16 tintypes and nine cartes-de-visite; an index of subjects in included at the back of the second album. Some of the tintypes have raised decorated borders on their cardstock frames, and many include hand coloring. Most items are individual portraits, though some men and women posed in pairs. One man appears in a Masonic sash and apron. Each album has a brown leather cover with a raised geometric design and floral patterns stamped in gold.

This volume contains excerpts from Walley Chamberlain Oulton's 1812 play The Sleep Walker, or, Which is the Lady?, as well as excerpts from the works of Shakespeare and other sources.

This volume (28 pages) contains excerpts from Walley Chamberlain Oulton's 1812 play The Sleep Walker, or, Which is the Lady?, as well as excerpts from other works. Pages 1-7, 16-19, and 25-28 contain excerpts from The Sleep Walker; pages 8-15 and 20-24 contain copied excerpts from other sources, most frequently Shakespeare's plays. The lines from Oulton's play vary only slightly from an 1813 published version; one notable difference is a lengthier concluding monologue by the character Somno. The other excerpts are written under the names of prominent English actors from the early 19th century, including members of the Kemble and Siddons families. The volume has the bookplate of Erastus Tefft, which has an engraving of a Native American gazing at a European settlement.

Walter Willisson Stephen kept this notebook in 1903 as a 12-year-old boy. The bulk of the volume consists of seventeen chapters relating to the Moberly, Missouri, Fire Department, its infrastructure, equipment, and activities, with particular focus on the rescue efforts of Company 7 that was led by three teenage boys. It is unclear whether these fires were entirely imagined or based on real events, but the tales include heavily dramatized elements, flourishes, and dialogue while reflecting early-twentieth century firefighting practices and boyhood fascination with them. Stephen kept tables of data relating to baseball players' statistics in the back of the volume, seemingly for games held in Mississippi, Alabama, Louisiana, Arkansas, and Tennessee. The volume includes pencil drawings relating to firefighting, baseball, guns, and animals.

Walter Willisson Stephen kept this notebook in 1903 as a 12-year-old boy. The bulk of the volume consists of seventeen chapters relating to the Moberly, Missouri, Fire Department, its infrastructure, equipment, and activities, with particular focus on the rescue efforts of Company 7 that was led by three teenage boys. They extinguished fires in various buildings, like a mattress factory, the cotton exchange building, stores, saloons, and houses. At least two chapters refer to African American residents of Moberly, with one fire breaking out in a family's kitchen (p. 17) and another in a "small shanty" (p. 52). It is unclear whether these fires were entirely imagined or based on real events, but the tales include heavily dramatized elements, flourishes, and dialogue while reflecting early-twentieth-century firefighting practices and boyhood fascination with them. The first chapter opens with pencil illustrations of fire extinguishers, axes, and water hose nozzles. The inside front cover includes pencil drawings of three horse-drawn fire trucks, an American crest, and an airship.

Stephen kept tables of data relating to baseball players' statistics in the back of the volume, seemingly for games held in the following cities in Mississippi, Alabama, Louisiana, Arkansas, and Tennessee: Vicksburg, Mobile, Jackson, Baton Rouge, New Orleans, Shreveport, Little Rock, and Memphis. He made two pencil drawings of men playing baseball, and he included pencil sketches and doodles on the back inside cover of men, guns, animals, and geometric shapes.

Walter Willisson Stephen kept this notebook in 1903 as a 12-year-old boy. The bulk of the volume consists of seventeen chapters relating to the Moberly, Missouri, Fire Department, its infrastructure, equipment, and activities, with particular focus on the rescue efforts of Company 7 that was led by three teenage boys. It is unclear whether these fires were entirely imagined or based on real events, but the tales include heavily dramatized elements, flourishes, and dialogue while reflecting early-twentieth century firefighting practices and boyhood fascination with them. Stephen kept tables of data relating to baseball players' statistics in the back of the volume, seemingly for games held in Mississippi, Alabama, Louisiana, Arkansas, and Tennessee. The volume includes pencil drawings relating to firefighting, baseball, guns, and animals.

