Collections : [University of Michigan Special Collections Research Center]

American poet; co-founder of the Jack Kerouac School of Disembodied Poetics at Naropa University. Papers include correspondence, poems, essays, photographs, art, biographical material, and audiovisual materials.

The Anne Waldman Papers were purchased by the Special Collections Library in 1998. Periodic additions to the collection have been made.

The papers document Waldman's personal and professional life from childhood to adulthood in great detail, and provide a rich and unique source for the study of American poetry. The collection includes textual material, photographs, audiovisual material, and artwork that extensively document Waldman's writing, publishing and performance efforts; her administrative leadership and teaching activities at the Poetry Project at St. Mark's Church-in-the-Bowery and Naropa University's Writing and Poetics program; and her relationships and interactions with a remarkable number of prominent poets, writers, and artists.

The Biographical series (approximately .5 linear feet) contains biographical summaries written by Waldman and others, resumes, travel and work itineraries, and publicity material such as press releases, pamphlets, and quotes and "blurbs" for books.

A highlight of the series is Waldman's autobiographical essay and drafts for the Contemporary Authors' series. A small folder of poems written about Waldman is also included. The researcher should note that additional material written about Waldman can be found in the Correspondence and Name File Series.

The Correspondence and Name File series (25 linear feet of material, divided into several subseries) provides insight into Waldman's professional activities and relationships, and her personal relationships with many poets, writers, and artists. Poets including Allen Ginsberg, Ted Berrigan, Joe Brainard, Tom Clark, Diane di Prima, Kenward Elmslie, Joanne Kyger, Bernadette Mayer, Ron Padgett, and many others are well represented in the series, as are visual artists such as Alex Katz, Jasper Johns, Robert Mapplethorpe, Larry Rivers, and James Rosenquist. Material in the Correspondence and Name File was created during Waldman's college years and adulthood (approximately 1962-1999). Correspondence from Waldman's childhood and teenage years, and correspondence with family members can be found in the Early Years and Family series respectively.

The Name File subseries is an alphabetical file consisting primarily of more prominent personalities and frequent correspondents. Although the bulk of the material in the Name File is correspondence, manuscripts and other material created by or related to the person listed may also be found in the files. Where large amounts of material related to a person exist, the type of material has been grouped by genre and indicated separately in the finding aid. In cases where the type of material is not listed separately, the file contains mainly correspondence, but may also include small amounts of other material, most likely manuscripts. The researcher should note that some manuscripts submitted to Waldman and a small amount of correspondence related to Waldman's specific publishing ventures or specific subjects have been left with the appropriate subject file or organizational records.

The Miscellaneous Correspondence subseries contains more routine correspondence. This subseries is arranged alphabetically.

The Unidentified and Fragments subseries consists of approximately .75 linear feet of material from correspondents who did not identify themselves, identified themselves by their first name only, or whose signatures were illegible. This material is arranged chronologically, and is divided in to unidentified correspondence and unidentified manuscripts. Although every effort was made to arrange correspondence in the appropriate place in the Name File and Miscellaneous Correspondence subseries, researchers interesting in viewing all the correspondence from a particular person may want to examine the Unidentified and Fragments subseries.

The series also includes two folders of Anne Waldman's outgoing correspondence, as well as several folders of printouts of Waldman's outgoing and incoming email. The email correspondence spans the years 1997 and 2009. Researchers should note that there is substantial overlap between the Email and Correspondence and Name File subseries.

The Writing series (11 linear feet) consists of Anne Waldman manuscripts and other material, such as correspondence, administrative files, and ephemera, related to her writing. This series is divided into five subseries: Early Work; Fiction; Essays, Speeches, and Interviews; Poetry; and Contributions to Other Works.

The Fiction sub-subseries is divided into Drama and Short Stories. Much of this material is also early work, from Waldman's college years or shortly thereafter. Within Drama and Short Stories, the pieces are arranged alphabetically by title.

Essays, Speeches, and Interviews comprises Waldman's prose work, consisting of essays, articles, speeches and addresses, and interviews, as well as book blurbs, introductions, forewords, and reviews. Many of these pieces exist in various stages, from handwritten notes to published articles. The Essays grouping contains essays and articles written for various publications. The Speeches grouping, arranged chronologically, consists of speeches and speaker introductions made by Waldman at various events. Undated material is located at the end of the section. The Interviews grouping is divided into interviews of Anne Waldman by others, arranged chronologically, and interviews of others, which for the most part have Waldman as either interviewer or co- interviewee. These interviews are arranged alphabetically by name of interviewee.

Also included in the Essays, Speeches, and Interviews subseries are "Biographical Sketches" of other authors. (Biographical and autobiographical sketches of Anne Waldman can be found in the Biographical series.) Most of these sketches appear to have been written by Waldman, although some were contributed by the authors themselves. In addition, the researcher will find a Notes grouping, made up of Waldman's loose collected notes, both literary jottings and everyday work lists. Some of the notes are of unknown authorship, although a few appear to have been Reed Bye's.

The Poetry subseries is divided into two sub-subseries, Published Works and Single Titles. Although Waldman's poetry can be found throughout the Writing series--and indeed throughout the entire collection--the bulk of it resides here. Published Works incorporates Waldman's stand-alone or collected works, most but not necessarily all of which have been published. The Published Works sub-subseries begins with an Alphabetical File containing Waldman's shorter works intended for publication. These files are arranged alphabetically by title.

A Collaborations section of collaborations between Waldman and others, and a Translations section, with a small number of works by others which Waldman translated or helped translate into English are also included in the Published Works subseries. The Collaborations section is arranged alphabetically by collaborator. The translation section contains only three works, which are arranged alphabetically according to the original author.

