Collections

The Robert M. Vogel collection of historic images of engineering & industry contains approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, and 15 pieces of realia documenting a wide range of subjects primarily related to 19th-century civil engineering, industrial processes, and mechanization.

The Robert M. Vogel collection of historic images of engineering & industry contains approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, and 15 pieces of realia documenting a wide range of subjects primarily related to 19th-century civil engineering, industrial processes, and mechanization.

Particularly well-represented topics within the Vogel collection include images of different types of civil infrastructure such as bridges, canals, roads, dams, and tunnels as well as images showing construction projects, various types of machinery, modes of transportation (such as railroads, steamboats, automobiles, etc.), agricultural pursuits, natural resource extraction (including oil drilling, quarrying, mining, and lumbering), textile operations, electrical and hydraulic power generation, manufacturing, metal working, machine shops, and various industrial factory scenes. Many images of important and iconic structures are included such as the Brooklyn Bridge, Panama Canal, Hoosac Tunnel, and SS Great Eastern. Other represented topics include general architectural views, scenes of disasters/accidents, and portraits of notable individuals (such as Thomas Edison, Isambard Kingdom Brunel, and Robert Stephenson). While predominately United States-focused, the materials are international in scope overall and especially include many images of industrial sites and civil infrastructure in Great Britain. The order of the collection's original arrangement has largely been kept intact.

Examples of items of particular interest include salt prints possibly taken by civil engineer Montgomery C. Meigs documenting the construction of the U.S. Capitol and Washington Aqueduct in Washington, D.C.; a series of portraits of early Baldwin Locomotive Works locomotives; images documenting the SS Great Eastern and USS Niagara steamships; a group of 4 colored stereoviews on glass produced by Frederick Langenheim showing the Niagara Falls Suspension Bridge ca. 1850s; images related to specific railroads including the Baltimore & Ohio Railroad, Mauch Chunk, Mount Washington Cog Railway, and New York City elevated railroad; and half-frame proof prints of stereographs produced by Underwood & Underwood as well as H. C. White & Co.

The following list represents the general subject categories found across the Vogel collection along with relevant box and folder numbers:

• Box 07.2
• Box 14.1
• Box 14.2
• Box 14.3
• Box 31.2
• Box 52
• Box 56
• Folder 2.10
• Folder 3.08

• Box 06.2
• Box 06.3
• Folder 1.08
• Folder 2.15

• Box 01.1
• Box 03.3
• Box 06.3
• Box 07.1
• Box 28.2
• Box 28.3
• Box 46.2
• Box 57
• Box 58
• Box 59
• Box 61
• Box 63.10
• Folder 1.04
• Folder 2.04
• Folder 2.09
• Folder 2.14
• Folder 2.15
• Folder 2.16
• Folder 3.08

• Box 06.1
• Box 06.2
• Folder 2.06

• Box 03.1
• Box 03.2
• Folder 2.17
• Folder 3.08

• Box 03.3
• Box 04.1
• Box 04.2
• Box 04.3
• Box 05.3
• Box 05.4
• Box 06.1
• Folder 3.08

• Box 05.1

• Box 01.1
• Box 01.2
• Box 01.3
• Box 02.1
• Box 02.2
• Box 28.3
• Box 43.2
• Folder 3.02
• Folder 3.08
• Folder 3.10

• Box 02.3
• Box 05.2
• Box 06.1
• Box 49.1
• Box 49.2

• Box 09.1
• Box 09.2
• Box 36.1
• Box 36.2
• Box 39.1

• Box 08.2
• Box 08.3
• Box 18.4
• Box 28.1
• Box 28.3
• Box 46.1
• Box 53.2
• Box 58
• Box 61
• Box 63.08
• Box 63.11
• Folder 1.03
• Folder 2.16
• Folder 2.17

• Box 06.3
• Box 17.3
• Box 20.1
• Box 24.3
• Box 25.1
• Box 28.1
• Box 41.1
• Box 54
• Box 57
• Folder 1.07
• Folder 2.16

