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The Warrensburg, Missouri photograph albums consist of two photograph albums containing 21 studio portraits, including several portraits of members of an African American family based in Warrensburg, Missouri during the 1870s.

Although these two albums were purchased together as a single lot from the same source, it is unclear if or how the individuals who are represented in each respective album are related. For conservation and preservation reasons, the original photographs have been removed from these albums and replaced with facsimile scan copies. The original photographs have been housed alongside the albums.

Volume 1:

This album (10 x 12 cm) contains four cartes de visite and six tintypes, all of which are formal studio portrait photographs. The album is made of pebbled black leather covers with a leather closure and has “Album” stamped in gold on the spine. The ownership stamp of “Lon. Fickas” (likely Benjamin Alonzo Fickas) appears twice in the album. “Warrens Brug (sic) Johnson Count Mo” is inscribed on a page near the back cover.

Eight or nine African American individuals are depicted in these photographs, some of whom may be identified through inscriptions on the photograph versos and/or inscriptions made directly onto the album pages. However, it appears that these photographs may have been moved around at some point as some of the album inscriptions do not seem to match up with subjects. Several images have hand-painted details including gold jewelry.

Pg. 1 of this album contained a carte de visite portrait of an African American man bearing a verso inscription that reads “Warrens Brug (sic) Mo march 11 1875 Less Will Wis 25 years old march 1”; there is also an inscription on the album page that reads “Renie (or Remi?) Hatton.” Pg. 2 held a tintype of an African American woman wearing a light blue ribbon that was colored by hand. Pgs. 5 and 11 both contained copies of the same carte de visite portrait of an infant African American child being held in place by a hidden mother; an inscription on pg. 5 reads “Lewis ?” while an inscription on pg. 11 reads “John Butler.” Pg. 7 contained a tintype of a young African American woman that includes a paper flower scrap with printed text reading “Charity” pasted at the top of the photograph sleeve. Two locks of women’s hair were stored in the album, one between pgs. 8 and 9 and the other between pgs. 12 and 13. Pg. 9 contained a full-length tintype portrait of an African American woman that bears a verso inscription reading “John Butler Warrensburg Mo,” while an inscription on page 10 also reads “kizher? Butler Was 27 year old June 1 1876.” This inscription may possibly be referencing a woman named Kizzie Butler who was recorded as living with her husband John Butler in Warrensburg in the 1870 census and was later included in Dawes Act Rolls under “Choctaw Freedmen.” Pg. 13 contained a tintype of an African American woman seated while holding a book (likely a bible). Pg. 15 contained a half-length portrait tintype of an African American man, while pg. 16 contained a tintype of an African American woman (possibly the same woman represented in the tintype from pg. 9) seated while wearing a white dress and hat. A small loose unmounted gelatin silver print portrait of an African American girl was also present between pgs. 16 and 17.

Volume 2:

This album (14 cm x 10 cm) contained eleven studio portrait photographs, nine of which are tintypes. The album has brown leather covers with a metal closure and has a floral motif rectangle around the word "Album" all stamped in gold on the front cover. None of the subjects represented in this album are identified, and none of these portraits appear to depict any of the individuals who are represented in Volume 1.

Most of the portraits that were housed in this album are of unidentified white men, women, and children. Also present is a group portrait tintype showing a family of possible African and/or Native American descent and a carte de visite portrait of a young African American girl taken by “Simpson 424 E Wash St.” (possibly William Simpson of Indianapolis). Also of note is a carte de visite portrait taken by J. F. Ryder of Cleveland of a white actress (possibly a burlesque dancer) leaning on a chair.

The Washington & Jefferson College Student album contains carte-de-visite portraits of Jefferson College students and various other individuals, many of whom are identified. Several of the college students belonged to the fraternity Delta Tau Delta. Many photographs originated in Washington, Pennsylvania; Canonsburg, Pennsylvania; and Ann Arbor, Michigan.