The Published Work subseries also contains three linear feet of separate material for Iovis I, II, and III and Kill or Cure. This material consists generally of original manuscripts (handwritten drafts and typescripts) of single poems, drafts of the whole work, proofs, and a small amount of related correspondence. The Iovis I and Iovis II files strongly reflect Waldman's work process for the creation of these long, fragmentary epic poems. Namely, the Notes Drafts, and Research Material files, which have been left almost as-is, consist of seemingly randomly arranged clippings, correspondence, previously written material, and many different current drafts, merged together. The researcher may find this portion of the collection difficult to use, owing to its haphazard arrangement. Items which seemed of special significance have been flagged or pulled and foldered separately, the "Questions for men for Iovis" being one example. In some cases, the original has been removed and placed elsewhere within the collection. Details are noted in the contents list. Among these items are poems by Waldman's son, Ambrose, and letters written by Anne Waldman's grandfather to his future wife (due to extremely their fragile condition, the originals have been removed and placed in separate storage). The other portions of the Iovis material present a clearer arrangement, consisting as they do of draft and proof copies of the entire work. The Iovis III portion to date is quite small, consisting only of a version of Waldman's journal entries from a trip to Vietnam in 2000.

The material used in Kill or Cure has a clearer organization, although it should be noted that much of the content and order within the "Drafts/Collected Poems" portion remains unclear. It was impossible to ascertain whether some of the pieces included in the original folders labeled "Kill or Cure" were originally intended for the book and not used, or if they became misfiled. Too, some material may be missing, removed by the author from its original location in order to be used for other purposes, such as the creation of Iovis II . In fact, there is considerable overlap between some of the material in Iovis and Kill or Cure, the latter being published in between Iovis I and Iovis II .

Single Titles consists of the many loose poems that were originally scattered throughout the collection and which could not be easily placed within the context of a larger work. They are arranged alphabetically by title or first line. There are several folders of poem fragments as well, found at the end of this grouping. In the case of some of these poems, it has been difficult to ascertain whether they are in fact fragments or are rather complete, untitled poems. In general, when the title of a poem has undergone changes, all of the drafts of that poem have been grouped under what appears to be the latest version of the title. There may, however, be some exceptions to this arrangement.

Contributions to Other Works is a small subseries consisting of pieces which Waldman wrote for publication in larger works by other authors. Both poetry and prose works are represented here.

The Journals and Notebooks series (5 linear feet) consists of more than 110 journals, notebooks, appointment books, and address books kept by Anne Waldman. (For the sake of convenience, all of these items are referred to here as "journals.") A small number of journals kept by others is also represented. The journals offer a diverse array of content, from random jottings and to-do lists, to literary notes and drafts, to intensely personal diaries. In some cases distinct literary pieces have been recorded, and sometimes the line between journal and handmade book is somewhat blurred. There are collaborative works, such as those with Bill Berkson and Reed Bye. Other pieces were clearly written for friends such as Joe Brainard, Jim Carroll, and others.

The Journals and Notebooks series is broken into two subseries, Anne Waldman and Others, representing journals kept by Waldman and journals kept by others. The Anne Waldman subseries is arranged chronologically by decade, from the 1960s through the 1990s. There are many undated journals as well. The Others subseries contains journals by Lewis Warsh (including one that was co-written with Waldman) and journals very likely by Reed Bye. Of note within one of the journals from the 1970s in the Anne Waldman subseries is a drawing of Anne Waldman made by Bob Dylan.

The Editing and Publishing series (approximately 12.5 linear feet) is comprised of Anne Waldman's work in editing and publishing, often as a joint venture with those in her circle. The most important subseries, Small Press and Little Magazine, represents her work with The Poetry Project at St. Mark's Church-in-the-Bowery, Angel Hair, Full Court Press, and Rocky Ledge. For the most part, all of the Small Press and Little Magazine files consist of a mixture of the literary--manuscript contributions, drafts, mockups, proofs--and the administrative--reports, correspondence, sales and expense records, and so forth.

Perhaps the most significant portion of Small Press and Little Magazine, the Poetry Project grouping is divided into General, Adventures in Poetry, The World, and St. Mark's Church. "General" consists of correspondence; administrative material such as reports, notes, and budgets; poster, flyers, and other performance-related material, including speeches and introductions to Poetry Project events. Correspondence is related to the running of the Poetry Project, the newsletter in particular. Much of this correspondence appears to have been managed and kept by Frances Waldman, who edited the Poetry Project Newsletter from 1976 to 1978. There are also loose poems, which were printed and distributed singly, and many issues of the Poetry Project Newsletter (although not a complete run), along with original manuscript submissions for the newsletter.

Adventures in Poetry was a mimeographed literary magazine edited and published at St. Mark's Church by Larry Fagin using Poetry Project resources. A small number of submissions and publications appear here.

The most important division within the Poetry Project grouping are the files relating to The World, the magazine of the Poetry Project, which Waldman directed from 1968 through the late 1970s. Included are what can loosely be labeled "Administrative Material" as well as Submissions. Two files of Administrative Material are topical in nature, including an Author-title Index from 1979. In addition, there are the usual minutes, mailing lists, and the like. Submissions are for the most part arranged alphabetically by author. There are also two folders with material specific to individual issues of The World . Items of unknown authorship are placed at the end of these files. The researcher may find the aforementioned Author-title Index of some assistance in identifying these submissions.

"St. Mark's Church" refers to items which are church-specific; that is, related to St. Mark's as a religious institution or physical entity rather than to the Poetry Project: Such concerns as building preservation and restoration, youth projects, and church services are covered. Much of this material appears to have been maintained by Frances Waldman, including but not limited to files which are labeled as hers.

The Angel Hair files consist of material from Angel Hair Books and Angel Hair magazine, both of which Waldman co-founded and co-edited with Lewis Warsh. Press and magazine materials are commingled. Angel Hair is divided into Catalogues, Administrative Material, Proofs, and Submissions.

