Collections

This collection contains correspondence to Austrian composer Arnold Schönberg from fellow composers, musicians, and friends, including conductor Wilhelm Furtwängler, Austrian conductor Heinrich Jalowetz, Franco-Polish composer and conductor René Leibowitz, writer Klaus Mann, pianist Artur Schnabel, and American cellist and conductor Alfred Wallenstein. The correspondence covers five decades, including his move to the United States following the Nazis' rise to power in 1933.

The Schönberg papers consist of correspondence written to Schönberg from fellow composers, musicians and friends. Correspondents include the conductor Wilhelm Furtwängler, Austrian conductor Heinrich Jalowetz, the Franco-Polish composer and conductor René Leibowitz, the writer Klaus Mann, the pianist Artur Schnabel, and the American cellist and conductor Alfred Wallenstein. The correspondence is in German, French and English. In addition to this finding aid, the Special Collections Library holds a more extensive inventory of the papers.

Consists of 10 letters from Arthur Lowell to Iva Hutchinson and 2 from Will Hutchinson to Iva Hutchinson.

Corporal Arthur J. Lowell, Company "D", 35th Infantry, U.S. Army, wrote these ten letters to Iva Hutchinson between February 14, 1900 and January 10, 1901. Lowell writes of going into the mountains to "clear out insurectos," the number of dead and captured, the use of water torture on Filipino prisoners, eating bats, his plan to translate into English the history of the Philippines that had been written on shells, the upcoming U.S. Presidential election, and a continuous thread concerning when he would be returning home. Also included are two letters from Will Hutchinson to his sister Iva Hutchinson. These are dated September 8, 1899 and May 27, 1900.

Originally founded as the National Microfilm Association in 1943, the Association for Information and Image Management (AIIM) is a nonprofit focused on establishing standards for electronic and physical information management. This collection consists of reports, newsletters, and consumer information from roughly (DATES). The collection is minimally processed, and many reports remain in their original bindings, primarily 3-ring binders. In 2018, the organization renamed itself the Association for Intelligent Information Management.

The collection offers a picture of information management systems in a period of increasing computerization and shows how business and parts of the US government studied and used information management technologies. It consists primarily of binders, marketing and informational material, and typed reports, but it also contains some A/V material.

The Aubrey Haan Papers consist of three series, and include correspondence, research materials, and two book manuscripts for Haan's work on a biography of Joe Hill, neither of which was ever published. Hill was a cartoonist and song writer for the Industrial Workers of the World union, and was executed for murder in 1915, following a controversial trial. Materials range from 1909-1951, and primarily cover Haan's research on Hill and the trial. Included is a transcript of the Hill trial, as well as several newspaper articles and other trial materials. The collection consists of three series: Correspondence; Research Materials; and Manuscripts.

Papers accumulated by Aubrey Haan regarding the life and execution of Joe Hill, a folk-singer and labor union representative who was killed in Utah in 1915. Materials include correspondence, book manuscripts, and trial materials from Hill's trial.

The Correspondence Series spans 1940-1951, and much of Haan's general correspondence is with his wife, as well as with publishers regarding Haan's attempts to publish his Joe Hill manuscripts. Other correspondents include Constantine and Virginia Filigno, with whom Haan spoke regarding Hill's trial and execution. Constantine was a leader of the Industrial Workers of the World during the 1940s, while Virginia was a strong advocate for Hill's innocence. Also included are several letters with Agnes Inglis of the University of Michigan Labadie Collection.

The Research Materials Series includes materials used by Haan for his biography on Hill. Included are copies of news articles about Hill and his execution, obituaries, and trial proceeding documents, including a trial transcript.

The Manuscripts Series contains two book manuscripts one for Haan's "Pie in the Sky," and another untitled. The "Pie in the Sky" manuscript includes handwritten notes and edits.

This collection consists of one folder. With the exception of one manuscript dated 1948, and some undated materials, the contents date from 1979 to 1983. All the items in the collection are letters sent to Goodfriend, or written materials collected by her. None of her own writing is included. There are two postcards and a letter from Molly Steimer to Audrey Goodfriend, and a letter from Proudhon Carbo reporting Steimer's death, all sent from Mexico; the letter from Steimer discusses Goodfriend's separation with David Koven. The 1948 manuscript is a carbon copy of a memorial message for "Comrade Pece" written by Jules Scarceriaux. A photocopy of an unsigned memorial for Dora Stoller Keyser, and some miscellaneous flyers and writings round out the collection.

Babyfish was a radical political zine published by Detroit-based poet, anarchist, and pansexual advocate Andy Smith, also known as Sunfrog, between 1988 and 1996.

