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Collection

Wayland (Mass.) penmanship exercises, 1815-1817

6 items

The collection consists of six penmanship exercises composed between 1815 and 1817 by Eirene Smith (aged 13), Nancy Smith (aged 14-16), Mary Smith (aged 17), and Loreney Stone (aged 17), likely students in the same class in Wayland, Massachusetts. The exercises consist of copied poems entitled "The Rose," "To Eliza," "On The Seasons," "To The Lilly," "Epitaph," and "Lines Written in a Winter's Walk."

The collection consists of six penmanship exercises composed between 1815 and 1817 by Eirene Smith (aged 13), Nancy Smith (aged 14-16), Mary Smith (aged 17), and Loreney Stone (aged 17), likely students in the same class in Wayland, Massachusetts. The exercises consist of copied poems entitled "The Rose," "To Eliza," "On The Seasons," "To The Lilly," "Epitaph," and "Lines Written in a Winter's Walk."

Collection

Waynesboro (Va.) Printer's account book, 1901-1904

32 pages (1 volume)

This 32-page account ledger documents sales made by an as-yet unidentified printer in or near Waynesboro, Virginia, from 1901 to 1904. Most entries include the date of purchase, the purchaser's name/business, quantity and type of items sold, prices, and occasionally markings indicating the receipt of payments. The types of items sold include circulars, envelopes, billheads, letterheads, notices, statements, ball invitations, memos, tickets, folders, booklets, blanks, notes, reports, printing jobs, and at least one typewriter. Quantities of sold items largely range from the low 100s to 1,000 pieces. Purchasers included the Henckels, J. A. Patterson, the Stuart Draft Mill Company, the Belmont Hotel, Blue Ridge Furniture Company, Bean's Photo Gallery, Basic Lithio Spring Company, Union Baptist Church, Union Sunday School, Presbyterian Church, Crimora Mine Company, F. M. White & Bro., and many others. In July 1901, the printer received orders of tickets and receipts for a Baptist bazaar.

This 32-page account ledger documents sales made by an as-yet unidentified printer in or near Waynesboro, Virginia, from 1901 to 1904. Most entries include the date of purchase, the purchaser's name/business, quantity and type of items sold, prices, and occasionally markings indicating that payments had been received. The types of items sold include circulars, envelopes, bill heads, letter heads, notices, statements, ball invitations, memos, tickets, folders, booklets, blanks, notes, reports, printing jobs, and at least one typewriter. Quantities of sold items largely range from the low 100s to 1,000 pieces.

Purchasers included the Henckels, J. A. Patterson, the Stuart Draft Mill Company, the Belmont Hotel, Blue Ridge Furniture Company, Bean's Photo Gallery, Basic Lithio Spring Company, Union Baptist Church, Union Sunday School, Presbyterian Church, Crimora Mine Company, F. M. White & Bro., and many others. In July 1901, tickets and receipts were ordered for a Baptist bazaar.

A note on the final page states: "Nihilist / Holt Nihil Henkel."

Collection

Webb family letters, 1891

3 items

This collection contains 3 letters (32 pages) that Thomson W. Webb ("Tommie") wrote to her sisters and aunt while visiting family members in Clarksdale, Mississippi, in March 1891. She reported extensively on her social outings, which included dances, parties, and interactions with local men.

This collection contains 3 letters (32 pages) that Thomson W. Webb ("Tommie") wrote to her sisters and aunt while visiting family members in Clarksdale, Mississippi, in March 1891. She reported extensively on her social outings, which included dances, parties, and interactions with local men.

While in Mississippi, Webb, her brother Whitney, and an unnamed sister stayed with their Aunt Alice and various cousins, who included Sam and Alice. Webb spent much of her time attending formal social gatherings, such as traditional balls, and related stories of her experiences with local men, both at social events and during visits. She also discussed clothing and food, described a ride on a "flying jennie" (March 17, 1891) and shared her enjoyable experience at a "euchre party," despite knowing that her aunt would disapprove (March 21, 1891).

Collection

Weeden Butler letters, 1790-1791

3 items

This collection is made up of three letters that Weeden Butler of London, England, wrote to U.S. Senator Pierce Butler in 1790 and 1791. He commented on the French Revolution and provided news of family members and acquaintances, particularly Pierce's son Thomas.

This collection is made up of three letters that Weeden Butler of London, England, sent to U.S. Senator Pierce Butler in 1790 and 1791. Writing from Chelsea, Weeden provided news of Pierce's son Thomas, discussing the boy's maturation and, to a lesser extent, his studies. He also commented on the progress of the French Revolution, expressing his belief that reports of "massacre and murder" had been greatly exaggerated. His letters briefly mention other topics, such as finances and news of acquaintances.

Collection

Weld-Grimké family photograph album, ca. 1860-1880

1 volume

The Weld-Grimké family album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. The photographs are almost all studio portraiture. While some of the individuals in the album have been identified (including Theodore D. Weld) the vast majority are unidentified.

The Weld-Grimké Family Album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. There are 52 photographs in the album, 46 of which are cartes de visite. There are also 6 tintypes, 2 of which are gem tintypes. The photographs are almost all studio portraiture of individuals ranging from infanthood to old age. One exception to this is a photograph of a satirical drawing of an unidentified individual playing some sort of instrument (loose photograph on page 49). Some of the individuals in the album have been tentatively identified with the majority unidentified. One photograph (on page 24) has been speculated to be a portrait of Charlotte Brown, an African-American servant of the Weld-Grimké family, but this has not been confirmed.