Walter Willisson Stephen kept this notebook in 1903 as a 12-year-old boy. The bulk of the volume consists of seventeen chapters relating to the Moberly, Missouri, Fire Department, its infrastructure, equipment, and activities, with particular focus on the rescue efforts of Company 7 that was led by three teenage boys. They extinguished fires in various buildings, like a mattress factory, the cotton exchange building, stores, saloons, and houses. At least two chapters refer to African American residents of Moberly, with one fire breaking out in a family's kitchen (p. 17) and another in a "small shanty" (p. 52). It is unclear whether these fires were entirely imagined or based on real events, but the tales include heavily dramatized elements, flourishes, and dialogue while reflecting early-twentieth-century firefighting practices and boyhood fascination with them. The first chapter opens with pencil illustrations of fire extinguishers, axes, and water hose nozzles. The inside front cover includes pencil drawings of three horse-drawn fire trucks, an American crest, and an airship.

Stephen kept tables of data relating to baseball players' statistics in the back of the volume, seemingly for games held in the following cities in Mississippi, Alabama, Louisiana, Arkansas, and Tennessee: Vicksburg, Mobile, Jackson, Baton Rouge, New Orleans, Shreveport, Little Rock, and Memphis. He made two pencil drawings of men playing baseball, and he included pencil sketches and doodles on the back inside cover of men, guns, animals, and geometric shapes.

This collection contains 5 letters and 1 printed item related to Warren Callahan's Korean War service with the 32nd United States Infantry Regiment. Callahan wrote to his parents about his time at the front lines and around the 38th parallel, daily life in the military, and, to a lesser extent, military actions on the peninsula.

This collection contains 5 letters and 1 printed item related to Warren Callahan's Korean War service with the 32nd United States Infantry Regiment. Callahan wrote these letters to his parents in Vinton, Virginia, between April 11 and July 25, 1951. He discussed his time at the front lines and around the 38th parallel, daily life in the military, and, to a lesser extent, military actions on the peninsula.

Callahan wrote his earliest letters from the front lines, mentioning enemy prisoners and nearby artillery fire, and providing updates on the state of the war. On June 7, 1951, he told his parents of an area where Chinese soldiers suffered heavy casualties, reportedly at the hands of the United States Air Force. He later noted the army's construction of "a defense line at the 38° in case they desire to bring this war to a close" (June 24, 1951). He described the recent theft of a camera, and the explosion that killed one of his buddies. Callahan's letter of June 7, 1951, is written on two identical pages, with a portion of a printed 1946 map of Japan on the back.

The collection also contains a "safe conduct pass" with a printed note and signature from Douglas MacArthur to members of the UN forces, promising "good treatment to any enemy soldier desiring to cease fighting." The reverse side of the pass bears printed images of good treatment given to prisoners of war, including medical care, food, and recreation (basketball).

The Warren L. Fletcher diary chronicles Fletcher's daily activities in Leominster, Massachusetts, during the year 1897. Fletcher held a job, played with several orchestras and bands, visited the Y.M.C.A., and socialized with friends.

This diary (approximately 150 pages) chronicles the daily activities of Warren Lewis Fletcher, a resident of Leominster, Massachusetts, during the year 1897. The "Standard Diary" contains several printed pages of reference material, including a page providing Fletcher's height, weight, and clothing sizes, and each diary page contains entries for 3 days. Fletcher regularly kept entries throughout the year, reporting on his work and social activities, which often included visiting the Y.M.C.A., attending high school football games, and playing cards with friends. Fletcher, a member of several musical groups, played the banjo, flute, and other instruments, and his diary often records the amount of time he spent practicing. On most weekdays, he spent from 8.5-10 hours at work, and on Sundays he frequently attended church services, both at Baptist and Methodist churches. The back pages contain records of Fletcher's finances, a list of addresses and social calls, and a pencil sketch of a person lying next to a bottle, entitled "Among the Rushes."

This collection contains 3 letters (32 pages) that Thomson W. Webb ("Tommie") wrote to her sisters and aunt while visiting family members in Clarksdale, Mississippi, in March 1891. She reported extensively on her social outings, which included dances, parties, and interactions with local men.

This collection contains 3 letters (32 pages) that Thomson W. Webb ("Tommie") wrote to her sisters and aunt while visiting family members in Clarksdale, Mississippi, in March 1891. She reported extensively on her social outings, which included dances, parties, and interactions with local men.

