Collections : [University of Michigan William L. Clements Library]

The Eleazer Everett orderly book contains 66 pages of Revolutionary War orders, kept by an American soldier stationed at West Point, and 42 pages of hand-copied vocal music. The military entries are comprised of general orders, garrison orders, and marching orders, from Generals Richard Howe and George Washington, and include a discussion of Benedict Arnold's treason and the trial and execution of John André.

The Eleazer Everett orderly book is comprised of 66 pages of Revolutionary War orders, kept by an American soldier stationed at West Point, and 42 pages of hand-copied vocal music. The military entries date from July 2-8, August 15-25, and September 26-October 10, 1780, and contain general orders, garrison orders, and marching orders. Benedict Arnold's treason and the trial and execution of John André are mentioned in the orderly book.

Orders include specific instructions for the troops (rations of food and liquor, bathing requirements, etc) as well as orders to the officers concerning conduct: "The Major Generals to wear a blue coat with Buff under Cloaths, two epilates with two Stars on Each, a black & white Feather in the Hat..." (July 3, 1780). The volume also contains garrison orders issued by Major General Robert Howe, and extracts of general orders issued from Washington's headquarters, with mentions of other generals such as Jedediah Huntington and British General Henry Clinton.

• Copies of headquarters accounts of Arnold's treason and the capture of André, and the order to execute André (September 26 and October 10).
• A brief description of Fort Arnold (soon to be renamed Fort Clinton) (July 3, 1780).
• Comments on the court martial trial of Major Thomas Frothingham, commissioner of military stores in the Continental army, for disobeying an order (July 5, 1780).
• Description of punishment for desertion (July 8, 1780).
• Numerous passages of strong patriotic language.

In addition to the military orders, the volume contains 14 songs (42 pages) for four voices. The majority of the songs are unattributed, though two are by French, one by Morgan, and one by Everett (song titles are listed in the additional descriptive data). Lyric content is primarily religious in nature.

This volume (7.5"x6") contains John Greenwood's memoirs about his experiences during the Revolutionary War (approximately 163 pages) and about his family and personal life (17 pages). During the war, Greenwood was a fife player with a Massachusetts regiment and served on privateers and other vessels in the Caribbean Sea. He originally composed his Revolutionary War memoirs in 1809; this item is a later copy made by his son Clark.

This volume (7.5"x6") contains John Greenwood's memoirs about his experiences during the Revolutionary War (approximately 163 pages) and about his family and personal life (17 pages). During the war, Greenwood was a fife player with a Massachusetts regiment and served on privateers and other vessels in the Caribbean Sea. Greenwood originally composed his Revolutionary War memoirs in 1809; this item is a later copy made by his son Clark.

After a brief note by Clark Greenwood, who transcribed his father's memoirs, the main narrative opens with John Greenwood's brief account of his early years in Boston and in Portland, Maine, and of the unrest that eventually led to the American Revolution (5 pages). Pages 5-51 consist of Greenwood's detailed recollections about playing the fife in a Massachusetts regiment in the Continental Army, and about his experiences in the military. After page 51, the memoirs focus on the interception of British ships in the Caribbean Sea, during which time Greenwood was captured as a British prisoner of war. In addition to his wartime experiences, he also briefly recounted some stories of his postwar life, such as the beginning of his dental practice (pp. 85-89). The remaining parts of the volume include a note by a Greenwood family member who had recently read the memoirs (January 11, 1894), and an additional 17-page autobiographical account by John Greenwood.

The John Marshall autobiography is a 16-page autobiography written in 1827 by Chief Justice of the Supreme Court John Marshall.

The John Marshall autobiography consists of a 16-page autobiographical letter, written by John Marshall to Joseph Story, at the latter's urging, in 1827. Also included is an additional letter from Marshall to Story, expressing his approval of Story's biography of him, and an undated engraved portrait of Marshall.

The autobiography begins with a description of Marshall's happy childhood and the many sources of his education, both formal and informal. Marshall then moved to the topic of the Revolutionary War, first describing his service, and then the impact it had on him: "When I recollect the wild and enthusiastic democracy with which my political opinions of that day were tinctured, I am disposed to ascribe my devotion to the union, and to a government competent to its preservation, at least as much to casual circumstances as to judgment" (p. 4). Also covered in some detail is Marshall's legal practice, which he expressed a great reluctance to leave, and his role in the XYZ Affair, including the decision "to bring the controversy before the American People and convince them of the earnestness with which the American government sought a reconciliation with France" (p. 13).

