Collections : [University of Michigan William L. Clements Library]

The World's Columbian Exposition photograph album contains approximately 284 images related to the World's Columbian Exposition of 1893 held in Chicago, Illinois.

The World's Columbian Exposition photograph album contains approximately 284 images related to the World's Columbian Exposition of 1893 held in Chicago, Illinois.

The album (29 x 40 cm) has black cloth and leather covers bound by two metal rods. The original covers were replaced in March 2012 by conservator James W. Craven. Most of the album's 70 pages contain 4 photographs per page. Images include photographs of exteriors and interiors of various exhibition buildings, large crowds of people, numerous sculptures and statues, various historic and modern marine vessels, and bird's-eye views of the fair complex. Also of note are several photographs showing attendees in wheelchairs, images of various ethnic group exhibit buildings (including the Japanese Bazaar, Persian Palace, Irish Village, Oahomey Village of Benin, Egyptian Temple of Luksor, Alaskan Indian Village, and NY Iroquois Exhibit), and a group portrait of women sculptors including Helen F. Mears and Jean Pond Miner.

Peter Atkin of Liverpool, England, and his son George received 10 letters regarding Peter's nephew, Englishman William D. Hope, between 1862 and 1866. Hope, an aspiring pharmacist, wrote 5 letters to his uncle and 3 letters to his cousin about his desperate financial situation, his attempts to find work in England, his experiences serving with the Union Army in the Civil War, and his life in Illinois in the year following the war. Two other acquaintances wrote to Peter Atkin about a visit Hope made to Nova Scotia in 1862 and about Hope's financial hardships.

Peter Atkin of Liverpool, England, and his son George received 10 letters regarding Peter's nephew, Englishman William D. Hope, between 1862 and 1866. Hope, an aspiring pharmacist, wrote 5 letters to his uncle and 3 letters to his cousin about his desperate financial situation, his attempts to find work in England, his experiences serving with the Union Army in the Civil War, and his life in Illinois in the year following the war. Two other acquaintances wrote Atkin about a visit Hope made to Nova Scotia in 1862 and about Hope's financial hardships.

Dr. William Denison of Newport, Nova Scotia, wrote Peter Atkin on August 6, 1862, concerning William D. Hope's recent professional visit and his local love affair, since broken off. William D. Hope wrote the following 4 letters to Peter Atkin and George Atkin, his uncle and cousin, respectively, while traveling around England between September 22, 1862, and May 2, 1863. Hope discussed his unsuccessful love affair with "Miss Paint" in Nova Scotia, and lamented his poor financial fortunes. He described his attempts to find work, as well as his difficulties in doing so, which he attributed to the machinations of a relative, David Hope. In his letter of September 22, 1862, he mentioned the dampening effect the Civil War had on business affairs in North America. Andrew Paton also wrote to Peter Atkin on January 26, 1863, expressing his displeasure at Hope's situation and his failure to call on Paton in Glasgow, Scotland.

Hope's letters from North America begin on December 1, 1863. In the 4 letters that follow, he described his work for the Union Army at Hart Island, New York, and at Lookout Mountain, Tennessee (2 letters, December 1, 1863, and January 19, 1865, 13 pages), as well as various aspects of his life after the war (2 letters, August 8, 1865, and August 20, 1866, 9 pages). He reported on his experiences as a medicine dispenser for a hospital on Hart Island, recounted his travels from New York to Tennessee, and explained his duties with the quartermaster's department at Lookout Mountain. He also commented on the progress of the war, on the perceived American prejudice against Englishmen, and on the war's effects in Illinois. In his letter of December 1, 1863, he described the New York City draft riots of 1863, during which he was almost fatally shot, and he mentioned the recent hanging of the Lincoln assassination conspirators in his letter of August 8, 1865.

This collection contains a diary, a 4-volume manuscript autobiography, 8 newspaper clippings, 2 court documents, and 15 photographs related to William Flick, a manual laborer who lived in Illinois, Oregon, and Idaho in the late 19th and early 20th centuries.

This collection (27 items) contains a diary, a 4-volume manuscript autobiography, 8 newspaper clippings, 2 court documents, and 15 photographs related to the life of William Flick, a manual laborer.

Between November 2, 1916, and January 30, 1917, William Flick kept a Diary detailing his travels on an Illinois canal, his hunting expeditions, and his work as a clam digger. He wrote about traveling with his brother, Albert, and working on his boat.

William Flick's Autobiography, composed in 4 spiral-bound notebooks in 1958, begins with his birth in 1872 and documents his work and movements throughout his teenage and adult years. In his narrative, which he claimed to have written "because I don't think any one [sic] around here has made a success of as many ocupations [sic] as I have," Flick reminisced about his family, jobs, and acquaintances in Illinois, Oregon, and Idaho, and shared observations about his life. The final volume of the autobiography contains Flick's reflections on some of the technological and social changes he witnessed during his lifetime.

