Collections : [University of Michigan Special Collections Research Center]

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Collection

Roy William Cowden Collection, approximately 1909-1961

1 Linear Foot (Two manuscript boxes)

This collection contains drafts, typescripts, and manuscript material related to Cowden's unfinished book, The Creative Process in Writing. Chapter subjects include Dickens, Keats, Meredith, E.B. Browning, Thoroeau, Whitman, Conrad, Carlyle, and Swinburne. More material related to Cowden can be found in the Special Collections Research Center's Hopwood Award Records and in the Bentley Historical Library's Roy William Cowden papers: 1924-1960.

This collection contains generally undated material related to Cowden's unfinished book, The Creative Process in Writing. For material related to Cowden's career as a faculty member in the Department of English at the University of Michigan, please see the Roy William Cowden papers: 1924-1960 at the Bentley Historical Library and the Hopwood Award Records at the SCRC.

Collection

Rosenberg Family Correspondence, 1938-2010 (majority within 1938-1946)

1 Linear Foot (2 manuscript boxes)

Online
The 105 letters in this collection document the experience of a German Jewish family in the years immediately before, during, and shortly after World War II. Nathan and Johannna Rosenberg of Breisach, Germany, had three sons: Julius (1900-1942), Eugen (1901-1964), and Alfred (1911-2005). Eugen left for Palestine in 1935. Alfred, with his wife and her parents immigrated to the United States in August 1938. Most of the letters were written to Alfred by his brothers, his parents, and other relatives between 1938 and 1946. Most of the letters are from Julius, Emmy, Nathan, and Johanna; some of these they wrote from the labor camp in Gurs to which many Jews in Breisach were deported in October 1940. Contains typewritten transcriptions (German) and English translations for most letters.

This collection contains one linear foot of material and includes 105 letters between Rosenberg family members, friends, and acquaintances. It documents the firsthand experiences of a German Jewish family before, during, and after the Holocaust, and also includes the experiences of family members who emigrated from Germany in the years immediately before the Second World War. The letters were received and collected by Alfred Rosenberg, and as a result most are addressed to him and Alise Rosenberg and few are written by them.

Collection

Robert Shaye-New Line Cinema Papers, 1958-2008

5.5 Linear feet (4 records boxes, 1 manuscript box, 2 oversize boxes)

Robert Shaye founded New Line Cinema in 1967. The company began by distributing foreign, kitsch and art house films to college campuses and eventually grew to distribute and produce films in the Hollywood industry. The archive consists of five series: Personal, Business Documents, Projects, Articles and Clippings, and Audiovisual Materials. The documents range in date from 1958-2008.

The collection is divided into five series: Personal, Business Documents, Projects, Articles and Clippings, and Audiovisual Materials. All the series contain many of Shaye’s hand-written notes from notebooks to scraps of paper in which many of his ideas are written. Along with the notes, Shaye included many Post-it notes explaining some of the content. The majority of documents for the Projects series and all the material from the Audiovisual series are from The Last Mimzy, directed by Shaye and released in 2007.

The Personal series includes correspondence between friends and business partners as well as congratulatory cards and notes. The majority of the series consists of Shaye’s speeches made during awards ceremonies, general speeches for company events, movie premiere speeches and speeches for family and friends’ events. Many documents refer to Shaye as L.E. Moko. This reference refers to Pépé le Moko, a 1937 French gangster film directed by Julien Duvivier.

The Business Documents series ranges from 1967-2008 with documents focusing on New Line and consisting of correspondence, shareholder meeting notes, and film catalogs showcasing the variety of movies available for distribution that year. A binder with information on New Line common stock and correspondence can be found in an oversize box.

The Project series highlights some of New Line Cinema’s distributed and produced films. Highlights include storyboards for Nightmare on Elm Street 4: Dream Master, produced in 1988. The majority of documents are production documents for two films directed by Shaye, Book of Love and The Last Mimzy.

The Articles and clippings section consists of personal articles about Robert Shaye as a business entrepreneur and creative director, New Line Cinema articles, and miscellaneous film reviews along with trade magazines with issues dedicated to New Line or Robert Shaye.

The Audiovisual Materials series consists of The Last Mimzy DVD’s and a CD of video clips, trailers and publicity events. The DVD’s include production footage such as alternate beginnings, B-roll footage and different edited versions of the film.

Collection

Robert Frost Family Collection, 1923-1988

4 boxes (ca. 1.5 linear ft.) — Photographs are located in Box 2. — Printed items are located in Box 3. — Works of art are located in Box 4.

The papers contain extensive correspondence and numerous photographs of noted American poet, Robert Frost and members of his family. Also included is a collection of privately printed chapbooks and Christmas cards which contain poems by Frost.

The research value of this collection resides in the correspondence and the photographs. It appears that the letters at some point may have been consulted by various Frost biographers, but their depths may not have been fully plumbed. The photographs offer a candid glimpse into several generations of Frosts, but also include a number of posed studio portraits. The collection as a whole complements the Robert Frost papers already housed in the Special Collections Library, as well as those at the Bentley Historical Library.

Collection

Robert Case Papers, 1938-1943 (majority within 1941-1943)

0.25 Linear feet

The collection includes typed and handwritten letters by Case to Mary Catherine Damon whom he referred to in most of the letters as Kay Damon. In the letters, Case discusses his reasons for being a conscientious objector and daily life at Public Service Camp 21. The bulk of correspondence is from 1942 until 1943 The Civilian Public Service was made to provide alternative service for conscientious objectors due to religious objections against war. Civilian Public Service Camp 21 was a Forest Service camp located in Cascade Locks, Oregon and run by the Brethren Service Committee a part of the Church of Brethren. Many of the conscientious objectors were from various other Christian religions besides the Church of the Brethren. CPS Camp 21 opened November 1941 and closed July 1946. The men fought forest fires, worked on forest fire prevention and did camp maintenance and construction. Total number of workers who worked in the camp were 579 men.

