1 cubic foot (in 3 small boxes)
Notecards on research topics for his book, the Story fo Grand Rapids, Michigan (1966), a copy of which is available in the CMU libraries.
3 cubic feet (in 6 boxes, 3 Oversized volumes)
The collection documents the history of the Zonta Club of Mt. Pleasant, through meeting minutes, photographs, scrapbooks, and after 1992, scrapbook materials. The three oversized scrapbooks are acidic and brittle and should be handled with care. Later additions added mostly meeting minutes. The collection is organized alphabetically and chronologically. The collection is ongoing. The Zontian is separately cataloged.
5 cubic ft. (in 5 boxes, 3 Oversized Folders, 2 Oversized Volumes)
This is the official collection of Central Michigan University’s Orchesis Dance Troupe, and also documents the CMU career of its found, Yvette Birs Crandall, and her impact on Orchesis and its students, performances, practices, workshops, and social events, mainly 1967-2010, with a few materials postdating that through 2023. The collection also includes a small amount of material documenting earlier CMU dance instructors, including Grace Ryan, country dancing classes, and performances, formal dances, possibly Sadie Hawkins dances, as well as social dances at CMU, 1928-1967, in photographs and a scrapbook, which Crandall likely inherited from prior CMU instructors. Yvette’s Wisconsin and CMU University papers and research materials, related to movement and dance, and photographs of and clippings about her 1963-1969 (see Box 1) and her published reviews on music, dance, and theatre in the Midland Daily News, 1991-1992 (see Box 5) complete the collection.
Nearly complete, the collection provides excellent documentation of Orchesis and how crucial Crandall was to its success and vitality. All aspects or Orchesis are documented in this collection including advertising, auditions, welcoming or “initiations” of new members, graduating senior events, performances, choreographer’s workshops, social events, travels, competitions, training, backstage preparations, classes, costume and makeup design, choreography, , and participation in CMU events such as country dancing and doing dance movements after a float in Homecoming parades and dancing in Madrigals. Orchesis also performed at various local institutions, such as Mid-Michigan Community College. In 1969 Orchesis performed Peter and the Wolf, for which they received hand printed thank you notes and hand drawn art from elementary school children at Longview Elementary School in Midland, Michigan. Because the children’s materials was very acidic, they were photocopied. In the early 2000s Orchesis performed with Dance Umbrella dancers. Dance Umbrella is an international modern dance festival.
The collection also provides important evidence of how one woman successfully built and expanded a nationally recognized modern dance company from scratch composed mainly of female students. When compared to the CMU Athletics collection, it is clear that she did not have the resources nor the support accorded the more traditional recognized athletic programs which merited CMU published programs and posters while Crandall was designing and making them herself by hand. The lack of official CMU photographs in the collection is also interesting and unusual among CMU collections. It is possible Crandall paid private photographers for the professional, non-CMU photographs.
The collection is organized by size, format, and then alphabetically and chronologically within each series. Photographs are further organized by those with and without negative numbers. The series are: Biographical Materials, Orchesis materials, Photographs that are not specific to Orchesis, and Crandall’s published reviews. There are two oversized scrapbooks document dance at CMU, 1928-1967, and CMU Orchesis, 1968-1971. The three oversized folders include CMU Orchesis posters (Folder 1-2) and oversized Orchesis professional photographs, both black and white and color, undated. Additionally, photographs are further organized within folders by those with a negative number or date/time stamp and then those without. All the boxes are .5 cubic foot boxes. Overall the collection is in very good condition except for the acidic contents of the scrapbooks and a few posters with tape stains or have hole punctures. Most of collection as donated was original material, but some were photocopies. Formats in the collection include paper, original art, photographic materials, including two DVDs, and scrapbooks.
Major Orchesis series include Photographs, Programs, and Posters, which merit further description to assist researchers.
