Collections : [University of Michigan William L. Clements Library]

This collection is mainly comprised of letters that Sergeant Stewart F. Laurent wrote to his wife and other family members while serving in France during World War I. The collection also includes documents, postcards, photographs, and ephemera.

This collection (0.5 linear feet) is mainly comprised of letters that Sergeant Stewart F. Laurent wrote to his wife and other family members while serving in France during World War I. The collection also includes documents, postcards, photographs, and ephemera.

The Correspondence series (67 items) contains 65 letters that Laurent wrote about his service in France from March 10, 1918-May 18, 1919; 1 letter that he wrote on January 10, 1918; and 1 letter by other military personnel confirming Laurent's good record as an automobile driver (April 30, 1918). Laurent most frequently wrote to his wife Alice, discussing their separation and anticipating their life together after the war. In other letters to Alice and to his mother, aunt, uncle, and siblings, he described his travels around the French countryside and reported military rumors, particularly those related to the end of the war. He vacationed at Aix-les-Bains in September 1918 and was stationed in Abainville and Haussimont after the Armistice; he also visited Nice and Paris. On Thanksgiving Day, 1918, after the relaxation of censorship requirements, he recounted his passage to France on the USS President Lincoln and enclosed a dinner menu from the journey. Other enclosures include a photographic postcard; snapshots of Laurent, other soldiers, tanks, and places in France; a booklet celebrating Mother's Day; and a political cartoon of an American soldier awaiting his return home. In 2 letters from March 1919, Laurent drew pictures of artillery shells that had been turned into vases.

The Postcards series (11 items) is divided into 3 groups. Stewart F. Laurent sent 3 postcards to his wife Alice between January 8, 1919, and February 17, 1919, of which 2 show the interior and exterior of the Château de Valençay; the third informs Alice of her husband's reassignment to Haussimont, France. The second group of postcards depicts soldiers and scenes from Paris, France, during World War I. The final group of 4 postcards pertains to the Laurents' candy store in Philadelphia, Pennsylvania, in the 1940s.

Items in the Documents series (9 items) mostly relate to Stewart Laurent's military service, including 4 items about his discharge (May 1919), a Treasury Department document about the War Risk Insurance Act and related financial allotments (undated), and instructions for troops sailing from the United States to France onboard the USS President Lincoln [February 1918]. Three items, 2 of which are dated November 18, 1914, concern the Metropolitan Life Insurance Company.

Printed Items and Ephemera (15 items) pertain to Stewart F. Laurent's military service and personal life. A 1908 program for an event at Glenolden Grammar School and an unidentified photograph from 1907 are enclosed with an invitation to Laurent's wedding. The remaining items are from the World War I era, including 2 newsletters about the French Riviera in the spring of 1919, a group of ticket stubs with a parody song ("Silver Threads Among the Black"), Laurent's pay book, a program for a variety performance in Aix-les-Bains, and 3 booklets: a guide to the French Riviera, a history of and guide to Paris, and a soldier's French phrasebook. This collection also includes 2 realia items: a string of beads and a private's chevron.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service during the war. A majority of the collection are personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service in the American Expeditionary Forces. The majority of the collection is comprised of personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The album begins with 92 personal photo-postcards, many of which have a short handwritten caption on the front. The majority were taken while Barnum was stationed near the Rhine River, in Mayen, Germany. They show daily life, the ammunition dump, M.O.R.S. details, studio portraits, monuments and castles along the Rhine, and a Rhine River boat tour. One image is of the men he served with, "Billet #6," and lists the name and hometown of each man. There are a few images included from his training at Camp Hancock in Augusta, Georgia.

Seemingly unrelated to Barnum’s service, are five photos likely taken in the United States of construction on a neighborhood street. Following, are an image of captured American soldiers, one of a simulated gas attack, and 15 smaller images similar in content to the photo-postcards. Most of these smaller images have handwritten captions on the back.

This album includes a total of 78 picture postcards include a complete collection of 20 black and white views from the painting Panthéon de la Guerre. Other locations depicted include Paris, Southampton, Koblenz, and Camp Dodge and Rock Island in the United States

The last portion of the album contains ephemera from Barnum's military service, with the exception of one letter from August 6, 1905 written by Barnum to his mother while on vacation with his father and brother. Other items include the board game Trench Checkers, a Third Army Carnival program, a Mother’s Day pamphlet, an honorable discharge chevron, a USS Santa Paula billet card, and a "Souvenir Roster of the New York Masonic Club of the Army of Occupation."

This collection is primarily made up of photographs, periodicals and clippings, and ephemera related to World War I. The materials pertain to the occupation of France and Belgium, peace efforts, and the American-British-French-Belgian Permanent Blind Relief War Fund, among other subjects.