Full Court Press, which Waldman started with Ron Padgett and Joan Simon, was dedicated to publishing quality editions of out-of-print works. The volume of material in this collection is quite slim, consisting of only one folder.

Rocky Ledge refers to the mimeographed magazine, Rocky Ledge, which Waldman started with Reed Bye in Boulder. It was published in eight issues from 1978 to 1981. Some books were also published through Rocky Ledge Cottage Editions. There is a folder of general Administrative Material and another slim folder of manuscripts published by Rocky Ledge Cottage Editions. In keeping with the original organization of the material, the rest of the files are arranged by the individual issue of Rocky Ledge , with administrative materials mixed in with each issue of the magazine. Types of material found in the Rocky Ledge files include draft or mockup versions of the magazine; manuscript submissions; correspondence; cover art, both originals and facsimiles; receipts; and editors' notes. In some cases, the original manuscript submissions appear to have been used in the creation of the draft versions of the magazine. A separate division deals with submissions that were either not used in Rocky Ledge, may not have been intended for use in Rocky Ledge in the first place, or are unidentified.

Also included is a small amount of material labeled "Cherry Valley." Waldman summered in this small New York town in the late 1970s, Waldman's family and Allen Ginsberg maintained houses there for a time, and some work produced by Waldman and her circle was published by "Cherry Valley Editions." However, the exact nature and extent of literary activity from this period and location is unclear, and extant files in this collection are unrevealing.

The rest of the Editing and Publishing is divided along the lines of the individual book titles which Waldman edited or co-edited: The Beat Book, Nice to See You, Out of This World, Talking Poetics, and Disembodied Poetics.

The Beat Book files consist of some correspondence and, primarily, a draft version and a proof version of the work. Nice to See You, which is a tribute to poet Ted Berrigan, consists mainly of submissions by friends of Berrigan's. There are also files of background material, notes, a small number of photographs, correspondence, a draft, proofs, and publicity and reviews. Out of This World is an anthology of work from The Poetry Project. The Out of This World files consists of correspondence (dealing mainly with publishing permissions), early versions of the preface and introduction, drafts, and proofs.

Both Talking Poetics and Disembodied Poetics are anthologies of lectures delivered at Naropa University by Writing and Poetics Department faculty and visiting poets. These files are comprised mainly of transcripts of these lectures; manuscript reworkings and revisions by the authors; correspondence between authors, editors, and publishers; and various drafts of the whole work. In some cases, the name referenced in the correspondence file is the subject of the correspondence rather than its author. Administrative material is also included.

In the Talking Poetics files, the Drafts and Proofs section is divided into Early Work and Complete Drafts. Much of the Early Work section is fragmentary in nature, in particular, the Early Drafts material. Although at some time all of the individual pieces of Early Drafts were collated and paginated, much is missing or has been placed elsewhere. The existing pieces are now arranged alphabetically by author. Particularly noteworthy in this section is a handwritten John Cage score, a part of his work Lecture IV. Complete Drafts are arranged by page number.

The Disembodied Poetics files are arranged in a similar fashion, with individual pieces placed in the Early Contributions and Ideas and Early Drafts portions and later, more complete drafts arranged in or nearly in book order. It should be noted that the designations of the drafts as "A," "B," and "C" were assigned during processing and do not necessarily reflect chronological order. The order within each draft follows the table of contents for that draft, none of the drafts being paginated as a whole.

The subseries, General Publishing, consists of miscellaneous contracts, proposals, copyright application material, and financial material covering royalties, honoraria, book sales, and so on. The Unpublished material subseries consists mainly of miscellaneous pieces of writing that could be part of books that are published or unpublished or drafts of works with an unknown title.

The Naropa series (8 linear feet) consists of material related to Waldman's involvement with the Naropa Institute, now Naropa University, in Boulder, Colorado. It is comprised of the following subseries: Course Material, Administrative Material, Conferences and Panels, Publications, Printed Material, Other Teaching Activities, and Personal.

Course Material is divided into the following sub-subseries: Anne Waldman, Others, and Summer Writing Program. Anne Waldman course material is arranged chronologically and topically and contains many sourcebooks or bound copies of readings for her classes. Course material of others is arranged primarily chronologically, as is, for the most part, material from the Summer Writing Program. The Summer Faculty and Visiting Poets folder under Course Material includes contracts, correspondence and resumes from guest lecturers such as Amiri, Baraka, Ted Berrigan, Diane Di Prima, Tom Clark, Robert Creeley, Kenward Elmslie, Joy Harjo and Harry Smith and is organized alphabetically. Administrative Material is divided into General, Writing and Poetics Department, and Summer Writing Program. Within all levels of the Administrative Series can be found correspondence which includes emails, memos, minutes and reports, planning material, notes, etc. "Early Planning Material" within the Writing and Poetics Department files includes documents penned by Anne Waldman and Allen Ginsberg which formulate aspects of the founding of the Jack Kerouac School of Disembodied Poetics. Also included in the Writing and Poetics files are departmental newsletters. Student and instructor evaluations also appear. Evaluation files, barring those of Anne Waldman, are closed due to privacy legislation and concerns.

Conferences and Panels consists of notes for talks given at Naropa along with transcripts and schedules. Speeches and Interviews covers those speeches and interview given at Naropa, although there may be some overlap with material in the Writing series. Speeches are arranged chronologically. "A Declaration of Interdependence," although grouped with Speeches, is not a speech per se, but rather a protest document mirroring in structure the Declaration of Independence. It was penned by multiple authors, including many Naropa faculty members as well as other poets and activists. Interviews are listed alphabetically by interviewee.