While in Mississippi, Webb, her brother Whitney, and an unnamed sister stayed with their Aunt Alice and various cousins, who included Sam and Alice. Webb spent much of her time attending formal social gatherings, such as traditional balls, and related stories of her experiences with local men, both at social events and during visits. She also discussed clothing and food, described a ride on a "flying jennie" (March 17, 1891) and shared her enjoyable experience at a "euchre party," despite knowing that her aunt would disapprove (March 21, 1891).

The Wella and Pet Anderson spirit drawings photograph album contains 26 cabinet card photographs of pencil-drawn portraits of spirits of various historical figures made by a spiritualist couple in San Francisco, California in the early 1870s.

The Wella and Pet Anderson spirit drawings photograph album contains 26 cabinet card photographs of pencil-drawn portraits of spirits of various historical figures made by a spiritualist couple in San Francisco, California in the early 1870s.

The album (17.5 x 12 cm) has marbled paper board covers and the spine has been reinforced with library cloth. Inside of the front cover, a handwritten note has been laid in that states “The following Photographs were presented to this society by Col. J. C. Bundy. They are from full-sized drawings, made with a Faber pencil, by Mr. & Mrs. Wella Anderson of California, when in a ‘Trance’ or unconscious state. About two hours time was required in which to draw each Portrait. For further particulars see ‘Descriptive Catalogue of the Ancient Band.’ July, 1879.” John C. Bundy (1841-1892) was the chief publisher of The Religio-Philosophical Journal, a Chicago-based spiritualist periodical that Bundy inherited from his father-in-law Stevens S. Jones (1813-1877) after the latter’s murder. The society to which Bundy gifted this album has not been identified.

Each photograph in this album bears printed captions identifying the subject. All but two of the photographs also bear printed copyright statements stating “Photographic copy of the Original Life-size Pencil painted Portrait, executed by those celebrated Spirit Artists, Wella and Pet Anderson, when in the unconscious ‘trance’ condition. Entered according to Act of Congress, in the year 1874, in the office of Librarian of Cong. Washington, D. C. by the Pacific Art Union, of San Francisco, Cal. Inc. March, 1874.” Two of the photographs (portraits of Anthony van Dyck and Peter Abelard) have copyright statements attributed to Jonas Winchester.

While many members of The Ancient Band were true historical figures, numerous fictitious or legendary individuals were also counted amongst the group, including an adult woman supposedly born in Massachusetts ca. 1774 named “Dawn” who lived for only one hour and who served as an assistant for The Ancient Band; Henri de Brianville, a supposed English knight and alchemist who lived during the reign of Charles I; Ayotte, a supposed French Huguenot artist, poet, musician, and occult alchemist from the 15th-century; Peter Korzakieff, a supposed Polish writer and scientist from the 15th-century; Mazeleel, a supposed high priest of the Magi of Nineveh, Assyria, active during the 7th-century BCE; Hiram Abiff, a pseudo-historical allegorical figure presented to candidates embarking on the third degree of Freemasonry and described as the chief architect of Solomon’s Temple; Pietro Vecchia, a supposed 5th-century ruler of a Venetian island republic called Rialto; Catullus, a supposed Roman metallurgist and descendant of poet Gaius Valerius Catullus employed during the reigns of Nero and Vespasian; Hassan al Meschid, a supposed Persian Magi who aided an insurrection against Cambyses II and declared himself King before being killed himself; Abd El Kader, a supposed Arabian chief from 1500 B.C. described as the father of Arabian chemistry and a direct descendant of Ishmael; and Adehl, a supposed Indian Hindu chief and necromancer that lived “8,000 years ago” and who utilized an Elixir of Life to live until the age of 180 before he was put to death.

Also present are depictions of supposed figures from the legendary ancient civilization of Atlantis, including Orondo (described as an eight foot tall expert in mining, a trusted advisor of head Atlantean ruler Yermah, and the progenitor of intermarriage alliances with indigenous tribes of North America following the fall of Atlantis) and Atyarrah (described as a military commander who was part of an expedition of North America and the constructor of earthwork defenses against Native American tribes, some of which yet remain in the Mississippi Valley).