• Box 11.2
• Box 45.2

• Box 27.1
• Box 27.2
• Box 27.3
• Box 39.2
• Box 46.1
• Box 46.2
• Box 56
• Box 57
• Box 58
• Box 59
• Box 63.02
• Box 63.03
• Box 64.1
• Folder 1.05
• Folder 1.11
• Folder 1.13
• Folder 2.04
• Folder 2.11
• Folder 2.17
• Folder 3.08

• Box 07.2
• Box 07.3
• Box 08.1
• Box 08.2
• Box 28.1
• Box 28.2
• Box 43.2
• Box 46.3
• Box 52
• Box 54
• Box 56
• Box 57
• Box 59
• Box 63.04
• Box 64.2
• Box 64.4
• Folder 1.09
• Folder 2.05
• Folder 2.10
• Folder 2.12
• Folder 2.17
• Folder 3.08

• Box 07.1
• Box 07.2
• Box 13.2
• Box 13.3
• Box 14.1
• Box 27.2
• Box 27.3
• Box 31.2
• Box 32
• Box 33.1
• Box 33.2
• Box 34
• Box 35
• Box 36.1
• Box 37
• Box 39.2
• Box 40
• Box 41.2
• Box 42
• Box 43.1
• Box 43.2
• Box 46.2
• Box 53.1
• Box 53.2
• Box 60.1
• Box 61
• Box 63.01
• Box 63.03
• Box 64.1
• Box 64.3
• Folder 1.03
• Folder 1.07
• Folder 2.05
• Folder 2.06
• Folder 2.11
• Folder 2.15
• Folder 3.03
• Folder 3.08
• Folder 3.09
• Folder 3.12

• Box 15.1
• Box 43.2
• Box 44
• Box 55.1
• Box 55.2
• Box 60.1
• Box 60.2
• Box 62
• Folder 1.01
• Folder 1.02
• Folder 1.12
• Folder 3.07

• Box 11.2
• Box 11.3
• Box 12.1
• Box 12.2
• Box 13.2
• Box 23.1
• Box 61
• Folder 2.05

• Box 11.2
• Box 12.2
• Box 14.2
• Box 63.07

• Box 12.2
• Box 12.3
• Box 12.4
• Box 13.1
• Box 13.2
• Box 37
• Box 46.2
• Box 57
• Box 58

• Box 21.3
• Box 22.1
• Box 22.2
• Box 22.3
• Box 28.1
• Box 39.2
• Box 61
• Folder 2.14
• Folder 2.15
• Folder 3.08

• Box 23.1
• Box 23.2
• Box 23.3
• Box 24.1
• Box 24.2
• Box 40
• Box 41.2
• Box 50.1
• Box 50.2
• Box 51
• Box 52
• Box 55.1
• Box 55.2
• Box 61
• Folder 1.03
• Folder 2.02
• Folder 2.05
• Folder 2.14
• Folder 3.02
• Folder 3.10

• Box 29.1
• Box 29.2
• Box 30
• Box 46.1
• Box 57
• Folder 1.07

• Box 24.3
• Box 25.1
• Box 25.2
• Box 25.3
• Box 26.1
• Box 26.2
• Box 26.3
• Box 27.1
• Box 27.3
• Box 37
• Box 38
• Box 39.2
• Box 40
• Box 41.1
• Box 42
• Box 46.3
• Box 64.1
• Folder 3.06

• Box 10.3
• Box 11.1
• Box 11.2
• Box 41.2
• Folder 3.05
• Folder 3.12

• Box 01.1
• Box 10.3
• Box 28.3
• Box 39.1
• Box 46.3
• Box 56
• Box 64.2
• Box 64.3
• Folder 2.15
• Folder 3.06
• Folder 3.07

