Collections : [University of Michigan William L. Clements Library]

The Cuba collection contains around 91 individual manuscripts (mostly documents) related to the economic, racial, and political history of Cuba largely from the early to the late 19th century. The collection primarily focuses on the indentured servitude of Chinese workers, as well as Cuba's enslavement, trade, and manumission of largely African people. Another subset of the materials relates to 19th century insurrections and filibusters on the Island, including the López Expedition and Cuban resistance pertinent to the Ten Years' War.

The Cuba collection contains around 91 individual manuscripts (mostly documents) related to the economic, racial, and political history of Cuba largely from the early to the late 19th century. The collection primarily focuses on the indentured servitude of Chinese workers, as well as Cuba's enslavement, slave trading, and manumission of largely African people. Another subset of the materials relates to 19th century insurrections and filibusters on the Island, including the López Expedition and Cuban resistance pertinent to the Ten Years' War. The collection includes correspondence, documents, business records, citizenship certificates, death records, and contracts. The bulk of the materials were created in or relate to activities or people in Havana. Others relate to Santiago de Cuba.

Please see the box and folder listing below for details about each item in the collection.

This collection consists of photographs of Boston, Massachusetts, and other New England towns, taken around the turn of the 20th century. The collection includes pictures of commercial and municipal buildings, battleships, and city landmarks.

This collection consists of photographs of Boston, Massachusetts, and other New England towns, taken around the turn of the 20th century. The collection includes pictures of commercial and municipal buildings, battleships, and city landmarks.

Large format photographs show a variety of Boston scenes, including commercial streets and buildings, harbor views, waterfront parks, the USS Hartford and USS New York, a streetcar station and tracks, a horse-drawn firefighting ladder truck, and a crowd waching the launch of an unrigged yacht in Boston Harbor. Buildings depicted include Faneuil Hall, the Jordan Marsh department store, and the U.S. Customhouse. A scene on the Boston Common shows the statue of George Washington being decorated, with a crowd of pedestrians including a Civil War veteran wearing a uniform with medals. Also included is a photograph of the Witch House in Salem, Mass., former residence of Joseph Corwin, a judge at the Salem witch trials; and a collision of two locomotives with a photographer on the scene, possibly staged. The first image (10cm x 14.5cm), an overhead view of Charlestown and the Bunker Hill Monument, is affixed to a wall calendar for the year 1884; all of its removable monthly pages are still intact. The calendar was presented with "Compliments of Annie T. Smith."

This collection consists of three miniature moving panoramas from ca. 1868 to 1878. These include two educational toy panoramas by Milton Bradley, "The Historiscope: A Panorama & History of America" and "The Myriopticon: A Historical Panorama of the Rebellion." Also included is a dual scrolling lithograph entitled "Excursion Views of Narragansett Bay and Block Island" by the Excursion View Co.

This collection consists of three miniature moving panoramas from ca. 1868 to 1878.

The Historiscope: A Panorama & History of America. Springfield, Mass.: Milton Bradley & Co., ca. 1868. Comprised of a scrolled hand-colored lithographed panorama on rollers, housed in a cardboard box with window for viewing. The viewing box measures 22 x 14 x 6 cm and the lithograph measures 11cm in height. The viewing window simulates a proscenium with a stage, footlights, and balconies. The subject of the lithograph is the history of America from Columbus through the end of the Revolutionary War. It contains 25 scenes of both iconic moments in early American history and generic images; e.g., Pocahontas saving John Smith's life, Pilgrims landing in Massachusetts, trading with Native Americans, George Washington at Valley Forge, and the surrender of Cornwallis's army at Yorktown. Many of these scenes are based on paintings, prints or photographs that were well known. An example is the scene of the landing of Columbus based off of John Vanderlyn's painting, Landing of Columbus (1846), which also appeared on a15-cent stamp in 1869. The knobs on top used to move the lithograph are not original.

The Myriopticon: A Historical Panorama of the Rebellion. Springfield, Mass.: Milton Bradley & Co., ca. 1868. Similar to the Historiscope except in terms of subject matter and artwork. The Myriopticon picks up where Historiscope left off. It contains 22 scenes representing the Civil War, many of which originate from Harper's Weekly and other magazines or newspapers. The panorama shows various battles and camp scenes; e.g., the battle of Fort Sumter, Winslow Homer's The Army of the Potomac-A Sharpshooter (1862), the battle between ironclads USS Monitor and CSS Virginia, and the burning of Richmond. The knobs on top used to move the lithograph are not original.

Both the Historiscope and Myriopticon were accompanied by a lecture booklet, promotional broadside, and admission tickets (none extant in this collection). They were marketed toward young children around the ages of 7 to 12. To create a more immersive theatrical experience it was suggested to exhibit the panorama in a dark room, backlit with a candle. Once the provided script had been exhausted, children were encouraged to create their own narrative to pair with the panoramas. Milton Bradley's intent when creating these moving panoramas was to serve not only as optical toys, but as interactive visual lessons. They fit into his larger idea of mass-producing aesthetic educational devices.

