Collections : [University of Michigan Special Collections Research Center]

The Small Southeast Asia Collection contains photographs, postcards, and papers depicting the people and locations within several countries in the Southeast Asian region. Materials predominately focus on the Philippines with some featuring Thailand, Singapore, Vietnam, and Burma (Myanmar) circa 1890s-1945.

Contains a grouping of six separately accessioned collections depicting people and locations in the Philippines, Thailand, Singapore, Vietnam, and Burma (Myanmar). Strengths of the collection include photographs and other visual materials that depict different communities living throughout the Philippines and other locations during the early half of the twentieth century. Some of the collection's items were created from the perspectives of foreign travelers and missionaries to the region that may describe people and places using outdated terminology. The majority of content is written in English, although captions in the Siam and Cochin China photo ablum are mostly in French.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes material related to non-edible kitchen products and household activities, including appliance manuals, catalogs, housekeeping guides, product promotions, and cook books. Publications date from the 1700s to 2005, with the majority of material dating from the mid-twentieth century.

This collection includes material related to non-edible kitchen products and household activities, including appliance manuals, catalogs, housekeeping guides, product promotions, and cook books.

This collection consists of 9 Filipino propaganda posters from the 1950s.

1. A poster regarding the execution of Laventiy Beria, Stalin's former chief of secret police. The poster reads, "Beria has fallen, who is next?"

2. A poster portraying a farmer and a soldier with the caption, "Together we build a stronger Philippines!"

3. and 4. Two posters, one in English and one in Tagalog, contrasting agricultural life under the current government and under Communism.

5. A wanted poster, in Tagalog, promising a reward for information about four suspected communists.

6. A poster welcoming home Filipino soldiers who were imprisoned during the Korean War. The captions emphasize how unappealing the soldiers found the Communist ideals of their captors.

7. A poster warning people to resist Communist propaganda.

8. A poster commemorating the birthday of Apolinario Mabini, a beloved hero of the 1898-1899 Filipino Revolution.

9. A resolution, titled, "People of Pampanga Calling the Huks," imploring Communist militants to return to civil life.

William Reuben is an investigative reporter and author who wrote, most notably, about the Rosenberg espionage case and the Alger Hiss-Whitaker Chambers libel and perjury trials. The Collection includes correspondence, research and interview notes, drafts of books and articles, published and unpublished, on the trials of the "Trenton Six," Morton Sobell and Robert Soblen, Julius and Ethel Rosenberg, and Alger Hiss, with much research on Whittaker Chambers.

In general, most of the series consist of similar kinds of material: Reuben's research notes, drafts of his writings, correspondence, clippings, and reviews of other writings about the case or individual. Some of the series have further value because they include Reuben's collection of printed material about the case. For example, Reuben was particularly active in the Committee to Secure Justice in the Rosenberg Case, and the Rosenberg series includes some of the printed matter put out by this organization. Reuben also collected correspondence of the Civil Rights Congress, a major organization lobbying on behalf of the Trenton Six.

In many ways, the Reuben papers are an assemblage of secondary material. Reuben had little first-hand dealings with either the Rosenbergs or the Trenton Six. Nevertheless, the files have value for their documentation of the manner in which this one investigative reporter worked. Reuben was a meticulous and persistent researcher, who tracked down a variety of leads in a story, first analyzing the available court transcripts and other official records, then corresponding as much as he was able with the people involved in the case (including other writers like himself), and finally monitoring the amount and kind of press coverage given to the case. Unfortunately, Reuben did not gain as much first-hand contact with the principals in his investigations as he would have liked, and thus the collection is not as substantive as the researcher might like. Reuben 's correspondence, furthermore, is often superficial and anecdotal in character. Another disappointment of the collection are Reuben 's notes and drafts, which because they are fragmentary or unidentified, are difficult to use and of questionable research value.

This collection contains drafts, typescripts, and manuscript material related to Cowden's unfinished book, The Creative Process in Writing. Chapter subjects include Dickens, Keats, Meredith, E.B. Browning, Thoroeau, Whitman, Conrad, Carlyle, and Swinburne. More material related to Cowden can be found in the Special Collections Research Center's Hopwood Award Records and in the Bentley Historical Library's Roy William Cowden papers: 1924-1960.

This collection contains generally undated material related to Cowden's unfinished book, The Creative Process in Writing. For material related to Cowden's career as a faculty member in the Department of English at the University of Michigan, please see the Roy William Cowden papers: 1924-1960 at the Bentley Historical Library and the Hopwood Award Records at the SCRC.

The Michigan Central Railroad Police Department Mugshot Photographs Collection contains 112 mugshots and accompanying police intake records for suspected members of the Communist Party USA.

The Michigan Central Railroad Police Department Mugshot collection contains 112 mugshots and accompanying police intake records for suspected members of the Communist Party USA. A number of these photographs come from the 1932 Ford Hunger March, with others coming from the GM Fisher Body plant strike in Flint in July 1930. Other individuals were arrested by the Flint Police department throughout the 1930s, and several were affiliated with specific investigations, as noted on the intake forms.

Of particular note is the arrest record of William Z. Foster in New York in 1930. Foster served as the secretary of the Communist Party, campaigned for Governor of New York in 1930, and ran for President of the United States in 1924, 1928, and 1932. Other notable members include Joe Sgovio who was deported to Russia, where he died; and Will Geer, who played the grandfather on 1970's television program The Waltons. While most of the mugshots are of men, two depict women (Marion Simon and Stella Marie Harrison).

