Collections

The papers include DAC (Dean’s Advisory Council) and SFC (See, feel, care) Meeting Minutes, agendas, and attachments, annual reports, five-year plans, bylaw revisions, goals, publicity and art materials, library master plan, 2015, LibQual Survey, 2011.

Organizational records, 1984-2016, include: DAC (Dean’s Advisory Council) and SFC (See, feel, care) Meeting Minutes, agendas, and attachments; Five-Year Plans, Annual and other Reports; Bylaws Revisions by the Faculty and by the Dean; Long-term plans; Goals; Libraries Review and Evaluation; Dean’s Evaluation, June 29, 2011; Dean’s Retirement information, June 2016; Publicity, Art, 2006-2009; Library Master Plan, 2015; and a LibQual Survey, 2011. These materials came from Dean of Libraries, Tom Moore’s office, after he retired in 2016. All boxes are .5 cubic foot boxes except #1, #3 and #7, which are .25 cubic foot boxes. The LibQual Survey was very important and highly positive about the services the library and library staff provided to the university community and surrounding communities.

The collection is ongoing. It is organized by series, alphabetically by topic, and in original order, which is reverse chronological.

For additional information about the Park Library, see other, related collections housed in the Clarke Historical Library.

This collection of Central Michigan University School of Music (SOM) recordings documents diverse musical performances and events performed in the School of Music by its faculty and students, and alumni, as well as guest musicians and artists, 1962-2018.

This collection of Central Michigan University School of Music (SOM) recordings documents diverse musical performances and events performed in the School of Music by its faculty and students, and alumni, as well as guest musicians and artists, 1962-2018. The recordings include choral, woodwind, brass, string, keyboard, and percussion soloists and ensembles, the CMU Marching Chippewas (band), recitals, annual and holiday concerts, galas, student and faculty recitals, master classes, workshops, high school choir and honors band concerts and camps, and annual scholarship competitions including: Patricia Nixon Woodwind, Paul I. Wilworth Brass, Irwin Piano, and the Cedric Colness and Dees Vocal. Boxes 1-33 consists mainly of reel-to-reel tapes and cassettes with a few CDs, 1962-1998. Boxes 33-69 includes cassettes, CDs, and some DVDs. Programs are included with nearly every recording. Paper programs are in the original reel-to-reel box, wrapped around the cassettes, and printed on CD and DVD cases. The most unique musical source in the collection is a laptop, see CD, MicroCHIP Music, November 12, 2010, while the most unusual group name is that of the Suspicious Cheese Lords, see their CD, October 29, 2010 (both CDs are in Box 55). The collection is organized in chronological order.

There are some inconsistencies or inaccurate information in the collection. Obvious typos were checked and corrected. Sometimes label information on reel-to-reel boxes and interior labels did not match. Other times, the information indicated that newer musical events were recorded over older recording/s, sometimes several times. In these cases, we included all names, events, and dates in the Box and Folder listing since we lacked the resources to listen to all of these recordings. Overall the recordings and original housing are in good to excellent condition. For a number of years, someone wrote on cassettes labels using red ink pens and the data is now quite faded and difficult to read.

The first deposit, Boxes 1-33, was transferred in June 1997, when the SOM moved from Powers Hall to the then new Music Building. Archivist Marian Matyn and a student packed the boxes and moved them through a window into her car as the doors were blocked during renovations. The second deposit, Boxes 34-69, was packed by two students and Marian and pushed by carts into the Clarke in spring 2021 when the Music Resource Center, where the recordings had been stored and made accessible to researchers, was converted into a lounge area. The SOM switched from hard copy recordings to live streaming in early March 2020 when COVID-19 closed campus

Researchers may be interested in other SOM collections in the Clarke including those with photographs, programs, and historical information. The SOM is also represented in numerous other Clarke collections in CMU photographs, publications, homecoming and athletics materials, vertical files, as well as in separately cataloged audio recordings, videos, dissertations and thesis, and musical scores.

Central Michigan University Student term papers from history, English, and other classes. These papers are sometimes the only source of information about Michigan people, events, or communities.