The Documents and Newspaper Clippings series (10 items) contains a summons and a deposition from Ogle County, Illinois, related to Albert Flick, as well as 8 newspaper clippings related to William Flick and his family. The clippings document family news and deaths, including the accidental death of Flick's daughter Flossie.

Fifteen Photographs depict William Flick and his family, including several taken during Flick's time as a logger in Creswell, Oregon, and as a clam digger in Illinois, as well as one taken in front of a carpenter's shop in Chicago, Illinois. One portrait shows Marlow Flick in his Navy uniform. Four items are photographic postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

This collection is made up of correspondence, legal documents, and financial records related to Alexander and Chilion A. Trimble of Crown Point, New York. The materials pertain to the Trimbles' financial affairs, Chilion's service as Essex County sheriff, state politics and elections, and other subjects. Many family members wrote of their lives in New York, Illinois, Iowa, and Montana.

This collection is made up of correspondence, legal documents, and financial records related to the Trimble family of Crown Point, New York.

The collection contains two groups of Correspondence . Family Correspondence(approximately 2.75 linear feet) largely consists of incoming correspondence to Alexander Trimble and his son Chilion, both of Crown Point, New York. Alexander's siblings shared personal and local news. James King, an acquaintance in Albany, New York, frequently discussed Alexander's financial affairs. From 1816 to 1841, King corresponded with Chilion Trimble, in which he discussed news from Albany, property ownership, legal disputes, wheat sales, and other business matters. Chilion and his wife Charlotte also received letters from their siblings and other family members in New York, Virginia, Illinois, Iowa, and Montana. The personal letters often concern religion, health, bereavement, farming, and other aspects of the writers' daily lives.

Frank and Hiram Stone, Charlotte's brothers, traveled to California during the 1849 Gold Rush, and Frank later wrote to Charlotte from Helena, Montana, in the late 1860s. Mary L. Cheney and her husband, L. P. Cheney, lived in Chicago, Illinois; their earliest letters describe the Illinois terrain, including prominent corn crops, and their later letters describe the growth of Chicago. Some of the family correspondence pertains to national and local political issues, such as the 1856 and 1860 presidential elections and John Brown's raid on the United States arsenal at Harper's Ferry. A small number of letters from the Civil War era mention the war, occasionally revealing the writers' fears for the union's survival. Charlotte Trimble received condolence messages following her husband's death in 1862, and she continued to receive personal letters until the late 1860s.

The Business Correspondence subseries(approximately 2 linear feet) includes a few early items (1800s-1810s) addressed to Alexander Trimble, concerning finances, real estate, and decedents' estates; the bulk of the material consists of incoming letters written to Chilion Trimble after 1820. Some items pertain to Chilion's involvement in the New York Militia and to political issues and elections. From 1843-1846, the materials relate to Chilion's service as sheriff of Essex County, New York; these often refer to the results of court cases and request assistance in collecting payments or performing other actions related to court judgments. After 1846, Chilion's correspondents often wrote about financial and business affairs such as property ownership, and he received a series of personal letters from John S. Rice of Maquoketa, Iowa, in the early 1860s. The series includes a facsimile letter by Samuel J. Tilden requesting information about New York voters (September 25, 1866) and late letters addressed to George Brown.

The Documents and Accounts series (approximately 0.75 linear feet) contains legal documents, financial records, and account books pertaining to several generations of the Trimble family, particularly Chilion Trimble. Materials include indentures related to property in New York, records concerning real property and decedents' estates, and accounts between James King and Chilion Trimble, often related to sales of wheat. Other groups of items relate to insurance policies, Essex County elections, and Trimble's service as Essex County sheriff. One account book contains entries dated 1894-1901.

The Writings and Ephemera series (approximately 0.25 linear feet) contains fragments, lists, poems, and other materials. Poetry includes an item entitled "Destruction of Pompeii," a religious poem, and a revised version of the Lord's Prayer related to soldiers' experiences during the Civil War.

This photograph album contains pictures taken during trips to Arizona, California, Colorado, Minnesota, and Michigan around the turn of the 20th century. Subjects include Native American homes, dress, and customs; western scenery; and Midwestern waterfronts and steamships.