Authentic historical figures represented amongst The Ancient Band include Archbishop of Canterbury Thomas Cranmer (1489-1556); Flemish painter Anthony van Dyck (1599-1641); French writer Philippe Quinault (1635-1688); Italian friar Giovanni Giocondo (1433-1515); English philosopher and statesman Lord Francis Bacon (1561-1626); medieval French polymath Peter Abelard (1079-1142) and his philosopher lover Héloïse d'Argenteuil (ca. 1095-1163 or 1164); Alfred the Great, King of the Anglo-Saxons (ca. 849-899); Greek philosopher Plutarch (ca. 46-after 119); Umar ibn al-Khattab, second caliph of the Rashidun Caliphate (ca. 583 or 584-644); Greek poet Pindar (ca. 518 BCE-ca. 438 BCE); Chinese philosopher and politician Confucius (ca. 551-ca. 479 BCE); and Gautama Buddha, Indian ascetic and founder of Buddhism (ca. 563 BCE or 480 BCE-ca. 483 BCE or 400 BCE).

• 1) “Dawn.” Born in Massachusetts 100 years ago, living only an hour.
• 2) Henri de Brianville. English Knight and Soldier of Fortune - Days of Charles I. [“1630” inscribed alongside caption]
• 3) Cranmer. Archbishop of Canterbury - Burned at the Stake in 1635.
• 4) Vandyke. The Great Flemish Painter - Pupil of Rubens - Died 1642.
• 5) Ayotte. French Hueguenot, Artist, and Alchemist - 15th Century.
• 6) Philippe Quinault. Distinguished French lyrical Author and Poet - Born 1635.
• 7) Fra Giocondo. Dominican Friar - Architect of St. Peters - Born in 1435.
• 8) Lord Bacon. High Chancellor of England, and Scientist - Born in 1561.
• 9) Peter Korzakieff. Polish Scholar and Scientist - time of Casimer, about 1460.
• 10) Abelard. Celebrated French Scholar - Lover of Heloise - Born 1079.
• 11) Heloise. Mistress of Abelard - Abbess of the Paraclete - Born 1101.
• 12) Alfred the Great. The Noblest Saxon Monarch of Britain - Died A.D. 900
• 13) Plutarch. The Greek Historian and Philosopher - Born A.D. 50.
• 14) Mazaleel. Most learned of the “Magi” in the best days of Nineveh.
• 15) Hiram Abiff. The “Widow’s Son” - Grand Master of Ancient Masonry.
• 16) Omar I. 2d Moslem Caliph - Conqueror of Syria and Egypt - 644.
• 17) Pietro Vecchia. Tribune of a Venitian Island Republic in the 5th Century.
• 18) Catullus. Roman Metallurgist and Jeweller, of the Time of Nero.
• 19) Pindar. Most famous of the Ancient Greek Poets - Born 520 B.C.
• 20) Orondo. Of Yermah’s Time - Father of the “Mound Builders.”
• 21) Hassan al Meschid. Persian Magian, Astrologer, and King - lived B.C. 500.
• 22) Atyarrah. Warrior of Yermah’s Time and Country, high in Rank.
• 23) Confucius. The Great Chinese Reformer and Sage - Born B.C. 551.
• 24) Gautama. Brahminical Reformer - Father of Buddhism - B.C. 557.
• 25) Abd El Kader. An Arabian Chief - Descendant of Ishmael. - B.C. 1,500
• 26) Adehl. Hindoo Necromancer - 2d Chief - lived 8,000 years ago.

This album contains photographs of local residents, buildings, and natural scenery taken in the Congo region of Africa, around 1887. Africans and white missionaries posed singly and in groups. Landscape views, village scenes, images of vegetation and rock formations also appear.

This album (43cm x 32, 61 pages) contains 269 photographs of local residents, buildings, and natural scenery, possibly at an American Baptist mission in the Congo region, circa 1887. Three to eight items are pasted onto each page, and captions are written directly into the album where photographs are missing. The three-quarter-bound volume's covers are black and gray.

The photographs are roughly organized by topic. Pages 1-23 are comprised of individual and group portraits of Africans and of white missionaries. Many are identified by name. Of particular interest are posed ethnographic photographic studies of native men, women, and children shown in traditional African and western dress. Many if not most images appear to have been staged by the photographer. Among those may be of native inhabitants appearing as manacled slaves or prisoners; a mock execution, people with primitive weapons; mock combat with bow, spear, and shield; the wearing of ceremonial masks, families with children, and a young man with a large snake around his neck. "Mr. Clark" is identified in group photos as is "Dr. Flemming," a black woman, who is occasionally pictured with the missionaries. "Mr. Lewis" appears with a camera and tripod and may be the photographer for this album. "Mr. Roger Casement," future British consul to Portuguese West Africa and Irish Nationalist, is identified in one photograph and appears in at least one other. A set of four photographs depicts two African boys using a camera obscura on a stand to produce drawings of each other. The images on pages 23-31 include village scenes, rustic buildings including a church, post office, and photographer's booth. A man posed with the decapitated head of a hippopotamus appears on page 23.