Also included in the collection is a folder of historical information on the photographs, collected by the donor and housed with the collection.

The Mayela Rodriguez Latinx Library Cartonera Collection consists of over 70 cartonera-style readers spanning 3 linear feet in 3 record center boxes that were created out of reclaimed materials in a series of workshops to address the lack of a distinct Latinx collection within the University of Michigan libraries. Led by Mayela Rodriguez (University of Michigan MFA, 2019), participants created cartoneras from crowdsourced materials such as book chapters, articles, and other forms of written works, as well as designed the covers of the cartonera readers to create "The Latinx Library." The collection includes published and original work from workshop participants, students in Latin American and Caribbean Studies, and Mayela Rodriguez. Published works originate predominately from Latin American/Latinx authors with significant themes such as culture and indigeneity, Latinidad and feminism, Latin American/Latinx history and politics, and Latinx identity.

The Mayela Rodriguez Latinx Library Cartonera Collection consists of over 70 cartonera-style readers spanning 3 linear feet. The collection was created as part of a project led by Mayela Rodriguez to address the lack of a distinct Latinx collection within the University of Michigan Library system. Referred to as "The Latinx Library," the cartoneras were created by participants in a series of workshops in 2019 using crowdsourced materials featuring fiction, poetry, articles, recipes, artwork, and more predominantly from Latin American and Latinx authors and scholars in English and Spanish. There are additional cartoneras within the collection created by students from Latin American and Caribbean Studies who have included original works. In addition, Mayela Rodriguez created several cartoneras within the collection. Major themes of the cartoneras include culture and indigeneity, Latinidad and feminism, Latin American/Latinx history and politics, and Latinx identity.

Other Projects and Scripts (6 linear feet) consists of material sent to Robert Altman for consideration as potential film projects. Frequently, Wren Arthur, Altman's assistant, would read and critique these materials, and serve as the contact person for the individual submissions. The material is generally from 1989 to 2003, and arranged by author's last name. Where possible, a submission date is noted.

Other Projects and Scripts (6 linear feet) consists of materail sent to Robert Altman for consideration as potential film projects. Notably, the series includes scripts by Elmore Leonard, Kurt Vonnegut, Tim Burton, Donald Freed, and Anne Rapp. Frequently, Wren Arthur, Altman's assistant, would read and critique these materials, and serve as the contact person for the individual submissions. The material is generally from 1989 to 2003, and arranged by author's last name. Where possible, date is noted. Occasionally, a cover letter was included with script submissions. Many of these projects were never produced, by Altman or any other filmmaker.

In addition, the series includes correspondence, treatments, and other documents from various scripts and projects that were sent to Robert Altman and rejected as potential projects. Much of the material consists of script cover letters sent to Altman with the accompanying return correspondence written by one of Altman's staff. These "passed projects" are arranged alphabetically by the script writer's last name where possible. Among them include script submissions from Carrie Fisher, Billy Baldwin, Paul Newman, Joan Tewkesbury, Linda Yellen, and Stanley Tucci. In addition, Altman was asked to consider such projects as Thank You for Smoking, Benjamin Button, Michael, and The Killer Inside Me.

Also included are various script treatments organized alphabetically by script writer. These treatments, or script coverages, were generally written by one of Altman's employees and included a summary of the script as well as a recommendation to pass or consider the project. The materials under the "possible projects" heading contain those projects that were considered by Altman in some capacity and often contain extended correspondence.

The materials contained under the description "Open-Directing Projects" are printouts sent to Altman by Addis Weschler & Associates describing films in various stages of production that are in need of a director.

This collection consists of correspondence, photographs, ephemera, publications, and A/V materials created or collected by Ms. Bob Davis, a transgender rights activist and professor of music at City College of San Francisco.

This collection consists of correspondence, photographs, ephemera, publications, and A/V materials created or collected by Ms. Bob Davis, a professor of music at City College of San Francisco.

The correspondence dates from the mid-2000s and centers around Ms. Bob and her students' efforts to convince CCSF to keep the position of Transgender Outreach and Advocacy Coordinator.

The photographs are 1970s press photos from a touring production of La Cage aux Folles. Ephemera relate to trans activism at CCSF. The publications folder includes "Inside Out," an interdisciplinary collaboration from CCSF that documents that experiences of trans individuals in the Bay Area. The news clippings cover transgender activism in the Bay Area and at CCSF. Contained in the oversize box is also a signed, wrapped clipping of an interview with Miss Major Griffin-Gracy, a survivor of the Stonewall Riots. Finally, the A/V folder contains a Lasses Record Company 45 vinyl single featuring music from Miss Rae Bourbon.

Scripts, newspaper articles and research, CDs, DVDs, and ephemera pertaining to Glenda Dickerson's project for "Transforming thru Performing: re/placing Black womanly images." The original goal of The Project was to enter the Black woman's performing voice into the scholarly discourse surrounding gendered identity. Out of it was created a series of performance dialogues called Kitchen Prayers. After 9/11, Kitchen Prayers revolved around stories which spoke to the impact of war and terror on women around the world.

Scripts, newspaper articles and research, CDs, DVDs, and ephemera pertaining to Glenda Dickerson's project for "Transforming thru Performing: re/placing Black womanly images." "…the original goal of The Project was to enter the Black woman's performing voice into the scholarly discourse surrounding gendered identity. Towards that end, we began a series of performance dialogues called "Kitchen Prayers". After 9/11, "Kitchen Prayers" revolved around stories which spoke to the impact of war and terror on women around the world…" (from the exhibit listing in Deep Blue)