Collections : [Central Michigan University Clarke Historical Library]

The collection includes photographic materials, papers, photographs, and postcards, mostly of the Traverse City, Michigan, area and other cities, towns, lumber camps, mines, and locks in Michigan.

This collection consists mostly of glass-plate negatives, film negatives, and glass positive slides; arranged in order by format and size. Some papers, photographs, and postcards complete the collection. Ormond S. Danford, a lawyer in Traverse City, Michigan, collected these materials. At least some of the photographs and glass-plate negatives are signed by S. E. Wait. It is possible that some of the unsigned images in the collection were created by Wait, but this cannot be verified. There are also a few items from at least one other unidentified photographer in this collection. In Box 15 a number of people in the photographs of Traverse City and the Traverse City State Hospital folders are identified as members of the Berkwith family. This would indicate that whether or not Wait originally photographed the Berkwiths, the family gave or sold their photograph collection to Danford.

Series I consists of 256 glass-plate negatives, Boxes 1-9 (4.5 cubic feet), and each plate measures 6.5 x 8.5 inches unless otherwise noted. Only one of the images is dated, 1900; the rest probably date from 1850 to 1900, but are undated. Most of these negatives are formal portraits in which the people photographed are dressed in their very best clothes. Plaid dresses were very popular as were lacy scarves for ladies and girls. One little boy is proudly dressed in a kilt and tartan (Glass-plate negative #68). Most of the men are in three piece suits with small ties, and sport beards and mustaches. These portraits were taken in the same studio setting with the same furniture and props. Single portraits of men and of women, and group photographs of family members, children, and women, and one of two men boxing with boxing gloves, are also in the portraits. The few portraits which are exceptions to this show props in the background, are not centered, show partial images of other people in the background or are double portraits. One portrait of a woman (#101) has suffered extreme emulsion damage and loss. A scanned print has been generated for use and the glass-plate negative, while retained in the collection, should not be used by researchers. One portrait is clearly that of Myron E. Haskell (#35), Assistant Postmaster of Traverse City, as shown in Old settlers of the Grand Traverse Region, p.15. Most of the images probably date from the 1860s-1900 based on hair styles and clothing. Five portraits may date from the 1850s because of the earlier hair styles and clothing (#17, 51, and 94, which are portraits of women; and #34 and 46, which are portraits of men).

Five glass-plate negatives in this group are not portraits. These include: #29 Five floral wreaths; one labeled Hose Co. No. 3, one labeled G.A.R.-In Memorium McPherson Post No. 118-Traverse City, 8 x 10 inches; #79 Aerial view of houses, trees, and some industrial buildings. “S. E. Wait Photo” in lower right corner, 5 x 8 inches; #80 Trees in foreground on hills, town in background, 5 x 8 inches; #88 “Traverse City from Bill Org’s heights.” Trees with water in background. Emulsion peeling off right side, some already lost, 5 x 8 inches; and #89 “London Rally Decorations. Aug. 5th, 1900. Cong’l [Congregational] Church, Traverse City, Mich. S. E. Wait, Photo.” Interior view of church from rear with pews, walls and ceiling draped with various flags, 5 x 8 inches. (A positive of the interior of the Congregational Church is in Box 15.)

Most of the glass-plate negatives are in pretty good shape. Some plates suffer from various degrees of emulsion damage, scratches, and/or have edges or sections broken off them. A few have black outlines around the person in the portrait. Many appear to have had paper pasted on their backs at one time. Most group images were photographed with the plate horizontally, while one or two people are usually photographed on the plate vertically.

It would be logical from the assumed date of the images in Series I, 1850-1900, to assume that Wait, probably the only local photographer at the time, photographed and developed these images.