Photographs, 1940s-2010, 2023. in the collection are from multiple photographers, both professional who hold copyright, and amateurs. CMU copyright of photographs taken by CMU Photographer Robert Barclay are few and found interfiled with other photographs dated 1981, 1993-1998 and 2000-2006. Bryan P. Wallace, a professional photographer, took all the photographs which are stamped with his name and copyright information, 1986-1987, including all the galley proofs and related negatives. Other photographer’s names are occasionally found on photographs, while others are unidentified. Most of the professional photographs are black and white until the 2000s. Amateur photographs taken by those in the company and probably also by Yvette document individuals, groups, travel, social events, performances. There is one photograph of the liturgical dance troupe in 1973 in Muskegon with a priest. There are also photographs of a country dance troupe in costume dancing during a CMU Homecoming parade, 1989. Part or all of the company traveled to various trips to cities including Washington, D.C. and Milwaukee, Mid-Michigan College, and Western Michigan University, to perform and participate in regional or national dance events. The company also had summer picnics, a welcoming event, referred to as the initiation, for new members, and a graduation recognition event after the show of the academic year with a cake where each graduating senior receive an award, hug, and the applause of peers. Within folders photographs are sorted by those with a negative number or date/time stamp and those without. Those with additional identification, especially amateur photographs, with a specific event and/or a year date, are in separate folders. Some people,dates, and events are identified in photographs by labels or writing on the back of photographs. If the labels were loose or detached, the Archivist wrote the information in pencil on a piece of acid-free paper and included that in the photograph sleeve, and withdrew the original label or note.
CMU Orchesis programs, 1969-2010, are nearly a complete and include mostly Orchesis events: Choreographers Workshop Performance, all concerts, “Puttin’ on the Ritz” events, CMU Madrigal dinners, and Choreographers Workshop Performances, dance competitions, events outside of CMU that she choreographed or advised, and a Church program, featuring CMU liturgical dancers, December 3, 1978. The programs vary in size, format, and materials, and some were photocopies when donated. Those listed as ‘Program’ are only the list of dances and performers. During the 1970s many of the early programs and posters were hand drawn or written in penmanship. Both programs and posters featured photographs from the past. Sometimes there are matching illustrations for programs and posters.
Most of the programs were dated, some with dates written on them by Crandall, when donated. Depending on the information in the program, Archivist Marian Matyn looked up names and information online in digitized CMLife, and reviewed perpetual calendars to try to determine the year for undated programs, and matched materials to posters or other information in the collection. To assist with the process the Archivist generated a list of performance dates from the programs which she added to the collection. Many Orchesis performances were not listed in CMLife. Overall the programs are in excellent to very good condition.
Posters, 1970-2010 in the collection are mainly Orchesis posters for Auditions, Choreographer’s Workshop, Dance Concerts, and “Puttin on the Ritz” events and are almost a complete run. There is also one Orchesis Fall 2008, Dancers Photographic collage poster, 2008, which Yvette crafted. The posters vary widely in size from 8.5x11 inches to 30x20 inches, in shape, colors, and format including paper, cardboard, and plastic. During the 1970s many of the early programs and posters were hand drawn or written in penmanship. Some posters listed are actually the original drawings and composite information with parts taped and glued to paper or cardboard from which posters or printed copies were made. Crandall appears to have created many of these posters by hand. Both programs and posters featured photographs from the past. Sometimes there are matching illustrations for programs and posters. Posters are housed in two Oversized folders. Oversized Folder 1 contains all concert performance posters in chronological order and the collage photographs poster. Oversized Folder 2 includes Oversized art, and all remaining poster series grouped alphabetically by series, then chronologically within each series.
Many posters lacked a year date as published. Depending on the information on the poster, Archivist Marian Matyn compared the information to the programs, and then followed the process she used to determine program year dates. (See that process above.) She wrote years on the posters in pencil. If there is more than one year during Yvette’s CMU career that the poster could date from, the year is in square brackets with a question mark.
A few posters have tape attached, while others have tape or hole damage from being pinned, and one, CMU Faculty Dance Recital, (taped, tape stains and term schedule in pen and marker on revere), September 21-22, 1972, has the term schedule written in pen and marker on the back. Overall the posters are in excellent condition. Most of the photographs donated were originals with some being photocopies.
Also included are posters of events in which CMU dancers participated. These posters include dance festivals, for the now American College Dance Association, 1979-1980, and the Great Lakes Regional Dance Festival, 1991 and 1999, and CMU Madrigal Dinner Concert posters, 1986, 1988-1994. The Madrigals occurred annually at CMU, 1977-1992.
Included with the posters is one oversized original art piece. There is also a folder in Box 2 of a few original hand drawn Orchesis art. The oversized image does not appear in posters nor programs. It is similar to a hand drawn image on the front page of the 1968-1971 scrapbook.
Researchers may also be interested in other collections documenting Grace Ryan and Rev. John Goodrow in the Clarke. The CMU Posters collection contains one early Orchesis poster and some Madrigal posters found in Crandall’s Orchesis collection.