The collection consists of student term papers, mostly those from Dr. Dain’s History of Michigan class, and other (history, English, business administration, economics, geology, journalism, and sociology) classes at CMU. The term papers are sometimes the only source of history for a Michigan event, person, or community. The writing style and depth of research varies with each paper. If the paper's title does not specify what Michigan location the paper discusses, that information has been added by Clarke staff in parenthesis.

Papers from Professor Dain’s class are mostly in boxes 1-36. Papers from Professor Root’s class are mostly in boxes 36-40. Note: abbreviations in the box and folder listing are those found in the titles of the papers.

The collection includes Central Michigan University Women brochures, correspondence, historical materials, photographs, negatives, and reports.

Organizational records include: Bridge Club Materials, Spring 2003; Brochures and Membership Forms, 2000-; Correspondence, 1999-; Hiking Schedules and Members, 2000-2002; Historical Calendar and PowerPoint, 2020; Meeting Programs, 1999/2000-; Photographs and Negatives, 2000-; Reports, 2010/2011-; and 75th Anniversary Materials, spring 2003, including written memories of past presidents, a list of past presidents expected at the anniversary celebration, party mementos, compiled, selected minutes of historical importance from past meetings, and photographs of the event. The collection is ongoing.

The papers mostly document his research interests.

The papers mostly document a wide variety of Michigan topics in which Professor Larzelere was interested or taught, and they document the life of a CMU professor.

The collection consists primarily of Instructors Central Michigan University Semester Reports for instructors, professors, and departments, as well as some of Richtmeyer's biographical materials.

This collection consists primarily of Instructors Semester Reports, both for individual instructors and professors at Central Michigan University (CMU) and for the departments. The reports, which are dittoed forms, give the name of the instructor, term, year, and the number of A, B, C, D, and E grades given to the students in each course, as well as the total grades for each course. These numbers and grades were statistically compared to those received at other colleges and universities colleges that were accredited by the North Central Association of Colleges and Schools (NCACS). Professors and departments whose grades deviated from national statistics were invited to meetings with CMU President Charles L. Anspach to discuss the situation. Pres. Anspach then sent letters documenting the points and issues raised in these conversations to then Dean of Faculty Richtmeyer for further research, discussion, and evaluation. The purpose of these reports and the correspondence and discussions they generated was to guarantee that CMU would be accredited each time the NCACS evaluated it.

Richtmeyer is personally documented by his obituary, April 8, 1975 (copy) and portrait photographs (copies from the CMU Photograph Faculty files), 1966 and undated, as well as two relevant pages from the CMU Chippewa yearbooks for 1927 and 1969 (copies). Reprints of three mathematics articles he wrote are also included in this collection. A copy of the book he co-wrote with Judson Foust, Business mathematics (1959) is separately cataloged in the Clarke.

Transcriptions (copies) of oral history projects created by Central Michigan university faculty and students mostly of Central Michigan University (CMU) faculty, staff, students, and alumni, documenting their diverse experiences at Central Michigan University, in Mount Pleasant.

Transcriptions (copies) of oral history projects created by Central Michigan university faculty and students mostly of Central Michigan University (CMU) faculty, staff, students, and alumni, documenting their diverse experiences at Central Michigan University, in Mount Pleasant. One oral history is of a Michigan Native American woman discussing her memories of her family members who were forced to attend the Mount Pleasant Indian School, her experiences of the school's impact on her family and the tribe, and memories of one family member who graduated from eighth grade at a Michigan Civilian Conservation Corps (CCC) camp. Currently, all of these transcriptions CLOSED to researchers unless permission is granted by Professor Jay Martin. The collection is ongoing.

The collection includes all the correspondence, notes, testimony, resolutions, subpoenas, newspaper articles, press releases, hearing schedules, and other subject files collected by the Senate Committee during its investigation of CMU.

The collection includes all the correspondence, notes, testimony, resolutions, subpoenas, newspaper articles, press releases, hearing schedules, and other subject files collected by the Senate Committee during its investigation of CMU. Most of the correspondence, subject files, and testimony dates to 1965, although some of the affected professors and deans’ folders include materials dating back as far as 1949. Undated materials are circa 1965.

