Collections

This collection consists of Hungarian-language newspapers related to the 1956 Hungarian Revolution, spanning the year of 1956, with most of the newspapers published between October 28 and Novemer 4 of that year.

This collection consists of newspapers related to the 1956 Hungarian Revolution, all published in Hungarian during the year of 1956. Newspapers are separated into folders based on title and organized chronologically.

Contains leaflets, open letters, administrative documents, newspaper clippings, and other materials related to the strike by the University of Michigan's graduate student union, the Graduate Employees Organization (GEO), in 1975.

This collection contains ephemera, documents, and publications related to the 1975 General Employee Organization strike. The bulk of the collection consists of publicity materials, such as open letters and flyers, about contract negotiations leading up to the strike and the strike itself (including campus reactions to the strike). Some of the material is related to the the Black Action Movement's (BAM) demands of the university. A small amount of material from faculty of the Residential Communities is also included. Most material is pro-GEO and pro-strike but a few materials present an opposing position. Also included are administrative materials, such as meeting minutes and position papers, from GEO. Finally, the collection contains newspaper clippings and entire newspapers documenting the strike, from both campus and local news sources.

Documents the microfilm operations of the Filmsort Company and before and after its acquisition by the Minnesota Mining and Manufacturing (3M) Company, including sales information, price lists, equipment photographs, correspondence, brochures, parts lists, manuals, and newsletters.

This collection consists of two series--one concerning Filmsort both before and after its acquisition by 3M and the other relating to other aspects of 3M's involvement in microfilm work.

The Filmsort Series contains sales information, price lists, equipment photographs, correspondence, memoranda, patents, product brochures, parts lists, equipment operating and service manuals, and newsletters. The bulk of this material pre-dates the sale of Filmsort to 3M. The folder of John Favorite and Charles Hann correspondence and memoranda is a file maintained by 3M about Filmsort, but many of the other materials were originally part of the records of the Filmsort Company and were acquired by 3M along with the other assets of Filmsort in 1959.

The 3M series contains newsletters, parts and service manuals, technical notes for customer service representatives, "know how" bulletins, and a camera marketing manual. These materials concern 3M microfilm work and products not specifically identified with the Filmsort division. The bulk of this series dates from 1958 to 1968 although two folders date from 1976.

Poet identified with progressive New York City literary circles of the 1930s and 1940s, teacher and translator of Yiddish poems and songs; lived most of life in New York City and Long Island. Includes correspondence files, manuscripts and notes, audio and video recordings of lectures and readings.

Aaron Kramer Papers includes biographical materials, correspondence, publications and translations, drafts, and audiovisual recordings of Kramer's works, ranging from 1930 to 1997. The papers are divided into six series: Biographical File, Correspondence, Collaborations, Works of Aaron Kramer, Works of Other Artists, and a 2017 Accretion.

Abe and Selma Bluestein were active in the anarchist movement in the U.S. in the 20th century. Abe worked as a reporter for the Freie Arveiter Stimme, a Yiddish anarchist publication in New York, and Selma was an artist and worked with the WPA. Both reported on the Spanish Civil War in 1937, which was foundational in the evolution of their anarchist philosophies. While in Spain, Abe also served as an information officer giving radio broadcasts for the anarchist fighters in Barcelona. Back in the U.S., Abe worked for several housing co-operatives while Selma raised their children. The collection documents the couples' personal and professional lives, including correspondence, writings, and art.

The Bluestein papers comprise a variety of materials, including correspondence, writings, translations, histories, family documents, artwork, and photographs. The bulk of these materials range from 1930 until 1990, although some of the photographs and family documents are dated earlier.

The Bluestein Family papers are separated into eight series: Correspondence, Family Documents, Biographies, Writings, Corporate Files, Subject Files, Modern School, and Photographs.

Correspondence contains 1 linear foot of letters to and from the Bluestein family. The files are arranged alphabetically, first generally A-Z, with unknown correspondents following, then by principle correspondent. There are two folders of correspondence between Abe and Selma Bluestein, labeled "Bluestein, Abe to Selma" and "Bluestein Selma (Cohen) to Abe." These letters are mostly dated early in their relationship (1930), then again in 1933 when Abe was living and working at Unity House in Phildelphia, again in 1937, when Selma returned from Spain a few months before Abe. There are a few letters from Abe to Selma in 1946, when he made several short trips away from home for business purposes.* Their letters are significant for the historical information as well as the intimacy they reveal.

In the folder labeled "Bluestein, Minnie", there is one letter to Abe from Minnie, and one letter from Lou (her husband?) while they lived at the Sunrise Cooperative Farm Community in Michigan in the mid-1930s. The letter from Lou discusses life at the Cooperative as well as some gossip and infighting.