Series II consists of the remainder of the 240 glass-plate negatives and 100 film negatives in Boxes 10-13 (2 cubic feet). The film negatives are mostly undated, but some of the glass-plate negatives are dated between 1891 and 1916. The glass-plate negatives and some of the film were interfiled in the original boxes and so have not been separated into different series. Sizes of glass-plate negatives vary from 6 x 2 inches to 2.75 x 4 inches. The topic matter varies in this series and includes: images of towns, boats, people, horses and buggies, lumbering and logs, a stuffed eagle, cottages, and a wedding, as well as views from boats looking towards shore. Again, most of these are in good condition with minor scratches or emulsion damage to the plates. There are also images of published drawings, poems, and paintings where the published date is 1879-1894; as well as images taken of two stereoscopic view, one of which is identified as the Chicago Fire, 1871, taken by J. H. Abbott, Photographer (in Box 12). Some of the glass-plate negatives are identified by location name, including: Traverse City, Karlin, Hawkins’ Point, Cannon Creek, Old Mission Point, most of which are located near Traverse City, and various places on Mackinaw Island, Fort Mackinaw, Marquette Ore Docks, and two of Lighthouse Point (perhaps at St. Ignace). Many of the glass-plate negatives are not dated, but those with dates range from 1891 to 1916. Some are signed by S. E. Wait.

The 100 film negatives, all undated and all turn of the century 1899/1900, are in Box 13, folders 4-10 and vary in size from 4 x 5 inches to 4 x 4 inches. The negatives came from a set of identified boxes. The first box (Folder 4), identified as Minnie and Frank’s wedding trip, include 18 film negatives all 4 x 5 inches, all undated, mostly of the Soo Locks, Mackinaw Island, Fort Mackinac and buildings. Folders 5 (measuring 4 x 5 inches) and Folder 6 (Measuring 3 x 6 inches) were identified as Bangilt Cottage and Duck Point and include 16 undated, unidentified film negatives mainly of people by cabins and houses in the woods and nature views. Folder 7 includes 4 negatives of various sizes identified as the Onsmore Home and Boat. The same house is in three of the images and may be the Onsmore home. The remaining image is of people in a row boat called the Sea Gull. Folders 8-10 include 60 undated negatives of varying size from the Copper Country Trip box. These negatives are mostly of people and a town, although there are two of mining equipment. The last five images in Folder 10 are images of published photographs including a statue of Fr. Marquette, Lake Linden’s Congregational Church, Hancock’s Congregational Church, and Red Jacket Shaft, C. and H. Mining Co., Calumet.

Box 14 is Series III and includes 37 positive Lumberjack slides. The original box was identified as Lumberjack Slides-S. E. Wait. The slides are made by two pieces of glass held together with black paper, sometimes with tape. Some of the slides are identified, some have “U.S. Department of Agriculture” printed on them, others have handwritten notation, others have published text, including some from Chicago, and some slides are unidentified. Sometimes the slide with the text is reversed and very difficult to read. Some of the slides have ornate detail around the edges indicating that it was purchased rather than created by Wait. It is possible that Wait photographed some of the images while employed by the Agriculture Department, and they were later available for purchase by the public. The slides mostly document lumbermen, ox and horse teams, loads of logs, lumber camps, interiors of buildings, people in and by camps, lumberyards and sawmills, lumber locomotives and trains, machinery in mills, floating logs, log jams, lumber teams, sawyers, a cook house, and a lumberjack bunkhouse. At least one slide (#3 in Box 14) is of a log jam on the St. Croix River, St. Croix Falls, WI, 1886. Identified site locations are: Chorron’s Camp, west of Grayling; near Traverse City; Saginaw; and Queen Dam on Middle Branch of the Cedar [River]. A load of logs is identified as “Fine Norway Pine” and another as “The White Pine King” giving age: 423 years, height: 207 feet, and feet scaled: 29800.

The last box, Box 15 (.5 cubic foot), is Series IV and includes Papers, Photographs, and Postcards mostly documenting Traverse City, Elk Rapids, Fife Lake, Michigan. Dated materials range from pre-1898 through 1969, but most of the materials are undated. Of note here are the Aetna School Board District Meeting Minutes, 1877-1912 (1 volume) of Mecosta County, Michigan; Grand Traverse Historical Society Meeting Minutes, May 20, 1954-March 27, 1969; and photographs of Traverse City and its State Hospital, 1895, and undated, in which members of the Berkwith family are identified.

The collection includes various business records of the Traverse City Wagon Works.

The collection consists of various business records of the Traverse City Wagon Works, 1903-1923, and undated, including journals, ledgers, and receipts.

Mold Alert: The collection is quite dirty and not in good condition overall. There is what appears to be dried mold on many pages. Patrons should be careful in using the collection if they have any type of allergies or breathing issues.

