Collections : [University of Michigan William L. Clements Library]

The Victor Leroy Rushfeldt, Jr., collection contains an assortment of materials including a diary, photograph album, paper files, and a VHS tape, all of which pertain to U.S. Army Air Corp pilot 1st Lt. Victory Leroy Rushfeldt, Jr.’s service in the 20th Combat Mapping Squadron during World War II.

The Victor Leroy Rushfeldt, Jr., collection contains an assortment of materials including a diary, photograph album, paper files, and a VHS tape, all of which pertain to U.S. Army Air Corp pilot 1st Lt. Victory Leroy Rushfeldt, Jr.’s service in the 20th Combat Mapping Squadron during World War II.

The diary (15 x 8.5 cm) contains entries written by Rushfeldt, Jr., during the year of 1941. In the first entry on New Year’s Day, Rushfeldt, Jr., expressed a desire to join either the United States Army or Navy as a pilot and wondered “where I will be next New Years?” After failing his physical service exam with the Navy due to “crooked teeth,” he decided to first finish securing his private pilot’s license before sending applications to the Army Air Corps on January 31. On March 8 1941, Rushfeldt, Jr., attended a physical exam for flying cadets at Fort Snelling where again he was told that they would not “O.K. my teeth” but was instructed to send a plaster dental cast to Washington, D.C. On March 21, he traveled to Abilene, Texas, before heading for San Diego, California by car on March 25. After hitchhiking to Los Angeles on April 4 he subsequently sought job opportunities in the area while staying at the home of a local couple, including applying for a position at the Lockheed Aircraft Co. and interviewing with the Vega Airplane Co., the latter of whom he felt he could’ve obtained employment with “except for the fact that I will probably be drafted soon.” On April 20, Rushfeldt, Jr., began hitchhiking back to Albert Lea, noting stops in Nevada, Colorado, Nebraska, and Iowa before arriving home April 27. On August 12, he recorded having completed his U.S. Army Air Corps physical exam while on August 15 he took his flight test for “Stage C of the secondary C.P.T.” Towards the back of the diary there are several phone numbers and addresses listed for friends and acquaintances as well as a “Brief History of My Flying Course” listing the duration and type (dual or solo) of Rushfeldt, Jr.’s training flights in Albert Lea from October 8 1940 to February 20 1941. Also of note are numerous entries involving women that Rushfeldt, Jr., was dating.

The photograph album (26 x 34 cm) contains approximately 114 images and is string-bound with brown covers. The album begins with a series of photos showing various young women, American servicemen in uniform, and older adults interacting at what appears to be a wedding reception. Subsequent photographs of interest include a portrait of fellow pilot Jerry Smith holding a large camera; images of various aircraft; portraits of various officers identified by pen inscriptions including “Lt. Connely,” “Lt. Everhardt,” “FO Luther,” “Lt. Raymer,” “Lt. Gireau,” “Capt. Lake,” “Lt. Thye,” “Lt. Riddle,” “FO Stone,” “Charles Enoch,” “Lt. Smith,” “Lt. Glenn Jensen,” and numerous photos (including group portraits) of Victor Rushfeldt, Jr.; images of campsites, barracks, and other buildings possibly in Nadzab, New Guinea; several images documenting the wreck of an F-7B aircraft nicknamed “Idle Curiosity” which crash landed on the Biak Island airstrip while Rushfeldt, Jr., was onboard; and several photographs of indigenous Papuans (including pictures of nude women and women breastfeeding animals). Also present are twenty-one images showing painted illustrations on the sides of various aircraft, many of which were designed Cpl. Al G. Merkling. Numerous illustrations involve nude or scantily clad women posing suggestively. Nicknames of documented planes include “The Wango Wango Bird,” “Photo Queen,” “Cherokee Strip,” “TS Sympathy Remembrance,” “I’ll Be Around,” “American Beauty,” “Hangover Haven,” “Little Joe,” “Round Trip,” “Liberty Belle,” “Patched Up Piece,” “Ready Willing and Able,” “Idle Curiosity,” “Pappy’s Passion,” “Sweet Sixteen,” “St. Louis Blues,” “V…-Sure Pop,” “The Rip Snorter,” “Bourbon Boxcar,” “Ole’ Tomato,” “Mission Belle,” and “Tail Wind.”