The February 1943 folder includes two pictures and a postcard of the library fire that occurred January 1943 in the camp. The library included a collection of 2000 volumes, but after the fire was rebuilt and restocked with a new collection of 3000 volumes.

Collection

Robert Bontine Cunninghame Graham Papers, 1907-1930

.5 Linear Feet (1 manuscript box)

This collection contains material related to Robert Bontine Cunninghame Graham, born in London of Spanish descent. At 16, he moved to Argentina to live with relatives and traveled widely in South America, Mexico, and Texas, marrying Chilean poet Gabriela de la Balmondiere. He returned to England to manage his family's estate in 1884 and spent the rest of his career as a follower of William Morris's socialist philosophy and supporting nationalist movements in Scotland and Ireland. He is particularly known for his historical, fiction, and travel writing. He is reportedly a model for characters in George Bernard Shaw's Captain Brassbound's Conversion and Arms and the Man. This small collection is in three series: Correspondence, Manuscript, and Printed Material.

The Robert Bontine Cunninghame Graham Papers consist of correspondence, a critical manuscript, several photographs, and newspaper clippings. The collection is arranged in three series: Correspondence, Manuscript, and Printed Material.

The Correspondence series consists of letters to and from Cunninghame Graham, and several letters relating to George Matthew Adams' collection of Graham material.

The Manuscript series consists of a single manuscript by David Garnett entitled "An Appreciation of Robert Bontine Cunninghame Graham."

The Printed Material series consists of one folder of clippings and miscellany relating to Cunninghame Graham.

One photograph of Robert Cunninghame Graham several of Gabriela Cuninghame Grahame can be found in the William Henry Hudson Papers.

In addition to this finding aid, the Special Collections Library holds a more extensive inventory of the papers.

Collection

Robert Altman Papers: Other Projects and Scripts, 2007-2008

6 Linear Feet

Other Projects and Scripts (6 linear feet) consists of material sent to Robert Altman for consideration as potential film projects. Frequently, Wren Arthur, Altman's assistant, would read and critique these materials, and serve as the contact person for the individual submissions. The material is generally from 1989 to 2003, and arranged by author's last name. Where possible, a submission date is noted.

Other Projects and Scripts (6 linear feet) consists of materail sent to Robert Altman for consideration as potential film projects. Notably, the series includes scripts by Elmore Leonard, Kurt Vonnegut, Tim Burton, Donald Freed, and Anne Rapp. Frequently, Wren Arthur, Altman's assistant, would read and critique these materials, and serve as the contact person for the individual submissions. The material is generally from 1989 to 2003, and arranged by author's last name. Where possible, date is noted. Occasionally, a cover letter was included with script submissions. Many of these projects were never produced, by Altman or any other filmmaker.

In addition, the series includes correspondence, treatments, and other documents from various scripts and projects that were sent to Robert Altman and rejected as potential projects. Much of the material consists of script cover letters sent to Altman with the accompanying return correspondence written by one of Altman's staff. These "passed projects" are arranged alphabetically by the script writer's last name where possible. Among them include script submissions from Carrie Fisher, Billy Baldwin, Paul Newman, Joan Tewkesbury, Linda Yellen, and Stanley Tucci. In addition, Altman was asked to consider such projects as Thank You for Smoking, Benjamin Button, Michael, and The Killer Inside Me.

Also included are various script treatments organized alphabetically by script writer. These treatments, or script coverages, were generally written by one of Altman's employees and included a summary of the script as well as a recommendation to pass or consider the project. The materials under the "possible projects" heading contain those projects that were considered by Altman in some capacity and often contain extended correspondence.

The materials contained under the description "Open-Directing Projects" are printouts sent to Altman by Addis Weschler & Associates describing films in various stages of production that are in need of a director.

Collection

Robert Altman Archive: Unfinished or Suspended Projects, 1960s-2000s

34.5 linear feet.

Forms part of the Robert Altman Archive. Documentation related to unfinished and suspended projects, 1960s-2000s, that Altman had an involvement with but were never produced. Materials for a project may include correspondence, legal and financial files, scripts and publicity files.

The unfinished and suspended projects series consists of materials related to projects that Altman had an involvement with but were never produced. The reason that any specific project failed may or may not be apparent from the materials and vary greatly. Materials in this series run from the 1960's through the late 2000's.

The type and volume materials also vary greatly from project to project. These can include correspondence, legal materials, legal materials from Jerome Walsh, business and financial materials, scripts and related materials, production materials including those used for research, materials related to publicity and distribution, and articles and reviews related to both the productions and the subjects of the productions.

Collection

Robert Altman Archive: Projects - 2000s, 1999-2006

103 linear feet.

Forms part of the Robert Altman Archive. Includes materials related to The Company, Dr. T and the Women, Gosford Park, A Prairie Home Companion, Resurrection Blues, Roads and Bridges, Tanner on Tanner, andTrixie . Records include scripts, legal files, publicity materials, photographs and correspondence.

Projects 2000s forms part Robert Altman Archive. It includes materials related to The Company, Dr. T and the Women, Gosford Park, A Prairie Home Companion, Resurrection Blues, Roads and Bridges, Tanner on Tanner, andTrixie . Records include scripts, legal files, publicity materials, photographs and correspondence.