Photographic materials collected by the Trelfas, documenting a wide range of Michigan and national people, places and events.

This collection, 6.25 cubic feet (in 14 boxes) 1849-1925, and undated, was donated over a period of time by one or both of the Trelfa brothers and is divided into six series. The series were established by accession number and topic matter. For a more detailed listing see the Box and Folder Listing. Overall the collection is in good physical condition.

Series 3 consists of 2.00 cubic ft. (in 4 boxes) and has no Acc# or related names. The collection consists almost entirely of glass-plate negatives, but also includes 8 film negatives and notes. The negatives vary in size. Some of the negatives or accompanying notes date the majority of the images from the 1860s-1889. Some of the original sleeves of the plates in Boxes 1-3 noted “See Boulton album.” Topics in Box 1 include views of Alpena including streets, buildings, homes, Camp Alger, Thunder Bay Island, Island Lake, and Oxbow, as well as logs, sailboat, and life saving boat. Box 2 topics include Alpena, Rapid City (Antrim County), buildings, dam, bridge, river, railroad images, boat, fairgrounds, baseball, etc. Box 3 images also include Alpena and Rapid City images as well as some of Mackinac Island, including people, buildings, streets, race, sports, fairgrounds, etc. Box 4 covers the same topic matter as Boxes 2-3 and also includes images of Professor Crocker’s Educated Horses.

Photographic materials collected by the Trelfas, documenting a wide range of Michigan and national people, places and events.

This collection, 6.25 cubic feet (in 14 boxes) 1849-1925, and undated, was donated over a period of time by one or both of the Trelfa brothers and is divided into six series. The series were established by accession number and topic matter. For a more detailed listing see the Box and Folder Listing. Overall the collection is in good physical condition.

Series 6 consists of 1 cubic ft. (in 2 boxes) Acc#3072, Sepull Glass Negatives. The identity of Sepull is unknown. Box 1 includes 49 glass-plate negatives #1-55, undated, circa 1902-1904. Each plate measures approximately 5x7 inches. Topics include Alpena, Stubbs Long Lake and Ox-box, streets, buildings, lake, canoe, car, engine house, lighthouse, mill, dock, snow, logs, train, river, dam, animals, homes, fire damage. Box 2 includes 55 glass-plate negatives #56-140, 1892-1906 and undated. Each plate measure between 4x3 inches and 5x7 inches. Topics include Alpena, St. Clair River, Thunder Bay River, Middle Island, Partridge Point Bluffs, Horseshoe Falls, Niagara Falls, Belle Isle, Bear Island, Grass Isle, and Barr Isle, streets and buildings, people, boats, life saving station, river, logs, farm, animals, homes, etc.

Photographic materials collected by the Trelfas, documenting a wide range of Michigan and national people, places and events.

This collection, 6.25 cubic ft. (in 14 boxes) 1849-1925, and undated, was donated over a period of time by one or both of the Trelfa brothers and is divided into six series. The series were established by accession number and topic matter. For a more detailed listing see the Box and Folder Listing. Overall the collection is in good physical condition.

Series 1 consists of 1.25 cubic ft. (in 3 boxes), Acc#3071, Boulton Collection. The collection consists of numbered glass-plate negatives #176-242, 244-332, and 330-345-3, dating between 1886-1916, as well as unnumbered plates. Size of the plates varies. Some of the original sleeves of the plates in Box 1 noted “See Boulton album.” The identity of Boulton is unknown. Topics include views of Alpena, buildings, logs, rivers, ships, homes, and fire damage. Some of the original sleeves of the plates in Boxes 2-3 noted “From Dorothy MacDonald”. Her identify is unknown. Images cover the same topics as those found in Box 1, as well as an elephant, animals, Partridge Point, and Thunder Bay.

Photographic materials collected by the Trelfas, documenting a wide range of Michigan and national people, places and events.

This collection, 6.25 cubic feet (in 14 boxes) 1849-1925, and undated, was donated over a period of time by one or both of the Trelfa brothers and is divided into six series. The series were established by accession number and topic matter. For a more detailed listing see the Box and Folder Listing. Overall the collection is in good physical condition.