The collection consists of a wide range of musical compositions composed by Rivard.

This collection documents a wide range of musical compositions composed by Dr. Rivard, 1951-1999. There are compositions for orchestra, band, and small instrumental groups and solos, and these pieces may include conductor’s scores and/or various instrumental parts. While a few of the pieces have been published and copyrighted, most are unpublished. They are in good condition. For processing reasons, the collection has been organized by size, legal-size or oversized materials, and then alphabetically by title. Sometimes because of size differences, the score is physically separated from the musical parts. Boxes 1-2 are legal-sized materials. Boxes 3-4 and oversized materials and are housed in oversized, flat drop-front boxes.

Musicians may prefer the following list organized by musical genre. Orchestra: 1. Cupid and Psyche—Symphonic Poem, M.M. Thesis, 1951, Score; 2. Concerto Sinfonia for chamber orchestra—Ph.D. dissertation project, 1958, Score and Parts; 3. Overture to War of the Comedians—full orchestra, 1956, Score and Parts. Band: 4. Capriccio Concitato, 1955, Score and Parts; 5. Four Jazz Originals, 1976, Score and Parts, copyright 2008 by Nancy Rivard; 6. Concerto for Brass Quintet and Band, 1987, Score and Parts; 7. Echoes from the Twilight Zone, 1997, Score only. Small Instrumental Groups and Solos: 8. Three Biblical Scenes, Brass Choir, 1957, Score and Parts; 9. Sombrero Fallout-Incidental Music, Brass, Woodwind, and Percussion, 1978, Score and Parts; 10. Arioso and Scherzo, Woodwinds and Harpsichord, 1958, Score and Parts; 11. Sonata for Trombone and Piano, 1955, Score and Parts, published in 1969 by Tenuto Press, now G. Schirmer; 12. Set for Alto Saxophone and Piano, 1991, Score and Parts; 13. Quadrivalence, Bass Trombone and Piano, 1990, Score and Parts, to be published 2010; 14. A Lenten Contemplation, Trumpet and Organ, 2007, Score and Parts; 15. Philosophical Hautboy, Oboe, Strings, Percussion, 1953, Score and Parts; 16. Four Songs from the Masques of Ben Johnson, SATB, 1967, Scores; 17. Elizabethan Song Set, Mezzo-soprano and Piano, 1993, Score.

All the material in Acc#72163 was digitized and is available in the CMU digital collections, Scholarly and Creative Works under Rivard Collection of Music Scores.

Acc#76882, is not digitized. It was processed in late 2020-early 2021, and is found in Boxes 2 and Box 5. In the back of Box 2 are five legal-size Rivard original show tunes scores and parts for the CMU Marching Band, mostly pen on manuscript stave4 paper, with some copies and one written in pencil. Box 5 includes Rivard’s eleven Jazz and seven Show Tunes scores and parts and a lead sheet for CMU jazz and marching bands as well as a red Notebook of Show Tune scores. The Jazz scores and parts are all printed ink on cream colored or white paper. Some of the Jazz folders include a photocopy of the piano score by the original composer. The six Show Tunes are photocopies of Rivard’s compositions on white paper with acid stains where the pages were once taped together. Handwritten notations that were on the originals are visible on the copies. The Show Tunes music stave Notebook includes undated scores by Rivard in pencil, most of which have additional notation added by him in pencil and/or ink. The red Notebook scores include: Strike Up The Band, Rockin’ Chair, Caravan, Chicago, Stampin’ at the Savoy, Rhapsody in Blue, Everything’s Turning Up, Jazz My Blues (Segué), ½ Time P-G Fanfare, and ½ Time Pre-Game Fanfare, At some point, the front right lower corner of the red Notebook got wet and bled through pages of the first three scores to varying degrees, although none were rendered illegible or seriously damaged. Researchers with allergies please note: The Notebook has a light musty smell, but does not have mold.

The collection documents his media and academia career, with photographs Schock collected.

The collection consists of papers documenting Schock’s career in media and academia, such as stories he wrote, his tenure materials, biographical materials, correspondence, and photographs he collected.