Collections

This collection consists of 19 letters that Janie Grant wrote to her husband, Major J. A. C. Grant of the Gordon Highlanders, while living in Perth, Scotland, in August 1945. She discussed her efforts to meet him at London and Edinburgh following his upcoming discharge, anticipated their future life together, and complained of conflicts with family members.

This collection consists of 19 letters Janie Grant wrote to her husband, Major J. A. C. Grant of the Gordon Highlanders, while living in Perth, Scotland. She wrote letters almost daily between August 13 and August 31, usually 3 or 4 pages long, and discussed aspects of the couple's anticipated reunion and postwar domestic life.

Janie wrote 4 letters while traveling between Perth and Edinburgh by train, one from Edinburgh (August), one while on vacation at Lochearnhead (August 19), and the remainder from Perth. Though she most frequently focused on domestic and family affairs, on August 15 she commented on the end of the war, expressing her uncertainty about the future. Many letters concern Janie's attempts to meet her husband in either London or Edinburgh following his anticipated discharge in late September, including her difficulty securing hotel reservations. Other letters regard plans for their future, such as their attempts to find a temporary home, her desire to secure a servant for a cottage they planned to rent (August 23), and her future role as a housewife. She also mentioned the possibility of traveling to Ceylon (now Sri Lanka), and reported her frustrations and conflicts with family members.

Janie frequently wrote about her social life, shopping trips, dental and other health issues, female friends, and her efforts to dispose of letters from former lovers and male friends. By late August, she was anticipating a visit with her husband in Edinburgh around September 21.

The Japanese tea production photograph album (15 x 23 cm) contains 12 hand-tinted gelatin silver prints pertaining to tea production in Japan ca. 1910.

The Japanese tea production photograph album (15 x 23 cm) contains 12 photographs pertaining to tea production in Japan ca. 1910. Photographs depict workers at various stages of processing tea, including picking, weighing, drying, transporting, and selling. Men, women, and children are represented performing various tasks. Also included are two photographs showing Japanese women in traditional clothing presenting and drinking tea.

The album has a coarse brown cloth cover with a painted design of two women picking tea and is tied with green string. Housed in gray board wrap with blue cloth spine.

This collection consists of four letters addressed to Hudson River School artist Jasper F. Cropsey from art collector L. Warrington Gillet and O. A. Gill [likely Owen A. Gill] of Baltimore, dated January 24, 1845, to February 4, 1846. The letters are accompanied by one annotated envelope, postmarked May 6, 1859.

This collection consists of four letters addressed to Hudson River School artist Jasper F. Cropsey from art collector L. Warrington Gillet and O. A. Gill [likely Owen Gill] of Baltimore, dated January 24, 1845, to February 4, 1846. The letters are accompanied by one annotated envelope, postmarked May 6, 1859.

Gillett asked whether or not Cropsey ever painted the "little picture" he ordered following Gillet's purchase of "Evening" (January 24, 1845). Three letters from O. A. Gill [probably Owen Gill], January 5-February 4, 1846, respect the purchase, shipment, and receipt of paintings. In his letter of January 5th, Gill informed Cropsey that "The old place looks pretty much the same as ever. The only improvement I'm making is cleaning out briars, stumps, under wood &c.--The very thing which you, as an artist would put your bets in at once--All these things look very well in a picture, but when you see them in nature youre always disposed to imagine them the hiding places of Snakes, lizzards & such 'Varmints'."

The Jayne papers contain letters from Samuel Ferguson Jayne, during his service as a relief agent with the U.S. Sanitary Commission, to his fiancée Charlotte Elizabeth Jayne in the summer of 1864. He described his work at the U.S. Colored Hospital at City Point, Virginia, treating wounded soldiers from the battles at Spotsylvania, Cold Harbor, and the Battle of the Crater (Petersburg).

The Jayne papers consist of 17 letters from Samuel Ferguson Jayne, during his service as a relief agent with the U.S. Sanitary Commission, to his fiancée Charlotte Elizabeth Jayne in the summer of 1864. The letters, dated May 22-August 19, 1864, track his travels on the Mary Rapley steamboat and document his efforts at the U.S. Colored Hospital at City Point, Virginia. They discuss the numerous wounded soldiers coming from battles at Spotsylvania, Cold Harbor, and the Battle of the Crater (Petersburg), and include vivid details on the treatment of the men and the facilities of the hospitals. Jayne often notes the difficulties of getting the Union doctors to treat black troops. He wrote, "We have had to almost fight the doctors to get them to treat the colored men decently and to find them proper attention. When we came here most of the men were without beds. Now we have them upon, not only beds, but every man has also an iron bedstead, entirely covered by mosquito netting" (July 12). On August 9th, Jayne wrote that "There are very few agents here, who are adapted to such 'low' work as that of taking care of sick negroes" (August 9).