Pages 32-48 concentrate on details of trees, fruits, and other vegetation, and pages 49-60 pertain to rock formations and rivers. These items include views of rocks with unidentified carved inscriptions, of caves, and of sailing and steam ships in a harbor. A small river steamer, theHenry Reed , a canoe, and a shipwreck are also pictured. The final item, located on page 61, is a photograph of William Shakespeare's supposed birthplace in Stratford-upon-Avon, England.

The Western America collection is a group of miscellaneous individual items relating to the settlement of the western United States, including present-day Wisconsin, California, Oregon, and Missouri.

The Western America collection contains 39 miscellaneous individual items relating to the settlement of the western part of the United States, including present-day Wisconsin, Missouri, Oregon, California, Iowa, Minnesota, Nevada, North Dakota, and Wyoming. The items span 1820 to ca. 1898, with the bulk of materials concentrated around the 1840s and 1850s. They pertain to numerous topics related to western expansion, and include descriptions of growing towns, discussions of economic opportunities and hardships, references to social customs and mores on the frontier, and scattered mentions of relations with Native Americans.

• A letter of May 20, 1832, discussing the Black Hawk War, murder by a prostitute and community backlash against her, and the tarring and feathering of an African American man.
• A description of the Oregon Territory by a recent female settler [ca. 1838].
• A frustrated miner's description of his bad luck in Placerville, California [ca. 1851].
• A letter from Santa Clara, California, concerning the love affair of a miner's wife, and the husband's subsequent abandonment of her and their child with the remark that "such is life in Cal." (June 26-28, 1854)
• A July 15, 1876, description of Geneva, Minnesota, including its ethnic mix, farming prospects, and food.
• A May 21, 1889, letter from a woman to her husband describing the cable-cars and schools of San Francisco, California.

The Western Reserve (Ohio) collection contains documents related to the sale and purchase of land in the Western Reserve and in the state of Ohio, shortly after it gained statehood.

The Western Reserve (Ohio) collection contains 24 legal documents, dating 1796-1808 and 1814, which relate to the purchase of land in the Western Reserve. Many of the items document land purchases by Nathan Elliott of Hartford, Connecticut. The collection includes Elliot's land deeds for "fifteen hundred twelve hundred thousandths" of the total Reserve for $1575 (April 13, 1796), "nine hundred twelve hundred thousandths" for $2000 (July 27, 1796), and "one thousand six hundred and thirty twelve hundred thousandths" for $3260 (July 28, 1796). Also present are a certificate for one share in the Connecticut Land Company and several land deeds related to James K. Garnsey. Four documents dated May 27, 1805, concern land purchased "at Public vendue, " lying south of Lake Erie, and referred to as 'sufferers land'. These list the names of early settlers and their payments.

One document dated June 24, 1814, reflects the sale of six lots of land in Ashtabula County, Ohio, by Revolutionary War veteran Nehemiah Hubbard (of Middleton, Connecticut) to Ladock Mann for the sum of $4,000. Witnessed by Nathan Strong and Sally Strong.

The Western travel and mid-Michigan photograph albums (2 volumes, each 23 x 36 cm) contain a total of 417 photographs primarily pertaining to travel in the western U.S. and the mid-Michigan region, likely taken by a member of the Charlesworth/Abraham family of Flint, Michigan.

Volume I: Western photographs include views of Yellowstone, the Yosemite Valley, cliff dwellings with pictorgraphs, a petrified forest, hiking across a glacier, buildings of the Panama-Pacific Exposition, the Saltair resort in Utah, cliff dwellings, the California coast, a bull fight, Native Americans selling pottery on the street, California houses, and a concert band dressed in kilts. Also included are single views of a city waterfront, possibly St. Paul, Minn., Milwaukee grain docks, and the Minnesota State Capitol. Album contains 232 images. Photographs lack captions.