Other individuals that have been tentatively identified include:
  • Theodore Dwight Weld (page 1, page 20)
  • William Hamilton (page 4)
  • Sarah Weld Hamilton (page 5)
  • Angelina G. Hamilton (page 6)
  • William Hamilton Jr. (page 7)
  • Llewellyn Haskell (page 9)
  • Llewellyn Thomas Haskell (page 12)
  • Louis Olcott Haskell (page 13)
  • Elizabeth "Lizzie" Cram (page 21)
  • William James Rolfe (page 22)
  • Theodore Weld Parmele (page 27, page 34)
  • Elizabeth Smith Miller (page 28)
  • Ann Carroll Fitzhugh (page 29)
  • George Walker Weld (page 30)
  • Gerrit Smith Miller (page 35)
  • Ruth C. Bodwell (page 36)
  • Rena Louise Twiss (page 45)

The album also contains commercial cartes de visite of public figures and artwork:
  • A photograph of a painting of the Empress Eugenie. (page 33)
  • A portrait of Rebecca an escaped slave from New Orleans. (page 38)
  • A photograph of a painting of Beatrice Cenci. (loose item on page 41)
  • A portrait of actor Edwin Booth (page 40) brother of John Wilkes Booth.
  • A photograph of a painting of "Little Samuel" based on the etching done by Samuel Cousins. (page 43)

In addition to this finding aid, the Clement Library has created a Photographer Index for the album, containing the names of all the photographers in the order that they appear in the album. This index also records any handwritten inscriptions that were found on the photographs.

Collection

Weld-Grimké family papers, 1740-1930 (majority within 1825-1899)

14 linear feet

The Weld-Grimké family papers consist of correspondence, diaries, notebooks, autobiographical documents, printed materials, photographs, realia, and newspaper clippings. The collection addresses such subjects as abolition, women's rights, temperance, religion, education, and the lives of members of the Weld-Grimké family, including Sarah and Angelina Grimké and Theodore Weld. In addition to this finding aid, the Clements Library has created a comprehensive writer index, which identifies letters acquired by the Clements Library in 2012 and letters published in Barnes and Dumond: Weld-Grimké Family Papers Writer Index.

The Weld-Grimké family papers contain approximately 3,200 items spanning 1740 to 1930, with the bulk concentrated between 1825 and 1899 (14 linear feet total). They form a record of the lives of abolitionists Sarah Moore Grimké, Angelina Emily Grimké Weld, and Theodore Dwight Weld, and they offer insight into the lives of the Welds' children: Charles Stuart Faucheraud Weld, Theodore Grimké Weld, and Sarah Grimké Weld. The collection includes 2,889 letters, nearly 200 newspaper clippings, 16 diaries, 39 notebooks and other writings, a manuscript biography of Theodore Weld, 37 loose photographs, 2 photograph albums, 17 valentines, and 13 objects and ephemeral items. The papers are a valuable source of information on the major reform and political issues of the 19th century, and they provide extensive documentation on the personal lives and activities of the Weld and Grimké families. Although anti-slavery movements and abolitionism are central themes in the papers, the collection includes material on women's rights, the American Colonization Society, temperance, political philosophy, religious introspection and commentary, education, literature, health and dietary reform efforts, spiritualism, and a wide array of other subjects.

In June 2012, descendants of the Weld family donated 961 hitherto unresearched letters to the Library, which focus on Sarah M. Grimké, Angelina and Theodore Weld, and the Weld children and grandchildren between 1853 and 1900 (these letters are included in the quantities of items listed above). The 2012 acquisition has an emphasis on the legacy of the anti-slavery activists, women's rights activism, temperance, family dynamics and activities, physical and mental health, and education.

The Correspondence series spans 1740-1930 (bulk 1819-1900) and contains 2,985 items (seven linear feet). The correspondence is physically arranged in one chronological sequence, although the following summary is divided into two components: Letters acquired by the Clements Library before 2012 (1) and letters acquired as part of the 2012 addition (2).

1. Weld-Grimké family correspondence acquired by the Clements Library before 2012

Prior to 2012, the Weld-Grimké family papers included 2,024 letters, dating mostly between 1819 and 1900, and relating predominantly to the lives and activities of Theodore Dwight Weld, Angelina E. Grimké, Sarah M. Grimké, and their network of correspondents.

Theodore Weld received letters from an array of prominent anti-slavery activists, including the Grimké sisters, Lewis Tappan, Gerrit Smith, Elizur Wright, Jr., Beriah Green, James Armstrong Thome, Sarah Mapps Douglass, Lydia Maria Child, Elizabeth Cady Stanton, Lucy Stone, Charles G. Finney, James Birney, Wendell Phillips, William Lloyd Garrison, Henry B. Stanton, Sereno Wright Streeter, Theodore Erastus Clarke, Dioclesian Lewis, and Samuel Dorrance. Many letters document Weld's friendship and working relationship with Charles Stuart. Letters of Theodore's parents, siblings, and other family members are also present.

From approximately 1821 to 1836, letters pertaining to Weld refer to his early pursuit of a career in the ministry, his association with temperance, and his early anti-slavery activities. Weld and his correspondents discussed the Colonization Society, Weld's near drowning accident in the Alum River in 1832, and his attendance at the Oneida Institute, Lane Theological Seminary, and Oberlin College. In addition to his work as an itinerant speaker on behalf of the American Anti-Slavery Society (AASS), incoming letters show that he received numerous requests to lecture at anti-slavery and temperance societies. His correspondence refers to threats of violence against abolitionists and sheds light on the activities of the AASS.

Weld's correspondence with the Grimké sisters began in 1837. His letters to and from the sisters, especially Angelina, primarily concern women's rights and abolition. Weld's attitude was frequently didactic, and his letters convey much advice to the sisters on becoming political activists. On February 8, 1838, Weld wrote a letter to Angelina declaring his love for her; most of the correspondence between this time and May 1838 revolves around their courtship and wedding. Their wedding certificate, dated May 14, 1838, is present in the collection's series of documents.

