Collections : [University of Michigan William L. Clements Library]

This photograph album contains carte-de-visite and tintype portraits of unidentified individuals taken primarily in Ionia and Clinton Counties, Michigan, in the mid- to late 19th century.

This photograph album (15cm x 12cm) contains 27 carte-de-visite and 15 tintype portraits of unidentified individuals taken in the mid- to late 19th century. Only one subject, Mr. J. C. Sessions, is identified. The studio portraits mostly show adult men and women of various ages, sometimes photographed in couples and, on two occasions, with children. A few portraits of individual children are included, including two of a young boy who was also photographed at a later date. The album has a green cover with a raised geometric design; a metal clasp that was once affixed to the volume is no longer extant.

The Chicago photograph album contains pictures of buildings, park landscapes, and people in Chicago, Illinois; Grand Rapids, Michigan; and Detroit, Michigan. Items include interior and exterior views of a Chicago home, portraits of small groups of individuals, views of gardens in John Ball Park (Grand Rapids, Michigan), and a photograph of a steamboat in the Detroit River.

The Chicago photograph album (14cm x 18cm) contains 24 photographic prints, each placed in a 9cm x 11.5cm window. The first item is an exterior view of a home located at 5828 Indiana Avenue in Chicago, Illinois, and the following eight items are interior views of parlors and a dining room; one shows a woman sewing. The album includes six photographs of John Ball Park in Grand Rapids, Michigan, with various garden scenes and a shot of two women in a small horse-drawn carriage, and one photograph of the steamer "The North Land" passing Belle Isle near Detroit, Michigan. One item features the Michigan Soldiers' Home in Grand Rapids, Michigan, and another shows a woman feeding a group of birds there. The remaining six items are informal group and individual portraits taken in Washington Park (Chicago, Illinois) (2 items), Palmer Park (Detroit, Michigan) (1 item), "Our Back Yard" (Chicago, Illinois) (1 item), and unidentified outdoor locales (2 items); two men posed by a bicycle in Washington Park. The album's cover is decorated with a colored floral pattern, with a gray geometric pattern near and covering the spine.

The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

The Railroad construction photograph album contains approximately 300 photographs taken by an unidentified railroad engineer showing construction projects on the White River Railway, Gordon & Fort Smith Railway, Wabash Southern Railraod, and the Chicago, Burlington & Quincy Railway in Northern Arkansas, southern Illinois, and Missouri.

The Railroad construction photograph album contains approximately 300 photographs taken by an unidentified railroad engineer showing construction projects on the White River Railway, Gordon & Fort Smith Railway, Wabash Southern Railraod, and the Chicago, Burlington & Quincy Railway in Northern Arkansas, southern Illinois, and Missouri.

The album (18.5 x 28 cm) has black cloth covers, and many of the photographs have manuscript captions. Photographs of interest include images of engineers' and contractors' camps on the Antoine River in Arkansas and the Big Muddy River near Zeigler, Illinois, including interiors and exteriors of tent offices and living quarters; work parties (one of which includes a Japanese man identified as "K. Okora") relaxing and eating in camp, using survey equipment, building concrete piers, operating grading machinery, unloading equipment, laying track, and repairing bridges and tunnels, including sections damaged by flooding. Also of note is a photograph labeled "G. M. Callaway on his speeder, 1907," showing a man riding a Fairbanks velocipede railroad handcar. Several family photographs are also present, showing the unidentified engineer who created the album and his wife in their tent "home" at Antoine River, Arkansas, and with their young child at home in Chicago. Additional photographs include street views from Carthage and Kansas City in Missouri as well as Chicago and Benton in Illinois. Also present are three images of Wabash Southern Railway maps that are affixed to the inside of the back cover.

Railroad employees identified in photographs include: R.C. Larimore, Geo. Gentry, J. F. Reidnaar, Ernest Cameron, K. Okora, Carlos Dunn, Don Bradley, Braun, Wherry, Humber, Guy Hardin, Jno. P. Sanderson, Dick Armstrong, H. W. Perstrup, Geo. N. Lampley, Roy Watson, W. R. Smith, H. Rohmer, S. L. Morrow, F. Hammond, and C. L. Moorman.

This photograph album contains pictures taken during trips to Arizona, California, Colorado, Minnesota, and Michigan around the turn of the 20th century. Subjects include Native American homes, dress, and customs; western scenery; and Midwestern waterfronts and steamships.