There are also letters from Mollie Steimer and Senya Fleshin, Erika and René Fülöp-Miller, Sam Dolgoff, Federico Arcos, Paul Avrich, Augustín Souchy, Harry Kelly, Milly Rocker, Rudolf Rocker, and one three-page letter to Abe from Emma Goldman. Although most of the letters are in English, there are a few in Spanish without translations. Some of the letters are not written to the Bluesteins but are copies of correspondence sent to others.

Selma designed many of the family's greeting cards which were sent out every year, and several examples are included in her biographical file, along with press clippings regarding her art exhibits. Selma often sent Abe drawings in her letters to him, and these were not separated from the letters, so although there is a folder containing her artwork, several examples of her work can be found in the "Bluestein, Selma to Abe" correspondence files.

Several of Daniel Bluestein's published and unpublished works are included the series Writings (Daniel Bluestein). Daniel had a strong interest in his family's history, and in its anarchist past, and much of that interest shows in his writings. Daniel's humorous side shows through in a letter to Abe from "Ronald Reagan." In Writings (Abe Bluestein) can be found Abe's essays, histories, and translations, as well as transcriptions of his lectures. Other people's writings can also be found in this series, including those of Sam Dolgoff and Frank Miller.

There are many newspaper clippings on the subject of Spain during the 1970s, both from Spanish and American newspapers. It was during this time that Abe, frustrated by the lack of accurate information in the American press on the CNT and labor uprisings in Spain, decided to start News From Libertarian Spain, with Sam Dolgoff and Murray Bookchin. The title was later changed to Anarchist News, and after Dolgoff died in 1990, Gabriel Javsicas joined the group.

The Modern School series is of great significance to anyone interested in the perceptions of those who attended. As mentioned earlier, Abe's experience growing up at Stelton had a profound affect on him throughout the rest of his life. In a 1975 letter to Rina Garst he asks the question, "Why does the Stelton experience create such a warm, strong bond among us, regardless of our later living experiences?" His answer was "... living and growing in freedom fosters the development of the strongest possible roots in human beings." Abe started the Modern School Reunions in 1974, and as chair of the Reunion Committee, he held the files of each of the annual events. They are arranged chronologically (with no files for 1985, 1987, 1988), ending in 1991, when Abe handed the responsibility over to Jon Scott. The files contain minutes from the Modern School Reunion Committee meetings, as well as flyers announcing each reunion, clippings, and correspondence from each of the reunion attendees. The correspondence is particularly interesting; it contains not just the usual reunion business, but also reminiscences of childhoods spent at Stelton, thoughts and comparisons of living in a modern world, sad news of illness and death, good news of finding more old Stelton-ites, and some truly heartfelt stories. Some of the correspondents are also represented in the Correspondence series (Paul Avrich, Ahrne Thorne, Thomas Yane, Clara and Sidney Solomon, Nelly Dick, Audrey Goodfriend, Pearl and Victor Morris, Dora Keyser, Federico Arcos), however, the Modern School series correpondence relates only to the Modern School reunions and was kept with the Modern School materials by Abe. Abe saw the historic value in these documents, for in 1975, and again in 1983 he sent out questionaires about remembrances to all the reunion participants, and these responses are included. There are also several histories written by various people, as well as three original record books from the Stelton Modern School (1918, 1924-28, 1936).

There are many photographs in the collection, including a family album, several loose photos, and a large portrait of Abe as a small child with his mother, Esther and his sister, Mae(?). Most of the photographs are unidentified and undated, although David Bluestein helped to identify some of them at the time of the donation. As well as the Bluestein and Cohen families, there are photographs of Rudolf Rocker, Boris Yane, Clara and Sidney Solomon, and Federico Arcos.

Sometime during the 1980s Abe dictated a biography of his life onto cassette tapes. The cassettes were not found with the collection, and no one seems to know what happened to them, however, they were transcribed by Eileen Coto of Richmond Hill, New York in 1991 or 1992. The partially-edited transcription is included in Histories (Oral) - Abe Bluestein.

There are two cassette tapes in the collection. One is a microcassette of an interview with Abe about the Spanish Civil War (Biographies, Box 2). The other is a recording of the Ahrne Thorne Memorial Meeting which took place in New York City on March 27, 1986 (Box 3).

* According to American Labor and United States Foreign Policy by Ronald Radosh (Random House 1969), it appears that Bluestein was in Germany working for the AFL (pp 328-329).

The collection pertains primarily to Abu Shady's literary work and contains a range of his essays and poems. It also contains includes correspondence, photographs, and writings about Abu Shady, as well as material related to the funeral of Lebanese-Egyptian poet Khalil Mutran and correspondence between Abu Shady and journalist and reformer Salama Moussa.