• Box 08.1
• Box 28.1
• Box 46.3
• Box 64.2

• Box 09.3
• Box 10.1
• Box 10.2
• Box 10.3

• Box 39.1

• Box 34
• Box 42
• Box 56
• Box 63.07
• Folder 2.16

• Box 15.1
• Box 28.2
• Box 31.2
• Box 33.2
• Box 36.2
• Box 54
• Box 58
• Box 64.3
• Folder 2.16
• Folder 3.04

• Box 19.1
• Box 19.2
• Box 19.3
• Box 20.1
• Box 20.2
• Box 20.3
• Box 21.1
• Box 21.2
• Box 21.3
• Box 28.2
• Box 45.2
• Box 46.3
• Box 57
• Box 59
• Box 63.09
• Folder 2.08
• Folder 2.11
• Folder 2.14
• Folder 3.05
• Folder 3.07
• Folder 3.08

• Box 15.1
• Box 15.2
• Box 15.3
• Box 16.1
• Box 16.2
• Box 16.3
• Box 16.4
• Box 17.1
• Box 17.2
• Box 17.3
• Box 18.1
• Box 18.2
• Box 18.3
• Box 18.4
• Box 28.1
• Box 28.2
• Box 31.1
• Box 35
• Box 46.2
• Box 47
• Box 48.1
• Box 48.2
• Box 49.1
• Box 56
• Box 57
• Box 58
• Box 59
• Box 61
• Box 63.05
• Box 63.06
• Folder 1.06
• Folder 1.10
• Folder 2.01
• Folder 2.03
• Folder 2.04
• Folder 2.06
• Folder 2.07
• Folder 2.10
• Folder 2.13
• Folder 2.16
• Folder 3.04
• Folder 3.07
• Folder 3.10
• Folder 3.11
• Folder 3.12

• Box 28.2
• Box 43.1
• Box 43.2
• Box 45.1
• Box 45.2
• Folder 2.06

• Box 08.1
• Box 08.2
• Box 25.1
• Box 28.3
• Box 39.1
• Box 39.2
• Box 46.3
• Box 53.2
• Box 56
• Box 57
• Box 59
• Box 64.2
• Box 64.4
• Folder 1.04
• Folder 2.04
• Folder 2.15
• Folder 2.16

While the Vogel collection general subject categories are generally comprehensive there are still numerous instances of items that could feasibly belong to multiple categories other than the group they are classified under. For instance, there are disaster images found in several groupings other than "Disasters," while bridge construction images can be found in all of the various "Bridges" categories as well as within the "Construction" category. For more detailed descriptions of specific materials, see the box and folder listing in the Contents section below.

This collection is made up of love letters that Rush Robinson exchanged with Laura Hopkins Beall, his fiancée and wife. Robinson commented on life in Baltimore, Maryland; their separation; and his travels in Maryland and Virginia. The collection also has letters that Laura Beall Robinson wrote to Rush Robinson after their marriage.

This collection (133 items) primarily consists of love letters between Rush Robinson and Laura Hopkins Beall, his fiancée and future wife. Rush Robinson wrote about 90 letters and Laura Beall Robinson wrote about 20 letters; the remaining correspondence is made up of incoming letters to Rush Robinson from various correspondents. Rush Robinson's letters primarily concern his love for Laura, though he also discussed his daily life, news of his family, and his travels. After their marriage in 1897, he wrote less frequently, and his latest letters pertain to his efforts to locate and purchase a farm in Covesville, Virginia. Laura's letters post-date the couple's marriage and typically concern home life during her husband's absences, including her preparations for her 1904 move to Covesville from Staunton, Virginia. One item is a grocery bill addressed to Laura Rush (July 1, 1904). An undated letter from Laura Beall Robinson to Rush Robinson has scribbles by their daughter Mary, who wrote an additional page of scribbles to her father (undated).

