Collections : [University of Michigan William L. Clements Library]

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume.

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume. Volume 1 (28cm x 19cm), bound in black cloth with the title "Photographs" on the front, has 48 photographs in windows and one loose item laid in. Volume 2 (23cm x 30cm), bound in thick padded boards covered in dark leather, has 72 photographs in windows and four loose items laid in. This album has a brass clasp with a wheel that increases or decreases the tension of the clasp. Volume 3 (40cm x 30cm), bound in thick padded boards covered in brown leather with two brass clasps, has 99 photographs in windows. At least one card is a lithograph and two cards are hand-colored.

Each of the albums contains portraits of well-known actors and actresses, including both studio portraits and pictures taken in costume in front of painted scenery, sometimes with props. Pictures of men, women, and children are present, with portraits taken both facing the camera and in profile, and some subjects are represented by more than one image. Many types of costume are depicted, such as contemporary and historic formal dress, military dress, Middle Eastern dress, and Elizabethan dress. Some of the photographs show gender cross dressing. Props are most often swords or canes, though some subjects posed with musical instruments such as violins, a piano, and a lute. The majority of the actors and actresses across all three volumes are identified either on the backs of cards, on the albums' pages, or in inventories (housed with the first two volumes).

The Pickel papers contain nine letters written by Adam H. Pickel to his parents in Phoenixville and one written to a sister during his enlistment in the 68th Pennsylvania Infantry during the Civil War. His letters provide interesting commentary on the war; in particular, he strongly refuted the rumor that General Joseph Hooker was drunk at the battle of Chancellorville.

The Pickel papers contain nine letters written by Adam H. Pickel to his parents in Phoenixville and one written to a sister. This correspondence suggests that Pickel had received a good education and had more than a minor talent as a writer. It is clear, however, that there are numerous letters no longer present with collection, including, apparently, the letters in which Pickel described his experiences in battle.

Pickel's surviving letters nevertheless provide some interesting commentary on the war. In particular, his letters regarding Chancellorsville, even though they lack a thorough description of the battle, provide a strong feeling of the horror of that engagement. Further, he argues vehemently that, rumors aside, Joe Hooker was not drunk at Chancellorsville. Pickel claims to have seen the General perhaps 20 times during the battle, and that he exhibited no obvious signs of inebriation. He admitted, however, to Hooker's well-known fondness for whiskey. Also worth noting is Pickel's critical response in support of a Dr. Oberholzer, who wrote a letter to hometown newspaper, the Daily Phoenix, pointing out how poorly run the Army was.

This album contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. Adelaide was a student at Elizabeth Cabot Cary Agassiz's day school, and received autographs from Elizabeth Cabot Cary Agassiz, Louis Agassiz, and Alexander Agassiz, who taught at the school, as well as friends, primarily female. The volume also has several black-and-white engravings. A circular letter is laid in and a tuition receipt is housed separately.

This album (101 pages) contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. The front and back covers are decorated with imprinted artistic details and text reading "Album of Remembrance;" the album was printed by Leavitt & Allen of New York. Charles F. D. wrote a note on the first page celebrating many of Adelaide's virtues and recording his presentation of the album to her on February 22, 1859. Most of the acquaintances who signed the album were female, and some noted their locations or the date. Adelaide collected a majority of the signatures between 1859 and 1861 and one in 1864. Most signers were from Cambridge, Massachusetts, but contributors also came from New York, Vermont, and Iowa, as well as other towns in Massachusetts. Some included short mottos, such as Augusta M. Stevens, who inscribed a Shakespeare quotation (p. 55).

• [Miel] E. Berlancourt (poem in French) (p. 19)
• Alice C. Gates (p. 23)
• Francena Danforth ("Sweet be her dreams, the fair, the young," by Barry Cornwall) (p. 47)
• Lizzie Howe ("Watch and pray! The world deceiving…," by M. A. Dodd) (p. 57)
• "Belle" (p. 61)
• Sarah A. Manoun (p. 63)
• Sarah C. Fisher (p. 67)
• Carrie L. Fisher (p. 75)

• L. E. Agassiz (p. 79)
• E[lizabeth] C[abot Cary] Agassiz (p. 79)
• A[lexander] Agassiz (p. 83)
• Li. Agassiz (p. 93)

Several black-and-white engravings depict women at leisure and other scenes. An undated circular letter laid into the volume appeals to former students of the Agassiz day school to contribute to a gift prior to the school's having to close on June 26, 1862, because of the Civil War. A receipt, housed separately, records Eliphalet Davis's payment of $37.50 for one quarter's tuition at the Agassiz school (June 27, 1861).

This collection contains 15 letters related to Adeline Chase Hart and Matthew Hart of Goshen, Connecticut. The Harts received 12 letters from family members and acquaintances between 1850 and 1859, and Adeline wrote 3 letters to Matthew while he sought gold in California in the early 1850s. The letters concern topics such as religious conversion, family health, local news, and Adeline's widowhood. The collection also includes a deed for land in Sullivan County, New Hampshire.

