Collections : [University of Michigan William L. Clements Library]

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The album (36.5 x 28 cm) has string-bound brown covers with the words "Scrap Book" and a depiction of a boy and girl wearing wooden clogs embossed on the front; the covers and pages are in poor condition. The structure of the album is roughly chronological, with material from the 1920s appearing towards the beginning and material from the 1940s appearing towards the end. However, candid snapshots and studio portraits made in Milwaukee, Wisconsin, in the early 1930s are scattered throughout and mixed in with photos from other periods. At least one page includes dated photos from the early 1930s and late 1940s that appear side by side. Certain names and people reappear often, but exactly how they relate to one another is not entirely clear. Many photographs document people drinking as well as posing in a humorous manner.

Photographer Russell Clifford Shaul appears to have been the compiler of this album. Shaul’s name appears on numerous images as the credited photographer, including portraits taken in Milwaukee in the early 1930s and a Chicago cityscape view from the mid-1940s. Several photos are also inscribed with messages to “Russell,” while snapshots arranged on a page captioned “The Shauls” show him and his third wife Sarah visiting various U. S. tourist destinations between 1944 and 1949. At some point during the 1930s it appears that Shaul relocated from Milwaukee to Chicago and set up a new photography business. Several pages in the album suggest that Shaul and his colleagues practiced door-to-door operations.

Two pages document a man’s World War II service. He is pictured driving a Jeep and wearing a uniform bearing an “Official U.S. War Photographer” patch, training on a shooting range, interacting with people on the streets “In India,” and taking photographs with both still and motion picture cameras. This man appears throughout the album (identified elsewhere as “Carl”), including in the earliest Milwaukee shots in 1927. He may have been Shaul’s friend and/or business partner.

Items placed toward the end of the album include some scrapbook materials including letterheads advertising a company called Chicago Thrill Tours and Chicago-based radio host called “The Nitehawk,” as well as business cards identifying a fellow photographer in Chicago named Charles Lonk and a trailer park in Eau Gallie, Florida.

In addition to the album there is also an envelope containing several loose photographs and ephemeral items including portraits of various people and groups; pictures of people drinking at bars; photographs of the man elsewhere identified as Carl drinking at a Milwaukee bar in 1927 as well as posing in a bathtub while another man bathes him; an image of a photo supply storefront with a cutout of an unidentified man pasted over the front door (possibly shop owner I. Dobkin); photography-related clippings; aerial images of Baton Rouge, Louisiana, taken in 1938; and a portrait by Acme Newspictures of a man in the radio studio of “The Nitehawk - WBBM” captioned “J. W. Clark.” Also present is an enveloped typed letter signed by “The Nitehawk” written to Shaul in 1948 asking him to be on the lookout for early copies of Reader’s Digest.

The Marguerite H. Voll photograph album includes 87 photographs documenting family activities and various events in Plymouth, Wisconsin, as well as Chicago, Illinois.

The Marguerite H. Voll photograph album includes 87 photographs documenting family activities and various events in Plymouth, Wisconsin, as well as Chicago, Illinois.

The album (28.5 x 35 cm) has black cloth with “Photographs” stamped in gold on the front cover. Images include portraits of the Bade, Schram, and Fiedler families as well as views of parades in Chicago (including a Barnum & Bailey Circus parade), group portraits of the Plymouth Hook and Ladder bicycle team, the Sheboygan County Fair, natural landscape scenes, cars, trains, farming, and photographic reproductions of sentimental art. Of particular note is a portrait of Marguerite Bade riding a floor sweeper as an infant in 1909.

The Chicago photograph album contains pictures of buildings, park landscapes, and people in Chicago, Illinois; Grand Rapids, Michigan; and Detroit, Michigan. Items include interior and exterior views of a Chicago home, portraits of small groups of individuals, views of gardens in John Ball Park (Grand Rapids, Michigan), and a photograph of a steamboat in the Detroit River.

