Collections : [University of Michigan Bentley Historical Library]

Nurses' aide in the nursery of University Hospital, Ann Arbor, Michigan (1931-1956). Diaries describing daily life and work activities.

Diaries describing daily events, work activities, church attendance, weather.

Alan B. Howes was professor of English at the University of Michigan from 1955 to 2001. He was involved in the formation of several unique programs, such as the NDEA Summer Institute for English Teachers, the New England Literature Program, and the Professional Semester. This collection includes correspondence, material from Howes' teaching career and involvement with these programs, and an assortment of Howes' writings.

The Alan B. Howes Papers document Howes' career in teaching, primarily his many years as professor of English at the University of Michigan, and his involvement in programs such as the NDEA Summer Institute for English Teachers, the Professional Semester, and the New England Literature Program (NELP). The records are arranged into nine series: Biographical, Correspondence, Course Materials The Michigan English Teacher, NDEA Summer Institute for English Teachers, New England Literature Program, Photos, Professional Semester, and Projects and Papers.

Alan Abrams is a Detroit-based press agent/public relations consultant in the music business; publicist for Motown Record Corporation, 1964-1966, later with Stax Records, 1967-1968. The collection consists of press releases, clippings, publicity material, scrapbooks containing press coverage of the recording artists that he represented, including the Supremes, photographs, and his writings about Motown, Otis Redding, and Florence Ballard.

The Al Abrams collection contains scrapbooks, correspondence, press releases, photographs, and memoirs detailing Abrams' work as a publicist and press agent for Detroit's Motown and for Stax Records in Memphis. The collection is valuable for its documentation of Motown in the period of the early to mid-1960s when this Detroit company was beginning its great string of record successes. Abrams was a great collector of press and other materials about the artists who worked for Motown and Stax-Volt.

The Abrams collection measures two linear feet and four oversize volumes whose contents have been foldered. The collection has been arranged into the following series: Motown Record Company, Stax Record Company, Al Abrams Associates, Miscellaneous, Visual Materials, and Scrapbooks.

Alan G. Billings was a set designer and professor at the University of Michigan. The collection includes painted set renderings from productions staged at the University of Michigan during his tenure.

The Alan G. Billings collection consists of set renderings painted by Billings while he was a professor at the University of Michigan. These renderings include both depictions of the sets, and depictions of certain aspects of production staging and costume design. The renderings are organized roughly by size, and thereunder alphabetically by title. Most set renderings also include information on where the production was staged.

Detroit clergyman who took the name Jaramogi Abebe Agyeman, founder of the Shrine of the Black Madonna, and advocate of the program and philosophy of the Black Christian Nationalist movement. The collection has been divided into four series: Albert B. Cleage, Jr.: Correspondence, Sermons, and Writings, the files of the Shrine of the Black Madonna in Detroit, Michigan, Church Leaders, and the files of the Shrine of the Black Madonna National Office.

The collection contains correspondence, sermons, and writings of Albert B. Cleage, Jr. (his name would later be changed to Jaramogi Abebe Agyeman); records of the shrine of the Black Madonna; papers of individuals within the church who assisted Cleage; and records of the National Office of the Shrine.

The collection has been divided into seven series: Albert B. Cleage, Jr.: Correspondence, Sermons, and Writings, the files of the Shrine of the Black Madonna in Detroit, Michigan, Church Leaders, the files of the Shrine of the Black Madonna National Office, Sound Recordings, Photographs, and Miscellaneous.

Detroit, Michigan clergyman, pastor at St. Mark's Presbyterian Church, which later became Central Congregational Church. In the 1960s, Cleage and his congregation began restructuring the church's rituals, programs, and theology to conform to the Black Christian Nationalist philosophy. In 1970, the church was renamed the Shrine of the Black Madonna. The collection contains correspondence, sermons, and writings of Albert B. Cleage, Jr. (his name would later be changed to Jaramogi Abebe Agyeman); records of the shrine of the Black Madonna; papers of individuals within the church who assisted Cleage; and records of the National Office of the Shrine.

The collection has been divided into four series: Albert B. Cleage, Jr.: Correspondence, Sermons, and Writings, the files of the Shrine of the Black Madonna in Detroit, Michigan, Church Leaders, and the files of the Shrine of the Black Madonna National Office.

Professor of Chinese history at the University of Michigan. Correspondence, academic papers, committee meeting minutes, and reports relating to his involvement in various professional organizations.

The Feuerwerker collection is comprised of three series: Joint Committee on Contemporary China (JCCC) of the American Council of Learned Societies and the Social Science Research Council; Committee of Scholarly Communication with the People's Republic of China (CSCPRC), and Miscellaneous Activities. These series include correspondence, reports, and memoranda relating to his activities with these organizations involved in China and Chinese studies.