Rush Robinson wrote his letters on illustrated stationery from the education department of The Morning Herald (Baltimore, Maryland); the Chattolanee Springs Hotel, which includes a picture of a Native American; and the Hotel Gleason in Charlottesville, Virginia. Rush Robinson's acquaintances used illustrated letterheads from the New York Board of Trade and Transportation and George T. Myers & Co. of Seattle, Washington.

This collection contains 21 incoming letters to Samuel Barclay, a lawyer in Bedford, Pennsylvania, between 1831 and 1849. The correspondence primarily concerns his legal career, and 2 letters relate to his service as a Pennsylvania state senator.

This collection contains 21 incoming letters to Samuel Barclay, a lawyer in Bedford, Pennsylvania, between 1831 and 1849. The correspondence primarily concerns his legal career, and 2 letters relate to his service as a Pennsylvania state senator.

Barclay received these letters between 1831-1839 and 1844-1849, and most pertain to the writers' legal affairs (often financial matters such as debts and inheritance). Many correspondents requested Barclay's legal assistance in drawing bills or collecting money. Though Barclay lived in Bedford, Pennsylvania, several writers lived in Baltimore, Maryland, including John Edgar, a frequent correspondent who was concerned with legal claims and collections and who often complained that Barclay was ignoring him. Two letters pertain to contemporary Pennsylvania politics and to Barclay's term in the Pennsylvania Senate.

The Virginia, Georgia, and Maryland carte-de-visite album contains carte-de-visite and tintype studio portraits of men, women, and children taken around the 1870s-1880s. Most of the tintypes are hand-tinted.

This album (13cm x9cm) contains 16 carte-de-visite and 13 tintype photographs taken in Virginia, Georgia, and Maryland circa 1870s-1880s. Most items are individual portraits, with three exceptions: a carte-de-visite of two women, a tintype of a woman holding an infant, and a tintype family photograph of six people, mostly children. The majority of the tintypes and at least two of the cartes-de-visite have hand coloring. One photograph of an infant is identified as Estelle Simcoe. The volume's brown cover has a raised geometric design, and the title "Album" is stamped in gold on the spine.

This collection is comprised of 24 letters that Ellen Cannon Poe and her husband William wrote to her parents, Joseph and Nancy Taylor of Anderson, South Carolina, as well as 1 letter that Ellen wrote to her brother Benjamin. They discussed aspects of their lives in Augusta, Georgia; Baltimore, Maryland; and Montgomery, Alabama, emphasizing family news and information about their female slaves.

This collection is comprised of 24 letters that Ellen Cannon Poe (6 letters) and her husband William (18 letters) wrote to her parents, Joseph and Nancy Taylor of Anderson, South Carolina, as well as 1 letter that Ellen wrote to her brother Benjamin. They discussed aspects of their lives in Augusta, Georgia; Baltimore, Maryland; and Montgomery, Alabama, emphasizing family news and information about their female slaves.

Ellen Cannon Poe first wrote to her parents around 1836, shortly after her marriage to William Poe, a banker who lived in Augusta, Georgia. William and Ellen provided regular updates about their lives until 1845, and again from 1851 to 1852. Ellen described domestic affairs and her relationship with her two stepsons, Thomas and Robert. Ellen and William frequently commented on the health of their slaves. When William Poe decided to take a banking job in Baltimore, Maryland, he and his wife wrote about their attempts to sell or hire out their slaves. Once in Maryland, William worried about the ease with which Juliet, the slave who accompanied them, could escape servitude. Ellen also explained her hesitation to sell a slave named Harriet, whose husband lived nearby, and complained about a slave named Lizzy. Lizzy, who seemed unable to learn simple household tasks, later became pregnant with a child that Ellen assumed was fathered by a white man. Lizzy eventually escaped to New Orleans, where Ellen suspected she passed as a white woman. William and Ellen Poe also wrote about family matters, their crops, William's business affairs, Ellen's poor health, and other news.