The Washington & Jefferson College Student album (13cm x 18cm) contains 79 cartes-de-visite, 1 tintype, and 1 lithograph. The original brown leather cover, now detached, has a partially raised geometric design and two metal clasps; a floral design is carved into the sides of the pages. Most items are individual portraits of young men, though a few pictures of women and children are also present, including a group portrait of four women and three men. One carte-de-visite has a decorative border printed directly on the card backing.

Many of the individuals pictured signed their photographs and wrote brief notes; several of the men photographed in Washington and Canonsburg, Pennsylvania, mentioned their membership in the Delta Tau Delta fraternity. A large number of photographs are attributed to George C. Gillett of Ann Arbor, Michigan; the album contains a portrait of University of Michigan professors Alonzo Benjamin Palmer, Samuel Glasgow Armor, and Corydon L. Ford; and a lithograph of the University of Michigan campus in Ann Arbor. A number of the other portraits taken in Ann Arbor are signed by men who took courses in medicine at the University of Michigan during the 1860s. The volume includes one portrait of a young child that may have been taken postmortem and one carte-de-visite with artificial coloring.

This volume is a record of costs associated with mortgage foreclosure cases filed in Michigan's Second District Court in the early 19th century, personal financial records of Michigan Supreme Court justice George Miles, and notes on mortgage foreclosures and similar legal cases filed primarily in Washtenaw County, Michigan, between 1847 and 1858.

This volume records costs associated with 8 mortgage foreclosure cases filed in Michigan's Second District Court in the early 19th century (20 pages); personal financial records of Michigan Supreme Court Justice George Miles, kept between May 27, 1839, and March 9, 1841 (16 pages); and notes on mortgage foreclosures and similar legal cases filed primarily in Washtenaw County, Michigan, between 1847 and 1858 (29 pages). One item laid into the volume documents the payment of costs associated with the case of Wilson & Cobb vs. Levi Rogers (February 19, 1848-August 24, 1852).

A. M. Gould, a clerk with Michigan's Second District Court, kept 20 pages of detailed records of filing costs and similar expenses related to 8 court cases, most of which were mortgage foreclosures. These include filing costs, the costs of creating copies of documents, and similar charges.

• Frederick M. Sanderson vs. Harvey Norton and others
• James E. Hays vs. Mary E. Hays
• Ormsby & Page vs. Howard Norris, et al.
• Hawkins & Wilson vs. H. H. Neff
• Miles Wilson vs. David P. Hinson
• Jagger & Varrick vs. Calvin Townson
• Levi Walker vs. William J. Moody
• Calvin F. Austin vs. Charles T. Moffett

The second portion of the volume, 16 pages, is a record of cash received and expended by George Miles, in account with Miles & Wilson, between May 27, 1839, and March 9, 1841. Miles often traveled throughout southeast Michigan, including trips to Detroit, Adrian, and Ypsilanti. One entry mentions Michigan governor William Woodbridge.

The final part of the book contains 29 pages of notes on many court cases heard in the "Circuit Court for the County of Washtenaw in Chancery" between January 19, 1847, and March 1858. Most of the cases involved mortgage foreclosures, and notes often mention the plaintiffs and defendants, motions and related documents filed, and associated fees. A divorce case related to Murray Speer of Pinckney, Michigan, is mentioned, but with no associated notes. Though the majority of cases pertain to Washtenaw County, Michigan, others took place in Livingston, Kalamazoo, and Eaton counties. The case of Ebenezer Wells and Franklin L. Parker against James Fuller, Jr., of Eaton County, Michigan, relates to land held in Ionia, and is accompanied by a newspaper clipping (April 4, 1857). Two additional items are laid in: a scrap of paper with calligraphic writing, and a short note.

The collection consists of six penmanship exercises composed between 1815 and 1817 by Eirene Smith (aged 13), Nancy Smith (aged 14-16), Mary Smith (aged 17), and Loreney Stone (aged 17), likely students in the same class in Wayland, Massachusetts. The exercises consist of copied poems entitled "The Rose," "To Eliza," "On The Seasons," "To The Lilly," "Epitaph," and "Lines Written in a Winter's Walk."