This collection is primarily made up of photographs, periodicals and clippings, and ephemera related to World War I. The Photographs consist of 422 prints and 240 negatives; a few of the prints are duplicates, and some images are represented by both prints and negatives. Most of the personal photographs were taken in numerous locales in France between 1916 and 1919, often showing rubble and destruction, camouflaged outposts, healthy and wounded Allied soldiers, nurses, medical automobiles and other scenes directly related to the war. Some items feature artillery pieces, dugouts or bunkers, warships, and the front lines; one shows an artillery explosion. German-language signage is visible in a few photographs, as are German and Allied cemeteries and grave markers. One group of images relates to the victory parade held after Woodrow Wilson's arrival in Paris in 1918. Views of French churches, chateaux, and towns are also present. Some of the personal photographs from the war period are informal portraits of French men and women, including a group of girls with large Alsatian hair bows.

The collection contains some commercial photographs, with captions written directly on the negatives. These include views of dead soldiers, artillery pieces, and a picture of a French tank division heading into battle. One captures the explosion of a German mine in Cambria, and one features Ferdinand Foch and John J. Pershing.

Other groups of photographs date from before the war. A group of photographs taken in Albany in 1909 includes a view of the Emma Willard School. One group of prints is comprised of views of Ely Cathedral and the various colleges of the University of Cambridge. Another set concerns a trip to Mexico, particularly Oaxaca and Mitla. These pictures feature natives in local dress (often carrying large loads), an outdoor produce market, and horse- or mule-drawn vehicles.

The Ephemera series includes 5 empty albums once used to house some of the photographic negatives in the collection, including captions. Two empty photograph envelopes are housed with the photographs, as are a Kodak exposure guide, a manual for the No. 0 Graphic Camera, and a number of loose articles laid into the cover of an issue of Kodakery. A group of 19 large broadsides and notices includes items in English, French, and German. Many of these are the German army's posted notices to residents of occupied towns in France and Belgium, which list rules and regulations related to curfews, "voluntary" work, and other aspects of daily life. One lists methods for picking nettles and offers rewards for residents who provide them, one warns against alcohol use, and one contains news about the Germans' progress toward Paris. Also included are three advertisements for French war bonds, a sign encouraging viewers to "Help Re-chickenize Devastated France," and a sign for an Army telephone station.

One group of items pertains to theAmerican-British-French-Belgian Permanent Blind Relief War Fund. This series includes a printed appeals by Helen Keller and the association's leadership, a pamphlet highlighting the organization's work, and reports by numerous organizations seeking to provide relief for blinded soldiers. Items printed in Braille include a list of rules for the Blinded Soldiers' and Sailors' Hostel in London, alphabet cards, a book with raised illustrations of several animals and parts of the human body, and several other items printed only in Braille.

The collection also includes a large number of Periodicals and Printed Items , including complete issues of and extracts from American magazines such as Vogue, the Illustrated London News, Dress & Vanity Fair, and The Red Cross Magazine; French publications such as L'Illustration, La Baionnette, and Les Arts Français; and the Austrian magazine Kikeriki. Many of these include photographs or other illustrations of winter recreational activities and World War I-era soldiers. Newspaper clippings often refer to the progress of World War I and to the peace process; one clipping pertains to the relationship between Calvin Coolidge and Herbert Hoover in 1932. Other printed materials concern Germany's justifications for going to war, the German and Allied delegations' responses to the first draft of the Treaty of Versailles, and the capture of German artillery ("I have captured a boche Machine gun... what can I do with it?"). Other items include a musical score for a Girl Scout song entitled "Onward," French ration tickets, and a hand-colored lithograph by Marcel Jeanjean showing several French soldiers carrying logs across a battle-scarred landscape while smoke rises in the distance.

The Albert E. St. Germain collection contains correspondence, military documents, and other items relating to the St. Germain family. The bulk of the collection pertains to Albert St. Germain's service in the United States Army's press service in Europe during and just after World War I.

The Albert E. St. Germain collection (over 190 items) contains correspondence, military documents, and other items relating to the St. Germain family. The bulk of the collection pertains to Albert St. Germain's service in the United States Army's press division in Europe during and just after World War I.

The Correspondence series (28 items) is made up of personal letters related to members of the St. Germain family. Sisters Clarinda (1 item) and M. Clementina (8 item) wrote French-language letters to their parents from the Convent of Mercy in Meriden, Connecticut, between 1894 and 1900. Other convent correspondents included Sister Teresa, who invited the St. Germain family to a ceremony (August 10, 1896), and Sister M. Augustine, who sent a telegram about Sister Clementina's death in November 1900. A woman named "Leontina" wrote 4 letters to Leon St. Germain from Québec in 1905.