Publications consist of Campus Periodicals (student newsletters and literary magazines); Class Publications, including those of the Summer Writing Program; and a small number of works by faculty members. Printed Material consists of Catalogs and Brochures; Posters, Flyers, and Programs; and Clippings. Arrangement at the folder level is chronological. Additional class publications can be found within the Course Material subseries.

In addition to her role at Naropa, Waldman has taught at several other institutions. These activities are reflected in the Other Teaching Activities subseries, which includes work at the Schule für Dichtung in Vienna and the Stevens Institute of Technology in New Jersey, among other institutions. Because the bulk of Waldman's teaching activities is tied up with Naropa, these files are included within the Naropa series. Material for each institution is arranged chronologically.

The final subseries of the Naropa series is Personal, which includes ephemera, correspondence, topical files, contracts, and notes. Correspondence is both incoming and outgoing and consists of both Naropa-related 'official' correspondence that is addressed solely to Waldman and correspondence that is personal in nature but which refers to Naropa (here, there will naturally be some overlap with Waldman's correspondence in the Correspondence and Name file series). Material within folders is arranged chronologically.

The Other Activities series is comprised of 1 linear foot of material, and documents Waldman's activities outside of writing and publishing. The series includes material related to conferences and festivals that Waldman attended or participated in, as well as material related to Bob Dylan's Rolling Thunder Revue Tour, various video and audio recording projects, and attempts to sell Waldman's archive, or portions of it. The series also includes a significant amount of material documenting Waldman's involvement in social protest issues.

The Personal series is a topical file consisting of 1.5 linear feet of material not primarily related to Waldman's writing or professional activities. Material documenting Waldman's interest in Buddhism and her 1967 wedding to Lewis Warsh can be found in the series. Of particular note is a collection of memorabilia, including material from Waldman's travels, and various playbills, museum programs and ticket stubs. Legal and financial records, as well as various and unidentified notes, jottings and telephone messages, are also included in this series.

The Early Years series contains 2 linear feet of material documenting Waldman's school years, as well as her early interests in writing, acting and drama. The series includes material from Waldman's elementary school, middle school, high school and college years. Early writings can be found in each of the Pre-High School, Friends Seminary and Bennington College subseries, as well as the Early and Unidentified Writings subseries. Highlights include childhood and family newsletters titled "Our Life and Times" and "The Penguin News," school publications in which Waldman was first published, production material from Waldman's high school newspaper (of which she was editor), and manuscripts and typescripts of early poems. The Friends Seminary and Bennington College subseries contain class notes and papers, a high school report card, college grade reports and other school-related material. The Bennington College subseries also includes correspondence and notes from Howard Nemerov and other professors.

The Acting and Theater subseries includes material from various productions, theater companies and organizations with which Waldman was involved in the 1950s and 1960s. The Correspondence subseries consists primarily of correspondence from Waldman's middle school and high school friends, but also includes a folder of notes that appear to be notes passed in class. This folder also includes school love poems that appear to have been written for Waldman. The Early and Unidentified Writing subseries consists primarily of unidentified or undated material that could not filed with the other subseries.

The Family series (approximately 4 linear feet and 1 oversize box) includes material related to Waldman's mother, father, brother, son and other relatives.

The bulk of the series is comprised of material created by, or related to Waldman's mother, Frances Waldman. The Frances Waldman subseries includes 1.5 linear feet of correspondence between Waldman and her mother, spanning the years 1958-1981. Several folders of Frances Waldman's correspondence with other people, including many New York poets and writers, can also be found in the subseries.

The subseries also includes several folders of Frances Waldman's manuscripts, translations and miscellaneous material. Although the majority of the material related to other family members is correspondence, manuscripts and other material can also be found in the series. Of special note are the manuscripts found with the Ambrose Bye material, which include some poems written with or transcribed by Anne Waldman.

The Handmade Books series (3 linear feet) is comprised of one-of-a-kind books made by Waldman and her friends. Often they were presented as gifts on special occasions. They are divided into three subseries: Anne Waldman, representing books by Waldman; Collaborations, representing collaborations between Waldman and others; and Others, that is, works by others.

Included in Others are books printed at Naropa University either through a print workshop or class, or through the school's Kavyayantra Press. Within the Waldman subseries, books are listed alphabetically by title, with untitled books at the back. Collaborations, all of which have Waldman as a coauthor, are arranged alphabetically by the collaborator's last name, as are works in the Others subseries.

Many of the handmade books bear inscriptions indicating maker, recipient, date, and other information, which has not been included in the contents listing. Included in the Handmade Books series are some limited edition volumes, such as those produced by Waldman's Erudite Fangs Press.

The Printed Material series (4 linear feet, 1 oversize box, and 1 portfolio) encompasses the subseries Broadsides; Posters, Flyers, and Programs; and Clippings. Broadsides are broken down into those by Anne Waldman, Collaborations (between Waldman and others), and Others--that is, works by others. Within these divisions, work is arranged alphabetically, first by author, then by title. Also included in Broadsides are postcards and bookmarks printed by various small presses. Oversize broadsides are housed separately.

Material in the Posters, Flyers, and Programs subseries is for the most part grouped chronologically. Separate, topical divisions have been made for undated material. Small press book catalogs and newsletters are included as separate divisions. Oversize posters are housed separately. The section labeled "Newsletters" consists of should really be viewed as a set of clippings, consisting as it does of single issues of various newsletters and some journals, most of which appear to have been saved for particular articles.

Clippings are arranged in rough chronological order by decade, where date is known. The vast majority of the clippings pertain to Waldman and her circle, although some clippings reflect topical interests. Some of these appear to have been saved by Waldman's mother, Frances LeFevre Waldman. In some cases, whole publications have been saved, either due to their content or to their rare or unusual nature.