This collection (16 items) contains 15 letters related to Adeline Chase Hart and Matthew Hart of Goshen, Connecticut. The Harts received 12 letters from family members and acquaintances between 1850 and 1859, and Adeline wrote 3 letters to Matthew while he sought gold in California in the early 1850s. The letters concern topics such as religious conversion, family health, local news, and Adeline's widowhood. The collection also contains a deed between Dorothy Gilman and Emerson Gilman for land in Sullivan County, New Hampshire (April 1, 1837), witnessed by 2 members of the Chase family.

Adeline and Matthew Hart received 12 letters from their parents, siblings, and acquaintances, mostly from Connecticut and from Elmira, New York. Correspondents commented on family and local news, such as health issues, marriages, and funerals; Adeline's sister Lucy wrote about her visit to Hartford, Connecticut, and described a painting she viewed at City Hall (July 16, 1850). Letters from the Chase family often included contributions from several family members. Adeline Hart wrote 3 letters to her husband from October 19, 1850-December 19, 1851, pertaining to her health, their children, and her finances. Several letters in the collection concern religious revivals and conversions, including Adeline's description of her recent conversion to Christianity (October 19, 1850), Lucy Chase's affirmation that the family had become Millerites (February 5, 1851), and Reuben Chase's mention of "spirit rappers" (March 25, 1853).

Following Matthew Hart's death around early 1853, Adeline Hart received a condolence letter and 2 later personal letters from William K. Vaughan, an acquaintance in Big Flats, New York. Matthew Hart's brother, A. P. Hart, also reflected on Matthew's death (March 6, 1853). Another relative, H. E. Cooke, provided a description of her new home (April 29, 1853). Other later letters concern Hattie A. Hart's work teaching at a school and her intention to attend college (August 22, 1857), as well as property in Elmira, New York (October 24, 1859).

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

Visual material includes one press photograph by Ed Walston of Adlai Ewing Stevenson II with President Dwight D. Eisenhower and Secretary of State John Foster Dulles, and one woodblock print of Adlai E. Stevenson II by Jacob Steinhardt.

Please see the box and folder listing below for more details about each item in the collection.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. As Smith and a companion had traveled south to restore their health, he commented on Southern life, African Americans, and fellow Northern travelers.

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. Smith discussed his health and the health of his companion, "Sands," and reported on fellow Northerners, particularly in Aiken, South Carolina. He described his experiences on an Atlantic Ocean steamer from New York City to Savannah, Georgia, and on a river steamer from Savannah to Augusta, Georgia. He also mentioned aspects of Southern life such as the weather and food, recorded encounters with black Southerners, and noted white Southerners' attitude toward the United States government and, more specifically, northern politicians. See the Detailed Box and Folder Listing for more information.

The A. & H. Jenkins collection is made up of incoming correspondence to this Baltimore, Maryland, furniture manufacturing/undertaking firm, headed by Anthony H. and Henry W. Jenkins. These letters contain requests for contracts and details about prices, bills, and accounts for various types of furniture.

The A. & H. Jenkins collection is made up of 10 incoming letters (1847-1851) to this Baltimore, Maryland, furniture making/undertaking firm (headed by Anthony H. and Henry W. Jenkins). The correspondence contains requests for contracts and details about prices, bills, and accounts for various types of furniture. The collection offers some insight into the business' clientele, such as their particular furniture needs and specifications about materials and design, their geographical locations (from as far away as Charlestown, Virginia), and various circumstances respecting bills and overdue payments.

Short excerpts from two letters illustrate content. One regards delayed payment from a Charlestown, Virginia, Episcopal Church for a desk and pulpit: "The loss of our beautiful church with all its furniture has been a distressing dispensation to us & compelled us to delay, longer than we desired … " (May 7, 1849). Another, from Revered E. C. McGuire at Fredericksburg, Virginia, provides specifications for the construction of a table ($25.00) and chairs ($24.00 each) made with "crimson plush" rather than "crimson damask" (January 29, 1849).

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century.

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century. The author, who signed himself "Will," wrote the three letters to his brother Sam, from Fort Wrangle, Alaska (now Wrangell). Will's letters relate to life in Alaska during the early days of its settlement, with a particular focus on employment and on local Indians. Will, who owned a boat and fished for salmon, described his work and provided a picture of his life in the sparsely settled country. He focused on several aspects of life in Alaska, including the natural terrain and his encounters with local Indians, whom he believed to be immoral: "[in] some cases when the squaws are broke they are mighty glad to put in a night with a fellow & get two bits or some beans & bacon in the morning" (February 16, 1889). Will also repeatedly discussed the salmon industry and employment, including his occupation assisting the local marshal.