The Tourist photograph album (15 x 21 cm) contains approximately 245 pictures from around the Southwest and Midwest United States taken by an unknown photographer around the turn of the 20th century. Southwest photographs include mission churches in California and New Mexico, rock formations, cliff dwellings at Canyon de Chelly and Mesa Verde, Balanced Rock in the Garden of the Gods, and a pueblo. Several photographs feature Native Americans, including: women with traditional squash blossom hair styles; a man carrying a small child in a sling on his back; a woman in a shop with baskets, wool and dry goods; a woman seated in front of a loom with partially finished cloth; a man sitting in a white-washed interior with skeins of wool, holding a spindle with a hand carder at his feet. One photograph shows mummified human remains posed next to a bottle of whiskey and skull, indicating likely tomb desecration. Also included are unidentified Southwestern streets, beach scenes, and the storefront of J.M. Archuleta in Colorado. Midwest photos include images of the Palace of Fine Arts (Museum of Science and Industry) in Chicago, Mackinac Island, the Marquette Monument in St. Ignace, Soo Locks, and the Great Lakes steamer North Land, and a lake and cottage. The Grand Hotel on Mackinac Island and the SS Chief Wawatam are also pictured. Many photographs are significantly faded. Some manuscript captions are included.

The album includes two cyanotypes and a postcard with a cartoon satirizing the Brigham Young's polygamy.

The album has a half bound pebbled leather cover and is stored in a three-part wrap with brown cloth spine.

The World's Columbian Exposition photograph album contains approximately 284 images related to the World's Columbian Exposition of 1893 held in Chicago, Illinois.

The World's Columbian Exposition photograph album contains approximately 284 images related to the World's Columbian Exposition of 1893 held in Chicago, Illinois.

The album (29 x 40 cm) has black cloth and leather covers bound by two metal rods. The original covers were replaced in March 2012 by conservator James W. Craven. Most of the album's 70 pages contain 4 photographs per page. Images include photographs of exteriors and interiors of various exhibition buildings, large crowds of people, numerous sculptures and statues, various historic and modern marine vessels, and bird's-eye views of the fair complex. Also of note are several photographs showing attendees in wheelchairs, images of various ethnic group exhibit buildings (including the Japanese Bazaar, Persian Palace, Irish Village, Oahomey Village of Benin, Egyptian Temple of Luksor, Alaskan Indian Village, and NY Iroquois Exhibit), and a group portrait of women sculptors including Helen F. Mears and Jean Pond Miner.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin. The album (26 x 32 cm) has black paper covers and a manuscript note inside the front cover that reads: "Tour of 1903." Chicago-related photographs include a commercial street view, the Chicago River, and Lincoln Park. The following 191 photographs were taken in various locations around Colorado, including 20 images of commercial streets, residential streets, and parks in Denver and Colorado Springs; an early motorized sightseeing bus on a Colorado Springs street; and scenic views documenting visits to the Garden of the Gods, Pikes Peak, and the Gunnison River.

Several photographs show the main building and a small cabin at Sprague's Ranch in Moraine Park, Colorado. The travelers, a party of two men and a woman, are shown fishing, posing beside their platform tents, and sightseeing with larger groups. Also shown is the dramatic scenery of Ouray, Colorado, with views of the mountains, the box canyon, Silver Plume mines, and street scenes which include a stagecoach and loaded burros. Following several photographs of hotels in Glenwood Springs, Colorado, and a view of the Grand Canyon of the Arkansas, there are three images that show streets in Milwaukee, including the Schlitz Brewery, as well as two additional images of Chicago street scenes.

The Pageant of the Dunes photograph album contains 92 photographs including snapshots of scenery in and around the vicinity of Chicago, Illinois, as well as images of the “Pageant of the Dunes” event held in Port Chester, Indiana, in 1917.

The Pageant of the Dunes photograph album contains 92 photographs including snapshots of scenery in and around the vicinity of Chicago, Illinois, as well as images of the “Pageant of the Dunes” event held in Port Chester, Indiana, in 1917.

The album (19 x 29 cm) is string-bound and has black paper covers and pages. Contents begin with images of Chicago scenery including views of Navy Pier, Edgebrook, and the Chicago River, while the following section features several images that appear to be related to an exhibition of statues of World War I soldiers at an unidentified venue. Photographs in the section captioned “Pageant of the Dunes, 1917” consist of images of crowds as well as actors and actresses, including some dressed as Native Americans. Three photographs dated to 1918 are also present.