Albert E. St. Germain wrote 6 letters to his mother and 2 letters to his brother Oscar while serving in the United States Army in France during and immediately after World War I. He described his travels in France and discussed some of his duties in the press section. In 1919, an acquaintance named J. Morgan wrote Albert St. Germain a personal letter and a letter of recommendation. Later correspondence includes a letter that one of Albert's children wrote to him in 1959, a letter about the 50 reunion of the Bulkeley High School class of 1914, and a World War II-era greeting card from the South Pacific.

The Documents series is divided into two subseries. Military Documents (97 items) are mostly comprised of news bulletins and intelligence summaries providing details about the Allied war effort in France from September 1918-November 1918, as well as 2 copies of Gerald Morgan's recollections about service as Chief Field Censor for the American Expeditionary Forces, written in February 1919. Department of Labor and Personal Documents (15 items) include intelligence tests, Albert St. Germain's employment history, a blank naturalization form, documents related to Leon St. German's estate, and documents regarding field stations during World War II.

The Photographs series (3 items) contains 2 formal card photograph portraits of an unidentified couple and of Albert E. St. Germain, as well as a photograph of Albert E. Saint Germain, in uniform, shaking hands with a French soldier. The latter photograph is enclosed with a copy of the New York newspaper that ran the photograph on August 4, 1918.

The Writings and Pencil Sketch series is comprised of 7 copies of stories that Albert E. St. Germain wrote around the World War I era. The writings include an account of his interactions with a French citizen during the war, a camping trip, and various other subjects; some of the drafts have manuscript notes. The collection has duplicate copies of 2 stories. The series includes a pencil drawing of "Le Vieux Moulin."

• The Cards and Currency subseries (4 items) consists of 3 business cards of Albert E. St. Germain and a French banknote.
• The Maps subseries (5 items) contains printed maps of the Moselle River, the Rhine River, and Bar-le-Duc, France; one of the Rhine River maps was produced for members of the army of occupation. Also included is a blueprint map of properties that Leon St. Germain owned in Waterford, Connecticut.
• The Pamphlets subseries (6 items) has the following items: a retrospective and commencement program related to the Bulkeley School class of 1914, a cover from a copy of The Louis Allis Messenger, a page from a printed recipe book, a pamphlet about the United States flag, and a copy of the United States Constitution with additional information for use in passing the country's citizenship examination.
• The Newspapers subseries (13 items) contains around 10 articles about World War I, the Bulkeley School, Albert E. St. Germain, and army censorship. The newspaper articles originate from papers in Connecticut and France. Three copies of The Stars and Stripes, dated 1918, are also present.

The Address Book and Fragments series (14 items) includes manuscript, typed, and printed fragments, and an address book that Albert St. Germain owned while working for the United States Department of Labor.

The Artifacts series consists of a brown leather satchel.

This collection pertains to William Ray Antis (1887-1943) of Detroit, Michigan, who served in the 484th Aero Squadron of the American Expeditionary Forces during World War I. The collection includes eight letters to his mother Jessie Antis Germond, two military documents, a scrapbook of postcards kept during his time in France, photographs, two printed maps, three books, and four cloth/embroidered/painted-cloth items (incl. sergeant's stripes and a handkerchief case). The materials also include items from 1961 related to Sergeant Antis' daughter Dorothy J. Antis and Gerald "Jerry" Dumas, including original artwork from a Beetle Bailey comic strip.

This collection pertains to William Ray Antis (1887-1943) of Detroit, Michigan, who served in the 484th Aero Squadron of the American Expeditionary Forces during World War I. The collection includes eight letters to his mother Jessie Antis Germond, two military documents, a scrapbook of postcards kept during his time in France, photographs, two printed maps, three books, and four cloth/embroidered/painted-cloth items (incl. sergeant's stripes and a handkerchief case). The materials also include items from 1961 related to Sergeant Antis' daughter Dorothy J. Antis and Gerald "Jerry" Dumas, including original artwork from a Beetle Bailey comic strip.

Antis wrote to his mother from San Antonio from December 1917 to January 1918; Aviation Branch, Virginia, in February 1918; and unspecified locations in France from May 1918 to December 1918. He wrote about his training in Texas, inoculation, carpentry, anticipation of leaving for the front, French farming and villages, expectation of getting a YMCA with a separate entertainment space, women's ability to wear service stripes corresponding to sons' and husbands' ranks, and more. He wrote several letters on printed "WITH THE COLORS" YMCA stationery. A final document is William R. Antis' selective service registration certificate, April 24, 1942, Detroit, Michigan.