The collection consists of six penmanship exercises composed between 1815 and 1817 by Eirene Smith (aged 13), Nancy Smith (aged 14-16), Mary Smith (aged 17), and Loreney Stone (aged 17), likely students in the same class in Wayland, Massachusetts. The exercises consist of copied poems entitled "The Rose," "To Eliza," "On The Seasons," "To The Lilly," "Epitaph," and "Lines Written in a Winter's Walk."

This 32-page account ledger documents sales made by an as-yet unidentified printer in or near Waynesboro, Virginia, from 1901 to 1904. Most entries include the date of purchase, the purchaser's name/business, quantity and type of items sold, prices, and occasionally markings indicating the receipt of payments. The types of items sold include circulars, envelopes, billheads, letterheads, notices, statements, ball invitations, memos, tickets, folders, booklets, blanks, notes, reports, printing jobs, and at least one typewriter. Quantities of sold items largely range from the low 100s to 1,000 pieces. Purchasers included the Henckels, J. A. Patterson, the Stuart Draft Mill Company, the Belmont Hotel, Blue Ridge Furniture Company, Bean's Photo Gallery, Basic Lithio Spring Company, Union Baptist Church, Union Sunday School, Presbyterian Church, Crimora Mine Company, F. M. White & Bro., and many others. In July 1901, the printer received orders of tickets and receipts for a Baptist bazaar.

This 32-page account ledger documents sales made by an as-yet unidentified printer in or near Waynesboro, Virginia, from 1901 to 1904. Most entries include the date of purchase, the purchaser's name/business, quantity and type of items sold, prices, and occasionally markings indicating that payments had been received. The types of items sold include circulars, envelopes, bill heads, letter heads, notices, statements, ball invitations, memos, tickets, folders, booklets, blanks, notes, reports, printing jobs, and at least one typewriter. Quantities of sold items largely range from the low 100s to 1,000 pieces.

Purchasers included the Henckels, J. A. Patterson, the Stuart Draft Mill Company, the Belmont Hotel, Blue Ridge Furniture Company, Bean's Photo Gallery, Basic Lithio Spring Company, Union Baptist Church, Union Sunday School, Presbyterian Church, Crimora Mine Company, F. M. White & Bro., and many others. In July 1901, tickets and receipts were ordered for a Baptist bazaar.

A note on the final page states: "Nihilist / Holt Nihil Henkel."

This album contains photographs of local residents, buildings, and natural scenery taken in the Congo region of Africa, around 1887. Africans and white missionaries posed singly and in groups. Landscape views, village scenes, images of vegetation and rock formations also appear.

This album (43cm x 32, 61 pages) contains 269 photographs of local residents, buildings, and natural scenery, possibly at an American Baptist mission in the Congo region, circa 1887. Three to eight items are pasted onto each page, and captions are written directly into the album where photographs are missing. The three-quarter-bound volume's covers are black and gray.

The photographs are roughly organized by topic. Pages 1-23 are comprised of individual and group portraits of Africans and of white missionaries. Many are identified by name. Of particular interest are posed ethnographic photographic studies of native men, women, and children shown in traditional African and western dress. Many if not most images appear to have been staged by the photographer. Among those may be of native inhabitants appearing as manacled slaves or prisoners; a mock execution, people with primitive weapons; mock combat with bow, spear, and shield; the wearing of ceremonial masks, families with children, and a young man with a large snake around his neck. "Mr. Clark" is identified in group photos as is "Dr. Flemming," a black woman, who is occasionally pictured with the missionaries. "Mr. Lewis" appears with a camera and tripod and may be the photographer for this album. "Mr. Roger Casement," future British consul to Portuguese West Africa and Irish Nationalist, is identified in one photograph and appears in at least one other. A set of four photographs depicts two African boys using a camera obscura on a stand to produce drawings of each other. The images on pages 23-31 include village scenes, rustic buildings including a church, post office, and photographer's booth. A man posed with the decapitated head of a hippopotamus appears on page 23.