The Chicago photograph album (14cm x 18cm) contains 24 photographic prints, each placed in a 9cm x 11.5cm window. The first item is an exterior view of a home located at 5828 Indiana Avenue in Chicago, Illinois, and the following eight items are interior views of parlors and a dining room; one shows a woman sewing. The album includes six photographs of John Ball Park in Grand Rapids, Michigan, with various garden scenes and a shot of two women in a small horse-drawn carriage, and one photograph of the steamer "The North Land" passing Belle Isle near Detroit, Michigan. One item features the Michigan Soldiers' Home in Grand Rapids, Michigan, and another shows a woman feeding a group of birds there. The remaining six items are informal group and individual portraits taken in Washington Park (Chicago, Illinois) (2 items), Palmer Park (Detroit, Michigan) (1 item), "Our Back Yard" (Chicago, Illinois) (1 item), and unidentified outdoor locales (2 items); two men posed by a bicycle in Washington Park. The album's cover is decorated with a colored floral pattern, with a gray geometric pattern near and covering the spine.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

This collection contains correspondence, photographs, and printed items pertaining to Lillian G. Ostrand, who was a United States Army nurse with the 123rd General Hospital in England from 1944-1945. In letters to her parents and brother, she described many aspects of life in wartime England. Other items are an early-20th century diary kept by her father Andrew and a memoir by Thomas J. Glennon, who also served with the 123rd General Hospital.

This collection (0.5 linear feet) contains correspondence, photographs, and printed items pertaining to Lillian G. Ostrand, who was a United States Army nurse with the 123rd General Hospital in England from 1944-1945. Other items pertain to her father, Andrew Ostrand, and to a fellow member of the 123rd General Hospital, Thomas J. Glennon.

The Correspondence series (87 items) is divided into two subseries, each arranged chronologically: Manuscript Letters (July 16, 1944-July 29, 1945) and V-Mail Letters (July 30, 1944-August 1, 1945). Lillian G. Ostrand regularly wrote to her parents and brother in Crystal Falls, Michigan, about her service in England with the 123rd General Hospital. After writing about her transatlantic journey, she described many aspects of wartime life in England, such as high prices, blackouts, and travel by bicycle and rail. At the same time, she kept up-to-date with events in the U.S. and wrote about issues such as the 1944 presidential election (October 29, 1944, and November 9, 1944), war bonds (December 11, 1944), and President Roosevelt's death (April 14 and 16, 1945). While in Britain, Ostrand traveled to towns in England, Wales, Northern Ireland, and Scotland. She visited Stratford-upon-Avon multiple times to watch Shakespeare plays and frequently mentioned seeing films and other musical and theatrical performances. Additionally, she commented on changing personnel at the 123rd General Hospital, particularly after V-E Day, and remarked about some of her patients and acquaintances, such as a British intelligence officer who had shown her confiscated letters by Adolf Hitler (July 12, 1945). By August 1945, Ostrand anticipated returning home.

Andrew Ostrand, Lillian's father, kept a Swedish-language Diary (159 pages) about his life in Chicago, Illinois, and in Michigan's Upper Peninsula from April 1, 1906-October 16, 1914. Most entries are from 1906 and 1907.

• A panoramic group photograph of the personnel of the 123rd General Hospital, taken at Camp Ellis, Illinois, in July 1944
• 2 black-and-white photographs of buildings from the 156th General Hospital
• A formal portrait of Lillian G. Ostrand in uniform
• A black-and-white photograph of Hereford Cathedral, pasted onto a cardboard frame
• A color photograph of a plaque commemorating the 123rd General Hospital

Printed Items and Ephemera (6 items) include a document with "Information for Members of the Army Nurse Corps Preparing for Foreign Duty"; menus for the 123rd General Hospital's Thanksgiving and Christmas dinners in 1944; newspaper clippings about V-E Day and about Major Marion S. Clift, who served with Lillian G. Ostrand in England; and a copy of the Yank army weekly (May 18, 1945).

The Thomas J. Glennon Memoir (91 pages) concerns Glennon's military experiences during World War II. He served with the 123rd General Hospital at Camp Ellis, Illinois, and in England, and his memoir provides detailed information about the hospital's work and life in wartime England.

Perspectives on World War II is a 74-page bound collection of reminiscences about World War II. These stories were collected for a series of lectures for the "Living in Retirement" program at the University of Michigan Medical Center in Ann Arbor, Michigan, held on May 8, 1995. Lillian G. Ostrand contributed a brief personal narrative about her wartime experiences.

Mary H. Staats wrote regularly to Dr. H. Allan Novak of Boston, Massachusetts, while serving as a United States Navy nurse in the Solomon Islands and the United States during and just after World War II. She commented on her living conditions, work, education, and health.