Correspondence from 1839 to 1844 is mainly concerned with Weld's publications, American Slavery As It Is andThe Anti-Slavery Almanack , as well as the Amistad court case in 1841. Correspondence with Angelina and Sarah during Weld's brief tenure in Washington, D.C, highlights his work with John Quincy Adams, Joshua Reed Giddings, and others in keeping the slavery question a subject of debate in Congress. The Welds' adoption of the "Graham diet" is discussed in letters of this period.

The years between 1845 and 1853 marked a time of transition for Weld as he began his career as a schoolmaster. Charles Stuart's letters to Weld indicate an increasingly strained friendship, and although Weld still corresponded with other abolitionists, fewer letters address the issue of slavery during the late 1840s and early 1850s. From 1854 to 1867, Weld corresponded mostly with his children. He also received many letters from former pupils, many of whom referenced their educations at Eagleswood. Letters from 1868 to 1895 revolve around the legacy of the abolition movement and family life. Weld began to receive letters from fellow aging abolitionists and their children, especially to offer condolences after the deaths of Sarah and Angelina.

Prior to the Clements Library's 2012 addition, the papers included over 500 letters by and over 250 letters to Sarah and Angelina Grimké. The sisters were introspective writers and typically sent detailed and lengthy letters to their friends and family members. This correspondence provides insight into major events in their lives, such as their struggles with religious identity, their speaking tour throughout Massachusetts in 1837, and the births of Angelina's children. They often discussed books they had read, such as Woman and Her Era by Eliza Wood Farnham, or public talks they had attended. Among their correspondents were Sarah M. Douglass, Jane Smith, Julia A. Tappan, Rachel and Mira Orum, Elizabeth Pease, Elizabeth Cady Stanton, Elizabeth Smith Miller, Susan Wattles, Sarah Wattles, Augustus Wattles, Harriot Kezia Hunt, their brother Frederick Grimké, and others.

From 1825 to 1830, the sisters discussed and reflected extensively on religion. Letters during this period are especially pertinent to Angelina's religious conversions, first to the Presbyterian faith and later to Quakerism. Correspondence between 1831 and 1835 includes content on Society of Friends meetings and Angelina's encounters with Catherine Beecher. Thomas Smith Grimké and Hester Snowdon, a slave whom Angelina had known in Charleston, also wrote letters in the later 1820s.

Between 1835 and 1837, the Grimké correspondence documents the beginnings of the sisters' involvement in the anti-slavery movement. Several items refer to Angelina's published letter to William Lloyd Garrison and others pertain to her bookAppeal to the Christian Women of the South . The majority of letters written in 1837 and 1838 concern abolitionism and women's rights issues, highlighting the difficulties Angelina and Sarah encountered as female abolitionists and public figures. Some of the correspondents with whom the sisters discussed these issues include Sarah L. Forten, Sarah M. Douglass, Henrietta Sargent, Theodore Weld, Jane Smith, and Elizabeth Pease. One letter dated March 30, 1838, was written by Nancy Adams, a formerly enslaved woman living in Uxbridge, Massachusetts, recounting her life story and escape from slavery.

Angelina and Sarah received 16 letters from their mother, Mary Smith Grimké, in 1838 and up to her death in 1839. The letters reveal the sisters' continued involvement in abolition, especially the time they spent conducting research forAmerican Slavery As It Is . Motherhood, domesticity, and Angelina's children were frequent topics of discussion, especially from 1839 to 1847. Between 1848 and 1863, Sarah exchanged two dozen letters with physician and women's rights advocate Harriot Kezia Hunt; Frederick Grimké; and Augustus, Susan, and Sarah Wattles. In addition to discussing abolition and women's rights issues, they also wrote about spiritualism, religion, politics, and other intellectual topics.

2. 2012 Addition to the Weld-Grimké Family Papers correspondence

The 961 letters from the Clements Library's 2012 acquisition span 1853 to 1899, with the bulk dating between 1862 and 1899. The addition is comprised primarily of the incoming correspondence of Angelina and Theodore Weld's daughter Sarah Grimké Hamilton (neé Weld) and her daughter, Angelina Grimké Hamilton, in whose wooden trunk the papers were preserved. At least 75 different writers contributed to the newly discovered body of letters; the most prolific correspondents include Theodore Dwight Weld, Angelina Grimké Weld, Sarah Moore Grimké, William Hamilton, Charles Stuart Weld, and Anna Harvell Weld. The Weld children also corresponded with their parents' associates, including Lucy Stone, James Armstrong Thome, and Henry B. Blackwell. This correspondence is largely family-focused, with content on race relations, women's rights, temperance, and the legacy of the anti-slavery activists and movements. Please note that the following numbers of letters attributed to individuals in this section only include those from the collection's 2012 acquisition.

Theodore Dwight Weld wrote approximately 180 letters between 1857 and 1893. He wrote to his daughter Sarah and granddaughter Angelina Hamilton extensively, offering advice on education, reassurance about Sarah's intellectual development, news about his activities and current events, family and financial matters, and recollections of his younger days. He referenced major sociopolitical issues of the time, such as women's suffrage and temperance (with content on the Woman's Christian Temperance Union). Weld wrote about and provided updates on many family members and friends, including the Shepards, the Birneys, Archibald Grimké, Francis Grimké, Charles Stuart Weld, Anna Harvell Weld, William Hamilton, Angelina Hamilton, and Angelina Grimké Weld.