The paper files include an envelope of informational materials from the “Reunion Project Office b-24/50th Anniversary” related to the planning of a 1989 reunion event; an overseas document file case containing three souvenir buttons from the first and second 20th Combat Mapping Squadron reunion events in 1982 and 1984, several empty letter envelopes addressed to Rushfeldt, Jr., a register of Rushfeldt, Jr.’s vaccinations and other medical data from December 28 1941 to Jan 27 1945, and an official notice from March 7 1943 declaring that Rushfeldt, Jr., qualified as “Marksman” with a .45 caliber pistol after achieving a score of 106; and a vertical file containing numerous materials related to 20th Combat Mapping Squadron reunions, events, newsletters, and other documents, including a draft of “A Pictorial History of the 20th Combat Mapping Squadron, 6th Photo Group that Served so Honorably in the Southwest Pacific Area During WW II” consisting of photocopies of images donated by former squadron members and compiled by Maj. Lawrence E. Thibault, Sr.

The VHS tape purportedly contains footage of the "Idle Curiosity" crash on the Biak Island airstrip. Rushfeldt, Jr., was aboard this aircraft at the time of the crash.

The Victor Rice papers contain correspondence and printed items related to education in the state of New York in the mid-19th century and to the Spencerian system of penmanship, which Rice helped develop.

The Victor Rice papers contain correspondence and printed items related to education in the state of New York in the mid-19th century and to the Spencerian system of penmanship, which Rice helped develop.

The Correspondence series (over 500 items) is made up of personal and professional letters to Victor Rice from family members and various other correspondents. His father William sent family news from Clymer, New York, and also discussed financial and legal matters. Other letters pertain largely to education and to Rice's position as superintendent for public instruction for the state of New York. Some concern the Spencerian penmanship system, which Rice developed with Platt Rogers Spencer. State and national political issues are occasionally mentioned, and Rice received at least one letter from a soldier during the Civil War. Contributors include Horace Greeley, Platt Rogers Spencer, and James Theodore Holly, and the collection has few outgoing letters by Victor Rice. Items from the 1870s are personal letters between members of the Rice family.

• The Dignity of Teaching. An Address to the Graduating Class of the State Normal School, January 28, 1857, by E. P. Rogers (1857, 24 pages)
• Views of P. R. Spencer, V. M. Rice and J. W. Lusk on Penmanship as a Profession, with an Inquiry as to the Proper Distinction Between the Office of an Author and Editor, by Warren P. Spencer (December 12, 1866, 8 pages)
• An Autobiography of the Man with an "Assumed Name," to which Is Added the Story of the Book Entitled the "Spencerian Key", by Warren P. Spencer (1866)
• Asa Packer. A Memorial Address, Delivered by Request of the Faculty of the Lehigh University, on University Day, June 19, 1879, by Henry Coppée (8 pages)
• Spencer Family History and Genealogy, by Robert C. Spencer (1889, 26 pages)

Views of Early St. Louis contains 27 photographs of scenes from St. Louis, Missouri, between 1840 and 1895 that were assembled by German American photographer Emil Boehl during the late-1890s, including several photographic reproductions of various works by other artists such as Daguerrean photographer Thomas M. Easterly.

Views of Early St. Louis contains 27 photographs of scenes from St. Louis, Missouri, between 1840 and 1895 that were assembled by German American photographer Emil Boehl during the late-1890s, including several photographic reproductions of various works by other artists such as Daguerrean photographer Thomas M. Easterly.

The album (35 x 45 cm) has red leather covers with “Views of Early St. Louis” stamped in gold on the front. Of the 27 photographs included in this album, 15 are pasted-in while 12 were printed directly onto the album pages. Images vary in size, with some taking up nearly an entire album page.

The following list represents the album’s contents in order of appearance and includes image titles (with supplied titles appearing in brackets), additional captions, various forms of Emil Boehl’s photographer credits, image descriptions, and original sources for images known to have been photographically reproduced by Boehl:

• Street scene looking south down 4th Street from Washington Avenue in 1840. People can be seen on horseback and mingling outside of residences. Several buildings are depicted, including steepled churches and the Old Courthouse. Photographic reproduction of a watercolor by commercial artist Albert Byron Greene in 1889. Writing present in the bottom right-hand corner of the original watercolor reads: “Made for Mrs. McKee Mar. 89. A. B. Greene.”

