Collections : [University of Michigan William L. Clements Library]

The Pennsylvania Civil War pollbook collection contains pollbooks documenting the absentee voting of residents of four Pennsylvania counties during the Civil War, who were in Company C, 11th Pennsylvania Infantry; Company E, 198th Pennsylvania Infantry; and a detachment at Camp Biddle near Philadelphia.

The Pennsylvania Civil War pollbook collection contains three poll books with records of the 1864 election, held October 11, 1864, for soldiers in the field voting by absentee ballot in Pennsylvania.

The book for residents of Westmoreland County within Company C, 11th Pennsylvania Infantry, documents many aspects of the election. These include its location (Fort Dushane in Dinwiddie County, Virginia), the names of the poll officials, the names and residences of the 15 soldiers who voted, and the number of votes received by various candidates. The offices up for election were U.S. Representative, State Representative, Prothonotary, Clerk of Quarter Sessions and Oyer and Terminer, County Commissioner, Director of the Poor, County Auditor, and Trustees of Academy.

The book for voters of Philadelphia and Delaware Counties within Company E, 198th Pennsylvania Infantry, contains similar information for their election, held at "Camp near Petersburg." It includes the names and addresses of 31 voters, as well as names of candidates and number of votes each received for the following offices: U.S. Representative, State Representative, State Senator, Sheriff, Register, Clerk of Orphans' Court, Coroner, County Commissioner, Director of the Poor, County Auditor, Reviewer of Taxes, and City Commissioner.

The pollbook for residents of Wyoming County, within a detachment at Camp Biddle, contains the voting record of just one man, Albert Strong of Northmoreland Township.

The Eagleswood Academy album is a 50 page cartes de visite album given to Theodore Weld by his former students at Eagleswood Academy in Perth Amboy, New Jersey on November 23, 1863. The 24 x 31 cm album has a brown leather cover, entitled "Theodore D. Weld" in gilt inlay. The album contains 194 photographs the majority of which are cartes de visite with some tintypes and gem tintypes interspersed. All of the photographs in the album are studio portraits. Most are presumably former students of Eagleswood Academy. Many of the individuals in the album are unidentified. Four loose items are also present in the album: an 1895 lithograph portrait of John Adams; a calling card for Mrs. Silas F. Overton; a calling card for a Miss Moseley; and a list of names, presumably of people within the album, that seems to have been created at a later date, presumably by Weld's daughter Sarah Grimké Weld Hamilton.

The Eagleswood Academy photograph album consists of a single bound volume of carte de visite photographs tucked into the pages along with some gem tintypes, one of which is encased. The album contains slots for four different photographs on each page. There are 169 cartes de visite in the album, all of them studio portraits of either individuals or small groups. There are also a few instances where gem tintypes are placed within the same slot as a carte de visite.

The album appears to have been gifted to Theodore Weld in 1863 from his former students. While many of the photographs were likely present in the album at that time, it appears that other photographs were added through the 1870s and possibly later. The photographs are mostly of Weld's former students, though some are individuals who appear to have no explicit connection with the school.

Enclosed in the album is a folded sheet of paper containing a list of names. Individuals on this list partially correspond to the physical order within the album. The list appears to have been created during the late 1860's and amended up until approximately 1877. Asterisks seem to indicate that the person had passed away, though in some cases the individuals without asterisks on the list had been dead for years prior. It appears that no new entries were added after 1877. The authorship of the list is uncertain, but appears to have been Sarah Grimké Weld Hamilton.

In 1886 Theodore Weld began reaching out to former students for additional photographs to put together in an album. Some of the photographs in this album may come from this period. A January 1, 1899 letter from Sarah Hamilton to her daughter mentions that she received her father's old school album with many pictures of her old classmates and their spouses and children. From this statement it appears that not all the people in the album necessarily went to or taught at Eagleswood.

Three other loose items are also present in the album: an 1895 lithograph portrait of John Adams, a calling card for Mrs. Silas F. Overton, and a calling card for a Miss Moseley.

Some of the photographs within the album have names written on the back, while others offer no clues as to who the person is. Through other sources some of the unnamed individuals in the album have been tentatively identified.