Series 4 consists of 0.50 cubic ft. (in 1 box), Acc#3073, Crowe Glass Negatives. The collection consists of 92 glass-plate negatives #1-96, undated, circa 1913-1916. Most of the plate measure 5x7 inches. Topics include views of Alpena, Crescent Island, Grand Lake, Presque Isle Bay, Misery Bay, Whitefish Point, Hubbard Lake, Fort Mackinac, Thunder Bay Island, Sulpher Island, and Partridge Point, streets, buildings, a circus, parade, elephant, cage, clown, animals, boats, swimming, river, Iroquois Hotel, and homes.

Photographic materials collected by the Trelfas, documenting a wide range of Michigan and national people, places and events.

This collection, 6.25 cubic feet (in 14 boxes) 1849-1925, and undated, was donated over a period of time by one or both of the Trelfa brothers and is divided into six series. The series were established by accession number and topic matter. For a more detailed listing see the Box and Folder Listing. Overall the collection is in good physical condition.

Series 2 consists of 0.75 cubic feet (in 2 boxes), Acc#3074, Voegel Fish Hatchery/Boulton Collection. This collection consists of 277 film negatives, varying in size, all undated, 6 black and white photographs, undated, and 6 postcards, 1925 and undated. Some of the original sleeves of the plates in Box 1 noted “See Boulton album.” Topics in Box 1 include home interiors, cemeteries including Green Hill Mausoleum, street, farm, and outdoor scenes, fishery operations views, Mammoth Spring Roller Mills, woods, fences, lumber, vehicles, etc. Topics in Box 2 include landscapes, places, fields, equipment, people, vehicles, boats, animals, cemeteries, etc. Out-of-state locations documented include Mammoth Springs, Arkansas; Frisco Station, Oklahoma; Devil’s Saddle, Utah; Martinsburg, West Virginia; Friers Point, Mississippi; Northville Hatchery, San Marcos, Texas; the Mississippi River; and Hot Springs, Arkansas.

Photographic materials collected by the Trelfas, documenting a wide range of Michigan and national people, places and events.

This collection, 6.25 cubic feet (in 14 boxes) 1849-1925, and undated, was donated over a period of time by one or both of the Trelfa brothers and is divided into six series. The series were established by accession number and topic matter. For a more detailed listing see the Box and Folder Listing. Overall the collection is in good physical condition.

Series 5 consists of 0.75 cubic ft. (in 2 boxes) Acc#2643, Spanish-American War images. Box 1 includes 52 and Box 2 contains 19 film negatives in homemade glass casings, #807-1740, #1742-1760, all undated, each measures approximately 5x4 inches. Topics include views of Washington, D.C., war camp, streets and buildings, camp, officers, soldiers, horses, tents, two unidentified African-American girls, three unidentified African American boys, an unidentified native man with a mule cart full of furniture, parade ground, railway, people, animals, etc.

The collection consists of the company's business correspondence, 1894-1900.

In general, the correspondence was addressed to the Company from field sales personnel working in Michigan, Ohio, and Indiana, reporting their sales, failures, and market potential. Most of the correspondence concerns the tactics and interference of salesmen of the National Publishing Company of Boston, a chief competitor, which eventually bought out the Union Publishing Company in 1899. Also included are scattered accounts, invoices, and expense accounts, as well as materials relating to H. O. Kenyon’s involvement in the Kenyon and Thomas Company, manufacturer of Hale’s ointment.

The collection, 1927-1962, and undated, documents the company history of Valley Chemical Company, through meeting minutes, photographs, company history, forms, bylaws, accounts, and stock certificates.

The collection, 1927-1962, and undated, totals 1.25 cubic feet (in 2 boxes, 4 Oversized volumes,), and documents the company history of Valley Chemical Company, through meeting minutes, photographs, company history, forms, bylaws, accounts, and stock certificates. All the boxes in the collection are .5 cubic foot letter-size boxes. Loose stock certificates within scrapbooks were collected, sleeved, and placed in a folder in box 2.

The collection is organized by size and then alphabetically and chronologically.

Researchers may also be interested in the Muskegon Rendering Company (Muskegon, Michigan) organizational records, 1937, 1939 which are also housed at the Clarke.

Processing Note: During processing a small number of duplicates and blanks were removed from the collection and returned to the donor as per the donor agreement.