Art (1 linear foot, 10 oversize boxes, and 1 portfolio) is made up of artworks by Waldman and her family and friends, as well as various pieces she has collected over the years. Work in many different media exists, including prints, paintings, sketches, drawings, and collages. Much of Waldman's work consists of prints done while a student at Bennington College. There are also exquisite corpses (collaboratively created pictures and writings, done in-the-round) by Anne Waldman, Reed Bye, and Ambrose Bye. According to Waldman, this was a frequent after-dinner pastime when Ambrose was young, and friends and guests, such as Bobbie Louise Hawkins, were invited to participate.

Cover Art includes "Collaborations," which consist of collaborative book-length works and not just cover art per se. Additional cover art may be found in the among the Rocky Ledge files within the Editing and Publishing series. Noteworthy among the artists represented are George Schneeman and Joe Brainard.

The Photographs, Slides and Negatives series consists of approximately 2.5 linear feet of photographic materials documenting a variety of subjects, including Waldman's childhood and school years, her large circle of friends and colleagues, and her publishing and performance activities.

The Personal subseries contains personal and informal photographs of Waldman and others. Photographs in the "Family and childhood" folder include photographs of Waldman as a child, as well as other family members. The high school and college photographs include several photographs of Waldman as a young actress. The bulk of the Personal subseries consists of the "Friends and colleagues" photographs. These photographs include images of many prominent late twentieth century poets, Waldman's husbands and significant others, and other friends and colleagues. Waldman herself is pictured in some of the friends and colleagues photographs.

One of the strengths of the Professional subseries is the large amount of photographs of Waldman performing. The performance photographs, which date from the late 1960s to mid 1990s, sometimes include images of other poets and performers. Also included are several folders of portraits and publicity photographs, photographs created for various book and publishing projects, photographs of Bob Dylan's Rolling Thunder Revue Tour, and photographs documenting Waldman's activities at Naropa University and the St. Marks Poetry Project. The St. Mark's photographs include images of New York School and other poets performing at the church. The Professional subseries also includes several photographs taken by photographer, poet, and filmmaker Gerard Malanga. Although Malanga photographs can be found within several of the groupings in the Professional subseries, the majority can be found within the portraits grouping. A Malanga portrait of Waldman and her mother, Frances, has been filed with the family photographs.

The Outsize subseries consists of photographs too large to be housed with the rest of the photograph series. The highlights of the outsize photographs include two photographs taken by Allen Ginsberg which include handwritten captions by Ginsberg.

The Albums and Scrapbooks subseries complements the friends and colleagues photographs found in the Personal subseries. In addition to photographs documenting Waldman's travels in Greece and Egypt in the early sixties, the albums contain numerous photographs of Waldman and her circle in the late sixties and early seventies. Photographs of Lewis Warsh, Michael Brownstein, Joe Brainard, Ron Padgett, Ted Berrigan, Tom Clark, Bill Berkson, and others can all be found in the albums. The albums have been arranged chronologically.

The Slides and Negatives subseries consists primarily of miscellaneous and unidentified slides and negatives. The subseries does contain a few slides of Waldman performing.

The researcher should note that a small number of photographs sent to Waldman by specific correspondents can be found within the Correspondence and Name File series.

The Audiovisual Series has been divided into four subseries: Sound Recordings, Video Tapes, DVDs, and Digital Files. The series provides a unique perspective on Waldman's activities, and thus complements and expands the manuscript and photographic holdings. Including recordings of readings, lectures, and interviews given by Waldman and others, the series strongly represents the sounds and voices of late 20th century American poetry.

The Sound Recordings subseries has been organized according to format, including LPs and 45s, Compact Discs, Reels, and Audio Cassettes. In order to facilitate access, each sound recording has been numbered. Recordings are numbered sequentially within each subseries. Titles indicated in quotation marks in the finding aid are quoted directly from the labels of the recordings. In a few cases, particularly within the Commercial Recordings grouping, quotation marks are also used to indicate the title of a poem or work.

The LPs and 45s, Compact Discs, and Reels represent a relatively small part of the subseries. The LPs and 45s include the 1977 LP "John Giorno and Anne Waldman," as well as Waldman's "Uh-Oh Plutonium" 45, and a "voice-o-graph" recording of Waldman and Michael Brownstein. The Compact Discs subseries consists of commercial recordings of Waldman, including a live 1991 performance in Amsterdam which includes an accompanying booklet of poems.

Reels include recordings related to a variety of subjects. Included are Waldman performances at radio stations and elsewhere, television shows related to poetry, a commercial recording of Fast Speaking Woman , and a recording of Waldman while acting. To facilitate access, the recordings in this group have been transferred onto recordable compact discs. The numbering and labeling of the compact discs corresponds to the numbering of the reels.

The largest part of the subseries is comprised of Cassettes, which include readings and lectures by Waldman and other poets, interviews, radio broadcasts featuring Waldman, commercial recordings, Waldman's recording projects, and other miscellaneous recordings. Spanning the years 1971-2002, the readings include recordings of Waldman reading with Ted Berrigan, Allen Ginsberg, Diane di Prima, Gary Snyder and others. In addition, there are several recordings of readings not by Anne Waldman, including performances by Ginsberg, John Ashbery, Robert Creeley, Philip Whalen and others. Lectures by Waldman at Naropa Institute and in other settings, and lectures by William Burroughs, Allen Ginsberg, Ted Berrigan, Carl Rakosi, and Peter Orlovsky are included.

Interviews and conversations represent the strongest part of the series. In addition to an interview of Waldman conducted by Larry Fagin, tapes of interviews of Joe Brainard, Edwin Denby, Diane di Prima, Robert Duncan, Allen Ginsberg, and Philip Whalen are included, many conducted by Waldman. There are two recordings of "conversations," one with Waldman, Clark Coolidge, Lewis MacAdams, and others, and one with Waldman, Tom Clark, Lewis Warsh, Lewis MacAdams, and Philip Whalen. Of note is a cassette recording of Allen Ginsberg orally composing the introduction to Talking Poetics from Naropa Institute: Annals of the Jack Kerouac School of Disembodied Poetics. To facilitate access, the cassette recordings have been transferred onto recordable compact discs. The numbering and labeling of the compact discs corresponds to the numbering of the cassette tapes.

