Collections : [University of Michigan William L. Clements Library]

Jacob van Zwaluwenburg's memoir contains a discussion of his experiences during the Civil War along with an account of his childhood in the Netherlands and America.

Jacob van Zwaluwenburg's autobiography contains discussion of his experiences during the Civil War along with an account of his childhood in the Netherlands and America. He discusses his family, schooling, and religious upbringing in the Hervormde Kerk (Reformed Church in the Netherlands). He describes the ocean voyage and Erie Canal journey which brought the family to Michigan.

Van Zwaluwenburg describes his wartime experiences in the 16th U.S. Infantry, from his humorous efforts to volunteer through the end of his enlistment. He provides particularly detailed descriptions of the battles of Shiloh and Stones River and the fighting around Chattanooga. His account centers on the experiences of a private and strays little into the fields of politics and the evaluation of generals. Although there are a few geographical and chronological errors, the account provides an interesting view of the common soldier in the regular army.

The journal is in both manuscript and typescript; however, the two are not entirely the same. The typescript copy, 36 pages long, follows the manuscript copy, 33 pages long, with only minor differences until page 18 of the manuscript and page 22 of the typescript. From this point the copies differ greatly, although they cover roughly the same events. The manuscript is incomplete, lacking an ending.

"Our Generals" is a lithograph album (17 x 13.25 cm) consisting of 24 gray-toned lithograph carte de visite sized portraits of Union Civil War generals sold commercially by Leavitt & Allen of New York in 1862.

"Our Generals" is a lithograph album (17 x 13.25 cm) consisting of 24 gray-toned lithograph portraits of Union Civil War generals sold commercially by Leavitt & Allen of New York in 1862. The initials "A.W." appear in pencil on the inside front cover. There is a pre-printed index of names.

On each page, there is one lithographed carte de visite mounted into pre-cut slots surrounded by red and white decoration. The images themselves are either close ups or full body portraits. The name of the subject is handwritten in pencil under each image.

The album's covers are brown leather embossed with a floral pattern, with two large decorative brass clasps. The two brass closure tabs are stamped with "Our Generals."

The typescript of William Putney's history of Battery I, 2nd Illinois Artillery Regiment, bound and stamped in gold with the title, was presented to the captain of the battery, Charles M. Barnett, as a Christmas gift in 1897. Putney was only the final editor and compiler of the history, which was based on the recollections, letters, and diaries of a number of men in the regiment, with snippets culled from sources as diverse as Sherman's memoirs, reminiscences from soldiers in other regiments, and popular histories.

The typescript of William Putney's history of Battery I, 2nd Illinois Artillery Regiment, bound and stamped in gold with the title, was presented to the captain of the battery, Charles M. Barnett, as a Christmas gift in 1897. Putney was only the final editor and compiler of the history, which was based on the recollections, letters, and diaries of a number of men in the regiment, with snippets culled from sources as diverse as Sherman's memoirs, reminiscences from soldiers in other regiments, and popular histories. The full, and rather complex history of authorship of the volume is discussed in his preface.

In many ways, Putney's narrative is characteristic of the genre of post-war reminiscences, in its selectivity and its tendency to gloss over or reimagine certain events. It is not, however, as thoroughly sanitized as many memoirs, and presents some of the unpleasantries of military service and the war with a surprising freshness. Inclined toward a literary style, Putney balances small, humorous anecdotes, mostly personal in nature, with larger-scale perspectives on the campaigns and conflicts in which the Battery was embroiled. The intrusion of narratives drawn from high ranking officers (such as Gen. Sherman) provides some insight into the average soldier's post-war opinions on what was significant about their experience, but it is the recollections of the minutiae of service, the practical jokes played by soldiers, their everyday coping, that makes Putney's memoir so valuable.

The History of Battery I includes a roster of the battery, with brief notes on the post-war activities of each member. The manuscript maps are probably copies of some printed works rather than recreations from memory. They depict 1) Route of Battery I from 1862 to 1865; 2) military and naval operations about Island No. 10; 3) the last day of the battle of Chickamauga and the route of Battery I; 4) Chattanooga Campaign; 5) the Atlanta Campaign.