The Babyfish papers consist of a variety of zines, most with a radical, anarchist and pansexual base. The actual zine Babyfish consisted of six issues; this collection includes the latter five. Each of these issues are of varying lengths and themes, but for the most part they address radical topics concerning urban living, with a particular emphasis on the decay of inner-city Detroit. Other papers in the collection include additional radical zines, some of which were created exclusively by Sunfrog, others being collaborative efforts. The collection also includes financial receipts which have to do with the printing of Babyfish.

The title zine is rich in anarchist commentary on social, political, and economic issues that affected the United States government from the spring of 1988 until the final issue was published in the winter of 1994. The Detroit "journey" of Sunfrog is made more palatable by the collaborative efforts of regular guest artists, musicians, poets and those involved with the radical politics of the city.

"With the dynamic skills of Pat Medicine working overtime, the 'fish organized itself into thematic sections which honed recurring motifs. 'Radical Sexuality' (feminism, US Out Of My Uterus, homocore, The Radical Faeries) & 'Earth vs. The Machine' (ecological, anti-nuke, anti-car & anti-incinerator raves) appeared alongside poetry, interviews & reviews which featured such local musical talents as: Only A Mother, Yeastie Girlz, Sleep, Gories, Viv Akauldren, Roger Manning, John Bartles, The Blanks & more." (Sunfrog, Babyfish, Issue #6, p.7)

Babyfish's radical nature "clearly articulated a response to Helms-era censorship hysteria by its use of wild graphics and explicit words, encouraging cultural debate & never compromising the ethic of a "free-form" journal." (ibid.) Sunfrog clearly recognized that his efforts at expression were not definitive. In his final editorial he passes on the radical torch by saying "As we put raps on the final issue of Babyfish, it is clear that there is still an enormous amount of unpublished work which the community deserve a chance to see…this is our final entry in a prolific Cass Corridor journey." (ibid.)

This collection contains correspondence, news clippings, writings, manuscripts, and ephemera related to Barbara Murphy's involvement in student protest movements at the University of Michigan in the 1960s. Also included are reports, manuscripts, administrative materials, and correspondence generated during her subsequent career at the University of Michigan, primarily concerning her work to advance women's rights at the university.

This collection contains correspondence, news clippings, writings, manuscripts, and ephemera related to Barbara Murphy's involvement in student protest movements at the University of Michigan in the 1960s. Also included are reports, manuscripts, administrative materials, and correspondence generated during her subsequent career at the University of Michigan, primarily concerning her work to advance women's rights at the university.

The correspondence largely consists of mailings sent to Murphy from former SDS members coordinating reunions, particularly the 1977 reunion. It also includes mail sent between other SDS members (not Murphy herself), including Alan Haber, the organization's first president. Notable is the correspondence concerning the 1965 anti-Vietnam War Teach-In, the first of a number of such events across the country in which professors cancelled classes and gave antiwar seminars for 12 hours. Additionally, there is a small number of interdepartmental letters from Murphy's career at the University, as well as information and appeals concerning various social causes.

Before her passing, Murphy had begun to organize her files herself. The files she pulled together have been maintained in their original order with their original titles transcribed. Most of these folders concern Murphy's professional career.

The Administrative records subseries is grouped by relevant organization or institution. Materials within folders are organized chronologically. Papers include organizational agendas and minutes, funding proposals, reunion planning, and policy guidelines. Most are related to Murphy's career at the University.

The Printed Materials series is grouped by type of printed material. Materials within folders are organized chronologically. The journals, newsletters, manuscripts and essays largely consist of writings by SDS members or other members of the New Left. Ephemera comprises a variety of pamphlets, broadsides, flyers, and stickers distributed by student activist organizations. Most relate to antiwar and anti-draft activism, particularly the 1965 teach-in. The majority of research reports and surveys were generated by researchers at the University of Michigan and concern gender equality on campus. The news clippings concern both SDS and academic women's issues.

Finally, the SDS files folder contains a handful of SDS papers that did not easily fit into other folders, including a booklet of protest songs, a biographical booklet about former SDS president Paul Potter, and a copy of an FBI memorandum regarding surveillance of the New Left in Ann Arbor.

This collection covers writing and correspondence from prominent journalist and screenwriter Ben Hecht, as well as materials related to his daughter, Jenny, and wife, Rose.

The Ben Hecht collection includes materials from the 1940s through 1963 and is divided into five series: Writing, Correspondence, Jenny Hecht, Rose Hecht, and Miscellaneous.

The Writing series, which comprises three-quarters of the collection, contains original manuscripts and notes authored by Hecht. The series is divided by genre into eight subseries: books, essays and articles, notes and treatments, poetry, published writing, scripts, short stories and miscellaneous. As most pieces are undated, materials within each subseries are arranged alphabetically by title as it appears on the piece. While the manuscripts included in the collection are generally for lesser-known or unpublished material, this collection provides a wealth of insight into Hecht's creative process. Particularly in the Scripts subseries, many works contain multiple drafts or include handwritten corrections.