One interesting item of note is the photograph in slot #196 of the album, which has portraits taken many years apart of the same (unidentified) individual on both the front and back of the paper mount.

• A portrait of Charles Burleigh Purvis, African-American doctor and cofounder of Howard Medical School. (slot #53)
• A portrait of Bayard Wilkeson in Civil War uniform. Wilkeson died aged 19 at Gettysburg on July 1, 1863. (slot #85)
• A portrait of Ellen Wright Garrison, daughter of Martha Coffin Wright and niece of Lucretia Coffin Mott, the famed women's-rights activists who organized the 1848 Women's Rights Convention at Seneca Falls, NY. (slot #32)

The Eagleswood album contains penciled inscriptions beneath the various photographs, often times recording the name of the photographer as well as any other information written on the back of the paper mount of the photograph. Researchers should be aware that this information was added by a former member of staff and numerous errors are present. For conservation reasons these inscriptions have not been erased.

• Photographer Index, containing the names of all the photographers in the album as well as any inscriptions handwritten on the photographs.
• Individuals Index, containing the names of all the identified, and tentatively identified individuals who have portraits present in the album.

The Hiland H. Weaver papers contain 11 letters written by an officer of the 3rd Iowa Independent Light Battery during his service in the western theater of the Civil War.

The Hiland H. Weaver papers contain 11 letters written by an officer of the 3rd Iowa Independent Light Battery during his service in the western theater of the Civil War. In his early letters, written in 1861, Weaver described camp life and his unit's eagerness to see action. On December 14, 1861, he said, "it is very uncertain when I will see you again but I hope it will not be very long. There is some prospect that there will be a…battle fought near here before long and the most of the boys are ancious to have a hand in it but some look rather pale when there is anything said about getting into a fight[.]" In 1864, Weaver exhibited a similar devotion to the cause, and wrote, "I do not care if we stay in [our winter quarters] as long as the war lasts for I am tired of running around the country and if Old Abe is reelected I think we will have this war brought to a close in less than six months…and we will have peace on honorable terms" (October 16, 1864). Weaver also ruminated on the harsh human cost of armed conflict as he described the devastation of a recent battlefield: "It is hard to see the destruction there is when an army passes through a country" (undated). In an undated fragment, Weaver provided a graphic description of battlefield casualties: "It was a heartrending sean there was men with their heads shot off and some shot all to pieces…and in fact any thing you may immagine." All together, Weaver's correspondence provides insight into the western theater of the Civil War, both at the beginning of the conflict and during its closing stages.

This collection is made up of one diary of Robert Waterston of Boston, Massachusetts, and a diary of his son, Unitarian minister Robert Cassie Waterston. Robert C. Waterston kept his diary from May 1, 1832, to March 27, 1833. He wrote about attendance at meetings for The Association for Religious Improvement, religion, literature, life, philosophy, travel in New England (with a corresponding mileage log and related expenses), and weather observations. The elder Robert Waterson kept his diary between February 10 and April 7, 1861. He reflected on national politics, the inauguration of Abraham Lincoln, secession, and the Civil War. He also noted weather observations and provided frequent religious mediations.

This collection is made up of one diary of Robert Waterston of Boston, Massachusetts, and a diary of his son, Unitarian minister Robert Cassie Waterston. Robert C. Waterston kept his diary from May 1, 1832, to March 27, 1833. He wrote about attendance at meetings for The Association for Religious Improvement, religion, literature, life, philosophy, travel in New England (with a corresponding mileage log and related expenses), and weather observations.

The elder Robert Waterson kept his diary between February 10 and April 7, 1861. He reflected on national politics, the inauguration of Abraham Lincoln, secession, and the Civil War. He also noted weather observations, provided frequent religious mediations, and included a log of letters sent and received. On the rear cover are "A Few of the Last Words of Baron Bunson", attributed to "Review Chretienne, 15 December 1860".

James Alexander Sprowl, a young man from Gibson County, Ind., enlisted in the Union army on October 21st, 1861, and was assigned to Company B of the 58th Indiana Infantry. His journal contains brief daily entries from March 26th through September 14th, 1862. Sprowl's descriptions are spare, but while lacking detail, they do give an impression of the rough edges of life in the service.