Volume II: Mid-Michigan photographs show chiefly outdoor activities and rural scenery, including house and barns, country roads, hunting and fishing trips, boating, swimming, hunting dogs and game birds, a circus parade in downtown Flint, farm animals and cow-milking, and picnics. Nine photographs show a collection of bird amulets and carved relics, some belonging to the Silas Collins collection at the Flint Public Library. Also shown are burnt-out ruins of the Michigan School for the Deaf and postal carriers in Flint with sleds and wagons piled high with Christmas packages. Several photographs feature automobiles, including an overturned auto in the street being contemplated by a young man in swimming costume with handwritten caption, "Berston killed;" automobiles stuck in potholes and rescued by horse-teams; filled with hunting dogs; and a Buick Model C burnt out and restored. Michigan locations include: Flint, Prescott, Stiles Lake, Long Lake, Houghton Lake, Rifle River, Ortonville, and Skinner Lake. Identified individuals include: W.B. Ormsbee, A.G. Abraham, Herb Mitchell, Howard Casler, E. Rockafellow, Luella Charlesworth, John Brewer, Emma Abraham, Ernest Oldfield, M.B. Shirk, William Somerville, Hattie Barker, George Dell, Gert Fellows, Glenn Jones, Edgar Ries, John Ries, George Havers, John Wildanger, George Havers, Clyde Baldwin, George Frye, Edgar Rice, Chancey Straber, Elsie Caverly, Clarence Caverly, Leo & Mrs. Boomhower, Bud & Mrs. Evans, Ed Brown, Llloyd & Mrs. Algoe, Alice Charlesworth, Anna Charlesworth, George Holmes. Album contains 185 images. Most photographs include manuscript captions on verso.

Albums housed in three-part wraps with blue cloth spines.

The "Western Trip" photograph album contains pictures of people, natural scenery, and cities in Colorado, Arizona, New Mexico, California, Oregon, and Washington. The album includes photographs of the traveling party, popular tourist destinations, and residents of Santa Fe, New Mexico.

This album (17cm x 25cm), entitled "Western Trip-Summer-1899," contains 95 photographs of people and scenery in several western states. Each page contains two photographs housed in 8cm x 8cm windows; all items have captions, usually providing the location of the photograph. The title "Photographs" is printed in gold on the album's faded green cloth cover.

The photographer took three photographs of railroad stations, railroad tracks, and the prairie in Nebraska and Kansas before reaching Colorado. A photograph on the first page, identified as Lincoln, Nebraska, is likely mislabeled. A manuscript caption on the back of this photograph identifies the location as Omaha, Nebraska. In Colorado, where the photographer visited Manitou Springs, several canyons, Pikes Peak, and the Garden of the Gods. Several photographs are views of mountain passes and similar Colorado scenery some of which were taken from the front of a horse drawn carriage. The photographs from New Mexico include street-level views of Las Vegas and Santa Fe, as well as informal portraits of a woman and a child in front of a pueblo, a woman ("Belle of Santa Fe"), and a boy ("Dude of Santa Fe"). In Arizona, the traveler visited cliff dwellings, canyons, and the Grand Canyon; some images show the horse-drawn carriage the party took from Flagstaff to the Grand Canyon, and others show tourists (including the compiler) on horses. The caption of one photograph implies that a railroad car on the Atchison, Topeka and Santa Fe Railway had caught fire, though no fire or smoke is apparent.

After visiting the Southwest, the traveler continued to California, where he or she collected several photographs of the Pacific Ocean as seen from Santa Catalina Island, California. These are followed by a group of pictures from Yosemite National Park, including views of mountains, waterfalls, lakes, and forests, and a picture of Mount Shasta. The final items feature the Hotel Portland in Portland, Oregon; Umatilla House in The Dalles, Oregon ("Where Measles Flourish"); the Columbia River and riverside scenery; Tacoma, Washington; Seattle, Washington; and the shore of Lake Washington.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts. The album (26.5 x 32 cm) is fully bound in leather with gilt lettering "Kodak" on the front cover. Most of the locations depicted are represented in one or two photographs with the exception of Yellowstone (approximately 20 images) and the Grand Canyon (approximately 12 images). Other photographs show trains and train tracks, with two photographs of train station gardens in Sacramento and Ypsilanti, Michigan. Non-western locations and objects depicted include the Hudson, Niagara, and Mohawk Rivers, Niagara Falls, Minnehaha Falls, and Stone Arch Bridge in Minneapolis. In general people appear to be incidental to the scenery, save for two photographs showing posed groups; one in front of a topiary maze, and another in a grove of giant trees. Most photographs have numbers and captions derived from labeled negatives.