Notable letters include:

  • Series of five letters related to his 1862-1863 lecture tour, including a November 23 letter respecting his speech at Boston's Music Hall. Following the lecture, Senator Charles Sumner thanked Weld profusely for his The Power of Congress Over the District of Columbia (1838) and remarked on recent interviews with President Lincoln over the subject of emancipation. His letter to Sarah Weld dated [November] 24, 1862, contains remarks on a visit with John Greenleaf Whittier.
  • May 20, 1863: Mentions a combat injury sustained by James G. Birney's son David Bell Birney ("All the Birneys were in the thick of the fight at Chancellorsville").
  • His letters addressed the ill-will that developed between Sarah and her sister-in-law, Anna Harvell Weld. Theodore Weld's remarks on the relationship and his efforts to understand the tension may be found especially in his letters of April 30, 1877; February 23, 1883; and July 12, 1890.
  • January 26, 1880: Discusses his lectures on women's suffrage.
  • January 6, 1883: Reflects on the death of Mary Anna, with remarks on the emancipation of "Aunty Betsey Dawson" in the 1820s and on Mary Anna's moral courage and self-sacrifice.
  • July 25, 1885: Reassures his pregnant daughter, who had expressed fears about dying in childbirth.

Angelina E. Grimké Weld's approximately 260 letters date from 1857 to 1878 (over 170 of them undated). She sent the majority of them to her daughter Sarah or granddaughter Angelina ("Nina"). The primary topics of conversation included food, housekeeping and home renovations, visiting lecturers, financial matters, health concerns, and politics. She also supplied news about Samuel Chace, Archibald Grimké, William Hamilton, Angelina Hamilton, Anna Harvell, the Haskells, the Mosleys, Gerrit Smith's family, the Philbricks, Charles Stuart Weld, Theodore Dwight Weld, and Theodore Grimké Weld.

Angelina Weld provided her daughter with motherly support, shown, for example, by an undated letter (January 20). In it, she addressed Sarah Weld Hamilton's concerns that "little Nina" showed preference to her father William Hamilton, by describing the jealousy she [Angelina] sometimes felt toward her sister Sarah M. Grimké, whom she recognized as having a closer relationship with Angelina Weld's children than they had with their mother. Angelina assured her daughter that she understood her feelings--and that Angelina felt relief when Sarah Moore Grimké moved out of their household.

Angelina Weld wrote multiple letters about the presidential election of 1876, including a compelling discussion of President Hayes' Cabinet and the appointment of Frederick Douglass as Marshall of the District of Columbia. On the latter, she remarked that it must have been hard "for the Democrats to swallow this, and yet I suppose as politicians the hope of the Colored vote to help them into office in future" was a factor in Douglass' confirmation. She believed that the strife of party politics would ultimately work to resolve "the most difficult problem of our day," the reconciliation of the black and white races (March 18, [1877]).

Sarah Moore Grimké's letters to her niece Sarah Weld (later Hamilton), number roughly 100 and span 1853 to 1869 (bulk 1862-1869). Her letters to Sarah offer a glimpse into their relationship, in which Aunt Sarah demonstrated a deep interest in her niece's life, offering educational advice (see for example her undated letter in which she encouraged her niece to pursue courses that would lead to a diploma), expressing concern for Sarah's physical and mental well-being, and discussing her niece's financial concerns/school expenses. Sarah M. Grimké also kept her niece abreast of family news, including details about the mental health struggles of "Sodie"/"Sody" (Theodore Grimké Weld) and the family's efforts to "cure" him (see especially June 10, 1863, and August 22, 1875). She also discussed literature (including Les Miserables in three letters in 1862 and 1863) and politics. Sarah M. Grimké provided updates on and news about Theodore Grimké Weld, the Birneys, Gerritt Smith, Lucy McKim Garrison, Charles Stuart Weld, and Julia Tappan.

Sarah Moore Grimké sent two letters to her niece and nephews while in Washington, D.C., 1853-1854:

  • [December 26, 1853 or January 2, 1854?], to Sarah, Charles, and Theodore G. Weld: Offers vivid descriptions of the Capitol building, the Senate and House chambers, and the U.S. Supreme Court. She informed her niece and nephews that she sat in the Chief Justice's chair and proclaimed that perhaps a woman would someday occupy the seat--an act that "amused" her companions. She described the John Trumbull paintings in the Capitol rotunda and noted that the empty alcove would be suitable for another once the slaves were emancipated.
  • [March 3, 1854?], to Sarah Weld: Comments that she will be leaving the city soon, but has not yet visited Mount Vernon. She reconciles herself by noting that "although [George] Washington may have done right in his day, yet his achievements in the cause of liberty are connected with cruelty & slaughter, and fail to inspire the mind with that sacred feeling of reverence, which we experience in contemplating the characters of Howard & Fry, of Oberlin and Chisolm." She then describes an incident in which a tall, stalwart, and fiercely angry white man dragged a young African American boy onto the Capitol yard in order to beat him for an alleged verbal slight. Following Sarah Grimké's intervention, which prevented the battery, she followed the aggressor long enough to witness him greeting a young child with great tenderness and affection. The lesson of the experience, she informed her niece and nephews, was that "we are two beings just as the evil or the good spirit has possession of us...let us try to be always under the influence of the good."