Video recordings consists of 42 VHS videocassettes, one 8mm film reel and ten DVDs. The readings, performances and lectures grouping includes performances from 1990 to 1998 and is the primary strength of the subseries. In addition to Waldman's performances, the tapes include readings by Allen Ginsberg, Gary Snyder, Michael McClure, Ed Sanders and others. Most of the tapes in the programs and television shows grouping were produced commercially or for television shows. The highlight of the grouping is a tape which includes seven episodes of "Word One," a Boulder, Colorado cable access television show hosted by Waldman, which includes performances by Allen Ginsberg, Kenward Elmslie and other poets. The programs and television shows grouping also includes a tape of "poetry videos" from the Manhattan Poetry Video Project, including music videos of Waldman's "Uh-Oh Plutonium," Allen Ginsberg's "Father Death Blues," and Bob Holman's "Rapp It Up." The personal and miscellaneous grouping includes a videotape copy of a home movie of Waldman, Lewis Warsh, Ted Berrigan and others. DVD copies of the first 27 videotapes and the film reel in the subseries (WALDVID-1 to WALDVID-27) are available for viewing in the reading room of the Special Collections Library, with advance notice for retrieval and setup. The ten original DVDs in the subseries are labeled with the prefix WALDDVD- and consist mainly of Anne Waldman poetry readings, and collaborative events such as Transatlantic Howl! A Dedication to Allen Ginsberg, a multivenue event featuring poetry readings and poetic theatre pieces celebrating Ginsberg's poem Howl.

The Digital Files subseries includes backups of email correspondence, files on Waldman's poems and books, such as parts I and II of the Iovis Trilogy and the anthology Civil Disobediences, and interviews. Most of these materials are stored on floppy disks and have not been transferred to viewable digital media.

Ardis Press was an independent publishing house in Ann Arbor founded by Carl and Ellendea Proffer in 1971 that was dedicated to the printing of Russian literature. The publishing house was known both for their English translations of previously untranslated works, as well as Russian printings of 20th Century Russian and Soviet authors. Additionally, they would print the works of contemporary Russian authors as well as anthologies and literary criticisms. Ardis operated from 1971-2002 when it was sold to Overlook Press. The majority of the materials in this collection are from the 1970s-1990s. Noteworthy pieces of this collection include the Russian anthology Metropol, the Russian Literature Triquarterly, and correspondence and manuscripts from a variety of Russian authors, including: Lev Kopelev, Vladimir Nabokov, Osip Mandelstam, Marina Tsvetaeva, Joseph Brodsky, and Sasha Sokolov.

Materials have been divided into seven series. 1. Author/Name Files: This series includes correspondence, manuscripts, newspaper articles, contracts, and publishing materials for Russian authors and translators. Materials are arranged by author's last name.

2. Collected Works/Corporate Authors: This series includes correspondence, manuscripts, newspaper articles, and publishing materials from corporate authors or anthologies of works. Materials are arranged by corporate name or anthology name.

3. Business Records: This series includes materials related to the operation of Ardis Press. It will have three sub-series: Publicity, Company Information, and Author Personnel.The Publicity sub-series includes will have three further sub-series: Reviews, Articles/Exhibit Info, and Marketing/Advertising. Reviews are arranged by author's last name, and both Articles/Exhibit Info and Marketing are arranged by subject. The Company Information sub-series includes sales information and records about Ardis. It is arranged by subject. The Author Personnel series includes three further sub-series: Royalties, Contracts, and Rights. The Royalties series has correspondence, invoices, and documentation for author's royalty statements. It is arranged by author's last name. The Contracts series includes contracts and documentation between authors and Ardis and is arranged alphabetically. The Rights series has documentation, invoices and correspondence regarding copyright and use permissions. It is arranged by subject.

4. Media: This series includes photographs, negatives, slides, audio, and visual materials from Ardis and its employees, authors and their families, Russia and the Soviet Union, and various interviews. Materials are arranged into two sub-series: Photographs + Albums, and Video + Audio. Materials are arranged by media type.

5. Artwork: This series includes artwork from Russian artists, some used for book covers. Materials are arranged by artist last name.

6. Carl and Ellendea Proffer Personal Papers: This series includes documentation, correspondence, awards and programs related to Carl and Ellendea Proffer. Materials are arranged by subject.

7. Non-Ardis Materials: This series includes documents, booklets, and posters from Russian sources but that are not related to Ardis. Materials are arranged by subject.

The Ari J. Kane Papers (1976-2016) document the activities of the sex and gender studies therapist, educator, and advocate Ari J. Kane, who founded Fantasia Fair and the Outreach Institute for Gender Studies (OIGS). The collection contains personal materials such as correspondence, research materials, educational presentations created by Kane, and other miscellaneous materials from Kane's involvement in the LGBT community. Included in the collection are organizational correspondence and records relating to the Outreach Institute of Gender Studies and the Educational Institute for Sex and Gender Diversity. Also included are event programs, planning information, workshop materials, member lists, and correspondence from events and programs such as Fantasia Fair, the Gender Attitude Reassessment Program, GAYLA, and various professional organizations' annual meetings. The collection contains photographs from Kane's participation in events, parties, and travels around the United States.

This collection documents the activities of Ari J. Kane, who founded Fantasia Fair and the Outreach Institute for Gender Studies (OIGS), and was a sex and gender studies therapist and educator. The collection contains personal materials such as correspondence, research materials, educational presentations created by Kane, and other miscellaneous materials from Kane's involvement in the LGBT community.