Peter Atkin of Liverpool, England, and his son George received 10 letters regarding Peter's nephew, Englishman William D. Hope, between 1862 and 1866. Hope, an aspiring pharmacist, wrote 5 letters to his uncle and 3 letters to his cousin about his desperate financial situation, his attempts to find work in England, his experiences serving with the Union Army in the Civil War, and his life in Illinois in the year following the war. Two other acquaintances wrote to Peter Atkin about a visit Hope made to Nova Scotia in 1862 and about Hope's financial hardships.

Peter Atkin of Liverpool, England, and his son George received 10 letters regarding Peter's nephew, Englishman William D. Hope, between 1862 and 1866. Hope, an aspiring pharmacist, wrote 5 letters to his uncle and 3 letters to his cousin about his desperate financial situation, his attempts to find work in England, his experiences serving with the Union Army in the Civil War, and his life in Illinois in the year following the war. Two other acquaintances wrote Atkin about a visit Hope made to Nova Scotia in 1862 and about Hope's financial hardships.

Dr. William Denison of Newport, Nova Scotia, wrote Peter Atkin on August 6, 1862, concerning William D. Hope's recent professional visit and his local love affair, since broken off. William D. Hope wrote the following 4 letters to Peter Atkin and George Atkin, his uncle and cousin, respectively, while traveling around England between September 22, 1862, and May 2, 1863. Hope discussed his unsuccessful love affair with "Miss Paint" in Nova Scotia, and lamented his poor financial fortunes. He described his attempts to find work, as well as his difficulties in doing so, which he attributed to the machinations of a relative, David Hope. In his letter of September 22, 1862, he mentioned the dampening effect the Civil War had on business affairs in North America. Andrew Paton also wrote to Peter Atkin on January 26, 1863, expressing his displeasure at Hope's situation and his failure to call on Paton in Glasgow, Scotland.

Hope's letters from North America begin on December 1, 1863. In the 4 letters that follow, he described his work for the Union Army at Hart Island, New York, and at Lookout Mountain, Tennessee (2 letters, December 1, 1863, and January 19, 1865, 13 pages), as well as various aspects of his life after the war (2 letters, August 8, 1865, and August 20, 1866, 9 pages). He reported on his experiences as a medicine dispenser for a hospital on Hart Island, recounted his travels from New York to Tennessee, and explained his duties with the quartermaster's department at Lookout Mountain. He also commented on the progress of the war, on the perceived American prejudice against Englishmen, and on the war's effects in Illinois. In his letter of December 1, 1863, he described the New York City draft riots of 1863, during which he was almost fatally shot, and he mentioned the recent hanging of the Lincoln assassination conspirators in his letter of August 8, 1865.

The Pearce Atkinson papers contain correspondence between Atkinson and his parents, written primarily in the 1890s. The majority of the letters date from his time at Lehigh University and early engineering career with the Union Pacific Railway. These letters include descriptions of his college life and later railroad work in the mountains of Utah, Wyoming, and Colorado.

The Pearce Atkinson papers consist of 295 letters, primarily between Atkinson and his parents, written mostly in the 1890s. In several letters written to their father in 1879, a young Pearce and his brother Clarence told of their daily lives, and frequently mentioned their newborn brother Arthur. Most of the correspondence, however, dates from the time that Pearce entered Lehigh University in Bethlehem, Pennsylvania, and covers his collegiate years as well as his early career as a railroad engineer for the Union Pacific Railroad Company. While in Pennsylvania, he frequently wrote his parents about his coursework, financial situation, and social life, which often included visits to Philadelphia. His father sometimes sent him money, and occasionally offered advice on education and other topics; in one letter, he suggested five possible thesis topics, all related to railroads (March 18, [1888]). Additionally, several academic progress reports are interspersed among the letters (June 22, 1888, January 1889, et al.). After graduation, Atkinson wrote his parents from various locations in the western United States, and described his career and life while based in Salt Lake City, Utah; Cheyenne, Wyoming; Denver, Colorado; and several locations throughout California. Along with discussing his engineering work, he also wrote vivid descriptions of the local scenery and occasionally commented on politics. On May 30, 1894, he mentioned a group of Coxey's army members encamped near Denver, and he continued to report about strikers and additional unrest throughout June. Atkinson's final letters were written in early 1895, though his parents received a handful of later correspondence, including condolences for his death (July 19, 1898) and a letter from Charles Pollak, a family friend, regarding the death of Pollak's father (November 14, 1903). The ephemera item is a bloodstained handkerchief, labeled "Pearce Atkinson."