Sarah Weld Hamilton's letters, about 120 in total, address women's rights and writing submissions to serials including the Independent (1869-early 1870s), her relationship with William Hamilton and her parents' disapproval of him (see especially October 28, 1869, and June 13, 1871), religion, and temperance. She later wrote about child rearing, family matters, visits to Cambridge and Boston (see especially October 21, 1891, in which she reminisces at length about her youth). Sarah included updates on and anecdotes about the Badger family, William Hamilton, Mary Livermore, the Blackwell family, her parents, Julia Ward Howe and her daughter Laura, "Lizzie" [Elizabeth A. L. Cram], Lucy Shepard, Thomas Hill, and Lucy Stone. Selected examples include:

  • November 29, 1869, to William Hamilton: Explanation of her views on women's roles, firmly stating her belief that women should be able to support themselves and not be dependent upon their husbands.
  • January 16, 1870, to William Hamilton: Description of Sarah Weld's responsibilities and fellow workers at the Woman's Journal office.
  • March 6, 1870, to William Hamilton: Mention of an "octogenarian Grimké" at a women's meeting and a reevaluation of her initial impressions of Julia Ward Howe.
  • March 13, 1870, to William Hamilton: Description of voting at Hyde Park with a group of women and the reactions of the men present. In her subsequent letters to William Hamilton, she remarks that he probably views the act as "play-voting," and offers her perspectives on the women's rights movement.
  • October 6-31, 1891, to Angelina Hamilton: Eight letters to her daughter while visiting Cambridge, Boston, and Hyde Park, with her father Theodore D. Weld. She offered lengthy recollections of her youth and discussed meetings with children and grandchildren of her parents' friends (Smiths, Wrights, Badgers, Garrisons, et al.), and provided explanations to help her daughter contextualize the information.

William Hamilton wrote about 40 letters between 1870 and 1899, primarily about his health, his wife Sarah's health and death, his daughter Angelina, and his work in various educational and occupational endeavors (ministry, law, trade, and lumbering). Of particular note are his letters to Sarah written while conducting business both in and around Washington D.C. A few examples include:

  • July 14, 1870 to Sarah Hamilton: discusses his recurring/continual health problems, which the doctor diagnosed as a disease "of a nervous character."
  • August 10, 1872-September 13, 1872, to Sarah Weld Hamilton: Twelve letters to his wife respecting travel and a visit to Washington, D.C., and his return trip to Boston. He described the city in detail, discussing government buildings, the city layout, and General Lee's house. He provided commentary on the presidential contest between Horace Greeley and incumbent president Ulysses S. Grant. On August 29, he noted: "the little I am able to gather about politics here, is that the Negroes are very nearly a unit for Grant--that the old Virginians are all nearly for Greeley and that more recent inhabitants are variously disposed."
  • November 6, 1898, to Angelina Hamilton: Discusses Angelina's ethical and spiritual concerns as they relate to practicing as a physician. Offers advice about the dangers of professional rivals, citing Dr. Luella Day as an example.
  • January 28, 1899-February 3, 1899, to Angelina Hamilton: Four letters respecting the final sickness ("brain hemorrhage" followed by a coma), death, and funeral of her mother.

Charles Stuart Faucheraud Weld's 10 letters date from 1868 to 1895 and primarily revolve around his duties/role as a son and brother. He wrote about US-European finance, Unitarianism and Dwight L. Moody, his aging parents' health, his efforts to help his brother Theodore engage with others, the death of Theodore D. Weld, and current writing. Charles Weld's wife Anna Harvell Weld sent approximately 50 letters between 1877 and 1895, and was a main source of news for Sarah Hamilton regarding the well-being of Sarah's father, Theodore Dwight Weld, and brother, Theodore G. Weld. Her correspondence also reflects the growing tension that existed between Sarah and herself. A later source of conflict was Sarah Weld Hamilton's desire to write a book about her father's life and her accompanying quest for supporting materials. Anna Harvell Weld also discussed Francis Grimké, Archibald Grimké, Theodore Dwight Weld, Theodore Grimké Weld, and Charles Stuart Weld. Examples of Anna Weld's letters include:

  • July 27, 1889, to William Hamilton: Asking for his assistance in stopping Sarah from writing a book about Theodore D. Weld.
  • February 12, 1890, to Sarah Hamilton: Anna tells Sarah that Theodore Dwight Weld does not want a book written about him.
  • February 16, 1892, to Sarah Hamilton: If someone is going to write about Theodore D. Weld, it should be his nephew, Archibald.
  • [postmarked February 3, 1894] to William Hamilton: Discussing Sody's living arrangements. Anna remarks that since Angelina Weld's death, no one has had control over Sody. She doesn't fully agree with sending him to an asylum and had hoped that William and Sarah Hamilton would take him. She refers to Sarah's claim that Sody had made an inappropriate advance towards Sarah, which Anna believes is either a misinterpretation or a faulty memory.

Angelina Grimké Hamilton wrote approximately 30 letters between 1878 and 1899, offering insight into her education and work towards becoming a physician. Her letters pertain to childhood activities, food, family, medical duties/work, and school. Of particular note are the letters she sent between December 9, 1892, and December 16, 1896, to Sarah, William, and Nettie Hamilton. In them, Angelina wrote about her time at Hahnemann Medical College and subsequent internship. She discussed her classes and clinical work, which included dressing a scalded arm, giving children vaccinations, and tending to a sprained ankle. She briefly mentioned visits to the Art Institute (March 5, 1893) and the Columbian Exhibition (February 19, 1893).