Jayne described in depth the types of wounds and afflictions the solders suffered. On August 4, he wrote "we are overcome with sick and wounded...I have found many who fought hand to hand with rebels, as their wounds are those made by the butts of muskets or clubs...We have twelve men digging graves today for our hospital alone." In a letter dated April 9th, he described a "terrible explosion" of an ammunition boat at City Point, Virginia, and its aftermath. Though the letters contain many details on his work managing the sick in the hospitals, they also include expressions of love for Charlotte, who Samuel was "compelled to write" in order "to keep [his] wits straight" (August 9, 1864). Jayne also commented on political and ethical issues of the war. For example, in the letter from August 19, 1864, he questioned the morality of paying black soldiers to fight in place of a drafted white soldier:

"I do not think it would be exactly fair to obtain a negro for a substitute. In the first place, in all modesty, they do not make as good soldiers as the whites, and at the present crisis of affairs, from all that I can learn from observation and report, one white man, even as insignificant as myself, is equal to two negroes for war purposes. Then, the negro fights under great disadvantages. If taken prisoner he is either murdered or sold into slavery--and I think that a government that permits its soldiers to be thus dealt with, without retaliating upon the enemy ought to go to perdition, or at least to a strongly seasoned purgatory. I would not ask a man to go as my substitute who would be murdered in cold blood because he was not of my race and color. Until we can procure the African some rights of civilized warfare, let the Anglo Saxon fight his own battles."

Jayne drew several sketches and commented on them. Of note is a picture of a ground plan of the U.S. Colored hospital, City Point, Virginia camp, annotated with the functions of many individual tents. It includes the positions of hospitals for the 5th, 6th, and 9th Corps. This plan accompanies the letter from July 15, 1864, in which Jayne provided additional details of the hospital camp.

• "Our pet lamb Molly," City Point Virginia, a pencil sketch of a young Black woman sitting in front of shelves of supplies (July 26, 1864).
• "Special Diet," a barefoot black man walking past army tents holding a mug and plate of fish (August 10, 1864).
• "For this are we Doctors," a black soldier with a bloody amputated arm (August 10, 1864).
• "Lizzie," a profile of a black woman sitting on a crate with her hands to her head (August 10, 1864).
• "Hospital bed" on the back: "This is a drawing of our hospital beds, with mosque-to netting. Made by Roberts, S. "(August 19, 1864).

The J. B. Cooke Collection consists of 29 Roosevelt Hospital (New York City) Ambulance Department tickets signed by Cooke, the ambulance surgeon, one Roosevelt Hospital Visit Slip, one blank pre-printed card to take case notes for patients, and one scrapbook piece containing four newspaper clippings about J. B. Cooke and the Utica Medical Club. The ambulance tickets record where the ambulance call originated, the location of the emergency, the time, and patient information, including name, age, nativity, marital status, occupation, residence, and diagnosis. Cooke filled out these sections, along with sections for patient history and calculations for the duration of the ambulance trip.

The J. B. Cooke Collection consists of 29 Roosevelt Hospital Ambulance Department tickets signed by Cooke, the ambulance surgeon, one Roosevelt Hospital Visit Slip, one blank pre-printed card to take case notes for patients, and one scrapbook piece containing four newspaper clippings about J. B. Cooke and the Utica Medical Club. The ambulance tickets record where the ambulance call originated, the location of the emergency, the time, and patient information, including name, age, nativity, marital status, occupation, residence, and diagnosis. Cooke filled out these sections, along with sections for patient history and calculations for the duration of the ambulance trip.

The nativity of patients includes American, German, and Irish, with one patient identified as African American. Accidental injuries predominate, such as those sustained by falling off a streetcar, being kicked by a horse, falling on a spike, or being run over by car wheels. Other conditions were caused by violent encounters, such as being clubbed by police officers or stabbed, while others were medical in nature, including a uterine prolapse, abdominal pain, and an epileptic fit. Some cases indicate when inebriation was a factor, and several suggest workplace hazards, such as when a butcher experienced traumatic amputation of his fingers, a carpenter fell off a scaffold, or a domestic worker fell out a window while hanging laundry.

This volume (67 pages) is an English translation of Jean Bon Saint-André's journal of his experiences with the French Navy during the Battle of the First of June in 1794.

This volume (67 pages) is an English translation of Jean Bon Saint-André's journal of his experiences with the French Navy before, during, and after the Battle of the First of June, Floréal 27-Prairial 18, 1794 (roughly mid-May to early June in the Georgian calendar). The volume is titled "Long Live the Mountain: A concise Journal of the Cruize of the fleet of the [French] Republic commanded by Rear Admiral Villaret kept daily by Jean Bon St. André the Representative of the People on board the Montagne." The book once belonged to Louisa Catherine Altamont.