• View of Chouteau Pond in 1850. “Back of Chouteau Mansion on Clark Ave bet. 11th & 12 sts” inscribed on back of page. Photographic reproduction of original daguerreotype by Thomas M. Easterly, ca. 1850.

• View of numerous steamboats docked at St. Louis Levee. Photographic reproduction of original daguerreotype by Thomas M. Easterly, ca. 1852/53.

• View of the Old Spanish Fort (later Roy’s Mill, Riverfront). The steamer Wyoming can be seen near the riverbank. Photographic reproduction of original daguerreotype by Thomas M. Easterly, ca. 1850.

• View of the house of Pierre Chouteau on Main Street beside the Durkee & Bullock Banking House (possibly ca. 1865)

• View of the Planter’s House Hotel on 4th Street in 1865.

• View of Christ Church, demolished in 1860. Photographic reproduction of original lithograph by J. C. Wild published in 1840.

• View of Christ Church, demolished in 1860. Photographic reproduction of original lithograph by J. C. Wild published in 1840.

• View of the Old Cathedral (also known as the Basilica of St. Louis, King of France) located on Walnut Street between 2nd and 3rd Streets. “2nd & Walnut” inscribed on back of page.

• View of the Pierre Chouteau Mansion on Clark Avenue between 11th and 12 Streets. “Bet 11th & 12th on Clark Ave” inscribed on back of page.

• View of the first public high school in St. Louis located at the corner of 15th and Olive Streets. Large crowd of people gathered in foreground. “15th & Olive” inscribed on back of page.

• View of the old jailhouse located at the corner of 6th and Chestnut Streets. Illustrated clouds added through negative retouching. “Later Lynch’s Slave yard” inscribed on back of page.

• View of the house of James H. Lucas located at the southwest corner of 9th and Olive Streets. Image appears to be a photographic reproduction of another photograph. Partially cutoff writing present in the bottom left-hand corner of the original photograph reads: “…[B? or S?] [?] Lucas 1898.”

• Street scene looking north up 4th Street from Olive Street showing numerous pedestrians, buildings, and a trolley car.

• View of a residence on Olive Street between 6th and 7th Streets. Image appears to be a photographic reproduction of another photograph.

• Street scene looking south down Broadway from Olive Street showing numerous buildings and wagons.

• View of Centre Market building located at 7th and Poplar Streets.

• Lacking title. Possibly view of Fair Grounds Race Track, ca. 1876.

• View of St. Louis Medical College building (also known as Pope’s College) at 7th and Clark Avenue in 1876. Image appears to be a photographic reproduction of another photograph.

• View of the St. Louis Mercantile Library building. Image appears to be a photographic reproduction of another photograph.

• Bird’s-eye view of downtown St. Louis. Numerous buildings visible, including the old St. Louis Post Office (Custom House). One building near the foreground is marked with an “x” while an inscription on the roof of the building reads: “Broadway”; an additional inscription in the upper left-hand corner reads “x EHL. Born 1839.”

• View of the Grand Republic steamer.

• Street scene looking south down 12th Street from Washington Avenue showing horse-drawn carriages, numerous buildings, and a large crowd in the background gathered around the Statue of Liberty Replica at 12th and Pine Streets.

• View of Pope’s Theater with a group of people standing outside. “9th & Olive” inscribed on back of page.

• “Wash. Ave bet.” inscribed and crossed out on back of page; “68?” inscribed on back of page

• View of the St. Louis Exposition and Music Hall seen from the corner of Olive and 14th Streets

• View of The Elephant Rocks in the Saint Francois Mountains (now Elephant Rocks State Park). Graffiti can be seen etched into the rocks, while an unidentified man (possibly Emil Boehl) stands at center.

Dr. Vine Utley compiled his Observations on Old People 80 Years of Age while interviewing octogenarians and older individuals in New London County, Connecticut, from 1809-1818. He reported on their ages, families, dietary habits, and physical and mental health.