In 1868, the Grimké sisters discovered that they had nephews living in Washington, D.C. Although the Weld-Grimké Family Papers do not contain any letters by Archibald, and only two by Francis Grimké (October 31, 1879; November 6, [1879]), the correspondence does include many references to their education, activities, careers, and families. A few examples include:

  • July 31, 1868, Sarah Moore Grimké to Sarah Weld: Reference to her "newly found" nephews.
  • January 12, 1876, Theodore D. Weld to William and Sarah Hamilton: Brief remarks on Archibald Grimké's admission to the bar: "Mr. B. prophesies that A. will soon attain a position that few lawyers secure when so young. When he was admitted to the bar of the Supreme Court on motion of Mr. Sewall, he was warmly welcomed. One of the prominent lawyers, Mr. Shattuck took him by the hand and said 'Mr. Grimke welcome to our fraternity. From what I hear of you, I doubt not that you will be an honor to the Boston bar.'"
  • March 28, 1880, and May 1, 1880, Theodore D. Weld to Sarah Weld Hamilton: Remarks on the birth of Angelina Weld Grimké (NB: who would become a prominent writer, poet, and activist for African American rights in the 20th century).
  • February 23, 1883, Theodore D. Weld to Sarah Hamilton: Lengthy description of Francis Grimke's recent week-long visit, his sermon at the Orthodox Church, his Presbyterian congregation in Washington, D.C., and other subjects.
  • April 26, 1885, Theodore D. Weld to Sarah Hamilton: Theodore is the only person that has complete information about the departure of Archibald Grimké's wife Sarah Stanley and their daughter Angelina, outside the parties directly involved. While not at liberty to reveal much detail, Theodore provides Sarah with his perspectives on the separation.

The Diaries series contains 16 diaries: Nine by Sarah Grimké, seven by Angelina Grimké, and one by Louis Weld. Sarah's diaries date from 1819 to 1836 and they contain poetry, copies of Bible passages, and her thoughts on religion and marriage. She also reflected on women's issues, on her experiences as a Quaker, and about her daily experiences. Angelina's diaries date from 1828 to approximately 1835 and record her struggles with her transition between the Presbyterian and Quaker faiths, her relationship with Sarah, and her reasons for opposing slavery. The "Angelina Grimké Manuscript, 1832-1833" (beginning, "I think I have sincerely desired to receive a right qualification...") relates to her courtship with Edward Bettle, who died of cholera in 1832.

The Notebooks and Writings series consists of essays, lecture notes, and 39 notebooks kept by various members of the Weld-Grimké family. Theodore Weld's essays cover a diversity of subjects, including the oppression of women, Shakespeare's works, William Lloyd Garrison, abolition, and subjects related to political philosophy. Approximately eight notebooks belonging to Sarah are also in the collection; these include essays on women's political rights, the education of women, and the status of women in society. Her essays, "Sisters of Charity" and "The Condition of Woman" are some of the notebooks with titles. The series also includes Angelina's lecture notes and several undated autobiographical essays by Weld and his children. Of particular note is a biography of Weld written on 22 notepads by his daughter Sarah Grimké Weld Hamilton.

The Photographs series contains loose images in multiple photographic formats, including 18 cartes de visite, 17 cabinet cards, 5 developing out prints, 1 card mounted photograph, and 1 quarter-plate daguerreotype of the Weld-Grimké family by Greenleaf Weld. Also present are a Weld family album of cartes de visite and a photo album related to Eagleswood Academy, containing cartes de visite and tintypes.

The Printed Items series is made up of nearly 200 newspaper clippings, pamphlets, broadsides, and cards. The clippings mainly pertain to the topics of slavery and the abolition movement, although some also concern women's rights and the legacies of Theodore Weld and the Grimké sisters. Also included are family members' obituaries, including those of Sarah Moore Grimké. Nine family Bibles and Books of Common Prayer are also included, dating from 1740 to ca. 1921.

The Realia and Ephemera series contains several linear feet of three-dimensional objects associated with the Weld-Grimké family, including hair, Chinese ivory sewing box (gift of Benjamin Grimké), a cameo brooch, Angelina's eyeglasses and case, a silver Addison watch, a quilt presented by Eagleswood students, and a pocketknife belonging to Theodore Weld, a Chinese fan, a silhouette of Angelina G. Weld, and 17 elegant hand-cut valentines. Most of the items date to the mid-19th century.

In addition to this finding aid, the Clements Library has created a comprehensive writer index, which identifies letters acquired by the Clements Library in 2012 and letters published in Barnes and Dumond: Weld-Grimké Family Papers Writer Index.

Collection

Wella and Pet Anderson Spirit Drawings Photograph Album, 1879

26 photographs in 1 album

The Wella and Pet Anderson spirit drawings photograph album contains 26 cabinet card photographs of pencil-drawn portraits of spirits of various historical figures made by a spiritualist couple in San Francisco, California in the early 1870s.

The Wella and Pet Anderson spirit drawings photograph album contains 26 cabinet card photographs of pencil-drawn portraits of spirits of various historical figures made by a spiritualist couple in San Francisco, California in the early 1870s.

The album (17.5 x 12 cm) has marbled paper board covers and the spine has been reinforced with library cloth. Inside of the front cover, a handwritten note has been laid in that states “The following Photographs were presented to this society by Col. J. C. Bundy. They are from full-sized drawings, made with a Faber pencil, by Mr. & Mrs. Wella Anderson of California, when in a ‘Trance’ or unconscious state. About two hours time was required in which to draw each Portrait. For further particulars see ‘Descriptive Catalogue of the Ancient Band.’ July, 1879.” John C. Bundy (1841-1892) was the chief publisher of The Religio-Philosophical Journal, a Chicago-based spiritualist periodical that Bundy inherited from his father-in-law Stevens S. Jones (1813-1877) after the latter’s murder. The society to which Bundy gifted this album has not been identified.

Each photograph in this album bears printed captions identifying the subject. All but two of the photographs also bear printed copyright statements stating “Photographic copy of the Original Life-size Pencil painted Portrait, executed by those celebrated Spirit Artists, Wella and Pet Anderson, when in the unconscious ‘trance’ condition. Entered according to Act of Congress, in the year 1874, in the office of Librarian of Cong. Washington, D. C. by the Pacific Art Union, of San Francisco, Cal. Inc. March, 1874.” Two of the photographs (portraits of Anthony van Dyck and Peter Abelard) have copyright statements attributed to Jonas Winchester.