Excursion Views of Narragansett Bay and Block Island. Providence, RI: Excursion View Co., ca. 1878. Comprised of two chromolithographed panoramas on rollers housed in a wood viewing box with glass panes on two sides. On the bottom is a paper map which lists each point, in order, shown in the panorama. The viewing box measures 34 x 14.5 x 13 cm and the lithographs measure 9.5 cm in height. The first lithograph shows scenes from the eastern shore of Narragansett Bay starting at Fox Point and ending at Brenton's Reef. The second lithograph shows scenes of Block Island, Conanicut Island, and the western shore ending at Sassafras Point. The panoramas also include text marking notable locations and structures. These moving panoramas were created due to the popularity of steamboat excursion tours from Providence (Rhode Island) to Block Island and back. This miniature panorama was likely an expensive souvenir; a way to simulate or relive the experience for the viewers. The knobs on top used to move the lithograph are not original.

This collection contains 3 volumes of typescripts about Captain John Paul Jones and his service with the Continental Navy during the American Revolution. One group of documents concerns his attempt to kidnap Douglas Dunbar, 4th Earl of Selkirk, at his home in St. Mary's Isle, Scotland, in April 1778.

This collection contains 3 volumes of typescripts about Captain John Paul Jones and his service with the Continental Navy during the American Revolution. One group of documents concerns his attempt to kidnap Douglas Dunbar, 4th Earl of Selkirk, at his home in St. Mary's Isle, Scotland, in April 1778.

The first volume contains around 97 pages of typescript letters and extracts from the log of the Ranger, which Jones commanded during his raid against the Earl of Selkirk's home. Helen Selkirk, the earl's wife, recollected her experiences in letters to her family, recalling how Jones and his men took the family's tableware after discovering that the earl was not home. Jones later corresponded with Lord Selkirk about his attempts to return the stolen items, and apologized for his crew's actions. Several items are laid into the volume's front cover, including newspaper clippings about the later location of the tableware and about a flag that Jones once owned; reproduced photographs; and items related to Hazel Schermerhorn, who transcribed the letters during a visit to Scotland in the 20th century.

Volumes 2 and 3 are typescript copies of Richard Filkin's transcriptions of, and footnotes about, correspondence and documents related to John Paul Jones's naval career, particularly during the American Revolution. Most of the material is comprised of extracts from newspaper columns; the volumes also include letters, dispatches, and other documents. Some of the reprinted items are in French. The first 30 pages of Volume 2 are copied in manuscript handwriting; together, these volumes contain around 465 pages of typed material. Each individual section of around 30-50 pages is indexed.

The Arithmetic book collection includes a number of manuscript workbooks from the late colonial period through the 1820s that were used by students studying arithmetic and geometry.

The Arithmetic book collection includes a small number of manuscript workbooks used by students studying arithmetic or geometry, ranging in age from the late colonial period through the 1820s.

This collection is comprised of 11 letters that Booker T. Washington wrote between 1897 and 1915. Five letters are addressed to William Hayes Ward, editor of the Independent, about William Hannibal Thomas's The American Negro. The remaining items pertain to his duties as principal of the Tuskegee Normal and Industrial Institute.

This collection is comprised of 11 letters that Booker T. Washington wrote between 1897 and 1915. Five letters are addressed to William Hayes Ward, editor of the Independent, about William Hannibal Thomas's The American Negro. The remaining items pertain to his duties as principal of the Tuskegee Normal and Industrial Institute.

Washington's first 2 letters, written in 1897 and 1898, respond to inquiries about the Tuskegee Institute and about its newspaper, Southern Letter. Another, responding to a request for a female housekeeper, relates Washington's thoughts on the prospects for graduates in their home communities (April 9, 1903). In two later letters Washington discussed the school's financial situation and requested donations (March 28, 1907, and May 22, 1915). On May 22, 1915, he mentioned the impact of World War I on the economic state of the South, suffering from decreased cotton exports to Europe.

Booker T. Washington corresponded with William Hayes Ward, editor of the New York Independent, in early 1901, writing 5 letters about The American Negro, recently published by William Hannibal Thomas. Washington disputed the book's factual accuracy as well as some of the author's asserted accomplishments. He also lauded the success of African American physicians in the state of Alabama (January 25, 1901).

The letters are written on Tuskegee Normal and Industrial Institute stationery.

Correspondence of Theodore Roosevelt (1858-1919), President of the United States.

Correspondence of Theodore Roosevelt, President of the United States.

This collection of Roosevelt manuscripts was assembled mainly by Paul V. Bunn, who first came to Roosevelt's attention in 1893 as a civil service examiner when Roosevelt was commissioner. A fervent admirer of Roosevelt, Bunn was a St. Louis hardware dealer and secretary of the local Chamber of Commerce. In 1912 Roosevelt described him as an old and valued friend, and a 'foursquare North Carolina ex-Democrat.' Carbon copies of Bunn's letters to Roosevelt and Roosevelt's usually brief replies are included.