The Sprowl journal is pocket-sized and contains brief daily entries from March 26th through September 14th, 1862. Sprowl's descriptions are spare, but while lacking detail, they do give an impression of the rough edges of life in the service. The best sections in the journal are those that deal with the tense month spent in the siege of Corinth, and the much easier days of foraging through eastern and central Tennessee.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond's service during the Civil War and both father and son's lecture business.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond Sr.'s service during the Civil War and both father and son's lecture business.

The Pond Family Papers series includes one box containing miscellaneous correspondence ranging in date from 1896-1932, Civil War related material, autobiographical sketches, family photographs, and personal photograph albums.

The Civil War related material includes a few items relating to James Pond's Civil War service in the 3rd Wisconsin Cavalry, among which are a typescript of official reports relating to the massacre at Baxter Springs, Kansas, a printed poem on the massacre, and a printed notice of the death in the 1880s of William T. Brayton of the 3rd Cavalry. Pond also collected other reminiscences of the war, including an autobiographical account of Mrs. Horn, wife of a Missouri surgeon, which includes a description of Quantrill's raiders pillaging town and taking her husband prisoner, and a memoir of Edward P. Bridgman, a soldier in the 37th Massachusetts Infantry who served with John Brown in 1856, and may have known Pond.

More than half of this series consists of autobiographical manuscripts, parts of which, at least, were published as magazine articles. Most of these focus on his early years (prior to 1861) when he and his family were living a marginal existence in frontier Wisconsin and when he was a young man in search of a livelihood. The collection includes three major manuscripts, each present in several copies or versions, all of which are related to each other - "A Pioneer Boyhood," "The American Pioneer: My Life as a Boy," and "Pioneer Days" - plus there are less polished manuscripts of childhood and Civil War reminiscences. All appear to have been written initially in 1890, though some copies were apparently made several years later. In addition, there is an autobiographical sketch "How I got started in the Lecture Business" in which he describes his part in Anna Eliza Young's "apostatizing" and entering onto the lecture circuit.

The collection also contains 5 photograph albums. These volumes contain over 800 personal photographs taken between 1896 and 1902, including many pictures of family members at leisure both indoors and outdoors and Pond's business acquaintances from his lecture agency. Travel photographs include views of Colorado Springs, Colorado, and Winnipeg, Manitoba, as well as a group of pictures taken during a visit to England, Switzerland, and Germany in 1901. European items include a series of colored prints, located in Volume 4. The albums contain images of locomotives, railroad cars, and steamships. Volume 1 contains images of the inauguration of William McKinley and Volume 2 contains images of crowds gathered for a GAR parade in Buffalo, New York. Throughout the albums are glimpses of various lecture tours and clients including John Watson (Ian Maclaren) and Anthony Hope in Volume 2 and Francis Marion Crawford in Volume 3. Other notable figures include Sam Walter Foss and William Dean Howells in Volume 1, Charles W. Blair and Edward William Bok in Volume 3, and Sir Henry Morton Stanley, Charles William Stubbs, Robert Stawell Ball, Horace Porter, Frank Thomas Bullen, and Israel Zangwill in Volume 4. In addition to the albums, there are loose photographs of family, James B. Pond Jr., and the Adventurers' Club of New York. Oversized photographs are housed in Box 3.

The Pond Lecture Bureau Papers series consists of one box containing client files (arranged chronologically), loose photographs, and ephemera. Much of the content consists of correspondence between clients/prospective clients and photographs of clients (likely for promotional material). This series spans from 1877 to the 1940s covering periods of ownership from both James B. Pond, Sr. and Jr. Some of these clients are as follows: Henry Ward Beecher, Reverend Joseph Parker, Thomas DeWitt Talmage, Leon Pierre Blouet, Reverend John Watson (Ian Maclaren), William Winter, Edward Rickenbacker, Harry A. Franck, Gunnar Horn, Maurice Brown, and Major Radclyffe Dugmore. Unidentified oversized photographs and a scrapbook are housed in Box 3.

John L. Perley, a baker from Newburyport, was among the first to respond to Lincoln's call for recruits in April, 1861. His three letters to his wife describe the executions of deserters, a failed expedition up the Ashepoo River, and an account of skirmishes during the raid toward Baldwin, Fla. during the Civil War.