While many members of The Ancient Band were true historical figures, numerous fictitious or legendary individuals were also counted amongst the group, including an adult woman supposedly born in Massachusetts ca. 1774 named “Dawn” who lived for only one hour and who served as an assistant for The Ancient Band; Henri de Brianville, a supposed English knight and alchemist who lived during the reign of Charles I; Ayotte, a supposed French Huguenot artist, poet, musician, and occult alchemist from the 15th-century; Peter Korzakieff, a supposed Polish writer and scientist from the 15th-century; Mazeleel, a supposed high priest of the Magi of Nineveh, Assyria, active during the 7th-century BCE; Hiram Abiff, a pseudo-historical allegorical figure presented to candidates embarking on the third degree of Freemasonry and described as the chief architect of Solomon’s Temple; Pietro Vecchia, a supposed 5th-century ruler of a Venetian island republic called Rialto; Catullus, a supposed Roman metallurgist and descendant of poet Gaius Valerius Catullus employed during the reigns of Nero and Vespasian; Hassan al Meschid, a supposed Persian Magi who aided an insurrection against Cambyses II and declared himself King before being killed himself; Abd El Kader, a supposed Arabian chief from 1500 B.C. described as the father of Arabian chemistry and a direct descendant of Ishmael; and Adehl, a supposed Indian Hindu chief and necromancer that lived “8,000 years ago” and who utilized an Elixir of Life to live until the age of 180 before he was put to death.

Also present are depictions of supposed figures from the legendary ancient civilization of Atlantis, including Orondo (described as an eight foot tall expert in mining, a trusted advisor of head Atlantean ruler Yermah, and the progenitor of intermarriage alliances with indigenous tribes of North America following the fall of Atlantis) and Atyarrah (described as a military commander who was part of an expedition of North America and the constructor of earthwork defenses against Native American tribes, some of which yet remain in the Mississippi Valley).

Authentic historical figures represented amongst The Ancient Band include Archbishop of Canterbury Thomas Cranmer (1489-1556); Flemish painter Anthony van Dyck (1599-1641); French writer Philippe Quinault (1635-1688); Italian friar Giovanni Giocondo (1433-1515); English philosopher and statesman Lord Francis Bacon (1561-1626); medieval French polymath Peter Abelard (1079-1142) and his philosopher lover Héloïse d'Argenteuil (ca. 1095-1163 or 1164); Alfred the Great, King of the Anglo-Saxons (ca. 849-899); Greek philosopher Plutarch (ca. 46-after 119); Umar ibn al-Khattab, second caliph of the Rashidun Caliphate (ca. 583 or 584-644); Greek poet Pindar (ca. 518 BCE-ca. 438 BCE); Chinese philosopher and politician Confucius (ca. 551-ca. 479 BCE); and Gautama Buddha, Indian ascetic and founder of Buddhism (ca. 563 BCE or 480 BCE-ca. 483 BCE or 400 BCE).

The following list references the printed captions for each member of The Ancient Band represented in this album in order of appearance:
  • 1) “Dawn.” Born in Massachusetts 100 years ago, living only an hour.
  • 2) Henri de Brianville. English Knight and Soldier of Fortune - Days of Charles I. [“1630” inscribed alongside caption]
  • 3) Cranmer. Archbishop of Canterbury - Burned at the Stake in 1635.
  • 4) Vandyke. The Great Flemish Painter - Pupil of Rubens - Died 1642.
  • 5) Ayotte. French Hueguenot, Artist, and Alchemist - 15th Century.
  • 6) Philippe Quinault. Distinguished French lyrical Author and Poet - Born 1635.
  • 7) Fra Giocondo. Dominican Friar - Architect of St. Peters - Born in 1435.
  • 8) Lord Bacon. High Chancellor of England, and Scientist - Born in 1561.
  • 9) Peter Korzakieff. Polish Scholar and Scientist - time of Casimer, about 1460.
  • 10) Abelard. Celebrated French Scholar - Lover of Heloise - Born 1079.
  • 11) Heloise. Mistress of Abelard - Abbess of the Paraclete - Born 1101.
  • 12) Alfred the Great. The Noblest Saxon Monarch of Britain - Died A.D. 900
  • 13) Plutarch. The Greek Historian and Philosopher - Born A.D. 50.
  • 14) Mazaleel. Most learned of the “Magi” in the best days of Nineveh.
  • 15) Hiram Abiff. The “Widow’s Son” - Grand Master of Ancient Masonry.
  • 16) Omar I. 2d Moslem Caliph - Conqueror of Syria and Egypt - 644.
  • 17) Pietro Vecchia. Tribune of a Venitian Island Republic in the 5th Century.
  • 18) Catullus. Roman Metallurgist and Jeweller, of the Time of Nero.
  • 19) Pindar. Most famous of the Ancient Greek Poets - Born 520 B.C.
  • 20) Orondo. Of Yermah’s Time - Father of the “Mound Builders.”
  • 21) Hassan al Meschid. Persian Magian, Astrologer, and King - lived B.C. 500.
  • 22) Atyarrah. Warrior of Yermah’s Time and Country, high in Rank.
  • 23) Confucius. The Great Chinese Reformer and Sage - Born B.C. 551.
  • 24) Gautama. Brahminical Reformer - Father of Buddhism - B.C. 557.
  • 25) Abd El Kader. An Arabian Chief - Descendant of Ishmael. - B.C. 1,500
  • 26) Adehl. Hindoo Necromancer - 2d Chief - lived 8,000 years ago.

Collection

West African Mission photograph album, 1887

1 volume

This album contains photographs of local residents, buildings, and natural scenery taken in the Congo region of Africa, around 1887. Africans and white missionaries posed singly and in groups. Landscape views, village scenes, images of vegetation and rock formations also appear.