Additional Roosevelt letters are addressed to William Rockhill Nelson, publisher of the Kansas City Star; William H. Moody, United States Attorney General and Supreme Court justice; and Henry B. Needham, journalist and special commissioner to investigate conditions in the Canal Zone in 1908. The remainder of the collection is a group of miscellaneous letters and notes related to Roosevelt's career as civil service commissioner, governor of New York, assistant secretary of the navy, president, and presidential candidate in 1912.

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume.

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume. Volume 1 (28cm x 19cm), bound in black cloth with the title "Photographs" on the front, has 48 photographs in windows and one loose item laid in. Volume 2 (23cm x 30cm), bound in thick padded boards covered in dark leather, has 72 photographs in windows and four loose items laid in. This album has a brass clasp with a wheel that increases or decreases the tension of the clasp. Volume 3 (40cm x 30cm), bound in thick padded boards covered in brown leather with two brass clasps, has 99 photographs in windows. At least one card is a lithograph and two cards are hand-colored.

Each of the albums contains portraits of well-known actors and actresses, including both studio portraits and pictures taken in costume in front of painted scenery, sometimes with props. Pictures of men, women, and children are present, with portraits taken both facing the camera and in profile, and some subjects are represented by more than one image. Many types of costume are depicted, such as contemporary and historic formal dress, military dress, Middle Eastern dress, and Elizabethan dress. Some of the photographs show gender cross dressing. Props are most often swords or canes, though some subjects posed with musical instruments such as violins, a piano, and a lute. The majority of the actors and actresses across all three volumes are identified either on the backs of cards, on the albums' pages, or in inventories (housed with the first two volumes).

The Pennsylvania Civil War pollbook collection contains pollbooks documenting the absentee voting of residents of four Pennsylvania counties during the Civil War, who were in Company C, 11th Pennsylvania Infantry; Company E, 198th Pennsylvania Infantry; and a detachment at Camp Biddle near Philadelphia.

The Pennsylvania Civil War pollbook collection contains three poll books with records of the 1864 election, held October 11, 1864, for soldiers in the field voting by absentee ballot in Pennsylvania.

The book for residents of Westmoreland County within Company C, 11th Pennsylvania Infantry, documents many aspects of the election. These include its location (Fort Dushane in Dinwiddie County, Virginia), the names of the poll officials, the names and residences of the 15 soldiers who voted, and the number of votes received by various candidates. The offices up for election were U.S. Representative, State Representative, Prothonotary, Clerk of Quarter Sessions and Oyer and Terminer, County Commissioner, Director of the Poor, County Auditor, and Trustees of Academy.

The book for voters of Philadelphia and Delaware Counties within Company E, 198th Pennsylvania Infantry, contains similar information for their election, held at "Camp near Petersburg." It includes the names and addresses of 31 voters, as well as names of candidates and number of votes each received for the following offices: U.S. Representative, State Representative, State Senator, Sheriff, Register, Clerk of Orphans' Court, Coroner, County Commissioner, Director of the Poor, County Auditor, Reviewer of Taxes, and City Commissioner.

The pollbook for residents of Wyoming County, within a detachment at Camp Biddle, contains the voting record of just one man, Albert Strong of Northmoreland Township.

This collection contains correspondence, journals, military documents, and ephemera related to Eugene B. Payne's service in the 37th Illinois Infantry Regiment during the Civil War.

The Correspondence series (25 items) consists primarily of 16 letters that Payne wrote to his wife Delia during his military service. He provided news of the army's movements and recent engagements, such as the Siege of Vicksburg (June 14, 1863), and shared his opinions about the war. Payne also commented on Nathaniel P. Banks, African American army units, and abolitionists. On one occasion, he recorded scathing remarks about a fellow officer who had volunteered to lead an African American Regiment (September 2, 1863), and he shared similarly negative remarks about abolitionists who wanted slaves not only to be freed but also to have "all the rights of the white race" (July 30, 1864). In addition to Payne's outgoing letters, the collection has 1 letter that Payne received from his brother Frank; 2 letters from Payne to his commanding officers; and 6 postwar letters concerning Payne's political career, of which 2 are by Elihu Washburne.

Eugene B. Payne kept 3 Journals, which recount most of his military service with the 37th Illinois Infantry Regiment during the Civil War. Loose documents and notes laid into the volumes relate to several aspects of his time in the army.

The Documents series contains 4 items related to Eugene B. Payne's time in the army, including 2 documents regarding unauthorized absences from headquarters, a chart providing the names of promoted men from the 37th Illinois infantry regiment, and a copy of Payne's military record (1888). The Ephemera series contains a cardboard menu for a reunion dinner of the 37th Illinois infantry regiment, held on March 6, 1885 at The Palmer in Chicago.