One World War I era scrapbook contains largely souvenir picture photographs, with a number of greeting postcards, from Arcis-Sur-Aube, Vinets, Ramerupt, Lhuître, Mailly-le-Camp, Longeaux, Villers-Le-Sec, Ligny-en-Barrois, Bar-Le-Duc, Foug, Pagney-derrière-Barine, Bicqueley, Domgermain, Verdun, and Bezonvaux. The volume also includes several photographs and a French Woodrow Wilson postcard bearing a mounted silk portrait of the U.S. President.

The collection's newspaper clippings include recognition for Antis' service stripes and a published excerpt of one of his letters from France. It also includes two large, printed, detailed maps of France. A photographic portrait of William R. Antis is present.

A bundle of three items relate to Gerald "Jerry" Dumas during his visit to see his parents in Detroit in the spring of 1961. It includes a newspaper clipping and a manuscript letter from Jerry to Dorothy June Antis, accompanied by the original artwork for a 1960 Beetle Bailey comic strip.

The Wood family papers contain correspondence and other items related to the family of James A. Wood of Lebanon, Connecticut, and his descendants from the mid-19th to the early 20th century. Much of the content pertains to education, family news, and politics.

The Wood family papers (4 linear feet) contain correspondence and other items related to the family of James A. Wood of Lebanon, Connecticut, and his descendants from the mid-19th to the early 20th century.

The Correspondence series comprises almost all of the collection. Early items are incoming letters to James A. Wood, Rebecca D. Pillsbury (later Wood), and their daughter, Helen Elizabeth Wood, from family members and acquaintances. James A. Wood's siblings wrote with updates on their lives, such as Caroline E. Wood's teaching career in numerous towns throughout New York. Rebecca D. Pillsbury also received letters from her brothers and sisters, and both Wood's and Pillsbury's correspondents discussed family matters, religion, and local news. Margaret Ann's letter of December 3, 1860, concerns her affection for a deceased baby sister, and an unidentified author's letter of September 4, 1861, describes the recent death of a grandmother. James A. Wood received an increasing amount of business-related correspondence, including letters from Charles W. Pierce, in the 1870s.

After the 1870s, most letters are addressed to Rebecca D. Wood and her daughter, Helen Elizabeth Wood. Rebecca's children often wrote letters to their mother, and Helen received letters from cousins and friends from around the East Coast. George P. Wood, Helen's brother, often shared stories of his young son James and of his life in Baltimore, Maryland; Washington, D. C.; and Peekskill, New York. In one letter, George included a map showing the location of his home in Washington, D. C. (November 13, 1899).

In addition to family and social news, letters occasionally referred to current events. "Dana," one of Helen E. Wood's cousins, wrote from his United States Army post during World War I (December 28, 1917), and other friends discussed the impact of the war. Among Helen's correspondents were Ida McCollister of New Hampshire and Harry Sawyer, an old friend who shared news of his life in Kearney, Nebraska. In one later letter, George P. Wood expressed some of his political views about the 1924 presidential election (October 27, 1924). Correspondence was less frequent after Helen E. Wood's death in 1933, with most incoming letters addressed to Winchester R. Wood of Lynn, Massachusetts, a member of the family's Connecticut branch. Undated items include similar family correspondence, as well as one letter written on a printed program for the Public Meeting of the Philadelphian Society at Kimball Union Academy at Meridian, New Hampshire, on June 12, 1878.

The Essays series includes an "Autobiography of a Sofa," written by R[ebecca] D. Pillsbury, as well as a manuscript draft of the "Common School Repository...Published semi-monthly by L. J. Boynton & R[ebecca] D. Pillsbury," containing 8 pages of short pieces attributed, often only by first name, to various contributors.

Among the six Receipts, addressed to A. Wood (1 item) and Helen E. Wood (5 items) are two receipts for Helen E. Wood's educational expenses and two slips crediting her account at Citizens National Bank, Boston.

Maps and Blueprints comprise 7 items. These are several drawings of house layouts, one map showing the locations of two buildings, and two blueprints.

The Newspaper Clippings series has 6 items, one of which is an article entitled "What They Say: How Girls of Various Cities Behave When They are Kissed."

The Ephemera series contains 52 Christmas cards, greeting cards, postcards, calling cards, programs, and other printed items. Specific items include 2 Red Cross membership cards, a pamphlet advertising The Art of Living Long by Louis Cornaro, and a blank order sheet for Sears, Roebuck and Co. from the 1920s.