This album (43cm x 32, 61 pages) contains 269 photographs of local residents, buildings, and natural scenery, possibly at an American Baptist mission in the Congo region, circa 1887. Three to eight items are pasted onto each page, and captions are written directly into the album where photographs are missing. The three-quarter-bound volume's covers are black and gray.

The photographs are roughly organized by topic. Pages 1-23 are comprised of individual and group portraits of Africans and of white missionaries. Many are identified by name. Of particular interest are posed ethnographic photographic studies of native men, women, and children shown in traditional African and western dress. Many if not most images appear to have been staged by the photographer. Among those may be of native inhabitants appearing as manacled slaves or prisoners; a mock execution, people with primitive weapons; mock combat with bow, spear, and shield; the wearing of ceremonial masks, families with children, and a young man with a large snake around his neck. "Mr. Clark" is identified in group photos as is "Dr. Flemming," a black woman, who is occasionally pictured with the missionaries. "Mr. Lewis" appears with a camera and tripod and may be the photographer for this album. "Mr. Roger Casement," future British consul to Portuguese West Africa and Irish Nationalist, is identified in one photograph and appears in at least one other. A set of four photographs depicts two African boys using a camera obscura on a stand to produce drawings of each other. The images on pages 23-31 include village scenes, rustic buildings including a church, post office, and photographer's booth. A man posed with the decapitated head of a hippopotamus appears on page 23.

Pages 32-48 concentrate on details of trees, fruits, and other vegetation, and pages 49-60 pertain to rock formations and rivers. These items include views of rocks with unidentified carved inscriptions, of caves, and of sailing and steam ships in a harbor. A small river steamer, theHenry Reed , a canoe, and a shipwreck are also pictured. The final item, located on page 61, is a photograph of William Shakespeare's supposed birthplace in Stratford-upon-Avon, England.

Collection

Western America collection, 1820-ca. 1898

0.25 linear feet

The Western America collection is a group of miscellaneous individual items relating to the settlement of the western United States, including present-day Wisconsin, California, Oregon, and Missouri.

The Western America collection contains 39 miscellaneous individual items relating to the settlement of the western part of the United States, including present-day Wisconsin, Missouri, Oregon, California, Iowa, Minnesota, Nevada, North Dakota, and Wyoming. The items span 1820 to ca. 1898, with the bulk of materials concentrated around the 1840s and 1850s. They pertain to numerous topics related to western expansion, and include descriptions of growing towns, discussions of economic opportunities and hardships, references to social customs and mores on the frontier, and scattered mentions of relations with Native Americans.

A few items of note include:
  • A letter of May 20, 1832, discussing the Black Hawk War, murder by a prostitute and community backlash against her, and the tarring and feathering of an African American man.
  • A description of the Oregon Territory by a recent female settler [ca. 1838].
  • A frustrated miner's description of his bad luck in Placerville, California [ca. 1851].
  • A letter from Santa Clara, California, concerning the love affair of a miner's wife, and the husband's subsequent abandonment of her and their child with the remark that "such is life in Cal." (June 26-28, 1854)
  • A July 15, 1876, description of Geneva, Minnesota, including its ethnic mix, farming prospects, and food.
  • A May 21, 1889, letter from a woman to her husband describing the cable-cars and schools of San Francisco, California.
Collection

Western Brand book, 1899-1900

1 volume

This volume (198 pages) contains 184 pages showing various branding marks used by horse and cattle dealers throughout the western United States in the late 19th century, as well as 15 pages of accounts recording purchases of cattle in December 1899 and January 1900. The 184 pages of brands are divided into several sections based on the types of identifying marks used; approximately 1,480 brands are represented. The notebook is accompanied by a 35-page pamphlet entitled "Cattle Brands of Texas," published in the mid-20th century.

This volume (198 pages) contains 184 pages showing various branding marks used by horse and cattle dealers throughout the western United States in the late 19th century, as well as 15 pages of accounts recording purchases of cattle in December 1899 and January 1900. The 184 pages of brands are divided into several sections based on the types of identifying marks used, and approximately 1,480 brands are represented. The notebook is accompanied by a 35-page pamphlet entitled "Cattle Brands of Texas," published in the mid-20th century.

The brand book, once owned by a livestock buyer, contains both graphic and textual descriptions of brands used by livestock breeders throughout the Great Plains and western United States. The vast majority of brands are for cattle. Each page has 8 images of cattle or horses stamped in purple ink, with hand-drawn brands placed on the images. Animals' ears are represented by a stamped infinity symbol. Some dealers used variations, which are recorded in red ink. Each livestock stamp is accompanied by the dealer's name, cattle range, and primary city. Suppliers originated from Colorado, "Dakota," Illinois, Kansas, Minnesota, Missouri, Montana, Nebraska, New Mexico, Texas, and Wyoming. A newspaper clipping showing 7 branded cows of the Warren Live Stock Company of Cheyenne, Wyoming, and their ranges, is pasted on page 23. The brands (pp. 2-185) are followed by 15 pages of accounts recording purchases of cattle made primarily from F. H., W. H., & M. B. Gill Brothers of Greeley, Colorado, in December 1899 and January 1900 (pp. 186-201). Each account includes a stamped image of a cow with a brand, the supplier, and the price, each spread across two pages. A total price appears at the bottom of every two pages.

The Western Brand book is accompanied by a short pamphlet entitled Cattle Brands of Texas, published by the First National Bank in Dallas around the mid-1950s. A forward by Wayne Gard introduces the history of cattle branding within the state. The book contains historical notes for numerous brands that decorated the bank's executive dining room.