It also contains materials documenting the OIGS, such as organizational correspondence; financial records; board of directors meeting minutes; endeavors with organizational support such as the Gender Attitude Reassessment Program (GARP), Fantasia Fair, and the Journal of Gender Studies; publications created by and collected by the OIGS; and miscellaneous promotional materials and flyers. Gender Attitude Reassessment Program materials consist of drafts; research materials; workshop proposals, exercise handouts, and transparencies; correspondence; and a completed manuscript. Fantasia Fair materials consist of event programs, member lists, correspondence, planning notes, newsletters, and flyers. Journal of Gender Studies materials consist of issue proofs, submissions and content to be published, flyers, and mailing lists.

The Educational Institute for Sex and Gender Diversity (EISGD) is also documented in the collection. The EISGD is an offshoot of the Outreach Institute for Gender Studies that formed around 2001-2002. These materials contain organizational correspondence and records such as meeting minutes, expense reports, brochures, and flyers.

The Conferences and Events series contains materials relating to events that Kane was a part of, as well as conferences she presented at or attended. The GAYLA subseries consists of event programs, correspondence, photographs, newsletters, member lists, and planning notes. GAYLA is an annual summer event for gay men held at Ferry Beach, Maine. The American Association of Sex Educators, Counselors, and Therapists (AASECT) subseries contains conference event programs, presentation proposals and submissions, correspondence, workshop materials, research articles, and AASECT publications. Most of the materials in this subseries relate to Dave Prok, a longtime board member of OIGS and EISGD and professor at Baldwin Wallace University in Berea, Ohio. Prok served as a conference proposal abstract reviewer for AASECT. The Easton Mountain subseries contains brochures, event programs, notes, newsletters, and materials relating to Gay Spirit Camp and the Maturing Gay Man series of workshops. Easton Mountain is a retreat in upstate New York. Ari J. Kane and Dave Prok collaborated on a workshop for aging gay men called the Maturing Gay Man that they presented at Easton Mountain. The Various Conferences subseries contains event programs, invitations, correspondence, proposals, and presentations from many different events.

The Photographs series consists of photographic prints and photograph albums. The photograph albums depict Fantasia Fair and GAYLA events. The photographic prints depict various events such as Fantasia Fair; GAYLA; Society for the Scientific Study of Sexuality and American Association of Sex Educators, Counselors, and Therapists conferences; parties and celebrations; and various travels around the United States. People depicted in the photographs include Ari J. Kane, Jane Peabody, Carole Mayfield aka Dick Arms, Bob Cowart, Winnie Brant, Ron Roy, and Candy Scott, among others. The photographs remain in original order.

The Audiovisual Material series consists of VHS tapes, cassette tapes, floppy disks, and compact discs containing media from Fantasia Fair 1994 and 1996, The Sissy Show, the Gender Attitude Reassessment Program.

This collection contains correspondence to Austrian composer Arnold Schönberg from fellow composers, musicians, and friends, including conductor Wilhelm Furtwängler, Austrian conductor Heinrich Jalowetz, Franco-Polish composer and conductor René Leibowitz, writer Klaus Mann, pianist Artur Schnabel, and American cellist and conductor Alfred Wallenstein. The correspondence covers five decades, including his move to the United States following the Nazis' rise to power in 1933.

The Schönberg papers consist of correspondence written to Schönberg from fellow composers, musicians and friends. Correspondents include the conductor Wilhelm Furtwängler, Austrian conductor Heinrich Jalowetz, the Franco-Polish composer and conductor René Leibowitz, the writer Klaus Mann, the pianist Artur Schnabel, and the American cellist and conductor Alfred Wallenstein. The correspondence is in German, French and English. In addition to this finding aid, the Special Collections Library holds a more extensive inventory of the papers.

Consists of 10 letters from Arthur Lowell to Iva Hutchinson and 2 from Will Hutchinson to Iva Hutchinson.

Corporal Arthur J. Lowell, Company "D", 35th Infantry, U.S. Army, wrote these ten letters to Iva Hutchinson between February 14, 1900 and January 10, 1901. Lowell writes of going into the mountains to "clear out insurectos," the number of dead and captured, the use of water torture on Filipino prisoners, eating bats, his plan to translate into English the history of the Philippines that had been written on shells, the upcoming U.S. Presidential election, and a continuous thread concerning when he would be returning home. Also included are two letters from Will Hutchinson to his sister Iva Hutchinson. These are dated September 8, 1899 and May 27, 1900.

Originally founded as the National Microfilm Association in 1943, the Association for Information and Image Management (AIIM) is a nonprofit focused on establishing standards for electronic and physical information management. This collection consists of reports, newsletters, and consumer information from roughly (DATES). The collection is minimally processed, and many reports remain in their original bindings, primarily 3-ring binders. In 2018, the organization renamed itself the Association for Intelligent Information Management.

The collection offers a picture of information management systems in a period of increasing computerization and shows how business and parts of the US government studied and used information management technologies. It consists primarily of binders, marketing and informational material, and typed reports, but it also contains some A/V material.

The Aubrey Haan Papers consist of three series, and include correspondence, research materials, and two book manuscripts for Haan's work on a biography of Joe Hill, neither of which was ever published. Hill was a cartoonist and song writer for the Industrial Workers of the World union, and was executed for murder in 1915, following a controversial trial. Materials range from 1909-1951, and primarily cover Haan's research on Hill and the trial. Included is a transcript of the Hill trial, as well as several newspaper articles and other trial materials. The collection consists of three series: Correspondence; Research Materials; and Manuscripts.

Papers accumulated by Aubrey Haan regarding the life and execution of Joe Hill, a folk-singer and labor union representative who was killed in Utah in 1915. Materials include correspondence, book manuscripts, and trial materials from Hill's trial.