Albert and Emma Wheeler were community and civil rights leaders from Ann Arbor, Michigan. Albert Wheeler was also professor of microbiology and dermatology at the University of Michigan. In addition, he and his wife helped to establish the local chapter of the NAACP. Albert Wheeler served as mayor of Ann Arbor, 1975 to 1978. The series in the collection are Personal/Biographical; NAACP/Civil Rights Activities; Mayoralty Files; University of Michigan; and Photographs. The collection documents the Wheelers' devotion to the cause of civil rights and their involvement with numerous civil rights and community organizations. The collection also includes Albert Wheeler's mayoralty files.

The Albert H. and Emma M. Wheeler collection documents the involvement of this couple in the growth and development of the civil rights movement in Ann Arbor. The collection includes in part the mayoralty files of Albert Wheeler, mayor of Ann Arbor from 1975 to 1978. The collection is divided into six series: Personal/Biographical, NAACP/Civil Rights Issues, Mayoral Files, University of Michigan, Photographs and Medical.

Attorney; judge of the 14th Judicial Circuit of Michigan (1967-1970); United States District Judge for the Western District of Michigan (1971-1973); judge of the United States Court of Appeals for the Sixth Circuit (1974-2002). Case files, administrative files, and subject files relating to his judicial and other professional responsibilities; also memoirs of his career and letters written while serving in the military during World War II.

The Albert J. Engel papers consist of case files, miscellaneous administrative files, and subject files relating to his judicial and other professional responsibilities as a judge of the U.S. District Court for the Western District of Michigan (1971-1974) and as a judge on the U.S. Court of Appeals for the Sixth Circuit (1974-2002). Case files for each court make up the bulk of the collection. The files represent a selection based largely upon the importance of the issue or issues represented within the case, the significance of the case in the judgment of Judge Engel, and whether Judge Engel wrote the opinion, dissent, or concurrence. Important to understanding the cases are individual memoranda written by Judge Engel (and included in box 15) of his assessment of the cases that he heard.

In 2006, the library received Judge Engel's memoirs of his life and career together with photocopies of the letters that he wrote home during the Second World War, 1944-1945.

Albert Kahn was a Detroit-based architect, active from 1896 to 1942. He founded the firm, Albert Kahn Associated Architects & Engineers, which is today known as Albert Kahn Associates, Inc. He was best known for his industrial design work, including the Ford Motor Company's Highland Park and River Rouge plants; numerous commercial buildings in Detroit such as the Fisher Building, Detroit Athletic Club, and General Motors Building; and much of the University of Michigan's Central Campus, including Angell Hall, the Clements Library, and Hill Auditorium, as well as the Willow Run Bomber Plant near Ann Arbor, Michigan. After Kahn's death in 1942, his architectural firm, Albert Kahn Associates, Inc., has continued to be a worldwide leader in the design of factory buildings that enhance the manufacturing process. The Albert Kahn Associates records are composed of materials produced by Albert Kahn the architect, as well as materials produced by his firm, Albert Kahn Associates, Inc., and include correspondence, company files, photographs, published materials, and architectural drawings.

The Albert Kahn Associates records offer researchers the opportunity to study the correspondence, transcripts of speeches, photographs, and architectural drawings of the preeminent, American, industrial architect, Albert Kahn, and his firm, Albert Kahn Associates, Inc. On March 21, 2003 (the 134th anniversary of Albert Kahn's birthday), Albert Kahn Associates, Inc. (AKA) donated this collection to the Bentley Historical Library at the University of Michigan to ensure the conservation and accessibility of these records. Through this gift, AKA has shown its commitment to preserving the legacy of Kahn, whose factories on five continents influenced the development of industrial architecture and whose commercial, residential and institutional buildings define the character of Detroit and the University of Michigan today. The collection encompasses 166 linear feet (in 180 boxes) of correspondence, transcripts of speeches, newspaper and journal articles, company files, audiovisual materials, photographs and slides, as well as 90 leather portfolios containing photographs of completed buildings, 22 albums of sample architectural materials, 131 books, and 12,731 architectural drawings in 45 flat-file drawers and 114 oversize tubes.

The narrative and visual materials in the collection illuminate the breadth of Kahn's career and highlight the work of his architectural firm, Albert Kahn Associates, Inc., which continued to develop projects after his death, and remains a living institution. In pairing the textual materials with the photographs and architectural drawings associated with Kahn's projects, this collection offers a rich perspective on the master architect himself, illuminating his personal views on his own architecture and its place in a changing and often tumultuous world.