Pages 32-48 concentrate on details of trees, fruits, and other vegetation, and pages 49-60 pertain to rock formations and rivers. These items include views of rocks with unidentified carved inscriptions, of caves, and of sailing and steam ships in a harbor. A small river steamer, theHenry Reed , a canoe, and a shipwreck are also pictured. The final item, located on page 61, is a photograph of William Shakespeare's supposed birthplace in Stratford-upon-Avon, England.

This volume (198 pages) contains 184 pages showing various branding marks used by horse and cattle dealers throughout the western United States in the late 19th century, as well as 15 pages of accounts recording purchases of cattle in December 1899 and January 1900. The 184 pages of brands are divided into several sections based on the types of identifying marks used; approximately 1,480 brands are represented. The notebook is accompanied by a 35-page pamphlet entitled "Cattle Brands of Texas," published in the mid-20th century.

This volume (198 pages) contains 184 pages showing various branding marks used by horse and cattle dealers throughout the western United States in the late 19th century, as well as 15 pages of accounts recording purchases of cattle in December 1899 and January 1900. The 184 pages of brands are divided into several sections based on the types of identifying marks used, and approximately 1,480 brands are represented. The notebook is accompanied by a 35-page pamphlet entitled "Cattle Brands of Texas," published in the mid-20th century.

The brand book, once owned by a livestock buyer, contains both graphic and textual descriptions of brands used by livestock breeders throughout the Great Plains and western United States. The vast majority of brands are for cattle. Each page has 8 images of cattle or horses stamped in purple ink, with hand-drawn brands placed on the images. Animals' ears are represented by a stamped infinity symbol. Some dealers used variations, which are recorded in red ink. Each livestock stamp is accompanied by the dealer's name, cattle range, and primary city. Suppliers originated from Colorado, "Dakota," Illinois, Kansas, Minnesota, Missouri, Montana, Nebraska, New Mexico, Texas, and Wyoming. A newspaper clipping showing 7 branded cows of the Warren Live Stock Company of Cheyenne, Wyoming, and their ranges, is pasted on page 23. The brands (pp. 2-185) are followed by 15 pages of accounts recording purchases of cattle made primarily from F. H., W. H., & M. B. Gill Brothers of Greeley, Colorado, in December 1899 and January 1900 (pp. 186-201). Each account includes a stamped image of a cow with a brand, the supplier, and the price, each spread across two pages. A total price appears at the bottom of every two pages.

The Western Brand book is accompanied by a short pamphlet entitled Cattle Brands of Texas, published by the First National Bank in Dallas around the mid-1950s. A forward by Wayne Gard introduces the history of cattle branding within the state. The book contains historical notes for numerous brands that decorated the bank's executive dining room.

The Western travel and mid-Michigan photograph albums (2 volumes, each 23 x 36 cm) contain a total of 417 photographs primarily pertaining to travel in the western U.S. and the mid-Michigan region, likely taken by a member of the Charlesworth/Abraham family of Flint, Michigan.

Volume I: Western photographs include views of Yellowstone, the Yosemite Valley, cliff dwellings with pictorgraphs, a petrified forest, hiking across a glacier, buildings of the Panama-Pacific Exposition, the Saltair resort in Utah, cliff dwellings, the California coast, a bull fight, Native Americans selling pottery on the street, California houses, and a concert band dressed in kilts. Also included are single views of a city waterfront, possibly St. Paul, Minn., Milwaukee grain docks, and the Minnesota State Capitol. Album contains 232 images. Photographs lack captions.