Dr. Vine Utley compiled most of his Observations on Old People 80 Years of Age (87 pages) while interviewing octogenarians and older individuals in New London County, Connecticut, from September 9, 1809-June 17, 1818; one entry is dated April 15, 1827. Utley recorded biographical information about each person he interviewed, including their name, age, hometown or place of residence, marital status, occupation, previous illnesses and medical treatments, number of children, and sometimes their date of death. He commented on interviewees' habits and diets, particularly with regard to alcohol and tobacco, and on their parents' longevity.

Utley wrote about physical health and mental acuity, and noted some trends amongst his subjects, such as octogenarians' tendency to have few, if any, remaining teeth (p. 25). He interviewed men and women from Waterford, Lyme, and New London, Connecticut, including David Harris, a native of Paris who had been held captive by Native Americans (pp. 22-25); E. Jeffry, a Native American woman (pp. 30-33); Celia, an enslaved woman who had been born in Africa (pp. 60-62); and John Utley, his father (pp. 81-84). The volume's cover is a repurposed section of The Witness (June 25, 1806), a newspaper published in Litchfield, Connecticut.

This collection contains 37 letters that Virgil Cornish received during his time as a steward at the Hartford Retreat for the Insane in the mid-1800s. Many of the letters concern payments for the care of, requests for news of, or favors for the institution's patients.

This collection contains 37 business and personal letters that Virgil Cornish received during his time as a steward at the Hartford Retreat for the Insane in the mid-1800s. Family members and other concerned parties contacted the institution from towns in Connecticut and from cities such as Baltimore, Philadelphia, and New York. The majority of the letters concern payments for the treatment and housing of individuals. Many writers noted dollar amounts (for payments originally enclosed with the letters), reflecting the cost of mental health care at the Retreat between 1846 and 1857.

Correspondents often requested news of and favors for patients, and sometimes requested that Cornish forward clothing and other gifts. On one occasion, Hugh Robinson informed Cornish of the death of Gertrude Hudson, the sister of a Hartford Retreat patient (September 2, 1851). A few letters reflect the institution's daily work, including an W. W. Anderson's apology for declining a job at the retreat's dining hall (October 16, 1852). The collection also includes a small number of personal letters (or business letters with personal content), including one by Cornish's friend Henry R. Angus, who offered to deliver letters to Cornish's son in California during a journey to San Francisco (October 29, 1852).

During the fall of 1861, Virgil Moats assisted in organizing a company of infantry at Camp Dennison, Ohio, accepting a commission as Captain when the regiment was formally admitted into service in December. His letters include accouts of the Battle of Shiloh, and useful information on Chickasaw Bluffs, Port Gibson, and Arkansas Post. The majority of Moats' letters were written during the Vicksburg Campaign.

The survivng Civil War correspondence of Virgil Moats covers only fourteen months of his military career, March 1862 to May 1863. While these 18 letters represent only a fraction of his correspondence, even during this period, they include important accounts of the Battle of Shiloh, and useful information on Chickasaw Bluffs, Port Gibson, and Arkansas Post. The majority of Moats' letters were written during the Vicksburg Campaign. His letter of May 8, 1863, was written from the town of Rocky Springs, Miss., then a bustling town about forty miles inland from the river, though today it is reduced to a ghost town.

In addition to Moats' letters are three letters by two of Eliza's brothers: John E. Richardson, a sergeant in Co. F, wrote from Vicksburg to the convalescing Virgil, then in a Cincinnati hospital, and Lay Whitney Richardson, a soldier in the 68th Ohio Infantry, wrote Eliza two letters in 1864 and 1865.

The Virginia and Tennessee Railroad Trip photograph album includes pictures of railroad cars, tracks, and travelers taken in the 1890s, as well as pictures of trackside scenes in Tennessee and pictures of people enjoying recreational activities on a beach.

The Virginia and Tennessee Railroad Trip album contains 296 photographs taken along a railroad line in Tennessee and on an unidentified beach in the 1890s. Each item is a Kodak No. 2 circular print, mounted onto the pages in groups of 6; two are pasted on top of other pictures. The photographs are numbered 577-863. The volume has leather covers with the title "Photographs" stamped in gold on the front.

Most of the album's images are scenes from a railroad trip in Tennessee, beginning with views of the Hotel Roanoke in Roanoke, Virginia, and including pictures of passengers, tracks, trackside scenery, depots, and small towns. The album also contains pictures of people walking along a beach, displaying captured fish, preparing to launch a rowboat, and shooting small birds. Additional groups of items show a large Victorian house, people disembarking from a boat, and bathers diving into a large partially covered swimming area.