Mary H. Staats wrote 30 letters to Dr. H. Allan Novack of Boston, Massachusetts, while serving as a United States Navy nurse in the Solomon Islands and the United States from 1944-1946. She commented on her living conditions, work, education, and health.

Staats wrote her first group of 20 letters while stationed in the Russell Islands between May 1, 1944, and [February 20], 1945. She worked for Mobile Hospital 10 and for United States Fleet Hospital 110. Her letters pertain to many aspects of her experiences, such as the scenery, her victory garden, and her quarters. On August 13, 1944, she recounted visiting a beach on Guadalcanal and hearing a performance by Bob Hope. She often reported on her own health problems and requested that Novack send medicines, clothing, and other items for personal and hospital use. In her letter of December 7, 1944, Staats complained that packages filled with religious papers, candy, and comic strips had taken unnecessary space in the mail, possibly blocking the receipt of more necessary items. Staats wrote one letter to her father, in which she mentioned her interactions with native islanders and radio broadcasts by "Tokyo Rose" (May 12, 1944).

Staats continued to write to Novack after her return to the United States (11 items). On April 11, 1945, and April 22, 1945, she reported on her travels from the Solomon Islands to Coshocton, Ohio, and provided additional information about her work with the 1st Marine Division. While stationed at the United States Naval Hospital in Philadelphia, Pennsylvania, she discussed her own health issues (May 17, 1945) and wrote a 15-page letter with detailed descriptions of her experiences in the Pacific (June 8, 1945). She described nurses' protection and quarters, the effects of excessive temperatures on nurses' health, and medical care, among other subjects. Five letters from Staats's time in Chicago, Illinois (September 30, 1945-May 6, 1946), pertain to the cost of living, courses at Northwestern University, the possibility of pursuing a career in the navy, and gynecological health. She often referred to the G.I. Bill of Rights and its potential effects on her education. A Christmas card is enclosed in her letter of December 8, 1945. Staats wrote additional letters to Novack from Coshocton, Ohio (September 6, 1946), and from Corpus Christi, Texas (August 20, 1947), where she complained about the chief nurse at the United States Naval Hospital.

This collection is made up of 56 letters that members of the United States Army, United States Navy, and United States Coast Guard wrote to Shirley Kunz of Chicago, Illinois, during World War II.

This collection is made up of 56 letters that members of the United States Army, United States Navy, and United States Coast Guard wrote to Shirley Kunz of Chicago, Illinois, during World War II.

Kunz's early correspondents included Frank S. Kunz, Jr., who discussed his service in the United States Coast Guard at the Manhattan Beach Training Station in Brooklyn, New York, and near New Smyrna Beach, Florida; and Jos. L. Bussa, who trained at the Great Lakes Naval Training Center in llinois. Frank Kunz later wrote from New Guinea and the Philippines, where he commented on postwar destruction. Henry A. Petru ("Hank") of the United States Army's 335th Infantry Regiment wrote to Kunz after 1943; he reminisced about an outing with Kunz and her friend Dolores, mentioned his involvement in engineering school and his glider training, and commented on his combat experiences in France and Germany, where he was wounded in late 1944. Some of Petru's letters enclose drafts of Kunz's responses. Richard C. Hoover ("Dick") wrote to Kunz from 1944-1946, discussing his attempts to earn a rating, his enjoyment of football and bowling, and his family's health. He provided updates about his mother's medical treatments, and shared news of her death in February 1946.

Kunz's other correspondents included Russel E. Sorensen and Harvey J. Hopsicker, who both served in the United States Navy's medical corps at San Diego, California; and William B. Vogel, a mutual friend of Hank Petru. She also received letters from Ray Warczynski, who served onboard the SS City of Grand Rapids, and from a correspondent, "Le Roy," who commented on his high school schedule in McHenry, Illinois. Some letters are written on stationery depicting the logos of United States military bases; other letterheads show Jesus Christ, a cartoon sailor with radio equipment, and the SS City of Grand Rapids. Shirley Kunz drew a picture of a foot in her letter to Hank Petru of July 26, 1943.

The Pageant of the Dunes photograph album contains 92 photographs including snapshots of scenery in and around the vicinity of Chicago, Illinois, as well as images of the “Pageant of the Dunes” event held in Port Chester, Indiana, in 1917.

The Pageant of the Dunes photograph album contains 92 photographs including snapshots of scenery in and around the vicinity of Chicago, Illinois, as well as images of the “Pageant of the Dunes” event held in Port Chester, Indiana, in 1917.