Marshall also described the process of his selection for Chief Justice, which he portrayed as surprisingly casual: "[Adams] said thoughtfully 'Who shall I nominate now'? I replied that I could not tell….After a moment's hesitation he said 'I believe I must nominate you" (p. 15). Unfortunately, Marshall ended the letter without any discussion of his work on the Supreme Court.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

A set of six wooden medallions, in original box, commemorating the 1876 International Exhibition held at Fairmont Park, Philadelphia. The underside of the box lid is a lithograph showing the exhibition grounds and buildings.

The Philadelphia Ornamental Wood Co. Medals, 1786 collection is a set of six wooden medallions, in original box, commemorating the 1876 International Exhibition held at Fairmont Park, Philadelphia. Four of the medals measure 2.5 inches in diameter. The other two are 3 inches in diameter. The reverse of the smaller medals contains the inscription "The 100TH Anniversary of American Independence; Great International Exhibition; Fairmont park; Philadelphia; 4th of July; 1876." The reverse of the two larger medals reads "The 100th Anniversary of American Independence; 4th of July 1876; Exhibition Open from May 10 to Nov 10 1876; Fairmont Park; Philadelphia; U.S. America."

The underside of the box lid is a lithograph of the view of the exhibition grounds and buildings. The lithograph, published by Breuker & Kessler of Philadelphia, is titled "Birds Eye View of the International Exhibition Buildings 1876." Also written on the lithograph is the inscription, "Manufactured by the Ornamental Wood Co., Phila." The box also is inscribed: "Manufactured by the Philadelphia Ornamental Wood Co. 1129 Cherry Street."

1774 Philadelphia reprint of the first volume of The Works of Laurence Sterne (Tristram Shandy, Gentleman), containing manuscript orders for a brigade possibly encamped in Morristown, New Jersey, around May 1781.

The four pages of notes written in the flyleaf of Laurence Sterne's novel, Tristram Shandy, Gentleman, contain orders from a brigade commander and from General George Washington, likely given in May 1781 at Morristown, New Jersey. Orders were typically written in regimental orderly books, but, for an unknown reason, they were instead copied into the novel. The first portion of the document contains the orders of the brigade commander, which concern the shoeing of artillery and ammunition horses, the distribution of 50 pairs of stockings, and the securing of a hogshead of rum. Below this are orders from General George Washington, which establish a "standing Rule" forbidding the impressment of horses and wagons, except by commanding officers and colonels. The document also provides for punishment of violators, including arrest and "39 Lashes whithout Ceremony of a Cour[t] mar[tial]."

The Valley Forge Headquarters orderly book (55 pages) contains the general orders and brigade orders issued by Continental Army headquarters at Valley Forge during winter encampment, from January 20-February 22, 1778.

The Valley Forge Headquarters orderly book (55 pages) contains the general orders and brigade orders issued from Continental Army headquarters at Valley Forge during winter encampment of January 20-February 22, 1778. An anonymous American officer, stationed at the "Head Quarters, Great Valley," recorded the orders. Each entry provides the signal, the names the field officers on duty, and the brigade major on duty. Later, the author made grammatical corrections to the volume.

Entries primarily concern disciplinary actions and courts-martial decisions for soldiers in Continental Army regiments. The most common crimes were stealing, drunken fights, and desertion attempts. The Commander-in-Chief, George Washington, is mentioned frequently, and on page 47 the author refers to General Washington by name. Orders also concern parade duty, officers' meetings, and rations and supplies. Brigade orders deal almost exclusively with alcohol use.

• "A report having circulated that Mr. Jones [D.C: of I. Jones] had granted a pass to a woman to carry 3 [lbs] of Butter Philadelphia, the Matter has been inquired into, and appears to be without foundation" (February 3, 1778).
• "The most Pernicious consequences having arisen from persons, women in particular being allowed to pass & repass from Philadelphia to camp, under pretense of coming out to visit their friends in the army, & returning with necessities for their families, but, really, with an intent to intice the soldiers to desert...[officers must forbid] the soldiers, under the severest penalties, from having any communication with such persons" (February 4, 1778).

This volume holds a loose fragment containing brigade orders for August 23, 1777, and a list of men found guilty by a court-martial (located between pages 1-2).