The Books subseries contains a draft manuscript for Hecht's Perfidy (here titled Perfidy in Israel). Published in 1961, this controversial work reflected Hecht's growing anti-Zionism toward the end of his life, a stance that went against his earlier activism for Jewish causes. The Essays and Articles subseries holds five non-fiction pieces, including a letter criticizing the movie of The Diary of Anne Frank, for which Hecht's daughter Jenny was passed over for the title role.

Notes and Treatments includes a number of materials from Hecht's film and television work. Notable among these is a treatment for Miracle in the Rain, which was later produced as a film in 1956. Poetry consists of two poems that reflect some of Hecht's political views. Published Writing features an article Hecht wrote about Marilyn Monroe's death.

The largest collection of writing is contained in the Scripts subseries. It includes draft and final versions of nine separate projects, many with handwritten corrections. Not all were produced as films or plays, so these folders provide insight into some of Hecht's lesser-known work. Particularly interesting items in this subseries are the script for a musical version of Underworld, the screenplay for which Hecht won the first Academy Award for Best Original Story in 1927, and multiple drafts of Hecht's play Winkelberg, based on the life of his friend Maxwell Bodenheim.

Short Stories includes five examples of Hecht's fiction work, including handwritten pages for "Some Slightly Crazy People," which was published in the Saturday Evening Post in 1959. The final subseries in the Writings series , Miscellaneous, has untitled writings and jottings, including one written on a torn piece of cardboard and another on the back of an envelope.

The Correspondence series features materials reflecting Hecht's professional and personal life. Materials within the collection are divided in two subseries, Business Correspondence and Personal Correspondence, and arranged chronologically within each subseries. Spanning the years 1946 to 1963, with the bulk of material from 1958 to 1959, the relatively small Business Correspondence subseries contains a number of letters describing negotiations for projects involving people ranging from Orson Welles to Marilyn Monroe. Several are from Hecht's agent Albert Lewis. This series also includes a letter from the American Broadcasting System announcing the cancellation of Hecht's short-lived television talk show The Ben Hecht Show, which ran from September 1958 to February 1959.

Personal Correspondence spans 1946 to 1963 and is further divided into three subseries. The largest, Fan Letters, includes over 40 letters from fans written between 1956 and 1961. Most were written in support of Hecht's appearance on The Mike Wallace Show in February 1958. Two smaller subseries, Letters to Ben Hecht and Letters to Ben and Rose Hecht, include letters and telegrams from acquaintances, relatives, and family friends.

The Jenny Hecht series includes material related to Hecht's daughter's appearance in stagings of the theatrical version of The Diary of Anne Frank at the Palm Springs Playhouse and the Tappan Zee Playhouse in 1959. The folder includes Jenny Hecht's contracts for the appearances, programs for the productions, newspaper clippings, congratulatory telegrams from family friends, and a card which accompanied flowers from her father. The folder also includes photographs from the productions.

The Rose Hecht series features correspondence to and from Hecht's wife spanning from 1945 to 1959 and arranged chronologically. Several of the letters written by Rose indicate her involvement in her husband's business affairs, including a plea to a congressman petitioning for changes to the tax laws which "unfairly" burden artists.

The Miscellaneous series is comprised of two folders. The first folder contains a list of Hecht's visitors from 1950, featuring such Hollywood personalities such as Kirk Douglas, Otto Preminger, David O. Selznick, and Harpo Marx. The second folder includes publicity materials for several of Hecht's publications, a posthumously awarded certificate for induction to the Chicago Journalists Hall of Fame, two untitled hand-drawn floorplans, and a photograph of a children's band marked "Rhythm Band 1947."

Correspondence between the donor, Beni, and Franklin and Penelope Rosemont, who were surrealist artists, writers, activists, and publishers.

This small collection primarily consists of correspondence between Beni and Franklin Rosemont regarding the collecting of IWW and Surrealist publications. Beni was initially interested in receiving more of the Rosemonts' publications in Arsenal. As their correspondence became more robust, both men collaborated on a search for materials relating to various figures in the history of IWW publications. In the 2000s, their correspondence moved to e-mails that include a network of activists, librarians, and scholars invested in the discovery and preservation of labor history materials. After Franklin Rosemont's death in 2007, Beni continued to collaborate with the curator of the Labadie Collection to acquire rare materials related to the Rosemonts' own activities.

Files, notes, documents, and print material concerning all aspects of the women's movement of the 1970s. Creator was active in the movement, in Washington DC and NYC organizing demonstrations and workshops. She was also involved with the feminist publication Quest. Files are primarily from 1971-1979, although the collection spans from 1964-1985.