The album (19 x 29 cm) is string-bound and has black paper covers and pages. Contents begin with images of Chicago scenery including views of Navy Pier, Edgebrook, and the Chicago River, while the following section features several images that appear to be related to an exhibition of statues of World War I soldiers at an unidentified venue. Photographs in the section captioned “Pageant of the Dunes, 1917” consist of images of crowds as well as actors and actresses, including some dressed as Native Americans. Three photographs dated to 1918 are also present.

The Railroad construction photograph album contains approximately 300 photographs taken by an unidentified railroad engineer showing construction projects on the White River Railway, Gordon & Fort Smith Railway, Wabash Southern Railraod, and the Chicago, Burlington & Quincy Railway in Northern Arkansas, southern Illinois, and Missouri.

The Railroad construction photograph album contains approximately 300 photographs taken by an unidentified railroad engineer showing construction projects on the White River Railway, Gordon & Fort Smith Railway, Wabash Southern Railraod, and the Chicago, Burlington & Quincy Railway in Northern Arkansas, southern Illinois, and Missouri.

The album (18.5 x 28 cm) has black cloth covers, and many of the photographs have manuscript captions. Photographs of interest include images of engineers' and contractors' camps on the Antoine River in Arkansas and the Big Muddy River near Zeigler, Illinois, including interiors and exteriors of tent offices and living quarters; work parties (one of which includes a Japanese man identified as "K. Okora") relaxing and eating in camp, using survey equipment, building concrete piers, operating grading machinery, unloading equipment, laying track, and repairing bridges and tunnels, including sections damaged by flooding. Also of note is a photograph labeled "G. M. Callaway on his speeder, 1907," showing a man riding a Fairbanks velocipede railroad handcar. Several family photographs are also present, showing the unidentified engineer who created the album and his wife in their tent "home" at Antoine River, Arkansas, and with their young child at home in Chicago. Additional photographs include street views from Carthage and Kansas City in Missouri as well as Chicago and Benton in Illinois. Also present are three images of Wabash Southern Railway maps that are affixed to the inside of the back cover.

Railroad employees identified in photographs include: R.C. Larimore, Geo. Gentry, J. F. Reidnaar, Ernest Cameron, K. Okora, Carlos Dunn, Don Bradley, Braun, Wherry, Humber, Guy Hardin, Jno. P. Sanderson, Dick Armstrong, H. W. Perstrup, Geo. N. Lampley, Roy Watson, W. R. Smith, H. Rohmer, S. L. Morrow, F. Hammond, and C. L. Moorman.

Warren F. Perkins, Jr. ("Frank") wrote 36 letters to his parents in Providence, Rhode Island, while traveling and working in Canada, the Midwest, and New York from 1904-1906. He commented on his life and work in Chicago; Saint Louis; Topeka; and Kokomo, Indiana, and also discussed his travels to the 1904 Louisiana Purchase Exposition in St. Louis and his work on a houseboat in and around the state of New York.

Warren F. Perkins, Jr. ("Frank") wrote 36 letters and postcards to his parents in Providence, Rhode Island, while traveling and working in Canada, the Midwest, and New York from February 21, 1904-July 15, 1906. In his first letter, Perkins discussed his attempts to find work in Chicago and the strike-related violence he witnessed there (February 21, 1904). In August and September 1904, he traveled to Toronto and Niagara Falls before settling in Saint Louis, Missouri, where he first stayed at "Camp Lewis," a tent city. While living in Saint Louis, Perkins and his companions occasionally visited the Louisiana Purchase Exposition and traveled to the surrounding area. He complained about inflated prices resulting from the exposition, described his accommodations, and discussed his series of blue-collar jobs. His letter of October 16, 1904, contains a sketch of his boarding house.

In November 1904, Perkins left for Topeka, Kansas, where he considered further travel to Omaha, Nebraska (November 28, 1904). By December, he had returned to Chicago, where he again reported on labor disputes, striking workers, and a contentious mayoral election in early 1905. In May 1905, Perkins wrote to his family from Kokomo, Indiana; he drew a map of Kokomo in his letter of May 30, 1905. A final group of 7 letters pertains to his time working on a houseboat in upstate New York and around New York City in June and July 1906. He described the boat and commented on his experiences on the Erie Canal, on the Hudson River, and in New York City. Perkins reached Connecticut by the time he wrote his final letter on July 15, 1906.