This collection contains 4 letters that W. F. Farrington wrote to his wife Margaret in East Bridgewater, Massachusetts, while volunteering with the United States Christian Commission in Alexandria, Virginia, in June 1865.

This collection contains 4 letters (12 pages) that W. F. Farrington wrote to his wife Margaret in East Bridgewater, Massachusetts, while volunteering with the United States Christian Commission in Alexandria, Virginia, in June 1865. Farrington discussed his work at Sickles Hospital, where he held religious services and distributed clothing to sick soldiers, including some who were close to death. He also expressed his distaste for Alexandria and his desire to return home. In his letters of June 15, 1865, and June 22, 1865, he described his visits to Mount Vernon, the Bull Run battlefield, and Fort Ellsworth.

On January 24, 1844, W. H. Gibbs, a "practical phrenologist," performed a phrenological reading of Thomas Mayhew and documented his findings in his Brief View of Phrenology and Chart... (Springfield: Wood & Rupp, 1842). Principally, Gibbs recorded a number between 1 and 7 to note the size of Mayhew's "organs," with one additional comment regarding Mayhew's "Very Small" Constructiveness organ, proclaiming him a "poor mechanic." The printed volume includes one illustration of a phrenological chart, showing the human head from three directions to identify thirty-seven labelled regions.

On January 24, 1844, W. H. Gibbs, a "practical phrenologist," performed a phrenological reading of Thomas Mayhew and documented his findings in his stab-sewn Brief View of Phrenology and Chart, Giving a Description of the Phenomena of the Human Mind, Designed to Assist Man in Obtaining a Knowledge of His Intellectual Faculties, Moral Sentiments, and Animal Propensities - How to Improve His Virtues and Remedy His Defects. Sixth Edition (Springfield: Wood & Rupp, 1842). Principally, Gibbs recorded a number between 1 and 7 to note the size of Mayhew's "organs," with one additional comment regarding Mayhew's "Very Small" Constructiveness organ, proclaiming him a "poor mechanic." The printed volume includes one illustration of a phrenological chart, showing the human head from three directions to identify thirty-seven labelled regions.

The White Mountains vacation photograph album contains 26 photographs taken by amateur photographer brothers Thomas Avery Hine and Charles Gilbert Hine related to a twelve-day carriage tour of the White Mountains by a party of eight travelers in July of 1883.

The White Mountains vacation photograph album contains 26 photographs taken by amateur photographer brothers Thomas Avery Hine and Charles Gilbert Hine related to a twelve-day carriage tour of the White Mountains by a party of eight travelers in July of 1883. The album (18 x 27 cm) is half bound with black leather and brown boards and gilt title reading "Chronicles of our White Mountain trip, July, 1883." An inscription inside the front cover reads "Miss Mary A. Barnard, compliments of T. A. & C. G. Hine." The album consists of albumen prints glued to thick cardstock (opposite printed text) and glued onto the facing page.

Scenic images include views of Tuckerman's Ravine, Pemigewasset River, Franconia Notch, Lake Chocorua, Lake Winnepesaukee, Profile Mountain, and Mt. Lafayette. Other images of interest include views of two horse-drawn carriages on the road, the traveling party relaxing on a dock and posed atop a boulder, and the Crawford House and Thorn Mountain House hotels. Photographs are accompanied by a printed narrative of the journey written by Ellen T. Cheever Rockwood.

This collection is made up of letters that Wilfred Ferguson, Jr., sent to his fiancée, Peggy Allen of Fairfield, Connecticut, while serving in the United States Army Air Forces during World War II. Despite his frustration with censorship regulations, he discussed his experiences with the 65th Station Complement Squadron in England.

This collection is made up of 28 letters that Wilfred Ferguson, Jr., sent to his fiancée, Peggy Allen of Fairfield, Connecticut, while serving in the United States Army Air Forces in England in 1944. Ferguson wrote regularly about his leisure activities, which included visiting a Red Cross club, playing table tennis, reading, and gambling. Though he attended movies, he believed they often resembled propaganda pieces. He also expressed his frustrations with censorship regulations, which limited his ability to discuss his military work. Ferguson occasionally shared stories about other soldiers and mentioned his correspondence from home.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.