The first page has a chart of the 1st, 2nd, and 3rd French squadrons, with the names of frigates, ships of the line, and their commanders. Prior to the battle, Saint-André provided detailed information about the French fleet's movements from Brest to the Atlantic Ocean, where they encountered the British Royal Navy. He recorded copies of the reports that he sent to the Committee of Public Safety, in which he documented the fleet's progress, and discussed damage sustained by French ships during the engagement.

This collection consists of three letters 1st Lieutenant Jean C. Barnes wrote to his mother during his service in France during the First World War.

This collection consists of three letters 1st Lieutenant Jean C. Barnes wrote to his mother during his service in France during the First World War. In his first letter, dated September 8, 1918, he mentioned that he enjoyed the scenery, and alluded to his boredom and a recent illness. By October 26, he had just left the hospital and had revised his opinion of France, writing of the miserable weather and adding, "This is one hell of a place." In his final letter, written on December 20, Barnes anticipated his imminent return to the United States, and recorded high local prices for several food items. He also reflected briefly on his wartime experiences, which included the loss of most of his belongings on the battlefield and his participation in the Saint-Mihiel offensive and the Meuse-Argonne campaign. Though short, his letters provide his perspective on the war in France, which he survived: "I don't know how I came out but I did somehow" (December 20, 1918).

This collection contains two manuscript copies of Jean-Daniel Dumas' Traite de la Defense et de la Conservation des Colonies, an assessment of France's North American colonies by one of the most successful generals of the French and Indian War.

This collection contains two manuscript copies of Jean-Daniel Dumas' Traite de la Defense et de la Conservation des Colonies. One is 190 pages and the other is 281 pages. These copies each contain 27 chapters plus a conclusion. They describe France's colonies in general, as well as the challenges of defending the colonies, duties of the governors general, the cost of colonial administration, commerce in the colonies, and colonial legislation. In his preface, Dumas mentions having presented this essay to the brother of King Louis XV and to several of the ministers in 1773, and that he had expanded it since then.

This collection contains correspondence that Jewish Private J. Walter Feigenbaum received from his sister, Jeanette, and mother, Rose, while he served with the United States Army during World War II. The women, who lived in Washington, D.C., wrote of the domestic political situation prior to the 1944 presidential election, shared their opinions on developments in the war, and provided news of family friends.

This collection (24 items) contains correspondence that Jewish Private Jacob Walter Feigenbaum received from his sister and mother while he served with the United States Army during World War II. Jeanette Feigenbaum, Walter's sister, wrote most of the letters, often with brief notes from her mother Rose, who sometimes sent letters of her own (frequently in the same envelopes). The women discussed numerous political and personal topics, often related to the 1944 presidential election and domestic politics. Jeanette frequently expressed her frustrations with the political landscape, including her skepticism about Harry Truman, reaction to the Dewey campaign's tactics, and views on legislation related to the military. She commented on the progress of the war in Europe, reports of German atrocities against the citizens of Warsaw, Poland (August 30, 1944), and the political situation in Nazi Germany, including the failed plot to assassinate Hitler (July 21, 1944, and July 23, 1944). Her letters also mention Zionist newspapers, contain references to Jewish holidays, and discuss Jewish nationalism (September 5, 1944). Rose's letters focus more prominently on social news of family members and friends.

Each letter is accompanied by an envelope bearing a colored illustration of a soldier eager to receive mail. The soldiers depicted include jeep drivers, paratroopers, and machine gunners, and the envelopes belong to the same artistic series. Many of the letters also feature patriotic letterheads or watermarks, and two from September 1944 have panels from the cartoon "Private Buck," drawn by Clyde Lewis (September 5 and September 14, 1944).

This 72-page journal chronicles J. E. Guild's travels from Boston to Washington, D. C.; Baltimore, Maryland; and Philadelphia, Pennsylvania, during February and March 1843. Guild described his daily social activities, which included attending parties, meeting with acquaintances, and interacting with prominent individuals, including United States Supreme Court justices.

This 72-page journal chronicles J. E. Guild's travels from Boston to Washington, D. C.; Baltimore, Maryland; and Philadelphia, Pennsylvania, during February and March 1843. Guild described his daily social activities, which included attending parties, meeting with acquaintances, and interacting with prominent individuals, including United States Supreme Court justices.

Guild left his home in Boston, Massachusetts, in early February, and arrived in Washington, D. C., on February 10, 1843. While in Washington, he wrote about his visits to the Capitol and recorded his impressions of political figures, such as Supreme Court justices John McLean and Henry Baldwin. Guild traveled to Baltimore on February 15 and to Philadelphia on February 22. In each city, he wrote about his social affairs, which included large gatherings and private meetings with acquaintances. He often mentioned his interactions with local women. Guild also reported his opinions about Baltimore and Philadelphia and, to a lesser extent, his experiences while traveling between cities. He returned to Boston on March 4, 1843.