The Correspondence Series spans 1940-1951, and much of Haan's general correspondence is with his wife, as well as with publishers regarding Haan's attempts to publish his Joe Hill manuscripts. Other correspondents include Constantine and Virginia Filigno, with whom Haan spoke regarding Hill's trial and execution. Constantine was a leader of the Industrial Workers of the World during the 1940s, while Virginia was a strong advocate for Hill's innocence. Also included are several letters with Agnes Inglis of the University of Michigan Labadie Collection.

The Research Materials Series includes materials used by Haan for his biography on Hill. Included are copies of news articles about Hill and his execution, obituaries, and trial proceeding documents, including a trial transcript.

The Manuscripts Series contains two book manuscripts one for Haan's "Pie in the Sky," and another untitled. The "Pie in the Sky" manuscript includes handwritten notes and edits.

This collection consists of one folder. With the exception of one manuscript dated 1948, and some undated materials, the contents date from 1979 to 1983. All the items in the collection are letters sent to Goodfriend, or written materials collected by her. None of her own writing is included. There are two postcards and a letter from Molly Steimer to Audrey Goodfriend, and a letter from Proudhon Carbo reporting Steimer's death, all sent from Mexico; the letter from Steimer discusses Goodfriend's separation with David Koven. The 1948 manuscript is a carbon copy of a memorial message for "Comrade Pece" written by Jules Scarceriaux. A photocopy of an unsigned memorial for Dora Stoller Keyser, and some miscellaneous flyers and writings round out the collection.

Babyfish was a radical political zine published by Detroit-based poet, anarchist, and pansexual advocate Andy Smith, also known as Sunfrog, between 1988 and 1996.

The Babyfish papers consist of a variety of zines, most with a radical, anarchist and pansexual base. The actual zine Babyfish consisted of six issues; this collection includes the latter five. Each of these issues are of varying lengths and themes, but for the most part they address radical topics concerning urban living, with a particular emphasis on the decay of inner-city Detroit. Other papers in the collection include additional radical zines, some of which were created exclusively by Sunfrog, others being collaborative efforts. The collection also includes financial receipts which have to do with the printing of Babyfish.

The title zine is rich in anarchist commentary on social, political, and economic issues that affected the United States government from the spring of 1988 until the final issue was published in the winter of 1994. The Detroit "journey" of Sunfrog is made more palatable by the collaborative efforts of regular guest artists, musicians, poets and those involved with the radical politics of the city.

"With the dynamic skills of Pat Medicine working overtime, the 'fish organized itself into thematic sections which honed recurring motifs. 'Radical Sexuality' (feminism, US Out Of My Uterus, homocore, The Radical Faeries) & 'Earth vs. The Machine' (ecological, anti-nuke, anti-car & anti-incinerator raves) appeared alongside poetry, interviews & reviews which featured such local musical talents as: Only A Mother, Yeastie Girlz, Sleep, Gories, Viv Akauldren, Roger Manning, John Bartles, The Blanks & more." (Sunfrog, Babyfish, Issue #6, p.7)

Babyfish's radical nature "clearly articulated a response to Helms-era censorship hysteria by its use of wild graphics and explicit words, encouraging cultural debate & never compromising the ethic of a "free-form" journal." (ibid.) Sunfrog clearly recognized that his efforts at expression were not definitive. In his final editorial he passes on the radical torch by saying "As we put raps on the final issue of Babyfish, it is clear that there is still an enormous amount of unpublished work which the community deserve a chance to see…this is our final entry in a prolific Cass Corridor journey." (ibid.)

This collection contains correspondence, news clippings, writings, manuscripts, and ephemera related to Barbara Murphy's involvement in student protest movements at the University of Michigan in the 1960s. Also included are reports, manuscripts, administrative materials, and correspondence generated during her subsequent career at the University of Michigan, primarily concerning her work to advance women's rights at the university.

This collection contains correspondence, news clippings, writings, manuscripts, and ephemera related to Barbara Murphy's involvement in student protest movements at the University of Michigan in the 1960s. Also included are reports, manuscripts, administrative materials, and correspondence generated during her subsequent career at the University of Michigan, primarily concerning her work to advance women's rights at the university.

The correspondence largely consists of mailings sent to Murphy from former SDS members coordinating reunions, particularly the 1977 reunion. It also includes mail sent between other SDS members (not Murphy herself), including Alan Haber, the organization's first president. Notable is the correspondence concerning the 1965 anti-Vietnam War Teach-In, the first of a number of such events across the country in which professors cancelled classes and gave antiwar seminars for 12 hours. Additionally, there is a small number of interdepartmental letters from Murphy's career at the University, as well as information and appeals concerning various social causes.

Before her passing, Murphy had begun to organize her files herself. The files she pulled together have been maintained in their original order with their original titles transcribed. Most of these folders concern Murphy's professional career.

The Administrative records subseries is grouped by relevant organization or institution. Materials within folders are organized chronologically. Papers include organizational agendas and minutes, funding proposals, reunion planning, and policy guidelines. Most are related to Murphy's career at the University.

The Printed Materials series is grouped by type of printed material. Materials within folders are organized chronologically. The journals, newsletters, manuscripts and essays largely consist of writings by SDS members or other members of the New Left. Ephemera comprises a variety of pamphlets, broadsides, flyers, and stickers distributed by student activist organizations. Most relate to antiwar and anti-draft activism, particularly the 1965 teach-in. The majority of research reports and surveys were generated by researchers at the University of Michigan and concern gender equality on campus. The news clippings concern both SDS and academic women's issues.

Finally, the SDS files folder contains a handful of SDS papers that did not easily fit into other folders, including a booklet of protest songs, a biographical booklet about former SDS president Paul Potter, and a copy of an FBI memorandum regarding surveillance of the New Left in Ann Arbor.