Volume II: Mid-Michigan photographs show chiefly outdoor activities and rural scenery, including house and barns, country roads, hunting and fishing trips, boating, swimming, hunting dogs and game birds, a circus parade in downtown Flint, farm animals and cow-milking, and picnics. Nine photographs show a collection of bird amulets and carved relics, some belonging to the Silas Collins collection at the Flint Public Library. Also shown are burnt-out ruins of the Michigan School for the Deaf and postal carriers in Flint with sleds and wagons piled high with Christmas packages. Several photographs feature automobiles, including an overturned auto in the street being contemplated by a young man in swimming costume with handwritten caption, "Berston killed;" automobiles stuck in potholes and rescued by horse-teams; filled with hunting dogs; and a Buick Model C burnt out and restored. Michigan locations include: Flint, Prescott, Stiles Lake, Long Lake, Houghton Lake, Rifle River, Ortonville, and Skinner Lake. Identified individuals include: W.B. Ormsbee, A.G. Abraham, Herb Mitchell, Howard Casler, E. Rockafellow, Luella Charlesworth, John Brewer, Emma Abraham, Ernest Oldfield, M.B. Shirk, William Somerville, Hattie Barker, George Dell, Gert Fellows, Glenn Jones, Edgar Ries, John Ries, George Havers, John Wildanger, George Havers, Clyde Baldwin, George Frye, Edgar Rice, Chancey Straber, Elsie Caverly, Clarence Caverly, Leo & Mrs. Boomhower, Bud & Mrs. Evans, Ed Brown, Llloyd & Mrs. Algoe, Alice Charlesworth, Anna Charlesworth, George Holmes. Album contains 185 images. Most photographs include manuscript captions on verso.

Albums housed in three-part wraps with blue cloth spines.

The "Western Trip" photograph album contains pictures of people, natural scenery, and cities in Colorado, Arizona, New Mexico, California, Oregon, and Washington. The album includes photographs of the traveling party, popular tourist destinations, and residents of Santa Fe, New Mexico.

This album (17cm x 25cm), entitled "Western Trip-Summer-1899," contains 95 photographs of people and scenery in several western states. Each page contains two photographs housed in 8cm x 8cm windows; all items have captions, usually providing the location of the photograph. The title "Photographs" is printed in gold on the album's faded green cloth cover.

The photographer took three photographs of railroad stations, railroad tracks, and the prairie in Nebraska and Kansas before reaching Colorado. A photograph on the first page, identified as Lincoln, Nebraska, is likely mislabeled. A manuscript caption on the back of this photograph identifies the location as Omaha, Nebraska. In Colorado, where the photographer visited Manitou Springs, several canyons, Pikes Peak, and the Garden of the Gods. Several photographs are views of mountain passes and similar Colorado scenery some of which were taken from the front of a horse drawn carriage. The photographs from New Mexico include street-level views of Las Vegas and Santa Fe, as well as informal portraits of a woman and a child in front of a pueblo, a woman ("Belle of Santa Fe"), and a boy ("Dude of Santa Fe"). In Arizona, the traveler visited cliff dwellings, canyons, and the Grand Canyon; some images show the horse-drawn carriage the party took from Flagstaff to the Grand Canyon, and others show tourists (including the compiler) on horses. The caption of one photograph implies that a railroad car on the Atchison, Topeka and Santa Fe Railway had caught fire, though no fire or smoke is apparent.

After visiting the Southwest, the traveler continued to California, where he or she collected several photographs of the Pacific Ocean as seen from Santa Catalina Island, California. These are followed by a group of pictures from Yosemite National Park, including views of mountains, waterfalls, lakes, and forests, and a picture of Mount Shasta. The final items feature the Hotel Portland in Portland, Oregon; Umatilla House in The Dalles, Oregon ("Where Measles Flourish"); the Columbia River and riverside scenery; Tacoma, Washington; Seattle, Washington; and the shore of Lake Washington.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts. The album (26.5 x 32 cm) is fully bound in leather with gilt lettering "Kodak" on the front cover. Most of the locations depicted are represented in one or two photographs with the exception of Yellowstone (approximately 20 images) and the Grand Canyon (approximately 12 images). Other photographs show trains and train tracks, with two photographs of train station gardens in Sacramento and Ypsilanti, Michigan. Non-western locations and objects depicted include the Hudson, Niagara, and Mohawk Rivers, Niagara Falls, Minnehaha Falls, and Stone Arch Bridge in Minneapolis. In general people appear to be incidental to the scenery, save for two photographs showing posed groups; one in front of a topiary maze, and another in a grove of giant trees. Most photographs have numbers and captions derived from labeled negatives.