Collections : [University of Michigan History of Art Visual Resources Collection]

The Berenson Fototeca is a collection of approximately 150,000 black-and-white photographs of Italian artwork, especially paintings and drawings from the 13th to the end of the 16th centuries. Berenson believed in capturing artwork in photograph form so as to enable the study of the creative process and the creation of artwork.

The Berenson Fototeca is a collection of approximately 150,000 black-and-white photographs of Italian artwork, especially paintings and drawings from the 13th to the end of the 16th centuries. Berenson believed in capturing artwork in photograph form in order to enable the study of the creative process and the creation of these works. The photographs are 3.9 x 5.9 inches and include the name of the artist, the subject, and the location of the original artwork, if known. The collection includes the works of artists such as Sandro Botticelli, Leonardo da Vinci, and Michelangelo, as well as, Cavallini, Filippino Lippi, Parmigianino, Sodoma, and many others.

The Saint George Image Collection of Cornelia Steketee Hulst contains one hundred fifty-four (154) pictures mounted on heavy gray cardboard. Cornelia Steketee Hulst collected images of Saint George while researching her book St. George of Cappadocia in Legend and History. Few of the pictures include attributions with the artwork’s title, date, or artist’s name.

The Saint George Image Collection of Cornelia Steketee Hulst is a compilation of approximately 154 images depicting Saint George through a variety of mediums, including statues, paintings, political cartoons, and others collected throughout the early 20th century. The collection contains photographs and ephemera that have been mounted on heavy cardboard.

The paintings series includes photographs of paintings, altar pieces, and frescoes. While the sculptures series contains photographs of free-standing statues depicting St. George.

The architecture series contains photographs of the facades of buildings into which Saint George is incorporated. A set of photographs depicting Saint George within stain glass windows is included in the architecture series. The prints series includes engravings and etchings found in books but also political cartoons. The realia series contains stamps and drawings of medallions upon which Saint George is depicted. A series of postcards depicting Saint George in statues, artwork, and architecture are included in the ephemera series.

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The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The collection focuses mostly in European architecture and painting. The majority of the postcards are blank, but some do include correspondence.

The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The boxes are first organized by donor, and then very broadly divided by the type of architecture or artwork depicted on the postcards. These subdivisions are arranged by geographic region, media, and/or subject of the work shown on the postcard.

The majority of items in this collection are postcards dating from 1900-1918, which was during the “golden age” of postcard collecting, lasting from about 1895 to 1915. Other items, including photographs, souvenir photo books, greeting cards, and exhibition announcements in this collection were published throughout the 20th century. Correspondence to and from History of Art faculty and staff appear on some of the postcards.