The Tourist photograph album (15 x 21 cm) contains approximately 245 pictures from around the Southwest and Midwest United States taken by an unknown photographer around the turn of the 20th century. Southwest photographs include mission churches in California and New Mexico, rock formations, cliff dwellings at Canyon de Chelly and Mesa Verde, Balanced Rock in the Garden of the Gods, and a pueblo. Several photographs feature Native Americans, including: women with traditional squash blossom hair styles; a man carrying a small child in a sling on his back; a woman in a shop with baskets, wool and dry goods; a woman seated in front of a loom with partially finished cloth; a man sitting in a white-washed interior with skeins of wool, holding a spindle with a hand carder at his feet. One photograph shows mummified human remains posed next to a bottle of whiskey and skull, indicating likely tomb desecration. Also included are unidentified Southwestern streets, beach scenes, and the storefront of J.M. Archuleta in Colorado. Midwest photos include images of the Palace of Fine Arts (Museum of Science and Industry) in Chicago, Mackinac Island, the Marquette Monument in St. Ignace, Soo Locks, and the Great Lakes steamer North Land, and a lake and cottage. The Grand Hotel on Mackinac Island and the SS Chief Wawatam are also pictured. Many photographs are significantly faded. Some manuscript captions are included.

The album includes two cyanotypes and a postcard with a cartoon satirizing the Brigham Young's polygamy.

The album has a half bound pebbled leather cover and is stored in a three-part wrap with brown cloth spine.

This photograph album contains pictures taken during the World's Columbian Exposition (World's Fair) in Chicago, Illinois, in 1893. The album includes several interior views of the New Jersey educational exhibit in the Liberal Arts Building and exterior views of the exposition's large thematic buildings, individual state pavilions, international cultural exhibits, and statues.

This photograph album (31cm x 23cm) contains 105 pictures taken during the World's Columbian Exposition (World's Fair) in Chicago, Illinois, in 1893. The title Views of the World's Fair is stamped in gold on the front cover, along with an image of the Statue of the Republic. A second title, World's Fair Photographs, Including Views of the New Jersey Educational Exhibit, is printed on the first page. With the exception of two larger prints, items are pasted two to a page, above manuscript captions.

The album includes a group of rare interior views of the displays in the Liberal Arts Building. Featured are the New Jersey educational exhibit, the packing of displays after the fair's closure; views of international cultural exhibits; statues, and artifact displays. The majority of the album is comprised of more common exterior views of the exposition's large thematic and individual state pavilions. Many of the main structures, such as the Administration Building, Liberal Arts Building, Electricity Building, and the Palace of Mechanical Arts, are shown from a variety of perspectives, along with smaller structures representing many U.S. states.

Also shown are views of the nautical vessels displayed at the fair including the replica battleship USS Illinois, a replica of Columbus's Santa Maria, a replica Viking ship, and the fair's gondolas and similar smaller boats. Photographs of the Wooded Island and the Midway Plaisance also appear in the album. Of particular note are the pictures of ethnographic displays including Native American shelters and a group of "Dahomey Villagers." A series of photos taken on "Chicago Day," October 9, 1893, shows the crowds that set the world record for outdoor event attendance.

This collection is made up of 56 letters that members of the United States Army, United States Navy, and United States Coast Guard wrote to Shirley Kunz of Chicago, Illinois, during World War II.

This collection is made up of 56 letters that members of the United States Army, United States Navy, and United States Coast Guard wrote to Shirley Kunz of Chicago, Illinois, during World War II.

Kunz's early correspondents included Frank S. Kunz, Jr., who discussed his service in the United States Coast Guard at the Manhattan Beach Training Station in Brooklyn, New York, and near New Smyrna Beach, Florida; and Jos. L. Bussa, who trained at the Great Lakes Naval Training Center in llinois. Frank Kunz later wrote from New Guinea and the Philippines, where he commented on postwar destruction. Henry A. Petru ("Hank") of the United States Army's 335th Infantry Regiment wrote to Kunz after 1943; he reminisced about an outing with Kunz and her friend Dolores, mentioned his involvement in engineering school and his glider training, and commented on his combat experiences in France and Germany, where he was wounded in late 1944. Some of Petru's letters enclose drafts of Kunz's responses. Richard C. Hoover ("Dick") wrote to Kunz from 1944-1946, discussing his attempts to earn a rating, his enjoyment of football and bowling, and his family's health. He provided updates about his mother's medical treatments, and shared news of her death in February 1946.