The collection is arranged in folders without series or sub-series. It contains material related to Abu Shady's writing and includes a variety of his original poetry as well as correspondence and articles related to other prominent Egyptian writers.

Anarchist, social worker, friend of J. A. Labadie, and first curator of the Labadie Collection. Comprise administrative files of the Labadie Collection which she combined and intermingled with personal correspondence, memoirs, and research notes.

The Agnes Inglis Papers are comprised of a variety of materials including her correspondence, research notes, writings, scrapbooks, and her work at the Labadie Collection. The bulk of these papers range from 1924 to 1952, the years during which she served as curator of the Labadie Collection.

These papers hold significance in several respects. First, Agnes Inglis held an important place within the radical movement (anarchism, communism, socialism, etc.) in Southeastern Michigan during the first half of the 20th century, and was particularly active in the anti-conscription campaigns and the subsequent deportation of radicals surrounding the first World War. Her connections within this movement were extensive, and her papers reflect insider knowledge of the events, activities and especially of the individuals of the Left during her lifetime. Also, these papers essentially document the Labadie Collection itself. Because she was the initial and sole curator for the Collection for its first three decades in the University of Michigan libraries, her papers hold extensive information on the Collection's history. Finally, Inglis was an extremely historically minded individual and saw great value in documenting the facts and her impressions of the many people, organizations and events she came to know.

The Agnes Inglis Papers are separated into three series: Corresponsence, with Individual and Corporate subseries; Writings, with Autobiographical, Creative and Theoretical and Notes and Research subseries; and Scrapbooks.

It should also be noted here that during her time as curator of the Labadie Collection, Inglis constructed a card catalog filled with references and biographical and historical notes on the individuals, groups and events of the radical movement. Labadie staff should be consulted if one wishes to view this catalog.

Anarchist, social worker, friend of J. A. Labadie, and first curator of the Labadie Collection. Comprise administrative files of the Labadie Collection which she combined and intermingled with personal correspondence, memoirs, and research notes.

The Agnes Inglis Papers are comprised of a variety of materials including her correspondence, research notes, writings, scrapbooks, and her work at the Labadie Collection. The bulk of these papers range from 1924 to 1952, the years during which she served as curator of the Labadie Collection.

These papers hold significance in several respects. First, Agnes Inglis held an important place within the radical movement (anarchism, communism, socialism, etc.) in Southeastern Michigan during the first half of the 20th century, and was particularly active in the anti-conscription campaigns and the subsequent deportation of radicals surrounding the first World War. Her connections within this movement were extensive, and her papers reflect insider knowledge of the events, activities and especially of the individuals of the Left during her lifetime. Also, these papers essentially document the Labadie Collection itself. Because she was the initial and sole curator for the Collection for its first three decades in the University of Michigan libraries, her papers hold extensive information on the Collection's history. Finally, Inglis was an extremely historically minded individual and saw great value in documenting the facts and her impressions of the many people, organizations and events she came to know.

The Agnes Inglis Papers are separated into three series: Corresponsence, with Individual and Corporate subseries; Writings, with Autobiographical, Creative and Theoretical and Notes and Research subseries; and Scrapbooks.

It should also be noted here that during her time as curator of the Labadie Collection, Inglis constructed a card catalog filled with references and biographical and historical notes on the individuals, groups and events of the radical movement. Labadie staff should be consulted if one wishes to view this catalog.

Alan Campbell , American actor and screenwriter, wrote, with his wife Dorothy Parker, screenplays for Hollywood studios during the 1930s. The collection contains the correspondence and writings of Alan Campbell and Dorothy Parker. Included is World War II correspondence, scripts, screenplays, fragments of several short stories, a play, as well as typescripts of pieces by some of Campbell and Parker's contemporaries.

The Alan Campbell and Dorothy Parker Collection consists of four series, Correspondence, Financial Papers, Writings and Miscellaneous. The Collection contains correspondence and writings of Alan Campbell and Dorothy Parker. Included is correspondence from Campbell to Parker, written during World War II; several letters from Zeppo Marx; and a few letters from Leland Hayward and Rosalie Stewart, with many references to other celebrities. Also included is a portion of the Campbell-Parker collaboration on the screenplay A Star is Born, written with Robert Carson. Campbell’s writings include the script for Told to the Children while Parker is represented by fragments of several short stories and her play The Coast of Illyria. The collection also includes typescripts of pieces written by contemporaries of Campbell and Parker, including Stephen Vincent Benét, Elliott Nugent, John O’Hara, Robert Penn Warren, and Sagittarius (aka Olga Katzin).

Collection of writings by and about Alexandre Dumas, père. Includes correspondence, literary manuscripts, and research.

The collection includes two series, Manuscripts and Research.