Processing Note: Approximately 2 cubic feet of materials were withdrawn during processing. This includes duplicates, undated and/or unidentified, or very dark or damaged photographs, acidic materials, empty envelopes. If there were larger and smaller versions of the same poster, the smaller version was retained in the collection and the larger version was withdrawn. Acidic materials, except for the pages and contents of the scrapbooks, were photocopied, and the copies were added to the collection while the originals were withdrawn. .75 cubic feet of nationally recorded and distributed LP dance records were withdrawn. Family photographs were returned to the donor.
.5 cubic feet (in 1 box)
The records consist of photocopies of mortgages, insurance policies, tax receipts, blueprints, oaths and bonds, notices of candidates and meetings, petitions, school district records, and miscellaneous.
2 cubic feet (in 2 boxes)
The collection consists of photocopies and transcriptions of correspondence to and from Watson, copies of articles he wrote and published, copies of Strangite Mormon articles he reprinted, and copies of his biographical information.
Some correspondence is with family and friends, including his daughter, Grace, and his grandchildren. Other correspondence is with two of Strang’s widows, Betsy (Elizabeth) and Elvira and three of Strang’s sons, Charles J., Gabriel, and Clement J. Strang. There is also correspondence with major Strangite Mormons, such as Lorenzo Dow (L. D.) Hickey, publisher Edward Couch, and Joseph Smith III, leader of the Reorganized Church. The correspondence mainly discusses Strangite beliefs, activities, and history.
For further information see related collections such as Lorenzo D. Hickey Papers, Church of Jesus Christ of Latter-Day Saints (Strangite) Collection and Miscellaneous collection, or numerous books on Mormons and Strangites at the Clarke Historical Library.
Note: A users copy is available for researchers to use.
.5 cubic foot (in 1 box)
The collection includes Biographical Materials, Certificates re: his Postmaster position; Correspondence, 1899-1935, mostly about postal service and politics; State Liquor Control Commission correspondence and related materials, 1933-1934; Military Correspondence, 1915-1916, about his conflicts with work versus military duties; and Miscellaneous, including his typed diaries of a 1914 trip on the (yacht) Virginia.
1 cubic ft. (in 1 box)
The collection consists mostly of William Hinman’s legal, financial, and tax records (receipts) relating to his real estate business, 1844-1909. Most of these records are for land in Ingham County, although a few are for land in Livingston or Wayne counties, Michigan. Some of the land and legal records relate to family property, such as his father-in-law’s estate papers, 1857. Some records document land owned by his wife and daughters. A few records of William C. Hinman, related to property and delinquent taxes, 1844, 1902, complete the collection.
The collection is divided into the papers of William Hinman and then William C. Hinman.
1.25 cubic ft. (in 1 box, 2 Oversized volumes)
The collection documents Native American issues, legislation, and governmental organizations concerned about the issues, in Mich. and the U.S. Most of the collection documents the Michigan Commission on Indian Affairs, 1969-1972, undated, in reports, by-laws, correspondence, memos, project files, meeting minutes and agendas, proposals and surveys, etc. Other Michigan organizations in the collection include the Michigan Governor’s Special Task Force on Indian Fishing Rights, Michigan Interim Action Committee on Indian Problems, and the Inter-Tribal Councils of Michigan. Additional subject folders document U.S. or Michigan Native Americans, their issue, or other non-Michigan governmental units concerned with Native American issues, such as treaties and legislation. Miscellaneous materials on the Butt family complete the collection.
Processing Note: Photographs of Upper Peninsula Native Americans in this collection were added to the Clarke Photograph collection
.75 cubic feet (in 2 boxes)
The collection consists of 8x10 and 12x15 inch black and white photographs of the students in Chaffee’s various physics classes, 1977-1989. Most of the photographs have paper attached to them with an outline of each student in the photograph, as well as their name. Apparently, Prof. Chaffee used the photographs to help him identify the students during class time. An occasional syllabus, test, or experiment project outlines are included with the photographs. Chaffee’s obituary, January, 22, 1991, (a copy) is also included. The photographs are organized chronologically by school terms and then by class number.
Processing Note: Duplicate photographs, negatives, and class lists or test answers with students’ names and social security numbers were removed from the collection.
2 cubic feet (in 3 boxes)
The collection consists almost entirely of his diaries, 1919-1951, giving daily accounts of his activities, church attendance, work, and family. The entries are brief to moderate in length and detail. Also included is biographical information on Craker and a diary of Carrie Craker, 1920.