Kunz's other correspondents included Russel E. Sorensen and Harvey J. Hopsicker, who both served in the United States Navy's medical corps at San Diego, California; and William B. Vogel, a mutual friend of Hank Petru. She also received letters from Ray Warczynski, who served onboard the SS City of Grand Rapids, and from a correspondent, "Le Roy," who commented on his high school schedule in McHenry, Illinois. Some letters are written on stationery depicting the logos of United States military bases; other letterheads show Jesus Christ, a cartoon sailor with radio equipment, and the SS City of Grand Rapids. Shirley Kunz drew a picture of a foot in her letter to Hank Petru of July 26, 1943.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The album (36.5 x 28 cm) has string-bound brown covers with the words "Scrap Book" and a depiction of a boy and girl wearing wooden clogs embossed on the front; the covers and pages are in poor condition. The structure of the album is roughly chronological, with material from the 1920s appearing towards the beginning and material from the 1940s appearing towards the end. However, candid snapshots and studio portraits made in Milwaukee, Wisconsin, in the early 1930s are scattered throughout and mixed in with photos from other periods. At least one page includes dated photos from the early 1930s and late 1940s that appear side by side. Certain names and people reappear often, but exactly how they relate to one another is not entirely clear. Many photographs document people drinking as well as posing in a humorous manner.

Photographer Russell Clifford Shaul appears to have been the compiler of this album. Shaul’s name appears on numerous images as the credited photographer, including portraits taken in Milwaukee in the early 1930s and a Chicago cityscape view from the mid-1940s. Several photos are also inscribed with messages to “Russell,” while snapshots arranged on a page captioned “The Shauls” show him and his third wife Sarah visiting various U. S. tourist destinations between 1944 and 1949. At some point during the 1930s it appears that Shaul relocated from Milwaukee to Chicago and set up a new photography business. Several pages in the album suggest that Shaul and his colleagues practiced door-to-door operations.

Two pages document a man’s World War II service. He is pictured driving a Jeep and wearing a uniform bearing an “Official U.S. War Photographer” patch, training on a shooting range, interacting with people on the streets “In India,” and taking photographs with both still and motion picture cameras. This man appears throughout the album (identified elsewhere as “Carl”), including in the earliest Milwaukee shots in 1927. He may have been Shaul’s friend and/or business partner.

Items placed toward the end of the album include some scrapbook materials including letterheads advertising a company called Chicago Thrill Tours and Chicago-based radio host called “The Nitehawk,” as well as business cards identifying a fellow photographer in Chicago named Charles Lonk and a trailer park in Eau Gallie, Florida.

In addition to the album there is also an envelope containing several loose photographs and ephemeral items including portraits of various people and groups; pictures of people drinking at bars; photographs of the man elsewhere identified as Carl drinking at a Milwaukee bar in 1927 as well as posing in a bathtub while another man bathes him; an image of a photo supply storefront with a cutout of an unidentified man pasted over the front door (possibly shop owner I. Dobkin); photography-related clippings; aerial images of Baton Rouge, Louisiana, taken in 1938; and a portrait by Acme Newspictures of a man in the radio studio of “The Nitehawk - WBBM” captioned “J. W. Clark.” Also present is an enveloped typed letter signed by “The Nitehawk” written to Shaul in 1948 asking him to be on the lookout for early copies of Reader’s Digest.

Royal L. Lewis of Rochester, New York, and Flint, Michigan, compiled proverbs, journal entries, poetry, and other material in this commonplace book roughly between 1844 and 1847.

Royal L. Lewis of Rochester, New York, and Flint, Michigan, compiled proverbs, journal entries, poetry, and other material in this commonplace book roughly between 1844 and 1847.

The entries in Royal Lewis's book are spread throughout the volume, though most appear in distinct sections, separated by varying numbers of blank pages. From April to October 1845, Lewis kept a sporadic travel diary (11 pages), in which he described his journey from Rochester, New York, to Chicago, Illinois, via northern Michigan, and discussed some of his experiences while living in Chicago, where he remained until at least October 1845. He wrote about his lack of acquaintances, the weather, and a prairie fire. These entries are followed by a brief journal entry about food prices and a meeting of the "G. Co." Democratic Party in 1847 (1 page) and a copy of a letter Lewis wrote inquiring about land near a settlement called Waterloo (1 page). The middle of the volume contains 3 pages of material regarding the United States presidential election of 1844, including an antislavery poem or song entitled "For the Abolition Election of 1844," written to the tune of "Scots Who [sic.] Hae Wie Wallace Bled"; information about the Democratic and Whig candidates; and a table showing each state's number of electors and election date.

Lewis also recorded proverbs and copied poems, which are located throughout the volume (9 pages). Many concern love, self-improvement, and religion. One religious poem is attributed to Luís Vaz de Camões, and another, a hymn, was originally written by German poet William Augustus Muhlenberg, though it is labeled "Prescott's verse." The commonplace book also contains a page of shorthand writing and "Valuable Receipts," which are recipes for a soda solution and soap.

This volume includes an unused, 2-page, partially-printed index (modeled after John Locke's indexing method) and a 1-page explanation of the method. The printed page titles are: "Gould's Common-Place Book" and "Gould's Common-Place Book, Upon the Plan of Dr. John Locke."