Perley's three letters to his wife, Jenny (Jane), are each outstanding. Each has its highlights, describing some of the more sensational aspects of a soldier's experience. In the first, Perley describes of the brutal execution of three men who had been captured while attempting to desert. In the second, he provides details on the failed expedition up the Ashepoo River; while in the third, he provides a stirring account of skirmishes during the raid toward Baldwin, Fla. In this last, Perley includes a description of the close-range killing of a Confederate officer who refused to surrender peacefully: "I asked him to surrender every time before i fired and he only threw down his armes after he had five bullett holes threw him from my revolver. I was sorry to have to kill him but it was his life or mine and he fell and I did not ... I should be proud of the honor that has bin bestowed upon me for what I have done if I was only happy but I am not."

This collection comprises five letters apparently sent and received by Captain Edward Willoughby Anderson in correspondence with Miss Maria Davis in 1864. The letters concern life in Richmond and a Confederate soldier's perspective of the Civil War. Also present are two photographs taken in and after 1915 of Charles Freeland Penley, a Union soldier who captured the Anderson/Davis correspondence during the Civil War.

This collection comprises five letters apparently sent and received by Captain Edward Willoughby Anderson in correspondence with Miss Maria Davis in 1864. The letters concern life in Richmond and a Confederate soldier's perspective of the Civil War. Also present are two photographs taken in and after 1915 of Charles Freeland Penley, a Union soldier who captured the Anderson/Davis correspondence during the Civil War.

See the Box and Folder Listing below for details about each item in the collection.

Levy & Cohen's views of the rebel capital and its environs contains 26 photographs of historically significant monuments, locations, and structures in Richmond, Virginia, in 1865 after the conclusion of the Civil War.

Levy & Cohen's views of the rebel capital and its environs contains 26 photographs of historically significant monuments, locations, and structures in Richmond, Virginia, in 1865 after the conclusion of the Civil War.

Most images include typewritten titles and copyright statements as well as captions on their versos which outline the subject's historical significance and relation to the Civil War. Some photographs show duplicate views and/or have repetition of content in their verso descriptions. There is one photograph that measures 17 x 14 cm, ten that measure 13.5 x 19 cm, while the remaining fifteen photos are of standard carte de visite size.

Specific monuments that are represented in this collection include the Tomb of James Monroe in Hollywood Cemetery and Thomas Crawford’s Virginia Washington Monument shown prior to its completion. Specific structures represented include the Virginia Executive Mansion, ruins of Richmond Arsenal (Virginia Manufactory of Arms), ruins of Gallego Flour Mills, Treasury building (Lewis F. Powell Jr. United States Courthouse), Virginia State Capitol building, Virginia State Penitentiary, and Chimborazo Hospital. Other images show scenes of a burnt district, Capitol Square, a shipyard, Drury’s Bluff, Rocket’s Landing, James River, and what remains of Petersburg Railroad Bridge. One particularly noteworthy image is titled “Portico of Executive Mansion,” which shows Governor Francis Harrison Pierpont “in company with Messrs. W. W. Weng, Treasurer of Virginia, W. D. Massey, P. M. of Alexandria, Va., and Colonel Hart of the Governor’s staff." Another image shows Union soldiers outside of their tents with a handwritten notation on the verso stating “Headquarters of First Penna Reserve Artillery, Lt. Col. Brady, Richmond Va. June 1865.”

This collection contains 3 letters that Private John Speer wrote to the Ihrie family while serving with the 2nd Pennsylvania Artillery Regiment in 1865. He discussed his experiences in the army and anticipated the end of the Civil War.

This collection contains 3 letters (11 pages) that Private John Speer wrote to the Ihrie family while serving with the 2nd Pennsylvania Artillery Regiment in 1865. He discussed his experiences in the army and anticipated the end of the Civil War. His letters are addressed to his aunt, uncle, and cousin, who lived in Lisbon, Indiana. Speer described military actions and other aspects of military life, attempted to describe his feelings during a charge, and listed the battles in which he had participated; he also discussed his political views, including his support for the Republican Party.