The Virginia, Georgia, and Maryland carte-de-visite album contains carte-de-visite and tintype studio portraits of men, women, and children taken around the 1870s-1880s. Most of the tintypes are hand-tinted.

This album (13cm x9cm) contains 16 carte-de-visite and 13 tintype photographs taken in Virginia, Georgia, and Maryland circa 1870s-1880s. Most items are individual portraits, with three exceptions: a carte-de-visite of two women, a tintype of a woman holding an infant, and a tintype family photograph of six people, mostly children. The majority of the tintypes and at least two of the cartes-de-visite have hand coloring. One photograph of an infant is identified as Estelle Simcoe. The volume's brown cover has a raised geometric design, and the title "Album" is stamped in gold on the spine.

These loose pages, extracted from an orderly book, document service of the 2nd Elite Corps of the Virginia Militia from September to October 1814. Garrisoned in Charles City County, the unit kept records of courts martial, unit orders, and observations of its commander, Colonel Moses Green. The collection also includes a single leaf dated February 1815, with 2nd Virginia Militia Regiment orders from Brigade commander General Robert Porterfield. At the time, the unit was garrisoned at Camp Holly (near New Market) and entries pertain to forage requirements for the regiment's horses, a morning report, the disbanding of the unit, and the distribution of equipment.

These loose pages, extracted from an orderly book, document service of the 2nd Elite Corps of the Virginia Militia from September to October 1814. Garrisoned in Charles City County, the unit kept records of courts martial, unit orders, and observations of its commander, Colonel Moses Green. The collection also includes a single leaf dated February 1815, with 2nd Virginia Militia Regiment orders from Brigade commander General Robert Porterfield. At the time, the unit was garrisoned at Camp Holly (near New Market) and entries pertain to forage requirements for the regiment's horses, a morning report, the disbanding of the unit, and the distribution of equipment.

The unit's courts martial include cases of drunkenness, fighting, abusing (cursing) other soldiers, disobeying orders, neglect of duty, and riotous behavior. The records include verdicts, punishments, and transcripts of testimony.

The pages include regimental orders in which:

• Colonel Moses Green finds himself "astounded" that regiments have failed to adhere to regulations.
• Increased camp accountability is needed with respect to damage inflicted on nearby private properties, including the burning of wooden fences.
• Soldiers are forbidden from firing a gun within one mile of camp.
• Commanders are liable for reporting all delinquencies under their command.
• Uniformed companies are expected to appear in uniform at all regimental parades.

The final leaf, pertaining to the 2nd Virginia Militia Regiment, contains the following:

• Recto: Two tables. One respecting the foraging needed to feed the regiment's fourteen horses and the second is a morning report of Captain Stevenson on February 17, 1815.
• Verso: Orders from Brigadier-General Robert Porterfield respecting the discharge dates of companies, the sick or injured, relief of guards, and property belonging to the "publick".

The Virginia, New York, and Massachusetts photograph album contains approximately 195 photographs depicting the travels and leisure activities of an unidentified Brooklyn-based family in various locations in Virginia, New York, and Massachusetts.

The Virginia, New York, and Massachusetts photograph album contains approximately 195 photographs depicting the travels and leisure activities of an unidentified Brooklyn-based family in various locations in Virginia, New York, and Massachusetts. The album (28 x 40 cm) has black cloth covers, with the front cover being detached. Images of interest include a series of photographs documenting an 1898 trip to Richmond, Virginia, including views of the Capitol, City Hall, St. John's Church, and other landmarks. Also present are 17 photographs showing Fort Monroe, Virginia, with an additional 11 images showing Old Point Comfort hotels, docks, a street view of Phoebus, Virginia, and waterfront views of the Hampton Roads region. New York-related photographs include views of carriage-driving and horseback riding at the Brooklyn Riding & Driving Club, and a summer home at Lake Mahopac, with views of people sailing, swimming, taking carriage rides on country roads, and women golfing. Massachusetts-related photographs include 12 images taken in Boston during 1899 including views of the Public Library and Faneuil Hall and three street views of Commonwealth Avenue.