This orderly book was kept by Lieutenant William Youse of the Second Regiment, First Rifle Brigade of the United States Army while he was stationed at Camp Springfield and Camp Hampstead in Baltimore, Maryland, in 1814. Entries mostly consist of reports, general orders, and court martials.

This orderly book was kept by Lieutenant William Youse of the Second Regiment, First Rifle Brigade of the United States Army while he was stationed at Camp Springfield and Camp Hampstead in Baltimore, Maryland in 1814. Entries mostly consist of reports, general orders, and court martials.

The Wood family papers contain correspondence and other items related to the family of James A. Wood of Lebanon, Connecticut, and his descendants from the mid-19th to the early 20th century. Much of the content pertains to education, family news, and politics.

The Wood family papers (4 linear feet) contain correspondence and other items related to the family of James A. Wood of Lebanon, Connecticut, and his descendants from the mid-19th to the early 20th century.

The Correspondence series comprises almost all of the collection. Early items are incoming letters to James A. Wood, Rebecca D. Pillsbury (later Wood), and their daughter, Helen Elizabeth Wood, from family members and acquaintances. James A. Wood's siblings wrote with updates on their lives, such as Caroline E. Wood's teaching career in numerous towns throughout New York. Rebecca D. Pillsbury also received letters from her brothers and sisters, and both Wood's and Pillsbury's correspondents discussed family matters, religion, and local news. Margaret Ann's letter of December 3, 1860, concerns her affection for a deceased baby sister, and an unidentified author's letter of September 4, 1861, describes the recent death of a grandmother. James A. Wood received an increasing amount of business-related correspondence, including letters from Charles W. Pierce, in the 1870s.

After the 1870s, most letters are addressed to Rebecca D. Wood and her daughter, Helen Elizabeth Wood. Rebecca's children often wrote letters to their mother, and Helen received letters from cousins and friends from around the East Coast. George P. Wood, Helen's brother, often shared stories of his young son James and of his life in Baltimore, Maryland; Washington, D. C.; and Peekskill, New York. In one letter, George included a map showing the location of his home in Washington, D. C. (November 13, 1899).

In addition to family and social news, letters occasionally referred to current events. "Dana," one of Helen E. Wood's cousins, wrote from his United States Army post during World War I (December 28, 1917), and other friends discussed the impact of the war. Among Helen's correspondents were Ida McCollister of New Hampshire and Harry Sawyer, an old friend who shared news of his life in Kearney, Nebraska. In one later letter, George P. Wood expressed some of his political views about the 1924 presidential election (October 27, 1924). Correspondence was less frequent after Helen E. Wood's death in 1933, with most incoming letters addressed to Winchester R. Wood of Lynn, Massachusetts, a member of the family's Connecticut branch. Undated items include similar family correspondence, as well as one letter written on a printed program for the Public Meeting of the Philadelphian Society at Kimball Union Academy at Meridian, New Hampshire, on June 12, 1878.

The Essays series includes an "Autobiography of a Sofa," written by R[ebecca] D. Pillsbury, as well as a manuscript draft of the "Common School Repository...Published semi-monthly by L. J. Boynton & R[ebecca] D. Pillsbury," containing 8 pages of short pieces attributed, often only by first name, to various contributors.

Among the six Receipts, addressed to A. Wood (1 item) and Helen E. Wood (5 items) are two receipts for Helen E. Wood's educational expenses and two slips crediting her account at Citizens National Bank, Boston.

Maps and Blueprints comprise 7 items. These are several drawings of house layouts, one map showing the locations of two buildings, and two blueprints.

The Newspaper Clippings series has 6 items, one of which is an article entitled "What They Say: How Girls of Various Cities Behave When They are Kissed."

The Ephemera series contains 52 Christmas cards, greeting cards, postcards, calling cards, programs, and other printed items. Specific items include 2 Red Cross membership cards, a pamphlet advertising The Art of Living Long by Louis Cornaro, and a blank order sheet for Sears, Roebuck and Co. from the 1920s.